(ominous music)
(Lightning)
(typewriter clacks)
(ominous orchestral music)
(footsteps approach)
- What the hell is this?
(groans)
No.
No!
No, what are you doin'?
No!
(grunts)
Let go.
No!
(grunts)
- So, my childs, today I make history.
- [Prisoner] Let me outta
here, I'm an American!
- You look especially pretty today.
Tonight you will celebrate with me.
Dr. Herman Baumgartner,
31st of October, 1958.
Alpha X-Ray Series, human trial, zero set.
Subject 13 will be injected
with the updated virus,
Alpha X-Ray Zebra.
- We should have nuked
all you Nazi bastards!
- Keep the specimen quiet.
- Specimen?
What the hell's that supposed
to mean, you Nazi? (groans)
- Maybe you are the one.
Yah.
(suspenseful music)
(thud)
(prisoner groans)
(gun hisses)
(prisoner groans)
- Stop this immediately, shut
this operation down right now.
- Ah, General, just in time
to celebrate my victory.
- Your victory?
I said shut it down, this is
no longer a sanctioned project.
- General, the importance
of my work is indisputable.
You of all should know that.
- You've got your orders, Baumgartner.
- "Orders." (laughs)
Orders are for mindless sheep.
- Enough of your Third
Reich delusions, arrest him!
You overstepped for the last time.
Go ahead and smile, Herman.
One word from me and you won't
see daylight for 20 years.
- Haven't you heard, my general?
I work for the CIA now.
May I?
It's over.
(speaks German)
- The hell it is!
I should never have allowed this.
- Isn't it a bit late to be
developing morals, General?
- I'm gettin' you outta here, soldier.
It's gonna be okay.
(prisoner groans)
(prisoner vomits)
(dramatic orchestral music)
(groans)
- [Herman] We're damned!
Not again!
(shouts in German)
(ominous music)
(assistant screams)
(nurse yelps)
- [Nurse] Help me!
(flesh squelches)
(suspenseful orchestral music)
(alarm blares)
(dramatic chord)
(suspenseful orchestral music)
(moody rock music)
- What did I say, gentlemen?
- Wow.
- Oh, yeah.
I could totally get down with this.
- Welcome, welcome, you must be--
- Ethan, and these are my
mates, John and Daniel.
I reckon we might wanna
get us some trouble, lads.
- In that case, you won't want
to miss our cocktail brunch.
- My kind of place.
Hello, ladies.
Three princesses all alone?
This will not do.
- [Host] Who's ready
to start with a drink?
- Me!
- Alright, bring it on!
- Cheers.
- Cheers!
- Final round.
I call this Death in the Jungle.
- Sounds final.
- Down the hatch!
- That settles it, you're coming with us.
- Coming where?
- Down the river, on a raft.
We're goin' tomorrow.
- Yay!
- Cheers to that.
(group cheers)
- I need more coffee.
- Where is she?
- It usually takes her a
little while to get ready.
- [Ethan] We're going into the jungle.
- Oh, my god.
(upbeat rock music)
- [Ethan] Well, hello, gorgeous.
(toy dog barks)
- What are you waiting for?
(upbeat rock music)
- [Daniel] Steer to the left, everybody.
- No, to the right.
- The guy told us to follow
the route on the map.
- So what, man?
He told us not to drink, too.
And what do ya know?
- Dude, could you ever
be, like, not a dick?
- It'll be an adventure!
- Think about it.
Everybody follows the
route on the map, right?
This way, we'll have the
river all to ourselves.
- Oh, our very own river!
- I mean, it's not like
these are raging waters.
- And it looks like they'll
join again in a few miles.
- I think it's a bad idea.
- I agree.
- Dude, think of it as a
navigational challenge!
Get us through uncharted
waters, oh wise one.
- You're an idiot.
- It should be fine if we're careful.
- It could be fun.
- See? She's up for it.
- I guess.
- It's decided!
- Nothing dangerous, though.
- Admit it, you're loving it.
(suspenseful orchestral music)
(distant animals howl)
- Oh.
Wow!
- What did I say, guys?
Our own private sanctuary.
Sweet!
- Everybody glad we came this way?
- I can't believe they
blocked this place off.
- Ladies?
- What the hell are you doin'?
They told us to keep our life vests on!
- Chill, does this look dangerous to you?
- [Ethan] Yeah, no danger
of goin' overboard.
Psyche!
- [Daniel] You idiot!
(suspenseful electronic music)
- The water's awesome!
- I wanna get in!
(funky electronic music)
- Oh, yes!
God bless you, waterfall.
- Where's the boat?
Where's the boat?
- What? How? I, uh--
- No!
- That's great.
- How did it get loose?
- You didn't tie it up right.
- Yes, I did!
- You think this is his fault?
There's no signal.
- We are so screwed.
- What are we gonna do now?
- Somebody will come and find us.
- They'll send a search party.
- Um, that may help, if we
hadn't taken the wrong fork.
- Oh, no!
We're lost?
- Oh, we can make our way
back to the other river arm.
- Yeah, yeah, it looks like it,
but that's at least a mile back.
- We'll have to walk.
- What, through the jungle?
- Oh, are you nuts?
It's, it's impossible!
- Do you have another
idea, Mr. Two Rules Down?
- Let's move, we do wanna make
it back before it gets dark.
- I'll protect you.
(dramatic music)
Oh, shit!
That frickin' hurts,
what's wrong with you?
- She doesn't like guys touching her.
- You should get your clothes on.
(suspenseful orchestral music)
- Stupid jungle!
Ow, ow!
- [Woman] Tiffany you've got
to lose those ridiculous shoes.
- I can't walk barefoot
through the jungle.
- You're going to break your neck
before we make it outta here.
- She's right, Tiff, you could
probably walk faster, too.
- Fine.
Wait up, guys.
Ew, ew.
I don't wanna walk anymore!
Are we there yet?
- A path!
Dudes, dudes, a path!
A path, woo-hoo!
Oh, yeah!
Holy shit.
(ominous orchestral music)
- How did it get all the way out here?
- Let's check it out.
- If we can climb to the top,
we might be able to see where we are.
- She makes a good point.
- Let's go, then.
(suspenseful orchestral music)
(motor starts)
(machine bleeps rhythmically)
- This isn't like anything I've ever seen.
- It looks kinda creepy.
- Like Jungle Dracula's castle.
- Well, we're not moving in.
Let's go, Mr. Adventure.
- I'm gonna go check it out.
- Back off, Ethan.
We don't need any more
trouble, understand?
- [Ethan] You're the boss.
- What are you waitin' for?
- Hey, babe.
We got our orders.
Let's get drunk.
- Yay, finally something fun!
(suspenseful orchestral music)
(machine bleeps rhythmically)
- Rise and shine!
Scream, if you must.
No one can hear you!
(woman screams wildly)
See?
Nobody around to help.
I tweaked the formula just for you.
You have to be the one.
You might feel a little prick.
(chuckles)
(slap)
Hold still!
(woman sobs)
(chuckles)
(woman screams)
(bleeping quickens)
(flesh squelches)
(blood splatters)
(sustained high-pitched tone from machine)
Oh, bugger!
- Yo.
- Just what I wanna do.
Get wasted while we're lost in the jungle.
- Come on, it's good for you!
- [Daniel] What do you think that says?
- [Woman] We're not makin'
it out of here by nightfall.
- [John] There's gotta be a way.
- In the dark?
We're lucky if we have two
hours of daylight left.
- That's enough.
- It took us three hours to get this far.
- [Ethan] Hey, guys, check this out.
- Oh, yay!
- Good, you brought
some disinfectant along!
We'll need it when you burn your face off.
(Ethan laughs)
- Why doesn't it work!
Yes, I did.
I do!
It's her fault, god damnit!
I'll show you, you'll see.
(laughs) I can do it!
I do have it in me, I will make you proud!
The world will know our name.
You useless piece of meat!
What did you do?
It's all your fucking fault!
Fuck!
(screams)
(dramatic orchestral music)
I guess you'll join the others.
- What did you guys see?
- We're havin' a sleepover!
- Ha ha ha, very funny.
- Unfortunately, it's no joke.
- No, there's gotta be a path.
- Only jungle as far as the eye can see.
- We need to take shelter in the ruins.
What?
I saw it on Man Versus Wild once.
Sheltering for the night is the most
important survival skill.
- I guess we better check it out, then.
(eerie orchestral music)
(screams)
(bats squeak)
- Hurry up, guys!
- [Ethan] (chuckles) Whoa.
(John chuckles)
- This is is lit!
- No way.
- [Ethan] This is lit.
- See? I told you guys
this was a good idea.
- Good call, babe.
- I wonder what this looked like before.
- I hear they used to do human sacrifice
in places like this.
- What?
- Yeah, every 13th day of every 13th year.
Which is tonight!
(dramatic chord)
- Leave her alone, guys.
(toy dog barks)
Nobody died here, probably.
- I'll be totally missing my
flight 'cause of you guys.
(eerie orchestral music)
- [John] Guys.
- [Daniel] What are you doing?
- There's somethin' in here.
- What something?
- You see it?
- What is it?
Get your hand outta there!
What are you doing, dude?
Stop!
- Almost.
There.
Oh, sweet!
- Whoa, dude!
- What is that doing here?
- Awesome.
- Whoa, whoa, whoa, whoa.
- Let's see if it works.
- Don't, if the barrel is damaged,
it could misfire and tear your hand off.
- I'll give it a try.
- [John] Stay back.
(gun fires)
(Ethan chuckles)
- Geez!
- It works!
(gun fires)
- (chuckles) Yeah!
Let me have a shot.
- Maybe we should save the bullets,
being stuck out here all night?
- I'll take this.
(dramatic music)
(eerie orchestral music)
- Oh!
A secret room!
(device bleeps)
- Holy crap.
- [Daniel] What's this
doing in these ruins?
- Let's go down.
- I'm not going down there.
- There's some type of
old facility down there.
- No, not going!
- I wanna check it out.
- Even Pussiana Jones is up for it.
- Yes, baby bro!
- Oh, come on, I'll look after you.
- Let's do it.
- Okay, fine, but you're
not leaving my side.
- Step aside.
- [Tiffany] Oh, another secret room!
- Here we go.
- What was going on down here?
- And who was doing it?
- I've got this.
(wheel creaks)
(door creaks)
- Step back, Tinkerbell.
(door creaks)
(grunts)
You gonna help me or what?
(door creaks)
- [Tiffany] So strong.
You did it!
(door creaks)
(Ethan grunts)
- Oh, wow.
(wondrous orchestral music)
- [Woman] This is amazing.
- Jackpot.
- It's so big.
- I'm so glad we lost the boat.
This is ancient.
- It's kinda like they
built one structure,
on top of another one.
- Like Rome, a city on top of a city.
- So, why the Fort Knox door?
- Yeah, there's nothing in here.
- Let's check it out.
(eerie orchestral music)
Look at the eyes.
Maybe some type of warrior temple?
(door creaks)
- It's closing!
(dramatic orchestral music)
- [Woman] Wow, that was great!
- Nice reflexes.
- It's just a door.
- I always say you
should go out for track.
But he was more into his books.
(dramatic chord)
Oh, fuck, fuck, fuck.
- That is disgusting.
- What is that?
- It looks like blood.
- Oh, shut up.
I can't believe this
shit, I need some water.
(spits)
- Oi, guys!
Come over here.
(moody orchestral music)
- Watch out.
- This isn't so scary, is it?
- [Ethan] Alright, check it out.
- What is that?
- It's an old generator.
- A really old one.
- Don't touch it!
- You don't know what that does.
- Get out of my way.
- Chill out, guys.
- This looks military to me.
CIA was doing stuff out here in the 50s.
- CIA?
- Yeah, during the Cold War.
Trying to overthrow the communists.
- A lot of people disappeared.
- Well, there better not
be any skeletons down here.
- Or ghosts.
- Shut up, Ethan.
(radio interference)
- Oh, shit.
- What the fuck?
- Oh, no!
- What happened?
- [John] Well, I'm glad
we didn't split up.
Wouldn't wanna get lost down here.
- [Tiffany] Oh, this
is not good, not good.
- [Woman] I'm scared.
- Let's get out of here.
- Wait.
I might be able to get her going.
- Why?
- Lights.
Duh!
There we go.
(fuel trickles)
(switch clicks)
(level clunks)
(grunts)
(generator whines)
(suspenseful orchestral music)
(distant snarls)
- Oh, finally!
- Yay, lights!
- Nice work, bro!
- Yes!
Pretty cool, huh? (chuckles)
- My hero.
- It's a furnace.
- Hey, guys, come on.
(suspenseful orchestral music)
- My feet hurt!
- This is incredible.
- Like, really hurt.
- Careful.
- Check it out.
- Hello?
- [Daniel] Whoa.
- What do we have here?
- It's some kind of control room.
- [John] Check it out.
Sweet.
(alarm blares)
(man snarls)
- Shut it off!
- What did you do?
- How do you turn it off?
- I'm trying!
- I'm practically deaf!
- There's no picture.
- Patience, it's CRT.
It takes a while for the tubes to warm up.
- Someone wanted to keep
an eye on things down here.
Maybe we can see what they
were trying to keep an eye on.
- Whoa.
(ominous orchestral music)
- Ew.
- Oh, my god.
What is that?
- We're gonna do some exploring.
- You've got to be kidding me.
- Don't catch anything.
You're gonna get it working?
- Just give me a few.
- Come on, let's look around.
- Okay, let's see if our
superior 21st century
digital knowledge can
crack this analog puzzle.
(funky electronic music)
- It's kinda creepy.
- I'll show you creepy.
(Tiffany yelps)
(laughs)
Tiff?
Tiff?
Where'd you go?
Tiffany?
Tiff?
Tiffany.
Where are you?
Tiffany!
Tiffany, where are you?
Tiffany?
Tiff.
Tiffany?
- [Woman] We did it!
- [Daniel] We are officially awesome.
(suspenseful sting music)
- What do you think they
were doin' down here?
- No idea.
- [John] This could have been
a Cold War command center.
- Looks like there was some
fighting going on down here.
- What about secret experiments?
- You have a vivid imagination.
- [John] Aliens.
(distant snarl)
- Did you hear that?
(radio feedback screeches)
- John.
- [John] Daniel?
- [Daniel] Little Brother is watching you.
- [Woman] We can see you,
but we can't hear you.
- [Daniel] We got the cameras
working, come check it out.
- Oh, shit.
(funky electronic music)
There you are.
You scared me.
All for me?
Oh, I could just eat you up.
- Okay.
(moans)
Right there.
Don't stop.
- Good job, little bro.
- Where's Tiffany and Ethan?
- They haven't come back yet.
- Let me try to find them.
- Oh, hell no, turn it off, turn it off.
- Go, Ethan!
- Tiffany, whatever it is you're
doing you might wanna stop.
The cameras are rolling.
Guys, guys.
They can't hear me.
- I'll go find them.
(dark orchestral music)
- I need those final notes.
I could get around all those
undead freaks down there,
if it wasn't for him.
He has all the secrets.
The key to immortality.
Father!
What should I do?
Please tell me, what should I do?
They found it.
Good.
I will take care of it.
Yes, I know how important.
I'll go right now!
Heil!
- Tiff?
Tiffany?
(Tiffany giggles)
- Oh.
- [Woman] You guys find
anything interesting?
- Oh, yeah.
Yeah.
- Not really!
- [Woman] Did you change?
- Yeah!
- [Woman] Come on, we
got the monitors working.
- Oh!
See anything cool?
- You could say that.
(dramatic orchestral music)
(creature snarls)
- [Ethan] Holy shit!
- Oh my god, oh my god!
Oh my god, Ethan!
Where is she?
- I don't give a shit, run!
- [Tiffany] We can't just leave her here!
- Then you go back for her!
(creature snarls)
(Tiffany screams)
- Something took Aneesha!
- What?
- Something grabbed her
and dragged her off!
- How much did you guys drink?
- We saw it!
- Saw what, Tiffany?
- I don't know, it was disgusting.
- We're getting the fuck out of here, now.
- Ethan, stop.
(dramatic chord)
What happened?
- There is something down here with us.
It's gonna kill us all.
- What?
Where's Aneesha?
- She's fuckin' dead, man!
(suspenseful orchestral music)
(zombie grunts)
- Come on.
(sharp thud)
(dramatic rock music)
(flesh squelches)
(zombie snarls)
(bone cracks)
(thud)
(suspenseful orchestral music)
(ominous chord)
(zombie snarls)
(dramatic rock music)
(bones crack)
(zombie snarls)
(flesh squelches)
(zombie snarls)
(zombie groans)
(flesh squelches)
(dramatic orchestral music)
- (groans) Where are we?
It all looks the same down here!
- You're supposed to know
which way we're going.
- I can't find her anywhere.
- I'm gonna go look for her.
- I'll go with you.
- No.
You two stay here.
- Let's go this way!
- We just came from that way, you idiot.
- I'm just trying to help.
- Well, stop trying!
- Asshole!
(toy dog barks)
(zombie snarls)
Ethan!
(zombie snarls)
- Don't worry.
(dark string music)
I'll look after you.
(Tiffany yelps)
(zombies snarl)
(Tiffany screams)
(dramatic orchestral music)
(Tiffany screams)
- [Daniel] What is this?
- They were experimenting on people.
- "Integrated power viral
genetic, transform the weakling
"of the battlefield
into a veritable sup..."
They were trying to create super soldiers.
(zombies snarl)
(Tiffany yelps)
(heavy footsteps approach)
(ominous orchestral music)
(zombie grunts)
(Tiffany screams)
(flesh squelches)
(Tiffany coughs)
(zombie grunts)
- Aneesha!
(ominous orchestral music)
(suspenseful orchestral music)
Aneesha.
(wheel creaks)
(wheel creaks)
(air hisses)
(dramatic orchestral music)
(creature shrieks)
Shit!
(gun fires)
(creature shrieks)
- Here we are, darling.
(melancholic orchestral music)
Isn't it beautiful?
I've been waiting to find you, my angel.
And here you are at last,
sharing my heart, my home.
When I'm with you, I really
feel like I can be myself.
The stars are aligned.
We will dance amongst them for eternity.
(dramatic orchestral music)
(Ethan grunts)
- We gotta go.
- Did you find her?
- No, there is something
really bad going on.
- What?
- I don't know, but I found this.
- Shit!
- We gotta get outta here.
- There's Ethan, he made it to the exit!
(suspenseful orchestral music)
- Who's there?
Hey!
(wheel creaks)
Who's there?
Open up the bloody door!
- You can't go, you have to
help me with my pest problem.
- Open up!
(thuds)
(grunts)
Damnit!
(thuds)
(grunts)
- Oh, shit.
- What is that?
- [John] It's freakin' huge.
- I think it's headed toward Ethan.
- Ethan, Ethan, can you hear me?
There's something coming your way.
You've gotta find another way out.
- [John] Run, bro!
- No shit!
(dramatic orchestral music)
Fuck.
Hey.
Hey!
Hey.
(heavy footsteps approach)
(zombie snarls)
(zombie grunts)
Oh, fuck me.
Stay back!
You stay the fuck away from me!
Stay back!
- [Daniel] Get out of there!
- People.
You want people.
I've got lots of people for ya.
They're back that way.
Come on.
- What's he doing?
- Come on.
(heavy footsteps approach)
That's it.
I can help you.
- He's leading it somewhere.
- I'm gonna hook you up.
(plank creaks)
I'm your man.
See?
You need me, come on.
This way.
Almost.
No.
(groans)
(heavy footsteps approach)
(dark orchestral music)
No!
I can help you! (groans)
Don't!
(groans)
(coughs)
(grunts)
(sharp thud)
(chokes)
(zombie snarls)
(screams)
(bones crack)
(zombie grunts)
(chokes)
(melancholic orchestral music)
(dramatic orchestral music)
(flesh squelches)
- We gotta get out of this place.
- Yeah.
(zombie roars)
- [Daniel] I, I can track it.
There it is.
- Where'd it go?
- It went into a dead zone.
- This is really messed up.
We are so screwed, how are
we gettin' out of here?
Fuck!
(flesh squelches)
(zombies snarl)
(zombie growls)
(zombie grunts)
(female zombie snarls)
(dark orchestral music)
(zombie snarl)
(melancholic orchestral music)
(music swells)
- There's gotta be another
god damn way outta here.
- The generator.
- What?
- Remember the generator?
There has to be an exhaust vent, right?
Wouldn't that lead to the top?
- [Daniel] Maybe we
could climb through it.
- Good idea.
Let's go.
(suspenseful orchestral music)
- Is this the way?
- I don't know.
None of this was on the cameras.
- Let's go this way.
(zombie snarls)
(group yelps)
- [Woman] Look out, look out, go, go!
(group yelps)
- Help me, help me!
It's a door, get it open.
- [Daniel] I don't know how, I can't!
- Guys, in here, in here, come on!
- I can't get it!
- Forget about it.
(dark orchestral music)
(zombies snarl)
- In here, guys, in here.
- [Daniel] Yes!
- [John] We can climb out.
Come on.
(suspenseful orchestral music)
(grunts)
- Shit.
- It's really slippery.
- I can do it.
Oh, god!
Fuck.
- Damn.
- Fuck!
(melancholic orchestral music)
(foot clunks)
(zombie grunts)
(dramatic orchestral music)
(zombie grunts)
(female zombie snarls)
(melancholic orchestral music)
(female zombie whines)
(ominous orchestral music)
(zipper zips)
(zombie moans)
(dramatic orchestral music)
(female zombie whines)
(zombie grunts)
(flesh squelches)
(zombie growls)
(flesh squelches)
(melancholic orchestral music)
(flesh squelches)
- [Woman] What are we gonna do?
Oh my god, they're coming.
(ominous orchestral music)
- [Daniel] What? Oh, shit!
- I'm gonna distract them.
- How, with that?
- Don't worry about it, just go!
- [Daniel] I'm not leaving you.
There's no way, I'm not going to!
- I'll be right behind you, I promise.
(screams)
(dramatic orchestral music)
- Oh my god, oh my god.
- Leave him alone!
- Go!
(screams)
Get off me, man!
(suspenseful orchestral music)
(zombie snarl)
Oh, shit.
(zombies snarl)
(groans)
(female zombie snarls)
(male zombie grunts)
(flesh squelches)
(zombies cheer and laugh)
- Daniel, come on!
(screams)
(zombie groans)
(screams)
Try in here!
Hurry, hurry, hurry!
(Daniel pants)
(thuds)
(zombies snarl)
(eerie orchestral music)
- [Daniel] Look at this.
- What is it?
- I don't know.
- I believe I have finally done it.
The animal subjects are
showing promising results.
Some of them have lived
for up to five minutes
after the injection.
The possibilities I can
see now are endless.
And with the funding of the
Americans I can finish the work.
Das Reich will rise again.
- It really was the Nazis.
Working with Americans?
- Yeah, it happened a lot.
We took their top
scientists after the war.
- So, they created a virus
that reanimates the dead?
- [Daniel] I don't think
that's what they meant to do.
(somber orchestral music)
(muffled snarls)
(zombie snarl and grunt)
- How?
How are we gonna get outta here?
(heavy footsteps approach)
(ominous orchestral music)
(zombie grunts)
(moody electronic music)
(female zombie snarls)
(male zombie grunts)
(female zombie snarls)
(female zombie shrieks)
- Formaldehyde.
- What are you thinking?
- It's highly flammable.
(dramatic orchestral music)
- Go!
Shit!
No, no, no!
(woman yelps)
(screams)
(woman screams)
(woman screams)
(gun fires rapidly)
(dramatic rock music)
(flesh squelches)
- Aneesha?
- You guys wanna split?
- Yes.
- Yeah.
- Are you alright?
- I'm okay.
- Where is everybody else?
- Ethan's dead.
- And we don't know about the others.
- Oh.
I think this belongs to you.
(suspenseful orchestral music)
- Wait!
What's that?
- I've been here six months now.
I'm the only one left.
They took George this morning.
(distant scream)
(flesh squelches)
(gasps)
What the hell's happenin' here?
Let me out!
(heavy footsteps approach)
(ominous orchestral music)
George?
What have they done to ya?
(George grunts)
George, no.
Don't you recognize me?
Look at me!
You know me!
We were cellmates.
George!
We've got to escape!
That's it.
(melancholic orchestral music)
- This place is a labyrinth.
(door creaks)
(dramatic orchestral music)
(zombie snarls)
- Not again!
Damn it!
(gun fires)
(woman grunts)
(gun fires)
(grunts)
(woman sobs)
Whoa!
(pants)
Miss.
(woman screams)
(zombies snarl)
(gun fires)
(zombie grunts)
(woman yelps)
Hi.
How did you get down here?
(nurse snarls)
(nurse pants)
(zombie grunts)
(gun fires)
(zombie screams)
(woman screams)
(flesh squelches)
(sparks hiss)
(nurse grunts)
- Are we interrupting something?
- No, all done here.
(suspenseful orchestral music)
Look for the air vent.
- Here.
- I can see the sky.
I can see the sky.
Do you think I can do it?
- Are you sure?
- Yes.
I'll let you know when I'm at the top.
- Take this, then.
We'll try to find John and Tiffany.
- It's all clear, you guys can go!
(heavy footsteps clunk)
(door creaks)
- [Daniel] This must be where it started.
(alarm blares)
(dramatic orchestral music)
(flesh squelches)
(Herman speaks German)
- I did it.
I finally succeeded!
Oh, don't be afraid.
I'm your father.
And you are the most beautiful
thing I've ever seen.
You and me, we are going
to change the world.
(foot clunks)
(ominous orchestral music)
The spark of life.
(George roars)
Stop.
I command you.
Stop!
No, no!
You can't!
No!
(glass smashes)
- Father.
- Careful.
(suspenseful orchestral music)
(zombie snarls)
(zombie snarls)
(coughs) Daniel.
(flies buzz)
Why aren't they like the others?
- [Daniel] Maybe you have to
get infected before you die.
- Tiffany.
(Tiffany shrieks)
(gun fires)
Sorry, Tiffany.
(woman pants)
(zombies snarl)
(dramatic rock music)
(gun fires)
(flesh squelches)
(Daniel yelps)
(female zombie snarls)
Got ya, bitch.
(grunts)
- [Daniel] That isn't yours.
(suspenseful orchestral music)
Jennifer, Jennifer, are you there?
- You're gonna bring more
of those things down on us.
(heavy footsteps clunk)
(melancholic orchestral music)
(George groans)
(George roars)
- [Daniel] How'd you get to be so bad-ass?
- My little sister, Keena.
The carnival came to town.
Mom and Dad let us go on our
own 'cause I was responsible.
I decided to walk, 'cause I
didn't wanna wait for the bus.
A car pulled up.
It was someone we knew.
I got away.
But Keena didn't.
I still visit her.
Praying for her to wake.
I told myself I'd never
be that helpless again.
(Daniel yelps)
(gasps)
(ominous orchestral music)
(gun fires)
(dramatic orchestral music)
(thuds and grunts)
(George roars)
- Aneesha!
(ax clinks)
(George roars)
(gun fires)
- Daniel.
- [Daniel] Jennifer, you made it!
- Oh, thank god.
Aneesha.
- We made it.
- [Jennifer] Oh, my god.
(ominous orchestral music)
(gun fires)
- Hurry, go!
- No, we're not leaving you.
- [Aneesha] Go!
Get out, get her out of
here, go save yourself!
- Close it, close it, close it!
(yelps)
(George grunts)
(yelps)
- Daniel!
Are you okay?
Quick, we gotta go!
(George roars)
(toy dog barks)
Oh, my god.
(melancholic orchestral music)
(toy dog barks)
- It's okay, it's okay.
It's okay.
Shh, it's alright.
- Seems we have fallen
on hard times, my friend.
- You can say that, mister.
- Have you served?
- Yes, sir, sounds like
you were on the other side.
- (chuckles) But now we
are on the same side.
Why don't you come with me
and have a proper dinner?
Would you like that?
- Well, that's mighty
kind of you, mister--
- Baumgartner, Dr. Baumgartner.
(dramatic orchestral music)
(George snarls)
(Aneesha screams)
- No!
(George grunts)
- Screw you!
- Wait.
- What?
- Stop!
Stop it!
No!
(gun fires)
(explosion booms)
(George roars)
(Daniel and Jennifer cough)
- You're hurt.
- Oh, I'm okay.
Aneesha.
- Where is he?
- Who?
Felix?
- What is he doing here?
- I'll find him.
(suspenseful orchestral music)
- Did you get it?
Well, did you?
- Yeah, I got it.
Did you know those things were in there?
You son of a bitch.
- You seem to have managed.
- My friends are dead!
- And so will you be, if
you don't hand those over.
Give them to me!
Down!
Put them down there.
- What's going on?
- Ah, right on time!
Go to your friends.
- What are you doing?
That serum is for my
sister, we had a deal.
- A deal, what kind of deal?
- Nothing.
- You know each other?
- Go on, tell them.
She's been a very naughty girl.
- You brought us in here on purpose!
- No.
Yes.
To save my sister, but he lied.
You lied.
- Oh, well, when you say it like that.
I had to be sure you'd go in, didn't I?
And then I had to be sure you'd stay in,
when you saw the monsters!
- What the fuck is going on, Aneesha?
- What does this have
to do with your sister?
- I've been looking for a cure
for her all over the world.
I found a guy in Bangkok who knew someone,
who knew someone else, and
eventually, it led me to him!
- Touching story, and I
thank you all very much.
And now I have what I need
and your job is finished!
- Stop!
(gun fires)
(Jennifer screams)
(Felix screams)
(thuds)
(flesh squelches)
(Jennifer sobs)
I just wanted to save my sister.
Bring her back.
Wouldn't you do the same
for John, if you could?
Hm?
(melancholic orchestral music)
- Please.
- You guys coming?
(heavy metal music)
Call it tragedy, annihilation's
what you're scheduled for
And it's absolute terror
that we're talkin' a monster
And one that was created viscously
Now he's awake, enraged
at humanity, he's back
His killer's mind's gone
free, it was only to see
All this death, chaos and tragedy
It was secretly hidden so deep down
They weren't supposed to find out
But decided to be the
apocalypse, the dead's all around
And it's only the psycho
one who wears the crown
His name is Z13 and death
is what he's hungry for
Now welcome to hell's front door
There's no easy way
out of this death show
You thought the coast was
clear, now feel the sorrow
Hungry for flesh and
blood, but not to borrow
Fight for your life, you
might just see tomorrow
Now he's awake and he's pissed
And as you're running out of fear
Your hopeless last of friends is dead
He's made it very clear
The sound of ripping and
tearing of human flesh
It's all around
You close your eyes and pray
for the best, hear a sound
Now it is your turn
The only thing left is try to
make this motherfucker burn
(ominous orchestral music)
(Z13 roars)
(moody rock music)
Don't hold your tongue
They are scared of you,
'cause you are young
You have a power and you have a choice
Now tell me, will you use your voice
And let me hear you say
You don't
Own me
You don't
Control me
You don't
Own me
You don't control
Open your eyes to this disguise
Tell them that you know
you're being played
And use your words,
let yourself be heard
And let them know that
We are not afraid
Take a stand
Against these people
who once held your hand
'Cause down the line
they're leaving you for dead
They'll have their money
then they'll have your head
So let me hear you say
We are not afraid