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I WAS IN LOVE ONCE
WHEN I WAS A MAN.
THAT TIME IS NOW
A MIST IN MY MIND.
[BIRDS TWITTERING]
SHE WAS A MAID TO ROYALTY,
AND I WAS A NOBLEMAN.
AT THE END OF THE DAY,
WE WOULD MEE IN OUR SECRET PLACE.
MY LOVE...
MY VIRGIN.
THE SADNESS I FEL EACH TIME SHE LEFT.
IF ONLY I HAD KNOWN
THAT DAY WOULD BE OUR LAST.
AHH.
AH!
AAH!
OHH!
AAH!
AAH!
THE PAIN OF LONELINESS
WITHOUT HER.
[BELL TOLLING]
AND NOW,
AFTER CENTURIES,
HAVING DRANK BLOOD ENOUGH
TO FILL A THOUSAND LAKES,
IN THIS PLACE,
THIS SMALL COLLEGE,
I HAVE FOUND HER SOUL AGAIN.
I HAVE FOUND HER!
BUT MY TIME IN THIS WORLD
IS COMING TO AN END.
IN THREE DAYS, I WILL FALL
INTO ETERNAL SLEEP.
ONLY HER SOUL CAN SAVE ME.
MY VIRGIN...
MY ELIXIR.
BUT SHE LOVES ANOTHER.
I WILL PUT DOUB IN THEIR MINDS,
THEN I WILL TAKE HER
WHEN HER HEART IS NOT HIS.
ETERNAL LIFE WILL BE HER PRIZE.
THREE DAYS.
I CAN'T BE WEAK.
I CHOOSE SURVIVAL.
I'LL DESTROY ANYONE
WHO STANDS IN MY WAY,
EVEN MY OWN HEAR IF NEED BE.
SHE'S MINE!
SHE'S MINE!
SHE'S MINE!
CHARLOTTE!
COME TO ME!
I'M WAITING FOR YOU,
CHARLOTTE.
CHARLOTTE.
CHARLOTTE.
[TELEPHONE RINGS]
I'M WAITING.
[RING]
[RING]
COME TO ME!
[RING]
Answering machine:
HI. THIS IS CHARLOTTE.
I'M EITHER IN A LECTURE
OR STUDYING,
SO LEAVE A MESSAGE,
AND I'LL CALL BACK.
CHARLOTTE, IT'S CHRIS.
ARE YOU THERE?
PICK UP, CHARLOTTE.
CHARLOTTE, IT'S ME.
COME TO ME.
I'M GOING TO COME BY.
I'M WORRIED ABOUT YOU, OK?
COME TO ME.
CHARLOTTE,
I'M COMING OVER.
COME TO ME.
I'M WAITING FOR YOU, CHARLOTTE.
COME TO ME, CHARLOTTE.
CHARLOTTE.
COME TO ME.
CHARLOTTE.
I'M HERE.
BUT I CAN'T JUS REACH OUT AND TAKE HER.
SHE MUST DESIRE ME
BEFORE I EMPTY HER LIFE
INTO MY THROA
AND TAKE BACK THE LOVE I LOS SO LONG AGO.
I FEEL IT IN YOUR HEART.
LOVE...
THAT SO-CALLED
GIFT TO MANKIND.
MY BITE WOULD FREE YOU.
I COULD DESTROY HIM...
BUT THAT WOULD
BREAK YOUR HEART.
LOVE IS A BOND
BETWEEN TWO HALVES.
I'LL GIVE YOU TIME,
TIME TO SEE HOW FRAGILE
THAT BOND IS.
AS MUCH TIME AS I HAVE.
THREE DAYS.
[DOG BARKING]
CHARLOTTE.
CHARLOTTE.
[BELL TOLLING]
CHRIS?
HI.
WHAT ARE YOU
DOING HERE?
UM...
ARE YOU OK?
YEAH.
WHY WOULDN'T I BE?
BECAUSE I
PICKED YOU UP
OFF THE STAIRS
LAST NIGH
OUTSIDE.
OUTSIDE?
YEAH. YOU DON' REMEMBER?
I THOUGH I WAS DREAMING.
WELL, I WASN'T.
WHAT WERE YOU
DOING THERE?
WELL,
I KNOW IT SOUNDS
KIND OF STUPID,
BUT I THOUGH YOU WERE IN
SOME KIND OF
DANGER LAST NIGHT.
I DID. I WAS
WORRIED, THAT'S ALL.
I WAS JUST WORRIED
ABOUT YOU.
IT'S MY JOB
TO WORRY ABOUT YOU.
I GUESS IT'S GOING TO TAKE
MORE THAN I THOUGH
TO GET USED TO THIS PLACE.
YEAH.
IT WAS NICE TO
WAKE UP BESIDE YOU.
CHRIS, DON'T.
I'M SORRY.
PLEASE DON' BE MAD.
I'M NOT MAD.
THAT'S NOT TRUE.
I AM MAD.
I'M MAD AT YOUR MOM
FOR LETTING THOSE NUNS
BRING YOU UP LIKE ONE.
LET'S NOT STAR ON THAT AGAIN, OK, CHRIS?
YOU TURN AROUND?
SHE DIDN' HAVE A CHOICE.
LET'S PUT THE KNIVES
IN YOUR FATHER'S BACK
WHERE THEY BELONG.
YEAH, THAT MIGHT BE
MORE APPROPRIATE.
I CAN'T HELP WISHING
YOU HAD INHERITED
A LITTLE BI OF HIS PROMISCUITY.
YEAH, BUT LOOK WHERE
IT GOT HIM.
I WISH I'D SEEN HIM
AT LEAST ONCE BEFORE HE DIED,
BUT HE WAS ALONE,
AND I DON'T WANT THA TO HAPPEN TO ME.
IT WON'T.
YOU'RE GOING TO
BE SURROUNDED
BY OUR KIDS AND
OUR GRANDKIDS.
CAN WE NOT TALK
ABOUT DYING, PLEASE?
SURE. I'D PREFER
BIRTH-RELATED
SUBJECTS ANYHOW.
YOU CAN TURN
AROUND NOW.
TELL ME SOMETHING.
WHY CAN'T TWO PEOPLE
WHO CARE
ABOUT EACH OTHER
AND LOVE EACH OTHER
SO MUCH EXPRESS IT?
WE EXPRESS I ALL THE TIME, CHRIS.
HELP ME WITH MY CROSS.
YOU KNOW
WHAT I MEAN.
I NEVER ACTUALLY SAID
THAT I INTENDED TO WAI
UNTIL I WAS MARRIED,
YOU KNOW.
YOU DIDN'T?
NO.
I SAID THA I WOULD MAKE LOVE
TO THE RIGHT MAN
WHEN HE CAME ALONG
AND I WAS OLD ENOUGH
TO KNOW.
AND I'M NO THE RIGHT MAN?
I THINK YOU ARE.
YOU THINK I AM?
WE'VE BEEN TOGETHER
A YEAR AND ABOU TWO MONTHS,
AND YOU THINK I AM?
AGE HAS A LO TO DO WITH IT.
CHARLOTTE.
HEY, CHRIS.
WHAT ARE YOU DOING HERE?
NEVER MIND.
STUPID QUESTION.
HI, NICOLE.
HI. ARE WE STILL
GOING TO THE BOOKSTORE?
YEAH. I'M JUST GOING TO
WALK CHRIS TO HIS CAR.
I'LL MEET YOU DOWNSTAIRS
IN FIVE MINUTES.
HEY, CHRIS.
YES?
YOU'RE LOOKING GOOD!
[CLEARS THROAT]
AS WE WERE SAYING...
WHAT WERE WE
SAYING AGAIN?
WE--
THANK YOU.
YOU'RE WELCOME.
WE WERE TALKING
ABOUT COMING OF AGE
AND WHEN YOU THINK
YOU'LL BE ABLE TO
MAKE LOVE TO ME.
IN MANY PARTS
OF THE WORLD,
COMING OF AGE.
I KNOW.
IN THREE DAYS,
YOU'RE HAVING
YOUR 18th BIRTHDAY.
I KNOW!
BYE.
BYE.
BYE.
BYE.
[BELL TOLLING]
YOU THINK YOU ARE IN LOVE,
THAT YOU ARE FORTUNATE.
YOU THINK LOVE IS
A CHERISHED GIFT.
YOU'RE WRONG.
IT'S A BLIGHT AND A CURSE.
IT DIVIDES AND WEAKENS
YOUR POWER.
[DOG BARKS]
YOU FORGOT MY GIFT.
CHARLOTTE.
IT'S A BEAUTIFUL
NAME.
SPEND ETERNITY
WITH ME.
NO.
YOU'RE STRONG.
[SUCKING]
UNH...
[BELL TOLLING]
EACH HOUR THAT PASSES
WEAKENS ME MORE.
TWO DAYS LEFT.
HEY, CHARLOTTE.
HI.
YOU KNOW CHARLOTTE,
RIGHT, ELIZA?
SURE.
WHERE ARE
YOU HEADED?
MY ROOM. I HAVE
SOME STUDYING TO DO.
YO, ELIZA.
YO YOURSELF,
ROB.
AM I GOING TO
SEE YOU TONIGHT?
ARE YOU?
COME ON, ELIZA.
IF I'M IN THE MOOD.
I'LL GET YOU
IN THE MOOD.
ARE YOU GOING TO SLIP
SOMETHING INTO MY DRINK?
IF I HAVE TO.
NOTHING ELSE WILL
WORK, BELIEVE ME.
YOU'RE SUCH
AN ASSHOLE.
AND YOU LOVE IT.
SEE YOU
TONIGHT, THEN?
I LOVE THOSE EYES.
DON'T YOU LOVE THOSE EYES?
IS THA YOUR BOYFRIEND?
I DON'T KNOW IF I'D
CALL HIM MY BOYFRIEND,
BUT HE SERVES
HIS PURPOSE.
TELL HER ABOU THE ANSWERING MACHINE.
YOU'RE GOING TO DIE.
PLEASE.
TELL HER.
NEVER MIND. I'LL TELL HER.
THE FIRST NIGHT ELIZA
AND ROBBY HOOK UP,
THEY GET SMASHED AT McGEE'S
AND GO BACK TO THE DORM.
I WAS IN COMPLETE
CONTROL.
YEAH, RIGHT. ANYWAY, ELIZA
HITS HER ANSWERING MACHINE,
THINKING SHE'S GO ALL THESE MESSAGES,
ONLY SHE HITS
THE WRONG BUTTON,
AND INSTEAD OF
PRESSING THE PLAY BUTTON,
SHE WAS RECORDING
A NEW MESSAGE.
STUPID MACHINE.
YEAH. WELL, ANYWAY, MAYBE
ELIZA HIT THE WRONG BUTTON,
BUT ROB WAS HITTING
ALL THE RIGHT ONES,
AND ELIZA IS A SCREAMER,
SO ELIZA'S GOING, "DO ME!
FUCK ME, STUD! FUCK ME HARDER!"
AND THE WHOLE THING
IS BEING RECORDED,
SO THE NEXT DAY,
ANYBODY WHO CALLED
GOT THAT SEX TAPE
AS A GREETING.
MY MOTHER SAID SHE NEARLY
HAD A HEART ATTACK.
SHE'S
SO MELODRAMATIC.
IT'S NOT LIKE SHE DOESN' KNOW I HAVE SEX.
SHE BUYS ME THE PILLS,
FOR CHRIST'S SAKE.
ISN'T THAT HYSTERICAL?
CHARLOTTE?
YEAH.
WHY LOOK SO SHOCKED?
I HEARD
YOU WERE RAISED
IN A CONVENT, RIGHT?
EVERYONE KNOWS
CATHOLIC SCHOOL GIRLS
GIVE THE BEST HEAD.
ELIZA.
WHAT?
I'VE SEEN
YOUR BOYFRIEND,
AND DON'T TELL ME
HE GETS OFF
BY JUS LOOKING AT YOU.
THAT'S ENOUGH,
ELIZA.
HA HA!
COULD YOU JUST RELAX?
LOOK, CHARLOTTE
LIVES HER LIFE,
YOU LIVE YOUR LIFE,
I LIVE MY LIFE,
AND NOBODY MAKES
ANY JUDGMENTS, OK?
WHO'S JUDGING?
WAIT UP, CHARLOTTE.
SORRY ABOUT ELIZA.
SHE DOES HAVE
A GOOD SIDE, I THINK.
YOU DIDN'T LET HER
GET TO YOU, DID YOU?
ARE YOU OK?
YEAH.
IT'S JUST MY MIND
KEEPS WANDERING.
I KEEP DAYDREAMING
ABOUT THESE REALLY
STUPID THINGS.
DOES THAT EVER
HAPPEN TO YOU?
ME? NO,
I DON'T DAYDREAM,
EXCEPT ABOUT SEX
AND BEAUTIFUL MEN
AND SEX--
I JUST CAN'T SEEM
TO STAY FOCUSED.
WELL, MAYBE SOMETHING
IS DISTRACTING YOU.
IS EVERYTHING
OK WITH CHRIS?
YEAH.
YOU'RE PROBABLY JUS HAVING TROUBLE
ADJUSTING TO
THE FREEDOM.
I WASN'T BROUGHT UP
IN JAIL.
I MEAN, THE NUNS
WERE PRETTY COOL,
AND I GOT TO SPEND
ONE WEEKEND A MONTH
WITH MY MOTHER.
YOU WERE LUCKY.
I HAD TO SPEND
EVERY DAY
WITH MY PARENTS.
YOU JUST NEED
TO RELAX,
HAVE
A LITTLE FUN.
YOU REMEMBER
FUN, DON'T YOU?
HEY, GIRLS,
WOULD YOU LOOK AT THAT?
SARAH'S AT IT AGAIN.
AND IN BROAD DAYLIGHT.
OOH, NICE PECS.
OH, MY GOD.
HE'S GORGEOUS.
WHERE DOES SHE
FIND THEM?
WHAT NERVE.
WHAT A SLUT.
THAT'S NOT VERY NICE.
SO WHAT?
WELL, SHE MIGH HEAR YOU.
WHO CARES?
SHE HAS A DIFFEREN MODEL IN THERE
EVERY NIGHT.
BUT STILL, IT'S...
OH, THIS IS CUTE.
THE CAMPUS VIRGIN
DEFENDING
THE CAMPUS NYMPHO?
WHY CAN'T YOU
CUT HER SOME SLACK?
GIVE ME A BREAK.
NO. GIVE HER A BREAK.
THIS IS ALL NEW TO HER,
AND SHE'S HAVING
A ROUGH TIME ADJUSTING.
IF SHE CAN'T TAKE IT,
THAT'S NOT MY PROBLEM.
SHE NEEDS TO GET LAID.
KNOCK, KNOCK.
WHAT IS IT?
I CAN'T FIND
MY CROSS.
THE ONE CHRIS
GAVE YOU?
YEAH. I HAVE
NO IDEA WHERE IT IS.
DID YOU HAVE IT ON
WHEN YOU LEFT?
I DON'T KNOW.
I DON'T THINK I DID.
OK. IT'S GOT TO
BE HERE SOMEWHERE.
LET'S JUST LOOK.
I WORE THIS YESTERDAY.
MAYBE IT'S IN HERE.
WHAT'S THIS?
I DON'T KNOW.
YOU DON'T KNOW?
I'VE NEVER
SEEN IT BEFORE.
WELL, HOW DID IT GE IN YOUR ROOM?
I DON'T KNOW.
BUT I'VE DREAM ABOUT THIS.
YOU DREAMT ABOUT IT.
YOU'VE NEVER
SEEN IT BEFORE,
BUT YOU'VE DREAM ABOUT IT.
YEAH. I KNOW
IT SOUNDS WEIRD.
WHAT KIND OF DREAM?
HA HA!
IT WAS, UH...
UH...
WHAT?
A MAN
WAS WEARING IT.
NOT CHRIS?
NO, NOT CHRIS.
WHO?
YOU'LL LAUGH.
NO, I WON'T.
YOU KNOW ME.
I HAVE WEIRD DREAMS
ALL THE TIME.
I THINK HE WAS
A VAMPIRE.
A VAMPIRE?
COOL.
AND YOU HAD SEX
WITH HIM?
NO, BUT I THINK
HE WANTED TO.
WELL, MAYBE SOMEONE'S TRYING
TO TELL YOU SOMETHING.
I MEAN MAYBE YOU SHOULD
LOOK AROUND,
PLAY THE FIELD
A LITTLE BIT,
CHECK OU SOME OTHER GUYS.
OH, PLEASE,
NICOLE. I--
WHAT--YOU THINK CHRIS DOESN' LOOK AT OTHER GIRLS?
HE DOES NOT.
YES, HE DOES.
ALL GUYS DO.
THEY CAN'T HELP IT.
IT'S A CHEMICAL,
HORMONAL,
YOU KNOW,
ASSHOLE KIND OF THING.
UH! I ALMOS FORGOT THE PARTY.
HEY!
DO YOU HEAR ME?
I THINK YOU NEED
SOME LOOSENING UP.
COME ON.
NO. I NEED AN "A"
IN ART HISTORY.
I HAVE TO STUDY
TONIGHT.
NO. WHAT YOU NEED
IS TO GO TO THIS PARTY,
AND WE'LL LOOK
FOR YOUR CROSS LATER.
MY CROSS. DO WE
REALLY HAVE TO GO?
YES. REMEMBER
WHAT I WAS SAYING?
FUN. IT'S GOING
TO DO YOU SOME GOOD.
COME ON.
FOR ME, PLEASE?
I WANT TO GET THERE
BEFORE ALL THE CUTE
GUYS ARE TAKEN.
WAIT.
DO I LOOK OK?
YEAH.
YOU LOOK AMAZING.
[MUSIC PLAYING]
WILL YOU
COME ON?
THIS IS GOING
TO BE GREAT.
WHAT'S WRONG?
I SHOULD BE STUDYING.
YOU NEED
TO LIGHTEN UP.
COME ON. NOBODY'S
GOING TO BITE YOU.
HI, GUYS.
HEY, COME HERE.
LOOK. YOU GO
GET A DRINK,
AND I'M GOING TO GO
SEE WHAT I CAN DIG UP.
BE GOOD.
WELCOME.
THANK YOU.
ENJOYING
YOURSELF?
WELL,
I JUST GOT HERE,
BUT IT SEEMS LIKE
A PRETTY COOL PARTY.
IT SUCKS.
BUT HEY, WHAT ELSE
IS GOING ON?
YOU WANT SOMETHING
TO DRINK?
ACTUALLY,
I WOULD LOVE A SODA.
CARBONATION.
COOL.
IT'S OK.
HAVE FUN.
THANK YOU.
MY NAME'S MILO.
HI.
I'M CHARLOTTE.
CHARLOTTE.
I LIKE THAT.
NICE ANKH.
EXCUSE ME?
AROUND YOUR NECK.
IT'S AN ANKH.
IT'S AN ANCIEN EGYPTIAN SYMBOL
FOR ETERNAL LIFE.
THEY BELIEVED
IT HAD...
SEXUAL POWERS.
I FIGURED YOU
WERE BEING RETRO,
YOU KNOW, SIXTIES COMING
BACK AND ALL THAT.
Charlotte:
UH! NO, NO.
YOU WEAR IT WELL.
THANK YOU.
THERE YOU ARE, MILO.
YOU'RE NOT SPENDING
NEAR ENOUGH TIME
WITH ME.
YOU'RE SUPPOSED TO
BE PROTECTING ME
FROM THA HORNY TOAD ROB.
ELIZA...
YOU KNOW CHARLOTTE?
HELLO, CHARLOTTE.
NICE TO SEE YOU.
WE WERE JUST TALKING
ABOUT ANKHS.
ANKHS. OH,
MY FAVORITE SUBJECT.
HEY, MILO.
YOU GOT ANY SMOKES?
I'M ABSOLUTELY DYING.
WHICH KIND?
THAT'S A SILLY
QUESTION, ISN'T IT?
OH, YES.
FOLLOW ME.
YOU WANT TO
COME, CHARLOTTE?
Eliza:
I DOUBT IT.
NO. I'LL
CATCH YOU LATER.
THAT'S COOL.
HEE HEE!
I LOVE THE VIEW
FROM HERE.
IT REMINDS ME
OF A PLACE FAR AWAY.
DO I KNOW YOU?
WE MIGH HAVE MET ONCE...
A LONG TIME AGO,
PERHAPS.
WHAT ARE
YOU DOING HERE?
WAITING.
I'VE SEEN YOU
BEFORE...
IN A DREAM.
IT WASN'T A DREAM.
UH!
WHY ARE YOU
HAUNTING ME?
WHO ARE YOU?
I'M
YOUR DESTINY.
IT'S MY GIFT.
YOU CUT YOURSELF.
SOMEONE JUST TOLD ME
THAT IT HAS POWERS.
IT DOES.
THAT'S
ITS POWER.
Nicole:
HEY, CHARLOTTE.
WHAT ARE YOU DOING
OUT HERE ALONE?
WHERE DID HE GO?
WHO?
HE WAS JUST HERE.
WHO?
I DON'T KNOW.
DID I INTERRUP SOMETHING?
HE WAS JUST HERE--
THE MAN
FROM MY DREAM.
THAT'S GREAT,
CHARLOTTE,
BUT THERE'S SOMEONE
I WANT YOU TO MEET.
COME ON. I THINK
YOU'VE HAD
A LITTLE BI TOO MUCH FRESH AIR.
RELAX. THESE GUYS
ARE COOL.
WE'RE JUST GOING
TO GO TO THE OLD GYM
FOR A LITTLE BI OF PRIVACY.
OK. THIS IS
NOT A BIG DEAL,
AND NOTHING
IS GOING TO HAPPEN
THAT YOU DON' WANT TO, OK?
SEE YOU.
DO YOU BRING
ALL YOUR DATES HERE?
ONLY THE CUTE ONES.
HEE HEE!
MMM...
WELL...
LET'S SEE HERE.
HEY...
HOW YOU DOING?
WHO ARE YOU?
JONATHAN, AND YOU
MUST BE CHARLOTTE.
WHAT DO YOU WANT?
OH, DON'T WORRY
ABOUT IT.
YOU'LL GET IT.
GET OFF.
GET OFF ME!
WHAT'S YOUR PROBLEM?
LEAVE HER ALONE.
UH!
BITCH.
OH! OH!
OHH!
[SNAP]
UH!
OH!
OH!
UH!
UH!
AAH!
UH! UH!
UH!
AAH!
AAH!
CHARLOTTE
IS PURE.
I NEED HER
TO STAY THAT WAY.
[BATS SQUEAKING]
CHARLOTTE!
Charlotte:
HA HA!
CHRIS...
CHARLOTTE!
CHARLOTTE!
OVER HERE, CHRIS.
NO.
NO!
NO!
[RING]
[RING]
[RING]
HELLO.
YOU'RE THERE?
WHERE ELSE
WOULD I BE?
I JUST WANTED
TO HEAR YOUR VOICE.
I ALMOST CALLED YOU BEFORE
FOR THE SAME REASON.
WHY DIDN'T YOU?
I GUESS I THOUGH YOU WERE SLEEPING.
I GUESS I'M LESS
CONSIDERATE THAN YOU.
I'M GLAD YOU CALLED.
ME, TOO.
ARE YOU OK?
YEAH.
GOOD. UM...
GOOD NIGH AND, UH...
I'LL TALK TO YOU
TOMORROW.
CAN'T WAIT.
HOW YOU DOING?
UM...
JUST A COFFEE.
YOU THINK WHAT YOU NEED
TO LEARN IN LIFE
YOU CAN GE FROM BOOKS, HUH?
WELL, THAT'S
WHAT MY DAD SAYS.
LOOK, I DON'T MEAN
TO BE RUDE OR ANYTHING,
BUT I CAME HERE
TO STUDY.
YEAH.
I COULDN'T SLEEP
EITHER.
YOU KNOW,
USUALLY,
I LIKE TO WRITE
AT THIS TIME,
BUT I WASN' IN THE MOOD.
[SIGHS]
YOU'RE
A GOOD-LOOKING GUY.
LOOK, UM...
I'M NOT GAY
OR ANYTHING.
I JUST CAME
DOWN HERE TO STUDY...
ALONE.
GOT IT?
YEAH. COME ON.
I CAN TELL.
YOU'RE IN LOVE.
SHE'S BEAUTIFUL.
AM I RIGHT?
YEAH,
YOU'RE RIGHT.
YOU KNOW,
I THINK TRUS
IS SUCH AN ESSENTIAL
PART OF LOVE.
I MEAN,
WHAT DO YOU THINK?
DO YOU TRUST HER
WHEN YOU'RE
NOT WITH HER?
LIKE, I MEAN,
COMPLETELY TRUST HER?
UH...
YOU DON' HAVE TO SAY.
I KNOW IT'S HARD.
IT'S HARD TO LOVE
WHEN THERE IS DOUBT.
IT WAS NICE
TALKING TO YOU,
BUT I GOT TO GO.
DON'T YOU ALWAYS WAN TO KNOW WHERE SHE IS?
WHAT SHE'S DOING,
LIKE, WHO SHE'S
TALKING TO?
IS THAT LOVE,
OR IS THAT DOUBT?
IT'S LOVE.
LOVE...
I ALWAYS HAVE
THE SAME DREAM.
I SEE HER RIDING
TO MEET ME.
I AM WAITING,
BUT SHE NEVER GETS THERE.
IF I HAD NOT LOVED HER,
THAT PAIN WOULD NO HAVE FOLLOWED ME
INTO THIS DEATH
I NOW LIVE IN.
IF ONLY
I HAD DOUBTED HER,
I COULD HAVE FOUND
A REASON TO HEAL MY LOSS.
DOUBT IS THE KEY, CHARLOTTE.
DOUBT WILL HELP YOU
COME TO ME.
THIS IS MY GIFT TO YOU.
Charlotte:
CHRIS.
CHRIS.
I'M NOT GOING TO WAI FOREVER, CHARLOTTE.
[BELL TOLLING]
MY LOVE...
ONE MORE DAY.
[CAMERA CLICKS]
SORRY. I HOPE
YOU DON'T MIND.
IT'S OK.
NO. IT'S
ALL RIGHT.
YOU LOOK REALLY SAD TODAY,
SORT OF WAIFLIKE.
I LIKE IT.
IT'S INTERESTING.
YOU'RE SARAH,
RIGHT?
YEAH.
I'M CHARLOTTE.
I KNOW.
MAY I SIT DOWN?
SURE. GO AHEAD.
DO YOU ALWAYS
STUDY THIS EARLY?
I WISH I COULD
CALL IT STUDYING.
FIRST YEAR, RIGHT?
YEAH.
IT'S ALWAYS
THE HARDEST.
I HOPE SO.
HA HA!
SO, UH...
IS THIS A MAJOR
OR A HOBBY?
THIS IS
A MAJOR HOBBY.
HA HA HA!
I DIDN'T GET MUCH
SLEEP LAST NIGHT.
MAYBE YOU SHOULD
PUT THE BOOKS AWAY
AND STOP STARING
AT THE TOWER.
YOU, UM...
YOU WANT TO COME
SEE MY WORK?
OH, THAT'S GREAT.
LET ME JUS PUT THIS AWAY.
I LIKE
YOUR OUTFIT.
OH, YEAH.
IT'S KIND OF COOL,
BUT I LIKE
WHAT YOU'RE WEARING.
OH, THIS IS
JUST A SHIRT.
I SPEND MY MONEY
ON MY MATERIAL.
OHH...
ARE THESE ALL YOURS?
UH-HUH.
ARE THEY
ALL YOUR FRIENDS?
SOME OF THEM.
THEY ALL LOOK
SO BEAUTIFUL.
THEY ARE.
YOU'RE
BEAUTIFUL.
OH, ME?
MM-HMM.
NO, NOT LIKE THEM.
THEY ALL LOOK
SO PERFECT.
WELL, THEY'RE
NOT INNOCENT,
AND THEY'RE CERTAINLY
NOT VIRGINAL.
AM I THAT TRANSPARENT?
HA HA HA HA!
WANT A CIGARETTE?
THEY'RE CLOVES.
YOU'LL LIKE THEM.
THE FLAVOR'S
REALLY NICE.
LIKE IT?
OK, I GUESS.
HERE, TAKE THEM.
OH, NO.
IT'S OK.
YOU'RE SURE?
OK.
DO YOU LIKE
THAT PICTURE?
OH, IT'S NICE THERE.
STAND A BIT BACK.
IS THIS WHERE
THEY USUALLY STAND?
SOMETIMES.
ONLY
IF THEY WANT TO.
YOU MIND IF I TAKE
SOME PICTURES OF YOU?
NO. GO AHEAD.
YOU'RE NOT SHY,
ARE YOU?
CLOSE
YOUR MOUTH.
SIT DOWN. LET ME TAKE
SOME PICTURES THERE.
I WANT YOU
YOU'RE MY ONE DESIRE
OH, BOY, WHAT CAN I DO
TO GET TO YOU?
YOU SEE, I CHECKED
ALL MY SENSES
THIS IS WHA THEY TOLD ME TO DO...
TAKE A LOT OF PASSION...
CUTE TEDDY BEARS.
KEEP IT IN YOUR HEAR AND PRAY TO THE ONE ABOVE...
THAT'S NICE.
UH...
WOULD YOU MIND UNBUTTONING
YOUR OVERALLS A LITTLE
AND JUST TAKING THEM
DOWN A BIT?
I KNOW, I KNOW
LOVE HAS JUST BEGUN
BABY
DO YOU MIND?
YOU'RE MY ONE DESIRE...
THAT'S BETTER.
YOU'VE GO BEAUTIFUL SKIN.
'CAUSE YOU'RE
MY ONE DESIRE
OOH-OOH...
YOUR HAIR'S
SO SOFT.
WOULD YOU LIKE
TO LAY BACK?
COULD YOU...
COULD YOU
LEAN BACK MORE?
OH, WHAT I WAN IS THE RIGHT CONNECTION...
DO YOU FEEL
COMFORTABLE?
YEAH. I'M OK.
PUT US BACK TOGETHER
IN A WHOLE, YEAH...
BEAUTIFUL.
MY GOD.
AND PRAY
TO THE ONE ABOVE
AND WHEN
THEY'LL SEE ME
AND OUR LOVE WILL BE AS ONE
AND I KNOW, I KNOW...
YEAH. THAT'S GOOD.
I GOT TO HAVE YOU, BABY
I GOT TO HAVE YOU, BABY
IT'S HOT.
YOU'RE MY ONE DESIRE
I GOT TO HAVE YOU, BABY
I GOT TO HAVE YOU, BABY
'CAUSE YOU'RE
MY ONE DESIRE
I SEE YOU
AND THEN
MY HEART'S ON FIRE
I WANT YOU
YOU'RE MY ONE DESIRE
OH, BOY, WHAT CAN I DO
TO GET TO YOU?
YOU SEE, I CHECKED
ALL MY SENSES
THIS IS WHA THEY TOLD ME TO DO
TAKE A LOT OF PASSION
AND MIX I WITH TRUE LOVE
KEEP IT IN YOUR HEART
AND PRAY
TO THE ONE ABOVE
AND WHEN
THEY SEE ME
AND OUR LOVE
WILL BE AS ONE
AND I KNOW, I KNOW
GOOD.
...OUR LOVE
HAS JUST BEGUN
I GOT TO HAVE YOU,
BABY
'CAUSE YOU'RE
MY ONE DESIRE
I GOT TO HAVE YOU, BABY
I GOT TO HAVE YOU, BABY
'CAUSE YOU'RE
MY ONE DESIRE
COME TO ME,
MY PRETTY ONE
OOH-OOH
OOH-OOH
OOH, I GOT TO
HAVE YOU, BABY
I GOT TO HAVE YOU,
BABY
YOU KNOW I NEED
YOUR LOVIN'
YOUR TOUCHIN',
YOUR SQUEEZIN'...
I'M SORRY.
I'M SORRY.
I GOT TO GO.
OOH-OOH
I GOT TO HAVE YOU,
BABY
IN THE MIDDLE OF THE NIGH WHEN I'M FEELING--
[DOOR OPENS]
DON'T YOU EVER KNOCK?
WHAT FOR?
YOU NEVER HAVE ANYTHING
GOING ON IN HERE.
THAT'S
CHANGING TONIGHT.
COOL. WHO'S
THE LUCKY GIRL TONIGHT?
WHY ARE YOU ALWAYS
CLEANING UP IN HERE
JUST BEFORE CHARLOTTE
COMES OVER?
BECAUSE SHE
LIKES IT THAT WAY.
CHRIS, YOU'RE
SO WHIPPED.
I'M NOT WHIPPED, OK?
GET UP.
YOU'RE GOING TO DIE
OF BLUE BALLS, MAN.
[TELEPHONE RINGS]
HELLO.
Charlotte:
CHRIS, IT'S ME.
HEY.
WHERE ARE YOU?
DON'T BE MAD.
I REALLY NEED TO
STAY HERE TONIGHT.
CHRIS.
WELL, I THOUGH WE HAD THIS PLAN.
I KNOW, BUT I REALLY
NEED TO STUDY.
CHARLOTTE, IT'S
YOUR BIRTHDAY TOMORROW.
I'LL BE OVER
TOMORROW.
I PROMISE.
WELL, I JUST...
YOU KNOW,
I WANTED TO, UH...
BE THE FIRST ONE
TO WISH YOU
HAPPY BIRTHDAY
AND WAKE UP NEXT TO YOU,
YOU KNOW,
AND STUFF.
WE PLANNED THAT.
IS IT--
IS I THIS SEX THING?
AM I PUSHING I TOO HARD?
BECAUSE
IT DOESN'T MATTER.
I'M JOKING
MOST OF THE TIME, OK?
I JUST--
I WANT TO BE WITH YOU
WHEREVER OR WHENEVER.
[SIGHS]
IT'S NOT THAT,
CHRIS.
LOOK. I'LL COME OVER
RIGHT NOW.
I'LL SLEEP
ON YOUR FLOOR TONIGHT.
I WON'T TOUCH YOU.
I REALLY NEED TO STUDY
ALONE TONIGHT, CHRIS.
OK?
I'LL CALL YOU
WHEN I'M DONE.
WELL, I THOUGHT WE WERE
A STRAIGHT-A STUDENT.
I WAS
UNTIL I CAME HERE.
HAVE
YOU SEEN NICOLE?
NICOLE? OH, I THOUGH WE MADE A NEW FRIEND.
AND WHAT IS THA SUPPOSED TO MEAN?
NOTHING.
I JUST SAW YOU COME
OUT OF SARAH'S ROOM
WEARING NOTHING
BUT FINGERPRINTS.
YOU SHOULD REALLY JUST MIND
YOUR OWN DAMN BUSINESS.
OH, DON'T GET PRISSY
WITH ME, MISSY.
THIS IS A PAINTING
OF VENUS AND MARS.
BOTTICELLI HAS CAPTURED
THE MOMEN
JUST AFTER THESE TWO
MYTHOLOGICAL DEITIES
HAVE CONSUMMATED
THEIR DIVINE RELATIONSHIP.
IN OTHER WORDS,
THEY'VE JUST HAD SEX.
[LAUGHTER]
THE TWO LOVERS ARE SURROUNDED BY
YOUNG SATYRS--
THE OLD COUNTERPARTS
TO THE NYMPHS.
THESE SATYRS CARRY A ROD
WHICH POINTS...
SO YOU DECIDED TO STAY
THIS WEEKEND?
PLEASE LEAVE ME ALONE.
I CAN'T.
I TRIED.
THE NEED IN ME TO SURVIVE
IS TOO STRONG.
I NEED YOU.
WHAT DO YOU WAN FROM ME?
I WANT TO STAY
IN THIS WORLD.
I DON'T WAN TO GO TO SLEEP.
LEAVE ME ALONE.
Instructor: BOTTICELLI
CLEARLY SHOWED THE INFLUENCE
OF THE NEO-PLATONIC CULT.
NEO-PLATONISTS BELIEVED
THAT THE SOUL
COULD ASCEND TOWARD A UNION
WITH THE DIVINE
THROUGH THE CONTEMPLATION
OF EARTHLY BEAUTY...
WOULD HE DIE
FOR YOU?
WOULD HE DIE FOR YOU?
GO AWAY!
IS THERE A PROBLEM BACK THERE,
MISS WELLS?
I'M SORRY.
[LAUGHTER]
THANK YOU.
LA PRIMAVERA IS ALSO KNOWN
AS THE RITES OF SPRING...
IS HE WORTH
YOUR LOVE?
WOULD YOU DIE
FOR HIM?
MIDNIGHT ENDS
MY FINAL HOUR.
THERE WILL BE NO
EMOTION IN MY HEART,
NO WITNESS.
YOU WILL
WANT ME.
I WILL TAKE YOU!
BE SURE OF THAT!
STOP!
[LAUGHTER]
NICOLE!
NICOLE!
NICOLE!
HI.
HI.
HAVE YOU SEEN
NICOLE?
NO.
UM, I'M REALLY SORRY
ABOUT THIS MORNING.
IT'S OK.
LET ME SEE THE PICTURES
WHEN THEY'RE DONE.
YEAH? OK.
BYE.
[DOG BARKING]
[HEARTBEAT]
IT'S ME.
I WAS DREAMING.
YOU LOOK LIKE
YOU SAW A GHOST.
WHAT ARE YOU
DOING HERE?
WELL, I HAD TO SEE YOU,
SO I KNOCKED,
BUT NOBODY ANSWERED.
I JUST THOUGHT I'D WAI IN HERE FOR YOU.
YOU LOOK SICK, HONEY.
ARE YOU OK?
I'M FINE.
WHAT'S GOING ON
BETWEEN US?
UM, CHARLOTTE, WHERE'S
THE CROSS I GAVE YOU?
I TOOK IT OFF.
I DIDN'T TAKE IT OFF.
I LOST IT.
WHY DIDN'T YOU
JUST SAY THAT?
I DON'T KNOW.
YOU DON'T HAVE
ANY REASON TO LIE TO ME.
I DON'T LIE. OK?
MAYBE YOU'RE THE ONE
WHO LIES TO ME.
WHAT'S THAT MEAN?
NOTHING.
I DON'T KNOW
WHAT I'M SAYING.
YOU HAVE NEVER
TALKED TO ME LIKE THIS.
I MEAN, WHY AREN'T YOU
COMMUNICATING WITH ME?
I WANT TO COMMUNICATE.
I JUST DON' UNDERSTAND IT MYSELF.
WELL, IS THERE
SOMETHING ELSE?
I MEAN, IS THERE SOMEONE
ELSE THAT YOU CAN'T...
NOW YOU'RE BEING
RIDICULOUS.
AM I?
THEN HOW COME YOU'RE
NEVER IN YOUR ROOM
WHEN I CALL?
DON'T TELL ME YOU'RE
STUDYING SOMEWHERE,
BECAUSE YOUR GRADES
WOULD BE HIGHER.
THERE'S NO ONE ELSE.
THEN IT'S JUST ME?
I WANT YOU TO LEAVE.
THIS IS NOT WHAT LOVE'S
ABOUT, CHARLOTTE.
NOT MY UNDERSTANDING
OF IT, ANYWAY.
WHY DON'T YOU
CALL ME?
IF YOU WANT TO.
I SHOULDN'T HAVE
LEFT HER, MAN.
I SHOULD HAVE TALKED IT OUT.
SHE WOULDN' TALK TO ME, THOUGH.
SHE WAS NO COMMUNICATING WITH ME.
SHE'S NEVER BEEN
LIKE THAT.
YOU'RE RIGHT.
THE THING IS THA I LOVE HER SO DEEPLY.
I REALLY LOVE THIS GIRL
WAY TOO MUCH.
YOU'RE NO HELPING ME, MARK.
YOU'RE RIGHT.
I'M GOING TO
GO CALL HER.
YOU SHOULD SPEND FIVE MINUTES
NOT THINKING ABOUT HER.
YOU'RE RIGHT.
DO I KNOW YOU?
I DON'T--
I DON'T THINK SO.
PERHAPS WE ME IN ANOTHER LIFE.
ONE OF THOSE, HUH?
I DON'T KNOW.
BUY ME A DRINK.
WELL, S--SURE.
WHAT DO YOU WANT?
BLOODY MARY.
BLOODY MARY.
MY NAME IS MARIKA.
HI.
I'M CHRIS.
PLEASURE.
ARE YOU FROM
AROUND HERE?
NO.
WHERE ARE YOU FROM?
I'M FROM EVERYWHERE.
WELL, I'VE NEVER BEEN
TO EVERYWHERE,
SO I DON'T THINK
WE COULD HAVE MET THERE.
SO...
YOU SMELL GOOD.
YOU WANT TO DANCE?
I'M NO A REALLY GOOD DANCER.
COME ON.
DANCE WITH ME.
COME ON.
I'LL TEACH YOU.
OK.
CHARLOTTE...
IS HE WORTH YOUR LOVE?
SWEET INNOCENCE.
YOU WILL WANT ME.
I'M YOUR DESTINY.
YOU'RE MINE.
NICOLE.
[LOUD MUSIC PLAYING]
WOW. CHARLOTTE.
YOU'RE LOOKING
MIGHTY FINE.
MIGHTY FINE.
YOU THINK SO?
ABSOLUTELY.
YOU THIRSTY?
YOU POURING?
CHARLOTTE, I JUST LOVE
THAT DRESS.
YOU DON'T KNOW
HOW HAPPY THAT MAKES ME.
WANT SOME WINE?
SURE.
IT'S NOT BLESSED.
THAT OK?
NOT BAD.
WANT SOME MORE?
THANK YOU.
AREN'T YOU
GOING TO SHARE?
NO.
WHY NOT?
[WHISPERING] I slipped
an "X" in her drink.
THAT'S REALLY
IRRESPONSIBLE.
SHH.
[LAUGHTER]
AREN'T YOU TIRED
OF ALL OF THIS?
LET ME TAKE YOU
AWAY FROM HERE.
[GROWLING]
CHARLOTTE, I NEED YOU.
SAVE ME.
WHAT'S A GOOD-LOOKING
MAN LIKE YOU
DOING WITHOUT A DATE?
HMM. THAT'S FUNNY
YOU SHOULD ASK.
YOU LIKE ME, CHRIS?
SURE.
DO YOU WANT TO GE TO KNOW ME BETTER?
ARE YOU DRUNK, CHRIS?
JUST A LITTLE.
A LITTLE?
I THINK I KNOW
WHAT YOU NEED.
OH. YOU DO, HUH?
YES, I DO.
WELL,
WHAT WOULD THAT BE?
FOLLOW ME AND FIND OUT.
COME ON.
COME ON,
CHRIS.
DID THAT HURT?
A LITTLE BIT.
WHY DON'T YOU
KISS I
AND MAKE I FEEL BETTER?
FORGET HER, CHRIS.
FORGET HER.
FORGET HER.
FORGET HER.
DOUBT HER, AND THERE WILL BE
NO PAIN WHEN SHE'S GONE.
FORGET HER.
DOUBT WILL REMOVE
ALL PAIN, CHRIS.
FORGET HER.
FORGET HER.
DOUBT HER.
I CAN'T.
I'M SORRY.
I CAN'T.
NO.
YES.
STOP.
NO, DARLING. CHRIS.
[GROWLING]
[DOOR OPENS]
HI.
HELLO, SARAH.
I CAME BY TO SEE
IF YOU WERE OK.
YOU DON'T LOOK
SO GOOD.
TO TELL YOU THE TRUTH,
I'VE NEVER FELT BETTER.
WELL, YOU SEEM
DIFFERENT.
HOW?
BEFORE, YOU SEEMED LIKE
A LITTLE GIRL,
AND NOW YOU'RE ACTING
LIKE A WILD WOMAN.
WHY DO YOU THINK
THAT IS?
MAYBE IT'S THE STARS.
SEE?
DID YOU KNOW THAT VENUS
IS REFLECTING THE SUN
THAN THE MOON TONIGHT?
IS IT?
MM-HMM.
REALLY?
MM-HMM.
OW.
I'M SORRY.
DID I HURT YOU?
[DOOR OPENS]
HAVE YOU COME TO SEE
IF I'M OK, TOO,
MILO?
WELL, YEAH.
YOU WERE TAKING A PRETTY
HEAVY TRIP BACK THERE.
AND WHAT DO YOU
WANT TO DO
TO MAKE ME
FEEL BETTER?
ME?
WELL, UH...
I DON'T KNOW.
COME ON, MILO.
WHAT'S ON YOUR MIND?
HONESTY WILL GET YOU
EVERYWHERE.
WELL, I CAN THINK
OF ONE THING.
WELL. WELL.
DIDN'T WE SOON CHANGE
INTO A LITTLE WHORE?
YOU DIDN'T FOOL ME.
YOU CAN HAVE HIM.
I DON'T WANT HIM.
GET OUT OF HERE,
MILO,
AND TAKE THAT BITCH
WITH YOU.
WHO ARE YOU CALLING
A BITCH?
I'M OUT OF HERE.
IS THAT THE BES YOU CAN DO?
I HAVEN'T EVEN STARTED.
YOU'RE NOTHING BU A PRISSY LITTLE BITCH.
SORRY.
OPEN THE FUCKING DOOR,
YOU FUCKING CUNT!
I'M GOING TO KILL YOU,
YOU FUCKING BITCH!
OPEN IT!
[SLAM]
[SLAM]
[BELL TOLLS]
TIME IS RUNNING OUT.
YOU ARE ALONE NOW,
CHARLOTTE.
THERE'S NOTHING
LEFT FOR YOU HERE.
COME TO ME...
TO ME. TO ME.
BE WITH ME. ME. ME.
CHARLOTTE?
[GROWLS]
LEAVE...
ALL YOU WILL FIND
IS DEATH HERE.
WILL YOU DIE FOR HER?
SHE DOES NOT KNOW YOU.
YOU CAN'T TAKE HER
FROM ME.
ARRGH!
LEAVE US ALONE!
[BELL TOLLING]
CHRIS.
NO.
DON'T THINK OF HIM.
THINK OF US.
HEAR ME, CHARLOTTE.
WANT US.
US.
CHRIS.
YOU CAN'T TAKE HIS LOVE
TO ETERNITY WITH YOU.
BELIEVE ME. YOU CAN'T.
ONCE MORE,
I LET YOU GO.
CHRIS.
CHRIS.
[GROANING]
CHRIS.
WHERE IS HE?
ARE YOU OK?
YEAH.
DO YOU KNOW
WHAT TODAY IS?
IT'S MY BIRTHDAY.
HAPPY BIRTHDAY.
[GASPING]
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