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Found Footage 3D (2016)
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Derek: So, what do you think? Andrew: It's good, it's a little cliche, don't you think? -No, that's not cliche. That's how every found footage movie starts. -I know, that's why i called it cliche. Mark: Yeah, that or a fake police evidence tag. -Yeah, and plus, if the bodies were never recovered you know, how did they find the footage? -Yeah, no, of course, I'm saying this looks good-- -oh, no this looks great! Yeah, the text and everything, it's very impressive. -Thank you. -Yeah, no, absolutely, but again, in this first part, it doesn't say anything about why they were filming in the first place, it just says that the footage was found. What footage? -The vacation video footage? -No, I know that, but the audience needs to know that. -Yeah. -Right. -No, of course they do. -Right. -Right, no, I'm saying, yeah, we should put that in there. -I agree, that's a great idea. -Obviously, but it looks good and we should add that. -It looks great, and we should put that in there. -There it is then, it's happening, we're making movies. This guy right here comin' up with good ideas, that's why I hired him as director. Let's put it in, rock star. -Terrific. -It's not gonna fit dude. -We got everything? -This is it man. -It's everything. -This'll fit in there. -Is this the new pa? Derek: Yep. Andrew: Oh good, he can give us a hand. We need it. Derek: Hey! There she is! -I'm good, how are you? - I'm good too. Lily, I want you to meet Andrew. This is our director. Mark: Hi Andrew, Lily. This is my brother mark. -Hey mark. -Mark, this is Lily, our new pa. Mark: I'd shake your hand, but-- -you're filming. Mark: Yeah. -It is very expensive sound gear. Good stuff, top shelf stuff here, probably seen these, you know, on set, people do that. This is my boom stick. Shop smart, shop s-mart. -Okay, good point, except that's not gonna be enough. Hundreds, thousands of movies get made every year, never seen the light of day because they don't have a huge movie star or big special effects, which we don't have the budget for, so we have to find a way to make people pay attention to us. We need to generate free publicity. -Okay. -But how do you do that? How do you make free press? Well, the way I see it, there are two ways to do it. One, create controversy, right. You piss the right people off, they will write about you. So, I got to thinking, you know what, let's write in like a pedophile catholic priest, that'll get the catholics all riled up. -Don't do that though. -I'm not going to. -Oh my god. -Because there is another way to get free press, and that is to be the first at something. -Okay -sharknado! Yes? Right? Deadly aquatic life forms, deadly weather patterns, first movie to combine them, total piece of shit as a film, but it sold at afm last year based on the concept-- -wait, I know, but again, I feel like "piece of shit" is not what we're goin' for. -Of course not, but what if we make a kick ass scary movie, and we are also the first at something noteworthy. That would be like the best of both worlds. Right? Come for the concept, stay for the great film. -Okay, so what are we gonna be the first to do? -Get ready to have your minds blown. Hold onto your knickers, because as of this morning we are no longer just shooting the greatest found footage horror movie ever made. We are shooting... Drum roll. Drum roll, can i get a drum roll? -I don't do sound effects. He's not gonna stop until you drum roll. -Trust me you are going to want to be doing a drum roll when you find out. - Okay, okay. Very good. -We are shooting the first ever found footage horror movie... In 3D. -What? Derek: We're shooting in 3D. -We're shooting in 3D? -We are shooting in 3D. -How are we shooting in 3D? -That's what I'm showing you. Check it out, this is the camera, look at it. -No, I'm sorry--- right lens, left lens. Just like in reality. -I mean, how does that even make sense in the story? Why would your character film in 3D? -Why wouldn't he film in 3D? -Well, because in the premise of spectre of death-- -spectre of death 3D. -That's very good, okay, in the premise of the film, it's a vacation video. So, who shoots their vacation videos in 3D? -I don't know... Japanese people? -He's probably accurate. -No, okay, whatever, my character is now a filmmaker. I'm not a documentarian. I shoot everything in 3D, I'm a 3D enthusiast. -That's not a thing. -It is now. -Look at this. - Ah , that's pretty cool. The monitor's in 3D too, look at this, mark. Look, watch. Mark: What? -Do somethin'. Andrew: That's terrific. -Because not only are we shooting the first ever found footage horror movie in 3D. We are also shooting the first ever behind the scenes documentary... also in 3D. Andrew: How much did you spend on this thing? -Doesn't matter. We can return it. -Do you have enough batteries for this thing? Derek: Dude, quit pissing in the pool, and just get into it already. Look at that, you're hanging onto a goldmine right there. Andrew: It's beautiful, don't get me wrong. -This is a very impressive gimmick. -I wish you would've told me about this sooner. -I wish I had thought of it sooner. -I still vote for the pedophile priest. -We're not doing the pedophile priest - ahh. It's like I can touch you. -I feel like, you know,, it's... Alright, so apparently we're shooting the first ever found footage horror film in 3D, and I've got about 12 hours to figure out how this thing works, and to rearrange my whole plan for how I'm gonna shoot it... in 3D. Hey Carl. 3D. -That has absolutely no effect on sound. Andrew: Derek? Derek: Yo. -It's gettin' a little late. Derek: Yeah, it is. -Well, we still don't have our lead actress. Derek: Yeah, no shit, tell me somethin' new. -Do you want me to call her? Derek: Do whatever the fuck you wanna do. Andrew: What does that even mean? Lily: I'll call her. -Can you? Thank you. It's just gonna be a little tough to do the film without her. -It's gonna be a lot tough to do the film with her, trust me. Carl: Derek and Amy, I've worked with several times. The last time we worked together was probably about six months ago on the indiegogo campaign. Right around the time that their marriage was finally, um... How do I put it delicately? It's appropriate that we are filming a horror movie. -Andrew, hi, sorry I'm late. -No worries, you're fine, you're here. Can we get you anything? You want water? You want something to eat? -No, I'm okay. I'm sorry, I'm just late. Andrew: You're fine, no worries. -What's this? The behind the scenes? Andrew: A little bit, yeah. -Yeah. What? Mark! Hi! Is that you? Oh, it's so good to see you. Mark: It's good to see you too. - How's it goin'? Mark: Good. Derek: Andrew. Mark: Okay, so are you excited to be here? -Yes, yeah, it feels really good to be here. I'm excited to be working with Derek again, and Andrew's a wonderful director, and just glad to be on a feature again. I've been doing a lot of-- mark: Hold on, sorry, i need to adjust your mic. -I wasn't really expecting to be doing this right now anyway. I'm not really made up. -It's fine, you look fine. You look... You look b-b-... You look beautiful. -Thank you. Can I ask you a question? Mark: Mmm-hmm. -Did Derek say anything to you about me, or us at all? I'm just trying to piece out why he asked me to still do this. After everything, it just seemed a little strange. And I don't know, I thought maybe... you guys are close, and he said something. Did he? -Nope. -Are you sure? -Yeah. Derek: Here we go! En route! Derek: Is he sleeping? Mark: Yeah. -Lily, do you have the forks? The forks? -Don't. -Awe, leg cramp, oh god. Herr director. -Hey. -How long till we actually make it to the actual location? -About an hour and a half. Andrew: Where did you find this place anyway? -Amy's family owns it. Her uncle or somethin' built it during the depression. -She's asleep. Carl: Very funny, Derek, hilarious. -Is this good? Mark: Yeah. -Okay. Mark: So basically, just talk about how you became involved with the spectre of death. -Oh, okay. Yeah, I met Derek at a party last week, and he asked me if I wanted to come help out on the film, and told me that it was gonna be a horror film, and I absolutely love horror films, so I couldn't pass it up. And yeah, I don't really know what I'm doing, but I'm learning a lot, so that's really really cool. I've done YouTube stuff, but I don't think that counts, and this is like lights, and every-- check this shit out. There's a couple of old dudes back there sittin on the porch straight out of fuckin' deliverance. Get the camera. -For the behind the scenes? -No, we're gonna shoot em'. We're gonna shoot the movie. -Wait, really? -Yeah, yeah, dude go. You've got nothin' to lose-- -they're not actors. -It's gonna awesome, dude. Wait'll you see these guys. Get the camera. -Alright. -So, this is how this is gonna happen. I'm gonna call action, and then Derek here is going to ask you for directions to a farm nearby, and we need you to tell us to stay away from the farm. It's a bad place and bad things happen. Just tell us to stay away. Sound good? -Yeah. -Is this candid camera? Andrew: No, no sir, that show hasn't been around for a long time. -We just want that ominous dark feeling like, "oh, we're goin' into a bad place, stay away." -Right, sound good? -Yeah, okay. Andrew: Alright, here we go, we're gonna give this a shot. And action. Derek: Hey, we're lookin', do you guys know how to get to like the old buford farm out there? -Yeah I do, you go down this way to the y, and you take a left-- Andrew: Cut, cut! Okay, thank you. So... we need you to tell us to stay away from there. -You don't really want the directions. Andrew: That's right, that's right. -We want it to be like a warning. We say, "how do you get there?" And you're like, "you stay away from there." -Yeah, I got you now. -Alrighty, we still slated, speed, and... action. Derek: Good afternoon. -Yeah, howdy. Derek: Do you guys know how to get out to the-- -you don't wanna go out there, it's scar-- - cut, cut! I'm sorry, he just needs to be able to get the question out. - Oh yeah. Andrew: Yeah, alright, so we'll take this again. All set, and action. Derek: Good afternoon. -Afternoon. -Do you know how to get, we're trying to find old man buford's place, I think, that's out there? -Yeah, I know how to find it. It's out there. And you don't wanna go out there. - Woooooo! - Why not? -Why not go out there? I'll tell you why not... Bad things happen out there. - Yeah, bad things. -Alrighty, and cut. -Thank you guys. That is what we like to call awesome. Amy: Thank you gentlemen. Derek: That was fantastic. -You guys are amazing. One in a million. -Happy to help. -Thank you guys. Amy: Thank you. Lily: Sign the release form. -What kind of movie did you say this was? Lily: It's a horror film. -Oh really, and one of them, what do they call them? Torture porns? Like saw? Mark: No, it's a ghost story. -Yeah, it's found footage. -And you're filming here in Gonzales? Mark: A little ways away. It's an old place off of route 12. -You're not talking about old Rufus Mitchell's place up there on the lake, are you? Mark: Yeah, i guess, I think so. -No, no, no. You don't go to that place. No. -Okay, thank you. Have a great day. That was weird. -Wait a second, are you saying that the place we're actually going to is haunted? -No, it's not actually haunted. -Stories, what stories? -Okay, so then it is haunted. I mean... that's how a haunted place gets-- -no, it's just like old family superstition bullshit or whatever. -Everything you're saying makes it sound worse. I'm just saying, you know, you've got young people who have never been on a movie set, and you're bringing them out... You don't bring a film crew to a haunted house to film a horror movie. Have you not seen, like... Every horror movie ever? -Dude, it's just old local kid scary stories that they try to spook themselves with. -Kids? Those are the oldest kids I've ever seen in my life. Those were not kids telling us a story. The fucking cast of cocoon is freaked out by this place, right? So it's just not cool is all I'm saying, because you know, she's freaked out now, and it's just not cool to do that. That's it. Not cool. Derek: Yep. Andrew: This is us? Derek: This is us, I believe. Andrew: Mark, you're getting all this, yeah? Derek: Oh shit, there it is. Andrew: Holy shit. Carl: Are you serious? Lily: Oh, it looks so cool. Andrew: Holy shit. Mark: Wow. Andrew: You first. -Whoa. Amy: This is crazy! Amy: Wow, this is great. Derek: Nope. Mark: Nothing? -We have status zero on the electricity at the moment. Lily: Look at this old piano. Derek: Oh my god, no way. -Whoo! That's cool. Amy: No, i don't think so. Derek: Wow, it's just like somebody... left it. Lily: Ugh, look at this fridge. Oh god, oh. It smells bad. Carl: That smells horrible. -Oh shit. Derek: Wow. Amy, well done. Lily: What's that? Mark: Hmm? Lily: What's that? Andrew: What's what? Carl: What is that? Andrew: Oh Jesus. Lily: Maybe it's just, they spilled something? Carl: That's disturbing. Andrew: It's not a spill. Whoa, we got light. -Found the breaker! Derek: What, the chair? Carl: No no no. Mark: No, the stain. Derek: What? I mean, it's an old place. It's gonna have some stains and stuff. Nothing. There's a bunch of weird stuff around, look, there's water stains there. Mark: Carl? Hey Carl? Carl? Carl: What? What? Mark: Do you hear that? Carl: Hear what? Mark: Shh. Listen. Carl: What the fuck is that? Mark: I don't know, but where's your sound gear? Carl: It's moving. Whatever it is, it's fucking moving. Mark: Moving? Lily: What are you guys doing? Mark: Shh. Lily: What are you doing? Mark: Shh, listen. Andrew: What's goin' on? Carl: Some creepy fuckin' sounds is what's goin' on. Andrew: That's fine, shit, it's country noises, just go back to sleep. Carl: That was not a fuckin' country noise! Andrew: No, no it wasn't. Lily: What are you doing, Andrew? Carl: Hey, what are you doin'? Andrew: It's fine, don't worry about it. Carl: You don't go investigate! Have fun out there. Andrew: Mark. Lily: Shh, you guys aren't seriously going out there are you? Mark: Yeah, I guess he wants me to film our last moments for posterity. Andrew: Stay close. Fuck, fuck! Mark: What? Andrew: Was that a deer? It was a deer, dude. Mark: Awe man. Andrew: Dude, Jesus, what the fuck was that? Awe fuck, man. Mark: What was that? Andrew: Hello?! Mark: Andrew? Andrew: Okay, okay, okay, shh, shh. Jesus. Oh no. Oh come on, fuck. Oh come on, man, come on. Andrew: What the fuck is that? What the fuck is that? Aww! Shit! What the fuck? Derek? -Ow. Dammit. Oh fuck, you broke it. Andrew: We broke it? -Yeah, look at it. Jesus Christ. Did you guys hear those creepy sounds? Andrew: That's very cute, that's very cute. -Hey, don't tell anybody else, okay? This is our little creepy secret, alright? I just wanna set the vibe for the shoot. Get the tone right, okay? Andrew: That's terrific, cute. -Hey, the first scare is always a false scare, right?. Lily: Did that come out Derek: It sure did. A little maple syrup stain. -Hi mark. Lily: My arm's about to fall off. -It doesn't feel heavy at first, does it, but then...? Lily: Uh-uh. -There it is. -Okay, good, you guys getting the editing bay set up? -These are so gross. Jesus! -So, basically, the script was written by myself and Derek. -Uh.. -What? -Nope, nothin', nevermind. -No, what? -No, it's just, i mean, you came up with the back story for your character. -I wrote several finished scenes. -You tweaked some of what i had already written. -Can we not do this on camera please? -Anyway, so yes, we play a husband and wife who come out to this cabin in central Texas that she inherited from her great uncle-- -and my character is a documentarian, a 3D enthusiast, and I work too hard so my wife resents me for it, and with our relationship on the verge of disintegrating we come out here to reconnect. -But of course, they find more than they bargained for. Andrew: Really, the way I see it, it's as much about the deterioration of their relationship as it is about anything, you know, supernatural. The ghost, or the monster, whatever you wanna call it, is a metaphor, although, there are rumors that the house is actually haunted. Mark: Haunted by what? -So, apparently, the previous owner of the house, who's-- -my character's great uncle. -Yes, he murdered his wife, and then dumped the body in the lake behind the cabin. -So, there's a hint that maybe there's-- Carl: Wait, wait a second. This is a true story, isn't it? For real? Seriously guys, you brought us to a cabin that's haunted in the middle of the woods where a husband murdered his wife to shoot a movie about a husband murdering his wife at a haunted cabin in the woods? -Yep, yep. Carl: For reals? -Yeah. -Do you mind if we actually do the interview, Carl? Carl: Sure, no, go ahead. -Pull up your pants. -Seriously, though... am i being a big wuss about all this? -Um... -I actually believe in all that stuff. I've seen a ghost. -For real? -Yeah. When I was a little kid. Right hand to god. That's something you don't ever really forget, you know? And what is this by the way? Are we suddenly a British production? The spec-tre of death. Are we gonna see this movie in the the-atre? -Yeah, it's terrifying actually. I was reading it at night, which is a big mistake, and yeah, I had nightmares, really really awful nightmares. So I guess it's doing what it's supposed to be doing. -Because we want them to establish morning, so I think the natural light works here. -I think this will be great. -Carl, does it work for you? -Hmm, the fridge is gonna be a problem. Andrew: Why? -The hum. We'll have to unplug it during shooting. -So, in every found footage film, we have to answer two questions, the first of which is "why are we filming?" "What excuse do we have for having a camera document everything?" That's usually answered pretty early in the movie, usually the first scene, which we're actually about to do right now. Mark: And the second question? -The second question is exactly the same as the first question but for the third act. It's usually "why the fuck haven't you put the camera down, and run the hell away?" If you answer that one wrong, the whole third act just completely falls apart. Mark: So, can you give us a preview to the answer? - Actually no, not at the moment. Mark: Why not? -There's no ending. It actually stops dead on page 71 in the middle of a scene. I don't know if he has an ending in mind, you know, if he's just trying to keep it secret like they do in the big tentpole movies, the ones that people actually give a shit about seeing. -Yeah, no, we don't have an ending right now, but that's okay. I mean, hey, worked on apocalypse now, right? What? -Really? Coppola? -Yeah. -You're comparing yourself to coppola? -He doesn't have an ending. It's great, no, it's good, it's good. I don't mind, I do, well, hmm. -Oh, oh, yeah, that makes sense now. -I'm gonna do it like this so you can see my profile. -Here we go, spectre of death, we're about to shoot the very first scene of our movie. Scene one, take one. Action! -That's good, right? Derek: Oh, she loves it. This woman loves cleaning, she can't stop cleaning. Thank you Derek, for bringing me to a dirty old cabin in the woods. -Thank you Derek for bringing me to a dirty old cabin in the woods. Derek: You're welcome, anytime. -Babe? Derek: Yes. -You promised you weren't going to bring that stupid camera. Derek: Whoopsy. -We're supposed to be on vacation. Derek: I know, we are on vacation though. This is in fact our vacation video. This is you, this is the sink, this is us. -It has absolutely nothing to do with that stupid ghost-- Andrew: Sorry, wait, cut for a second. Derek: Yeah, we dropped that. Amy: What? -We don't have that. Andrew: Did you not get the changes? -No, what changes? -Lily gave you the pages yesterday, no? -I left them on your sleeping bag. -Well, you don't just leave a script laying around, and hope that people see it. Mark: I'm sorry. -You hand them to the actor personally. Derek: Fair enough, that's okay, we can solve it now, we have 'em. -I didn't wanna wake you up. Andrew: It's fine, it's fine. Amy: Well, I didn't get them. Andrew: Can you just look over it real fast? -Sure, sure, sure. -We are rebooting scene one. We'll do a reboot, and then take it from the top. -Hmm. No, this is no good. Andrew: Okay, what's the matter? -Well, the writing sucks, for one. -Eh, Amy, what are you? There's nothin' wrong with the scene. -Well, I wrote the scene the way that I wrote it for a reason. Structurally, we need to establish the "before" of their relationship-- -i know, but we also need to show that there's a little bit of conflict-- -we need to show that we're in love. -I know, and in that love there is conflict. That is part of what's gonna happen later. -Okay, well, you have us screaming at each other for two solid pages. -I don't have us screaming at each other, I just have us butting heads a little bit. -A little bit? We have exclamation points at the end of every sentence. -Exclamation points are just emphasis for the conflict that's coming. It's the soul of drama, that's all. -The soul of drama? That's super cute, Derek. Did you get that out of one of your $12 Internet screening writing courses? -You know, I don't exactly need to take a course to write a scene where you act like a total bitch, do I? -Guys, guys, guys. - Hmm, this is typical, this is so typical, Derek James. You can't even pretend to be in love with me, can you? -Well, I did it for four years. You gonna cry now? Yeah, okay, I did it, i stepped on a landmine, here come the crocodile tears. Everybody give her attention. -How could you even say that to me? -Oh what, now it's all my fuckin' fault. Is this the same bullshit we go to? Mark: D-d-Derek. -Du-du-du! If you got somethin' to say mark, why don't you spit it the fuck out?! No? Andrew: Okay, let's all take a deep breath, it's hot. Let's just cool off here. Amy, it's a few small changes. If you could just look it over real fast, and just, we'll give you two minutes. Derek: You know what, fuck it. Nevermind, we will shoot it her way. -Alright, are you sure? -Yes, I am absolutely positive. -Okay. -My wife says we are in love, we are in love. Mark: Three, two, one, action. Derek: Hey sweetheart, see my new camera? You are in 3D. Reach for the camera, do it like this, whoo. -Day one. -It's been awhile since I've been on a set like this. Mark: What do you mean? -Well, normally, i work on bigger, more professional productions. I turned down a Ben affleck movie to be here. Mark: Really? -Mmm-hmm, really. Mark: Why? -Well, Derek helped me out a few years ago financially when I needed that, and I'm returning the favor, so... Plus, I fuckin' hate Ben affleck. -There's a definite shorthand, I think, when you're working with someone so closely that you know so well. There's a chemistry and a history that sort of lends itself to the script, I think. Mark: Are you worried about all the fighting you're going to have to do later on in the shoot? -No, no, absolutely not. We're both professionals. This is acting, it's just pretending. Mark: Okay, thank you, I think we got it. -Great. -Ah, Mr. mark here. -Mark, do you ever put that thing down? Mark: Yes. Andrew: Do you? Mark: Yeah, I do. To sleep. -There's peanut butter jelly sandwich, peanut butter jelly sandwich, I wanted to die. -Peanut butter's good. -Yeah, have it fuckin' 35 times in two weeks. -I have it for breakfast every morning. -Okay, are you a peasant? --Running for their lives from whatever it is, not just start beating whatever is chasing them to death with the camera. -It's like war journalists, they stay there while the bombs are going off, while bullets are flying over their head, and they keep filming, they keep filming in the moment. Why don't they just run? Because they gotta keep filming. Carl: Yeah, they're also well paid. Andrew: Why do we keep watching? Why do we keep watching? And between the two mediums, found footage, and you know, war, in both scenarios, it's fucked up, but in both scenarios I know a majority of them aren't coming home. I know that those guys very well might die in the war, and we know that everyone's dying in found footage. -Okay... Hey, spectre of death fans. I don't have Wi-Fi or Internet, so I won't be able to upload this anytime soon. Maybe when we go into town. But I just wanted to document something a little weird that I found in some of the footage from today. I'm not making this up, this is real, it's not part of the movie, at least not as far as I know. -I did it, I stepped on the landmine, here come the crocodile tears. -There. See that? It's sort of in the... I don't know maybe it's nothing, but I definitely don't remember anything or anyone being there this afternoon when we were shooting. Plus--and this is the weirdest part-- whatever it is-- again? Jesus, Derek. Give it a rest. I guess that was a real animal that time because Derek's still in his sleeping bag in the other... O-Kay... That's super weird. Andrew: Guys, please be careful of snakes. Amy: Snakes? Andrew: Mark's how's this all showing up lighting wise? -This is good, right? Mark: Yeah, the lighting's great. -In the trees, you know, boom boom boom boom. Andrew: Oh yeah, that's great. -Yeah, you see that? So, she's like, "fuck you!" Boom, boom, boom, boom, boom, boom, boom. Spectre flashes. Amy: Okay, okay. -So, today we have the first appearance of the spectre. Mark: Which is? -The villain of the movie, the ghost, or entity, or whatever that inhabits the cabin. Mark: How do you plan on doing the spectre? -Well, I wanted to do it as a practical effect because I think-- -a guy in a spectre suit would look retarded. -Yes, well bad cg will look more retarded. -Who says it's gonna be bad cg? -We can't afford good cg. We'll find out. Derek: I'm sorry, i kicked it in the river. -You kicked it in the river? -I didn't mean to kick it in the river, it just fell in the river. It fell in the river when i was trying to get lunch. Amy: So, we don't have a map? Derek: We don't have a map, we're a little bit lost right now, but it can't be that hard-- -I'll just lead the way, don't worry. Derek: You can't lead the way if you don't know where you're going. -Oh my god! How was that? Derek: Um... Mark: What would you say the spectre is? -I don't know, and i don't think I wanna know. I mean, I have my ideas. I think everybody's gonna have their ideas, but I kind of hope that they don't wrap it up neatly. -I would say that the spectre is probably the fictional couple's own negative energy that's physically manifested, like maybe their relationship dysfunction is so big and horrible for everyone around them that it has actually ripped open a hole to the gateway of hell. -So I think if we put it here... What do you think? -Absolutely, yeah, because we wanna be able to have people come through the door, and the fridge will block that, and I think that's good. -The only problem here is that I think this is where the whole 3D part kind of falls apart a little bit. -What do you mean the 3D thing falls apart? -Well, when the audience is watching the surveillance footage it's not gonna make sense to them if it's not in 3D. -Yeah, but why wouldn't it be in 3D? What do you mean it's not in 3D? -Well, I mean, that won't make sense. -What won't make sense? -There's no such thing as a 3D surveillance camera. -We don't know that. -No, I do, I looked it up. -Okay, well, there should be. -Agreed, but there's not. -Okay, you know what, do you have two gopros? -I have several. -Great, take two, stick em' together, left eye, right eye, stereo, 3D, boom, that's your problem solved. -I mean, I get it, i just think you're missing the point a little bit. -What I think you're doing is pissing in the pool again, don't over think it. Audiences, stupid, you, making it happen, 3D. -Okay, fair enough, I'll give it a shot. This might actually work. It's a ridiculous idea, but it might actually work. Sweet. Mark: Just talk about what makes shooting a found footage movie different from shooting-- -a real movie? Basically, the task in a found footage movie is to take really good sound, and make it sound as shitty as possible. And just job well done on that. -I mean, that's the thing right, with found footage you don't need to worry about lights, and grips, and all that crap. You can just go out in the woods, shoot the movie, and it's brilliant because you get away with it, and it makes you look like the genius. Oh, we're just running around with a camera, we don't know what we're doing, and so it's like, "well, the light's crap, "and the sound's crap." Be like, "exactly, but guess who's paying for it? Boom." We shouldn't use that one. -It is different, definitely, but I think ultimately all acting is about finding the truth in the moment. Whether that's improving for a found footage film or belting out a Broadway musical, i-- okay, let's take that again. Mark: Oh, okay, yeah, sure. Whenever you're ready. -Yes, it is different i will say that-- mark: Hey guys, we're doing an interview. Derek: Awesome, keep it up. -You know what, sweetheart, why don't we just do this another time. Mark: Yeah, sure. -So, Amy and I come in, she's talking about her uncle, though she's being cagey and evasive, not telling me the whole story, then she hints at the ominous back story of it. We get to like right over there, I think right where Lily is, and that's when the shovel falls, almost hits Amy in the head. Audience jumps out of their seat. Lily: Nice. I love it when things do that. -Like a cat? Is it a "pop scare"? Amy: It's called a jump scare! It's called a jump scare, and I think it's probably one of the most overused cliches in horror movies. -That's why we're using it. -You might as well just have a cat. -We don't have a fuckin' cat, we have a shovel. -No, I think it's lazy filmmaking, Andrew, I think you would agree. It's bad writing done by hacks who can't even write a script that unsettles on a deeper level. You know what, actually, it's meant to appease audience members who are just too stupid to know better. -Okay. Amy: I don't think it's worth it. Derek: We need to have some kind of moment where it snaps. -That's not really, that's not a fair thing for you to say to me, okay. I mean, what did I ever-- Derek: Jesus! Shit, oh my god! Carl: Lily? Lily? Oh my god, Lily? Derek: Is she okay? Carl: No, no, don't. Derek: Lily are you okay? Carl: Hey, answer Lily. Do you hear us? Do you hear us? Okay, okay. No, no, don't move your head around. Don't move your head around. Listen, who am I? Who am I? It's okay, it's just a little blood, don't worry about it. Andrew: She's bleeding. Carl: Hey, how many fingers do I have up? -Two. Carl: Okay, what's your name? -Lily. Carl: Okay, what's my name? -Carl. Carl: Do you know where you are? -Yeah. -Okay, look, let's get you up slow. Sit up real slow, okay, how's your neck? Here, go real slow, let me hold your neck for you. Andrew: Oh Jesus. Carl: Okay, you dizzy? No, you're not dizzy? Okay, okay, put your arm around me, come on. -Give me your other arm. Carl: That's good. Amy: I hope she's okay. -Derek, I don't care, if she needs to go to the hospital-- -i would take her. -Are you-- -Lily, hey lil. Look at you, hey, should we take you to the hospital? Andrew: Lily, be honest. -I'll take you, we'll jump in the car right now if you need to go. -No, I'm fine, I'm fine. Derek: Yeah? Andrew: She's... Derek: You're a big trooper? -Alright, there we go. She's fine, it's just a bump on the head. Carl: You sure you okay? You're okay? I mean, do you have a headache? -Why don't you get some water? Carl: Huh? -Why don't you get some water? Carl: Okay. -Please. I don't know, I just, i hope she's okay. She seems like a really nice girl. -That was definitely weird. Not just me freakin' out about nothing. That was, you know. -These things do happen. I mean, you talk to any of the big directors, you know, you watch their director's cuts like, shit happens people get hurt, they get banged up. The important thing is she's okay, and we can keep moving forward. And, you know, not overreact. That's terrible. It's true though. -It's just I don't know if it's worth us stopping the flow of the story for a full minute while you deliver the third act exposition. -I'm not stopping the flow of the story, I'm telling them what's happening. We're letting the audience know what's happened, so they're not confused when they leave the theater. I was hoping for something a little bit more ambiguous, let them have something to talk about-- -they're gonna be talking about how great the movie is, not oh my god, I don't know what the hell just happened. -We should be letting them decide for themselves what the spectre is instead of telling them. -Blair witch. -People are gonna think we don't know what it is if we don't tell them. "They don't even know their own movie." -If we leave it vague, we can add to the mythology if it. We can build on it in a sequel. -Charge them another ten bucks? -Sure. -Thirteen bucks, 3D. -3D, that's right. -Imax. 15, fuck it, go big. -Exactly. - Alright, I get it. Yes, okay, I will bring it in, make it a little more vague. -Okay, just do it quickly, Derek, we have very little time left. -Oh, okay, thank you. Amy: You still awake too? Mark: Yeah, just cutting together some footage for the Facebook page. Amy: Mmm-hmm. -Please don't. -No, come on. It's only fair... Watching the watcher. Nice, it's very... meta. So mark, how are you? You working on anything? -No, just this. Amy: I think you should make another short. We should make a short, you and me. -Uh, mmm, yeah. Amy: Okay, well don't sound so enthusiastic. -No, no, no, that's not-- -sweetheart, I'm teasing, I know. It beats working with Derek, anyway. I mean, i don't know, I think, I know there's been a lot of friction, but I don't know, maybe there's something more. I think Derek and I are finally understanding each other a little bit. Andrew: Well, we still don't have our lead actress. Amy: What's this? Turn it up. - That's nothing. Amy: No, turn it up, turn it up. -Amy. Amy: No, come on, what is it? I wanna see it. Please. Andrew: Do you want me to call her? Derek: Do whatever the fuck you wanna do. Andrew: What does that even mean? Mark: I'll call her. Andrew: Can you? Thank you. Andrew: It's just gonna be a little tough to do the film without her. Derek: It's gonna be a lot tough to do the film with her, trust me. Should have my head examined for casting her in the first place. Amy: Is that it? -Amy. Amy: Is that all he said? -I don't think that this is something... Amy: Just play it. -Amy. Amy: Play it. Mark, play it. Derek: Just make sure you erase that file, okay. Mark: Yes, when i dump the cards. Derek: Alright. Mark: So, why did you anyway? Derek: Why did I what? Mark: Cast Amy. Derek: Because I'm a fuckin' idiot. I signed a contract before we were separated, and no thank you, I do not want another lawsuit. Mark: So, you're not trying to get back together with her? Derek: No, sweet Jesus Christ, I am not trying to get back together. Speaking of Satan incarnate. -I'm sorry. Amy: Me too. I don't know why I'm surprised. I mean, I'm being an idiot right? It's over. Is it? What? -What? I... I'm sorry, what was the question? Amy: Nevermind, I probably don't wanna know anyway. Good night. -You are a fucking liar. -I am not a liar, Amy! I live in the truth. It's you that makes up shit-- -excuse me, if you could keep it in your pants we would not even be here! -Oh really, you know why i can't keep my pants, it's because you are such a frigid bitch that I have no fuckin' place-- -fuck you! Oh my god, I'm so sorry, are you okay? I'm so sorry, oh my god. -Amy, what are you fuckin' doing? -I'm sorry-- Andrew: Guys, guys, do it again, take it again. -I know we got the fuckin' take. Amy, we're right in the middle of the scene! Do you not know how to commit to the moment? Andrew: Take it again. -No, I can't do this right now. -No, Amy please, use this to fuel your emotions. -Yes, definitely, actually acting, you know. Mark: Derek, Derek-- -mark, shut the fuck up! Oh my god, listen, you guys, thank you all for your help and suggestions, but please keep your opinions to yourself unless you are asked, okay. Thank you, alright, fine, let's go again. -No, I can't do this right now, I just-- -oh come on Amy, will you grow the fuck up? This is the problem every god damn time! It's an emotional fucking roller coaster because you are not willing to do it you fucking cunt! Every time we-- -fuck! Andrew: You okay? -Andrew, what...? What just, what the fuck happened? -I don't know, I have no idea. -Did you arm the gag? -No, no, no, I turned it off before we, right when we said cut. I think I did. -I mean, why the fuck is it? -No, dude it's... It's not even fucking plugged in. -What do you mean it's not plugged in? It just went off. It has to be fucking plugged in, it just... Well then, how did it fucking-- -i don't know, I don't know. It's off and I unplugged it. Are you okay? - Yeah, I'm fine. Andrew: Where's Amy? -Seriously, that was fuckin' creepy. Mark: Seriously. -It was a malfunction, it happens. -What? No... You cannot say it was a malfunction now because you just told us that there was no way in hell it was a fuckin' malfunction. -Well, clearly it happened, so let's please just make sure it doesn't happen again, alright. -At the same time Amy lost her shit. You think that's a coincidence that it fuckin' happened. -It wasn't a ghost if that's what you're saying, I mean, I don't know man, maybe the sound of her voice triggered the wiring. -Right, the sound of her voice. -What do you want me to say? The house is haunted, we're all gonna die. -I just want you to admit that it was fuckin' creepy. Creepy? Mark: Creepy. Lily: Yeah. -Yes, it was very fuckin' creepy. -Thank you. Mark: Shit, fuckin' again, Derek? Carl: I'm never gonna sleep normal. Carl: That is Amy. Yeah, yeah. Carl: Kill it, kill it. Motherfucker. Mark: Son of a bitch, he's raping her! Carl: He is not. Amy: Why the fuck did you stop? Asshole, fuck you. Fuck you! Carl: Let's go. Come on. Mark, come on. Carl: -Morning. -Good morning. -Good morning. Mark: Hey. -Good morning, everybody. -I'm sure it'll be fine. Lily: I mean, should i smear, or should I just pat? -Just dab it on a little bit. Lily: Does that hurt when I touch? -No, it's fine. Lily: It's too dark? -Hmm. -Should we try this one? -Sure, try that one. This may not even work. We'll just write it into the script. Derek: Amy? Babe, are you out here? Amy? Amy!? Oh shit. Amy. Amy? Babe? Shit, oh god. Baby, I think you're sleepwalking again. Oh shit, what happened to your face? You must've hit something. Your eye's all banged up, here, come inside. -Oh yeah. See that? It's good. Andrew: It's good, it'll work. -Alright. You're amazing, you know that? You're gonna scare everybody. -Listen... I know that it's been a stressful couple days out here. It's been a little bit trying with the conditions as they are, and we don't wanna get caught up in the blame game pointing fingers because we are all in this together, okay? So, in the interest of keeping that collegial spirit I say that we all get cleaned up, and head out onto the road, route 4, there's a little bar there, and let's go get ourselves sloppy drunk. On my dime. Alright, what do you say? -I'll be in the Van. Lily: I'm gonna hit my head! Carl: You're only gonna hit your head if you do it wrong. Derek: Look out, look out, look out! Oh! Lily: I've already hit it before. Derek: Mark, come on! Put the camera down for once. Come have a drink, have some fun. Derek James, bitch! -Yes yes yes. Mark: No thanks. -Mark, as director, you're giving me the camera. Give me the camera. Derek: To the man behind the camera! To the man behind the scenes. And to all of you for an amazing week and a half of shooting. Well, I have some rather big news to share with everyone at the table. The illustrious and very influential Scott weinberg is coming to do a story on the film. Scott weinberg from fearnet? Amy: This film? Our film? -Our film. Andrew: How in the hell did you swing that? -Oh, I have my ways. Carl: He's a swinger. Andrew: You lied to him... -No, no, I told him the god's honest truth, I swear. Well, maybe not all of it. -The last time he said that I got herpes. - What was that? Andrew: It's gonna be a long day, I'm just warning you. -No, that's okay, I don't mind, but I think that... If you're talking about production in that kind of way then it's-- no, you made me miss! Derek! -Carl, you saw it, it was there-- Carl: That didn't last very long now, did it? Andrew: What the fuck is this? What the fuck? Mark: Oh my god, oh no. Andrew: Did we get robbed? Amy: Oh my god. Animals? Lily: I don't know, it tore everything up. Derek: Something must've got in. Carl: Look at my gear, man! What the fuck!? Awe, it's just like somebody fuckin' just trashed everything. Everything's here. What the fuck is that? Ugh. What is this? Derek: Somebody must have broken in. Lily: Should we call the cops? Andrew: We don't have cell service how the fuck are we gonna call the cops? -There's nobody out here. Nobody comes out. Is anything missing? Lily: I don't know. Andrew: No, nothing of mine is missing from what I can tell. Amy: I don't know. Carl: This is your bullshit, right? Derek: No, it's not my fuckin' bullshit man. Of course not. -Of course not, of course not! Why would it be my bullshit? Why is none of your stuff even touched? -I was at the bar the same as you! I don't know why that's-- -it's coincidence, just like all the other crazy fuckin' shit, right!? -I'm out of here tomorrow, I can't-- -oh great, oh yeah, who are you kidding man? You've been looking for an excuse ever since day one. -That's because you took us to a fuckin' haunted house! -Oh my god. -All this fuckin' weird shit has been happening ever since we fuckin' got here! Since day one. You had the crazy shit with the dishes, with that! Fuckin' Lily almost died! And now all my shit is covered in slime! God knows what the fuck is out there making all those creepy noises at night. Derek: Hey, shut up, Andrew. Carl: Hey, what did you say? Carl: No no Andrew, don't shut up, what? Andrew: Nothing, nevermind, nevermind. -Okay, okay, so yeah, that was you, great. Fine, you know... good luck with your movie. I'm gonna go tomorrow, and you know, god bless you. Have fun. -Well, you know what! Good luck with your Ben affleck movie when you don't have your fuckin' gear! -What are you---i own your gear Carl! -You gave me a fuckin' loan. -Right, and you didn't pay that loan back, so if you read the small print in your contract you would know that i own your fuckin' gear, and maybe you should wake up and open your eyes next time. That gear is mine. -You're a fuckin' asshole, man. -Yeah, I'm a fuckin' asshole? -Yeah. You're a fucking asshole! Andrew: Guys, let's just all go to sleep, shall we? -Where is he gonna go? -Mark, are you kidding me. I told you not to film that stuff. Mark: Sorry. Derek: Mark! Just turn it the fuck off dude. Mark: Yeah. -He's a big boy. -He didn't have a car is the only thing. -I know, I know. Maybe he hitchhiked, maybe he called a friend. I'm sure he's halfway to El Paso by now. I... It sucks, it really fuckin' sucks. Mark: Well, this part is on. He always had these on too. Derek: Do they each go on individually? Mark: No, he would hit a button, is it this? Oh, okay! -Look at that, you're a natural. -Lily pad, the sound woman. -Alright, well shit, how hard can it be? You just gotta hit record, and point the microphone at whoever's talkin'. - Yeah. Andrew: Good Amy, you ran, okay. Derek: No, no, it's gotta be on her shoulder. Andrew: No, why would it be on her shoulder? -It's bouncing all over the god damn place, you can't even watch it. -That'll look too planned. No one who's running for their life will ever worry about getting-- -are you personally gonna go into the theater, and clean up all the puke because that's what's gonna happen if you show it like that. Especially in 3D, it's gonna be barf city. -I don't even understand why she's still holding the fuckin' camera. Why hasn't she thrown it away? -Because the movie would be over if she puts the camera down! -Fine, well, we need to come up with a halfway decent excuse as to why she's still recording. -She needs the light. Andrew: No, why is she still recording? -The light doesn't work if she's not recording. Andrew: Yes it does. -That audience doesn't know that. -Yes they do! -Oh, thank you, oh I wondered! The queen has spoken! Now we know, oh good! How about you mark! Do you have something you wanna add to this? -Christ, I don't know what everybody here started to think this was some sort of democracy, but we're doing it my way, end of discussion! I'm fuckin' sick of this! Alright, Amy get the camera. We're putting it on your shoulder, and it's going to be stable there. Carl, roll sound! Let's go! Andrew: Action. -Honestly, why did your brother even hire me? I don't even understand at this point. He obviously wants to direct the fuckin' thing himself. I mean, what is the point of making the first 3D found footage horror movie if it's just gonna suck? If it's just... -Yeah, tensions are high on any set, but art, good art, is never easy, and so yeah, the long days do wear on you, but I wouldn't trade my job for any job in the world. Mark: Ok, thanks. Amy: That was total horse shit. Amy: Oh my god! Oh my god! Derek: What what what?! Oh shit, shit, shit, shit. Andrew: What the fuck happened? Derek: She's bleeding, she's bleeding! -Derek, Derek, Derek. Derek: Awe fuck! -What the hell happened? -Sorry, I don't know, I don't know. -Did an animal get her? Derek: I don't know, god damn it. -Are you bleeding anywhere else? -I don't know! Derek: It's okay, put pressure on, put pressure on. Andrew: Amy, we're taking you to the hospital. -Yeah, oh my god! Amy, Amy, Amy, it's okay. Mark: Andrew! Andrew: Yeah? Mark: Get her ID. Andrew: Got it! -Take your time, take your time. Take it slow. You alright? -Jesus Christ, you're just giving her the negative attention she's after. Mark: What is that supposed to mean? -Why do you think people cut themselves? Mark: She didn't cut herself. -Right. And she's never done it before either. Kid, you do not know my wife nearly as well as you think you do. Amy: Do you ever sleep? - Again? Amy: What are you watching this time? An interview with my mother about what a massive disappointment i turned out to be? -I'm sorry, I'm so sorry. I should have never let you-- Amy: It's fine, I'm sorry I said that. -How's your arm? Amy: It's okay. The doc gave me some pretty bad ass pain killers, so I think I'll be fine. What's that? Make it bigger. Did you film us sleeping? -No. Amy: Mark, that's super creepy. -No, this wasn't me. Somebody must have taken my camera. There, see? Amy: Oh my god, this is last night. -Do you think Derek did this? Amy: I don't know. I don't know, but this shit is not funny anymore. Okay, then it must've been Lily. Right? -Or you. Amy: It's not me. It's not. It's not me, mark. -Who else could it be? Amy: I don't know! What? Oh my god. Who is doing this? Why is someone filming me? What the fuck? Oh my god! What is that? -That's that mirror back there. He doesn't have a camera! How is he--holy fuck! Amy: What?! Wave your arm again, wave your arm again! Amy: Turn it off, just turn this shit off. Turn it off, mark! Mark: It won't stop, it won't stop! Amy: Shh, shh, shh. Do you hear that? I think it's saying something. Derek: What the fuck? What's going on? Amy: I don't know. It just came-- Andrew: What the fuck? Jesus Christ, are you okay? Amy: No, I'm not okay. It just flew at me. Derek: Mark, are you okay? What going on? Mark: We were watching some weird footage and-- Derek: You guys are screaming. Amy: It just flew at me, just now. It came in the room. Derek: Amy, it's okay. Amy, Amy, Amy, calm down. Okay, mark, what's happening? Mark: We were watching some footage from last night, but I didn't take it-- Amy: Just show them. Derek: You're watching new footage? Mark: No it was something else-- Amy: Just show them! Please. Mark: Okay. Here here here. We were watching this interview, and then it... Derek: What are we watching? Mark: It was right here. Amy: Where'd it go? Mark, where'd it go? Mark: I don't know. Amy: Just show them! Just show them, we just saw the video! It cut my arm! Andrew: What cut your arm? Amy: It just came in here, in the room, and it flew. Derek: What came in here in the room, Amy? Amy: I don't know, I don't know, it was big, it was black. Derek: Amy please, mark, mark? Was there anything in the room. Mark: No, nothing-- Amy: You saw it! You just saw it! It was just in here. Mark: No. Amy: Yes, it just came at me! Come on, it's on the camera, just show them, please. Derek: Amy, calm down! Amy: It just flew-- Derek: Turn the camera off. Mark: I'm not turning anything off. -Turn the fuckin' camera off! I'm not talking about that harpie with the fuckin' camera on! Mark: Don't! Don't call her that. -Look, I will call her whatever the fuck I want to. She's my wife. Okay? Mine, not yours, my wife! Oh yeah, you think that's fuckin' funny? You know what, go home, you're fired. -Good. -Go home mark! -I am. And I'm taking Amy with me. -No, she stays. She stays, she's got two more days of filming, we got weinberg coming tomorrow, she stays! -No, she doesn't. I'm taking her away. -You're the big man? You think she needs you to protect her? That whore can take care of herself, mark. She's got you wrapped around her little finger, but let me tell you something, she is not who you think she is, she's the fuckin' devil! -Right, oh yeah, you want that! There's my tough guy, huh, you little shit?! You like that?! -She's fuckin' bat shit, mark. You watched the tape, there's nothin' there, she's fuckin' crazy! -Fuck off. I know what I saw! Something really fucked up going on here, and I don't know of you're behind it or not or what, but... I'm taking Amy away from here before she gets hurt. -Oh. Alright. Look at Mr. finally grew-a-pair. Okay. Just, ask her. Ask her to choose between you and her film career. If she wants to go, you can go. Good riddance to both of you. Wouldn't hold your breath though. Please, don't. Please. I'm gonna record everything, okay, to protect you. - You're gonna need a better excuse than that. Mark: What? -To keep the camera running in the third act, you're gonna... We'll have to come up with something. Please, just don't point at me like an interview, then. -I told Derek we were leaving. -I'm gonna stay. -Amy. Amy-- -i have to. -Why? -I just do. I just have to. -Okay. Then I'm staying too. -No. -Yes. I'm not leaving you here by yourself, I'm not. No, please. You have to go. Your brother is right, I'm bad news, and I don't deserve your help. -I'm not going anywhere. I'm not. I'm not going anywhere. Andrew: We got wheels guys, we got wheels. -Alright, game face time. You got this mark? Let's go everybody! Scott weinberg, here we go! -How you doin'? Scott, good to meet you. Andrew: Andrew Reed, nice to meet you. -Everybody, the legendary Scott weinberg! Here on set! - Scott, and you are? -Lily. -Lily, great. Really good to meet you. -How was the ride in, alright? - It was long, it was good-- -bumpy, right? -Is this an off day, or...? -Heck no, we're just about to get shootin'. We've got everything set up in there. -So, this is your crew? -Yeah, this is my crew. -Oh okay. -You think this is high-budget Hollywood in terms of how decrepit, and dusty-- -did you add the cobwebs? Or did they come with this? -A little of column a, a little of column b. -Four people making a feature film? -We had a little bit of a bigger crew originally, but things, I just i think we just decided to thin it out a bit. -You decided you didn't need props, set, design, makeup-- -well, I mean, look at what we got. This is... - Yeah, you can't fake this. Andrew: This is the real deal. -Would you like to see some of what we've been working on actually? -Okay. -I think then you'll get a better sense of what we're trying to do here. Derek: You out here? Amy? Amy. Christ! -Hmm, let's do those interviews why don't we. -Great, great, yes, perfect. -I'm so glad you came out, thank you. -Yeah, thank you for inviting me. What's with the eye? -What happened? -It's makeup. -Really! -Mmm-hmm. -That is impressive, and that too? -Of course. -Why don't you tell me what you're shooting tonight because I'm excited to see you on set. -Mmm-hmm, well, this is kind of the peak of drama, I don't wanna give away the plot, but you know, the marriage between Derek and Amy is sort of crumbling and falling apart, and this is a moment of recompense. -See, that's amazing that you guys can pull that off because you're clearly crazy in love, you know. It comes across if you can play that you hate each other, that's good acting. -Yes. -Yeah, I think that works better than an argument, we see the scene, and then i turn into the demon, and I kill you. -That's just a bit of an abrupt ending, no? -Well, it's the nature of the genre. -I understand that, but it's just so-- -wait a minute, why does my character have to die at all? -No, of course you die, that's silly. -Why? Why can't I escape? -Well, because that's what makes it "found footage". -It's the one hard and fast rule of found footage is that everybody dies. Otherwise Derek, it's just... footage. -Yeah, no, I'm not sure because I think it might be more original if I got away. -Look, everybody dies-- -I'm all for originality, but that doesn't make sense, you both die, so she's right. Okay, if we just change a few things-- -what we could do is---i need to live. -Okay, whatever, that's good, just figure it out by tonight because we're running out of script by tomorrow, so. I knew it man. I knew this was gonna happen, I knew it was gonna fuckin' happen, and I didn't listen and here I am, and I'm sorry, I know it's your brother, but what fuckin' year does he think it is, 2005? I mean, fuck, this genre has had two halfway decent films, two halfway decent films, one of which was 15 fuckin' years ago. And every other found footage film since then has been complete bullshit. I mean, why people waste their fuckin' money on this vomit-inducing amateur-hour bullshit is fuckin' beyond me, and yet, here I am trying to make something halfway decent, a halfway decent found footage horror film that's different than every other asshole who's got a fuckin' iPhone, and every fuckin' step of the way, your fuckin' brother cock blocks me! Fuck! Fuck, fuck, fuck. Please delete that. Mark: Umm, I... -No, fuck it, I don't care. -Alright, so this is it. We are about to shoot the climax of the movie, and if you look carefully over there, you will see, boom, hey, Scott weinberg from fearnet, who's joining us on the set here today. I should warn you that he has been sworn to secrecy about what he sees here today. We told him that if he spills the beans, the spectre will tear his face off. So, if you want to find out how it ends, you'll have to come see it in theatres. We'll see you there. I am Derek James signing off. Let's shoot. -Alright, scene 50, take two. -I'm sorry. Derek: I am too. -I just, umm... I don't know, I thought coming out here would fix us, somehow. It's just been really hard. Derek: I know. I thought so too. And I didn't realize how hard this was gonna be. -I've missed you. I love you. Derek: I love you too. Amy: Why don't you turn the camera off, and come to bed. Derek: Okay. Andrew: The fuck? Mark: Amy, no!! Derek! Derek! No! Andrew: You okay, Lily? -Yeah, I'm okay. Andrew: What the fuck was that? Mark: Mark, mark, oh my god your feet! Andrew: Oh fuck, oh fuck. Weinberg: What the--? -So, is this a joke? Andrew: What? -You guys are trying to get me into the film because-- Andrew: Ahh! Fuck! Oh shit! Scott? Jesus Christ, oh my god, Scott? Scott? Lily: Mark! Mark: Ah, fuck! Mark: Ahh! Mark: Lily? Lily: Mark, mark, mark. Mark: It's okay, it's okay, it's just me, it's okay. Lily: What the hell is happening? What are we gonna do? Mark: I don't know. Lily: She killed him, mark. She killed him. Oh my god. What are you doing? Mark: I'm cranking up the iso so I can see better. -Why do you still have the stupid thing? Just put it down! Mark: I think it's the only way you can see it. -What are you talking about, see what? Mark: Did you see what happened to Andrew? -His chest exploded. Mark: Yeah, but you didn't see the smoke? The demon? The specter? Whatever it is. -What the hell are you talking about? Mark: It was there, i could see it on the camera, but when it came out of the cabin, I couldn't see it with my eyes. -What? Mark: And last night, Amy could see it too, but I couldn't because she was looking through the camera. -Jesus, are you sure? Mark: I think it's making us film it. I think it wants us to keep the camera rolling. -Are you saying that this thing is alive or something? Oh my god. Mark: Shh, Lily. -Just turn the light on! Mark: No, I can't, it'll draw it right to us. Lily: Then what are we gonna do? Mark: I don't know. I think we need to try and make it to the Van. -No, no, no, no, no, I'm not going back there. Mark: Lily, we have to. These woods go for miles. -I don't care, i can't go back there. Mark: Okay, okay, stay here, you stay here, I'll go to the Van, and I'll come back for you. Lily: No, mark, wait! Mark: I'll come back. Lily: Okay, okay, okay, mark, I'm coming. Mark: Lily? Lily, what happened, are you okay? Lily: Mark, turn on the light. Mark: Shh. Lily: Mark, turn on the light, please! Turn on the light mark! Mark: Oh god! Lily, be quiet. -Mark! Mark, it's Carl! Mark: Lily please, shh. Amy: Help. Somebody. Please help me. Mark: Amy? Amy! Amy: Mark? Andrew? Is that you? Mark: Amy! Amy: Hello, oh! I can hear someone honking. Please, you have to come find me. I'm in the woods somewhere, I don't know. The camera, I have the other camera. Oh, go back inside, find the other wireless mic. I think I'll be able to hear you through the camera. Please, please, honk twice if you can hear me. Oh, thank god. Okay, I'm turning on the camera. I don't know what happened. The last thing i remember was that thing just coming at me in the room, and then I just, I woke up, I'm in the woods, and I'm just covered in blood. Mark: Where the fuck? Amy: I think i know where I am! I think I'm by the lake. I'm gonna try to get back to the cabin. Mark: Fuck, where is it!? Where is it? Oh shit. Derek. No, no. Okay. Here we go. Okay. Come on, come on, work, fuck. Amy: Oh god, mark, I'm lost again. I don't know where I am. God, where am I? Mark: Scott? Scott? Scott? Amy: Oh, oh, i see the house!! I see the house! Amy: Okay, okay. Mark: Amy? Amy, can you hear me? Amy: Mark? Mark: Amy? Amy. Amy: Mark, is that you? Mark: Yeah. Amy: Oh my god, mark! I can hear you, oh my god. Mark: Are you okay? Amy: Oh, I don't know, I don't know. I am so scared. Mark: It's okay, it's okay, everything's gonna be okay. Amy: What the hell is going on? Mark: Let's just find each other, okay? Amy: Okay, okay. Mark: Where are you? Amy: I don't know. I think I'm in front of the house, somewhere. Mark: Okay, good. Amy: I just saw lights. Mark: Meet me at the Van, okay? Amy: Okay. Mark: Where are you? I don't see you. Amy: I'm at the edge of the woods. Straight ahead. Mark: Where? Amy: I can see you. I see your camera light. Can you see me now? Mark: Is that you? Amy: Yeah. Yes. It's me, I'm here. Mark: Okay, stay there, I'm gonna come get you. Alright. Oh, no, no, no, no, no, Amy! Amy!! No!! Amy, no, no. Come on, get up, we gotta go. Come on. Okay, okay. Get up, get up, get inside. Alright, let's go. You're gonna be okay, everything's gonna be okay. Okay? Okay? Okay, okay, okay. Amy? Don't do that. Amy, please, please don't. Please don't, Amy! Amy, no, no. Amy? Oh no. No, no, no, no, no. God dammit, no, no, no. No, no, no, no! Amy: Mark. Mark. -Oh my god, Amy, are you okay? Amy: I don't think so. -I can't get the car started again, I don't know what to do. Amy: It doesn't matter. -What do you mean? Amy: It doesn't matter anymore. I need you to do something. -No, I have to get you out of here, I have to get you help. Amy: Get the camera. -What? Amy: Get the camera. -Amy. Amy: Do it. Point it at me. How do I look? -You look beautiful. -I'm sorry. -It's not your fault. It's not your fault. -I wanted him dead. -I know. He deserved it. For everything he put you through. -And you... Thank you. -For what? -For coming back for me. -Of course I came back for you. Of course I came back. -I wish you hadn't. -Why? -I hoped you would remember the rule. -What? -The one rule of found footage movies. -I'm sorry. I'm so sorry. |
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