- Cheerio, lads!
- Quiet, Croker! You're not out yet.
- Sorry, sir.
- Good luck, Charles.
Remember me to the old woman!
- I will, Harry, I will.
- Say hello to the big world.
Bye-bye.
Goodbye, Mr Bridger.
- He said, "Goodbye, Mr Bridger."
- Well, he's going.
As long as he doesn't come back.
That's all I care.
They say
he's going to do a job in ltaly.
I hope he likes spaghetti.
They serve it four times a day
in ltalian prisons.
Well, you're the last person
I expected to see, Lorna.
Oh, Charlie,
I've been counting the days.
Yeah? Well, why didn't you come
and see me when I was inside?
Charlie, you know
that's not my scene.
Sitting holding your hands
across the table,
with those weeping wives around
with their howling kids,
the guards looking at me as if
something's hidden up my dress.
- I did miss you, Charlie.
- Yeah?
Erm... I, erm... made an appointment
for you to go to the tailor first.
Then on to the shirtmaker...
This car belongs
to the Pakistani ambassador.
- It does?
- Typical, isn't it?
Out of jail five minutes
and already I'm in a hot car.
I just wanted you
to come out in style, baby!
Take me to my tailor.
Very elegant, sir,
though you've put on a little weight.
Well, er... I've been in America.
- It's the bread in the hamburgers.
- Is that so?
Well, I'm glad you're out.
I mean, back.
I don't want to be rude, Charles,
but times have changed.
Adrian, when I went in
that was all the go.
What did you do? Life?
You know, you could put all these
in a museum.
I'll tell you what I'll do with you,
Adrian.
- I'll take this lot now.
- Revolting.
Eh? I'll take this lot now.
You wrap 'em up.
And will you shorten the sleeves,
love? I'm not a gorilla.
Yes! Well, there we are,
Captain Croker.
I think you'll find
we've kept it in perfect tone.
I'll run the engine for you,
shall I?
You'll be able to hear
what it sounds like.
- There, how's that?
- I say.
- Yes?
- I say.
- Hello?
There you are.
I thought I'd lost you!
No, I came round here.
Erm... I was just thinking,
maybe it needs a little more air
through the second carburettor.
- Oh, do you think so?
- Listen.
- Yes, maybe you're right. I'll...
- I'll do it. Just stay there.
Would you open the bonnet for me,
please? Thank you.
- I wonder if you'd hold this for me?
- The, er...?
- The bonnet.
- Of course.
Thank you.
- I didn't quite...
- Yes. There we are.
- You want me to...
- Hold. Thank you.
There we are.
- Now... Yes. I can, er...
- How are you doing?
I can see what's wrong.
It's very small.
No, I don't know. It's alright.
Leave it, leave it.
- Shall I...?
- Yes, you shut it and I'll lock it.
- Thank you.
- How are you doing?
- Long time since I was in here.
- I dare say! There we are.
I haven't been in this car
for so long.
Yes, I gather you've been in India
for two years, sir.
- Yes, shooting tigers.
- Really? Splendid.
The garage bill, sir.
- Yes?
- I'm afraid it's 200.
If you insist, we can charge it.
No. Please! There's a bounty
for shooting tigers.
- Well...
- Yes, it's 50 a head.
- Really? There's no need to pay...
- These are bundles of 200.
- There's no need to pay now.
- It's alright.
Yes, you must have
shot an awful lot of tigers, sir.
Yes, I used a machine gun.
Calling Mr R J Williams.
Mr Williams to Reception, please...
- Lord Croker. I am expected.
- Yes, Your Lordship. Suite 602.
And there's a message.
Thank you.
Hello, Charlie!
Shut the door, Charlie.
You'll cause a terrible draught.
Ladies?
- Charlie!
- Hello, Charlie!
- Love you, Charlie.
- Ciao!
- Nice Charlie.
- Good to see you, Charlie.
Well, I thought,
a coming-out present!
- Very nice.
- Now, what would you like?
Everything.
- Where's your old man?
- Dead.
In the Alps, in a car crash.
It wasn't an accident.
Oh. Well, there goes the job, then.
- Wait, Mr Croker.
- Yes, Mrs Beckerman?
This is for you.
What's this?
Some sort of a consolation prize?
Plans that my husband
didn't have time to complete.
- He wants you to finish them.
- Oh, he does, does he?
Tell me, erm... where do you figure
in the plans your husband
didn't have time to complete?
I don't. I am going to New York
tomorrow at 6:00am.
Ah. Pity.
But... that still gives us
four hours to kill.
And you
still in your widow's weeds...
Charlie Croker, I am dead.
- Hello, Roger.
- I have arranged for my widow
- to get material to you in England.
- Yes, I got it.
There you must find the backing
to do the job.
You must, Charlie.
Because it is a work of genius.
Just think of it. A city in chaos,
a smash-and-grab raid
and four million dollars
through a traffic jam.
- Four million dollars?
This is the city of Turin,
the industrial capital of Italy.
The most modern in Europe, famed for
its architecture, and soon, I trust,
for the greatest robbery
of the 20th century.
This is the FIAT armoured convoy.
It leaves Turin airport every week.
It never carries
less than four million dollars.
I think we could take that over.
To reach its destination
the convoy has to travel
through one of the busiest
traffic systems in Europe,
a system
controlled by television cameras
and by the computer in this building,
the Turin Traffic Control Centre.
If you can get into this room,
Charlie,
you will cause the biggest traffic
jam in the history of the world.
Every street will be paralysed.
And then you will have a chance
to ambush that convoy.
Very nice.
Now, Charlie,
first you neutralise the TV cameras
which overlook the convoy's route.
You do this
with these little gadgets here. Look.
- Yeah.
- Second,
you break into the computer building
and substitute this new program.
- Got it.
- This causes the jam.
Right.
Third, you attack the convoy in your
own inimitable way, Charlie.
And fourth, you escape,
on the only route out of the city
which is not blocked up with traffic.
You'll find details of the route
in this portfolio.
Within just two hours, you will be
over the Alps and into Switzerland.
And within three you'll have
the money safe in a Geneva bank.
- Make it work, Charlie!
- I will, Roger.
Four million dollars,
through a traffic jam.
Money received from Brighton
is 15,000.
- Hello. Camp Freddie?
- Croker! Aren't you in Italy?
- I want to see Bridger.
- Mr Bridger to you.
I've got a job.
If it's the GPO, City Road,
it's being done next week.
This job is bigger than anything
Bridger's done up until now.
If it's the Bank of England,
it's out.
Mr Bridger's very worried
about the economy.
Exactly, Freddie!
Tell Bridger this is a foreign job
to help with this country's
balance of payments.
Charlie, I don't think
you have the kind of scheme
that yields the size of profit
Mr Bridger is accustomed to.
But, Freddie, this job is big.
Charlie, you wouldn't even know
how to spell big.
B-I-G. Big.
Now, Butch Harry,
tell us about Fulham.
Well, now... Fulham.
A bit dodgy at the moment.
How are you? How do you feel
about a little outing?
Hello, Hazel.
Hazel, my lovely, out you come.
Come on, then. There you are.
It's a long time since
you've seen the nightlife, innit?
Where's my torch?
Where's my bloody torch?
- Good evening, Mr Bridger.
- Croker!
Mr Bridger, I've got a job lined up.
Get out of here.
It's all here. Maps, drawings,
plans, everything.
You've been put up to this,
bribed to upset my natural rhythm
and ruin my health.
No, Mr Bridger. This is important.
Four million dollars. Europe.
The Common Market.
Italy, the FIAT car factory.
- Croker, this is my toilet.
- Please. Just read it.
Get out.
Are you alright, Mr Bridger?
Are you alright?
He's alright!
I can always take it
to the Americans.
They're people who recognise young
talent, give it a chance, they are.
Last night, Mr Governor,
my toilet was broken into.
- Toilet?
- Toilet.
- Broken into?
- Broken into.
Well, I'm... terribly sorry.
There are some places
which, to an Englishman, are sacred.
- Well, I've apologised, Bridger.
- And so you should have.
You are not doing your job properly.
Her Majesty's prison is there
not only to keep people getting out,
but to prevent people getting in.
You are symptomatic
of the lazy, unimaginative management
which is driving this country
on the rocks!
- Well... is there anything else?
- No, thank you, Governor.
By the way, Mr Bridger, did you
happen to recognise the man
who so rudely interrupted you?
I've never seen him before
in my life.
I want Charlie Croker
given a good going-over.
- Yes, Mr Bridger.
- Tell Camp Freddie.
- Yes, Mr Bridger.
- I don't want him killed.
Just given a good going-over.
I understand exactly what you mean.
Do you, Keats?
That's very imaginative of you.
Sir, two volumes
of the Anglo-American Trade.
And UK Balance of Payments,
And... I've also brought
you The Illustrated London News, sir.
For why, Keats, for why?
- The Queen's in it, sir.
- Hmm. That's good of you.
Er... sir, I often wonder whether
you're going to top your career
by doing a job on their house.
Keats, there are more things to life
than breaking and entering.
- Yes, Mr Bridger.
- While we're on the subject,
I notice that some of that young mob
in E Block
don't stand for the National Anthem,
at the end of the nightly TV.
Tell them to do so,
or they will incur my displeasure.
- Yes, Mr Bridger.
- Alright, be off with you.
Get the word to Camp Freddie.
Sir.
- Right then, Fred, come on.
- Wait a minute.
Take your filthy clothes, too!
This is my man, my territory,
and don't come back!
Charlie's been caught on the job.
OK, Charlie. Alright, where are you?
I know you're in here.
There's no use hiding.
- You had three birds in here.
- You didn't mind at the hotel.
That was a coming-out present.
I didn't get a chance to enjoy it.
I didn't enjoy it today, neither.
Coming in causing a fracas.
- Ask me where I've been.
- You've been with the law.
Yes, for taking the ambassador's car
and for not paying the hotel bill.
You deserted me!
Don't come the moody.
You know how the game is.
No, you left me to my fate.
- Usual one, was it?
- 24 hours in prison.
- It was humiliating.
- How did you get out?
The ambassador for Pakistan
was very sweet.
- Very sweet, was he?
- And so was the hotel manager.
Lorna, I knew you'd be alright.
No thanks to you, Charlie Croker,
I can tell you.
- Lorna, I was busy, wasn't I?!
- Oh! So I see!
So I came in here and saw!
I want you out.
If you don't think I mean it,
then you're wrong!
- Charlie! It's the law, Charlie!
- What did you tell them?
- Would I tell them anything?
- Of course you would.
Morning.
Hello, Croker. We've come
with Mr Bridger's compliments.
Sorry it's like this, Charlie.
Listen, lads, er... you wouldn't hit
a fella... with no trousers on.
- Would you?
- OK, then, put 'em on.
Get away from me!
- Have you seen Croker?
- Yes, Mr Bridger.
- Well, I want you to see him again.
- He won't take kindly to that.
- I'm interested in his scheme.
- But, Mr Bridger...
What you fail to realise
is that we have a new objective.
The Chinese are giving FIA four million dollars in gold,
as a down payment on a car plant
they're constructing near Peking.
But Croker...
Croker can handle it.
He's got everything going for him.
There's even a football match in
Turin the day before the delivery.
England versus ltaly. The English
supporters can cover his movements,
even help him, if required.
There's only one snag.
We need an expert in computers
to look after the technical end.
The top man is Professor Peach.
I've seen him on television.
- Tell Croker to get him.
- But how?
- Maybe the Professor's not bent.
- Camp Freddie,
everybody in the world is bent.
Well, my brother's no longer with us,
I'm afraid.
- No.
- You mean, he's...
Oh, no, no, nothing like that.
Well, actually, he's in a home.
Yes. We thought it best.
For his own good.
Er... was it, er... serious,
Miss Peach?
- Pam.
- Serious, was it?
- What?
- Your brother. In the home.
Oh, yes, I'm afraid
it was quite serious, dear.
- Isn't this greenfly awful?
- Yes.
Yes, well, not to put
a too fine point to it,
he was discovered... in the lounge.
- Er... doing what, Miss Peach?
- Where?
- In the, er... lounge.
- Oh, yes, he was doing it. Yes.
What?
Oh. Well, something quite obscene.
With Annette.
- A net?
- Annette.
She was terrified, of course.
- Naturally.
- Yes, well, would you like some tea?
- Eh?
- Tea. Would you like some?
- You're very kind. Yes, please.
- Good.
Excuse me a minute.
Annette? Annette, would you serve tea
in the lounge, dear?
I shouldn't let her do that, dear.
That gives them ideas.
This is Annette.
Professor Peach,
do you see what I'm getting at?
Mmm. Your brawn, my brain.
I'm not stupid, you know.
Cooperation, isn't it?
Like that flagpole out there.
- Flagpole?
- The flagpole in the yard.
I know if there was a convex mirror
up there,
see straight into Matron's bedroom!
But somebody else
would have to be up the pole.
Couldn't do it myself. Cooperation,
you see? She's a big woman.
Here... Wait till you see
them Italian birds.
- Are they big? I like them big.
- They're enormous.
- Really?
- Very, very, very big.
Would we, er... wear stockings
over our heads?
- No need for you to.
- Oh. I'd like that.
I could steal one of Matron's,
couldn't I?
We'll have you out of here
in no time.
I wouldn't want to get Matron
into trouble. Not that way, anyway!
- She's big. Big!
- Look out the window, Professor.
- What?
- Look out at my car.
- Car? Wh-Wh-What car?
- Down there.
Gentlemen, gentlemen.
Please, gentlemen. Please.
We are about to do a job in Italy
and I would like to introduce you all
to each other.
First, Bill Bailey.
He'll be my number two.
You all know Bill. He's just done
three years in Parkhurst.
As honest as the day is long.
You can trust him.
Second, the getaway. This will
be done in three Mini Coopers.
And they will be driven
by Chris, Tony and Dominic.
Hello, chaps.
Alright! These chinless wonders
will get you out of Turin
faster than anyone else
on four wheels. Remember that.
When we get to the Alps,
we will transfer to a coach.
The coach will be driven
by William here,
better known as Big William,
for very obvious reasons.
Now, we come to the Professor here,
who is in charge of all matters
relating to the Turin computer.
I don't want anyone putting him
down because he's a man of reading.
I know he's got some...
very funny habits,
but make him feel at home.
He's very important to the operation.
Finally, and very quickly,
I would like to introduce
all the lads
who are going to do the job with me.
Arthur, Frank, Rozzer, Coco,
Yellow, Camp Freddie you all know.
Roger, Dave and Lorna will be
in reserve with three fast cars
in case anything goes wrong.
Right? Now, it's a very difficult job
and the only way to get through it
is, we all work together as a team.
And that means
you do everything I say.
Here's Charlie.
Putting the jib on.
Don't just stand there.
Get on with something.
- I'm seeing he does it right.
- Get on with it.
- Rozzer?
Trouble with his differential.
- Tell him to hurry up.
- Hurry up.
Dippers for the Continent.
Other way round.
Are they quartz-iodide?
- That's right, guvnor.
- Alright.
We couldn't afford gold,
so we're using lead.
- Will it take the weight?
- Eh?
Take the weight.
Will it take the weight?
Mind your face, Charles.
- Alright?
- OK, but I don't like the colour.
It's beautiful, beautiful, beautiful!
Carry on.
- He really needs all this equipment?
- He says he does.
No. You're meant to use your brakes,
Chris.
Terribly sorry, Charles.
- How many cars have we got left?
- A couple.
OK, next one.
Let's hope he gets it right.
What do you mean they're written off?
A series of accidents, Mr Bridger.
I promise there'll be no more.
Five, four, three,
two, one.
Go.
You're only supposed
to blow the bloody doors off!
How's your new house, Fred?
Very nice, Mr Bridger, thank you.
Very nice.
My pleasure.
Beckerman's done his homework
very well.
The getaway is possible,
but not easy.
For a start, the attack
has to be made in this square.
And it must be completed
inside of three minutes.
Apart from knocking over
a few old dears, we'll manage it.
You all understand
what you've got to do?
OK? Now, Bill.
Er... Oh, yeah. The transporters
will move in here and here.
- They'll block off the main drag.
- Right. Roger.
Erm... Arthur and Lorna
park the three fast cars here
in case we have
to make a quick getaway.
Correct. It's 12:10. The bullion van
will be entering the piazza
and will be forced slowly
towards the centre.
It's the old over-and-under routine.
First we go over the traffic,
through the museums.
And then under again.
And up into this church.
The difficulty is here.
If the police can get a car
onto that bridge
before we've got across it,
we're done for.
But it's a gamble we've got to take.
Now, the bullion wagon is here.
Right? Dominic.
We get into the Minis
behind the piazza.
Right. Arthur.
We drive the Land Rover
into the square.
Piazza, Arthur, piazza.
- Sorry, Charlie. Piazza.
- The Land Rover is in the piazza.
And we come in right behind target.
That's it. Wallop.
But since the bridge
will be blocked by traffic
the only possible way out
is across the weir,
which runs along
by the side of the bridge.
I've only one comment about that,
Mr Bridger.
Good luck.
Keats, I think we'd better arrange...
a funeral.
- All ready to go, Croker?
- Yes, Mr Bridger.
The plans have been worked out
to the last detail?
- Yes, Mr Bridger.
- Everything taken care of?
- Yes, Mr Bridger.
- You've overlooked one thing.
The Mafia.
They'll be waiting for you.
In every shot of Camp Freddie's film
there's a Mafia man.
If they were on to Beckerman
they're on to us.
You're not thinking
of calling it off?
As long as you know
what you're taking on.
- Yes. The Mafia.
- Yes. The Mafia.
You are about to take a half a ton
of gold, in broad daylight,
from under their noses.
They won't like that.
- That's why they killed Beckerman.
- A question of prestige, is it?
Yes, it's a question of prestige.
If you go through with this,
you've got to win.
If you muck it up,
don't ever think of coming back,
except in your coffin.
Who's that lot?
- The drivers.
- That lot smashed up my cars.
Practice makes perfect, Mr Bridger.
You pick 'em, don't you?
Mr Bridger will now say a few words.
- What?
- Your speech, sir.
We have come here to pay our respects
to Great Aunt Nellie.
She brought us up properly
and taught us loyalty.
I want you to remember that
during these next few days.
I also want you to remember that if
you don't come back with the goods,
Nellie here will turn in her grave.
And, likely as not, jump right
out of it and kick your teeth in.
Dave, take the valley road to Turin,
OK? Go.
You three take the Minis along
the B road and keep the speed down.
Right, go on, away you go.
Freddie, stay with the bus.
Big William, take the bus
along the main road. Go! Go!
You lot, stay with me.
We'll go round the mountain route.
Where's Peach?
Hey! What do you think this is?
A Sunday school outing?
Pity people aren't as lovely
as flowers.
Take your flowers and get in the car.
Hurry up.
Mr Croker?
That's right.
Six weeks ago, a friend of yours met
with an accident on this very road.
- So?
- Do you mind if I show you how?
No.
You just lost him
his insurance bonus.
It cost Beckerman his life.
Listen, the gold arrives tomorrow.
And you think you can pick it up
like a bunch of groceries
in the supermarket, hmm?
Just how are you going to do it?
Oh, excuse me.
Does Mr Bridger think he can
take over Europe from a prison cell?
Your car?
Yeah.
Pretty car.
Paid for?
Very funny.
You'll be making a grave error
if you kill us.
There are a quarter of a million
Italians in Britain.
And they'll be made to suffer.
Every restaurant, cafe, ice-cream
parlour, gambling den and nightclub
in London, Liverpool and Glasgow,
will be smashed.
Mr Bridger will drive them
into the sea.
Well, gentlemen,
it's a long walk back to England.
And it's that way. Good morning.
May I salute our American cousin
Signor Francesco Cosca
and his lovely wife?
And may I raise my glass to Signor
Altabani and his most beautiful wife,
to thank him for his hospitality?
And to congratulate him on the way he
handled the English mob this morning.
I would not be too sure
about the English, cousin.
They wouldn't dare!
They are not so stupid as they look.
Candles! Quickly!
Gentlemen, we must assume
they are here.
- Got your passport?
- I think so.
You need your passport
directly after the tickets.
As you walk to the plane
look neither right nor left.
Just look straight ahead. OK?
Keep going straight ahead.
Geneva, please. Got it?
Neither to the right.
- Nor to the left. Straight ahead.
- Left. Straight ahead.
And keep going.
Charlie, listen!
The plan was that we stay here.
The plan's changed.
- But why, Charlie? Why?
- Because you're a liability.
Lorna, you see that lot out there?
If we slip up, they'll tear us apart.
And... I don't want you involved
any more.
- Charlie?
- What?
You care?
Get on the, er... plane.
I'll see you... in Geneva.
Have a cup of tea ready.
Bye-bye, Charlie!
Get on the plane. Get on the plane.
I love you, Charlie!
- Hello, Charlie!
- Hello, lads.
- Hello, Charles.
- Hello, Chris.
- Before we leave... Bill?
- Yes, Charlie?
I want every tin burned.
No fingerprints
on anything in the house.
- We're wearing gloves.
- You can't be too careful.
- Is there a toilet here?
- Of sorts. Out the back.
Wash the handle and the seat.
No prints on that, either.
Right, here is the crunch.
- Do you all know how to get there?
- Actually, we can all read maps.
The map will be in your head.
I'm burning this one. Any questions?
Without the two Jags and the Aston,
what if anything does go wrong?
Put your gloves on. Anything else?
- Shall we synchronise our watches?
- Nuts to your watches.
You just be there by quarter to and
don't get stuck in the traffic jam.
Anything else?
Right. Away you go.
Oh! One more thing.
Just remember, in this country they
drive on the wrong side of the road.
- Bill?
- Yes, Charlie?
- Bill!
- Yes, Charlie?
Burn this for me, will you?
Yes, Charlie.
- Oh, Bill?
- Yes, Charlie?
- Get rid of this lot.
- Yes, Charlie.
- They're in a trattoria in the city.
- They know where to put these?
Yes, you can see the cameras
on the rooftops.
- I can't argue.
- Me in the front, you in the back.
He wants to sit up front
with the driver.
- I get sick in the back.
- I'll get my migraine.
- I'll be out like a light.
- You are not going to be sick.
You're not going to have migraine.
Everybody is sitting
in the back of the motor.
Me in the back of the motor,
with my asthma?
One more word out of you, Arthur...
Alright?
Alright. Now, everybody,
all your gear in here.
Get your gear out.
Pens, wallets, passports,
photos of your girlfriend.
And those cards. Put 'em in 'ere.
- I'm going to need these cards.
- What? Put them in here!
I want mascots, money,
bottle openers.
...in London I was up drainpipes
and the game was up.
All I had to do, all the time. What?
- I'm getting a contact!
- Let's hear it. Turn it up.
I'll turn it up.
How about that?!
How about what?
They've finished loading the gold.
Right, get dressed.
Right, away you go.
Away you go.
- Grazie.
- Molto bene, Dad.
OK, let's go.
Can you direct me
to Corso Garibaldi Street?
- Bloody foreigners.
- Excuse me.
Blimey!
Bloody Grand Prix!
- What the devil is happening?
- A traffic jam.
- It gets worse every time.
- We've lost the convoy. Indietro!
Any minute now.
It's like the Black Hole
of Calcutta in here.
Shut it, Arthur.
What are they gabbling about, Franco?
- Complaining about the jam.
- It won't be the only complaint.
- Keep calm.
- Get off my feet!
Alright, alright! Get yourselves
sorted out and shut up!
No one talks now except me.
Now, now, now! Now!
Get in front of it!
Put your helmets on.
Hold tight.
Now! Go round! Get in front of it.
Oi! Put that bloody water cannon out!
OK, Bill.
In you come! In! In!
Back! Back!
Hey! Unload! Unload!
Where do you think you're going?!
Get on with it!
Get in the car. Get back up there.
If anybody comes through, hit 'em.
OK, Charlie, that's it.
Right. You, you and you
in the Dormobile. Get in the car.
Oi! Get in the Dormobile.
Get your finger out.
Get a move on, then!
Well, look happy,
you stupid bastards!
We won, didn't we?
They went thattaway.
I could eat a horse!
Good luck!
Put your foot down, Tony.
They're getting rather close.
Look out, look out, it's Charlie!
Look for that bloody exit.
We can't go round here all night.
- Manzo?
- Yes, sir.
Check the station. All trains.
Check all names of passengers who
boarded planes at Linate or Malpensa.
This was a big operation.
Those engaged in the earlier part
will probably have left by air.
- Check the autostradas.
- The police will do this.
We know them, the police don't.
Get my plane ready.
They can't get out in this mess.
If they planned this jam,
they planned a way out.
- I think you might try to keep up.
- Alright!
Here, make a wish.
They're behind us. Put
your foot down, we'll lose 'em easy.
Hurry up, Dominic.
Have you heard, sir?
They've done it!
All the men are yelling for you.
They've done it.
- Done what, Keats?
- The job, sir!
Bridger! Bridger!
Get the wheels in line with it!
Damn it! Brake,
or we'll be in the cabin.
More speed on the up,
accelerate and...
That's it! Go on!
OK, hang on.
Be very careful.
Everybody out.
Start unloading the gold.
Charlie-boy?
Now.
Ready, Charlie?
Now!
Ready?
Now!
OK, out you come, out you come.
Leave the beer! Leave the beer!
Get in.
Come on.
OK, William, go!
Hold still, hold still.
Nobody move.
We're balancing right on the edge.
Very slowly, move this way.
Very slowly.
Don't make a sharp movement.
Come as far up this end
as you can get.
Watch it, watch it. Watch it, Bill!
The gold is pulling it over the edge.
We'll have to get it back.
Get back! Get back!
Now hold still.
Don't move. Don't move at all.
Don't no one get out the door,
neither. Otherwise we'll all go.
Edge back as far as you can go, to
cou... to counterbalance me. Now...
Hang on a minute, lads.
I've got a great idea.