[ eerie music ]
[ crickets ]
[ heavy breathing ]
[ metallic sound ]
[ metallic sounds getting louder ]
Ghoul: YOU ARE ALIVE BECAUSE THE GIRL REMAINS...
Ghoul: USEFUL.
Ghoul: I SEE YOU AGAIN...
Ghoul: I'LL CUT OUT YOUR INSIDES AND FEED THEM TO HER.
Ghoul: WHILE YOU WATCH.
[ eerie music ]
The Hunter: NOT IF I KILL YOU FIRST.
[ football game on TV ]
AJ: REALLY NATE?
AJ: YOU DON'T HAVE ANYTHING IN YOUR FRIDGE BESIDES ALCOHOL.
Nate: YOU SAY SOMETHING?
THERE'S NOTHING ELSE TO DRINK.
THERE'S PLENTY OF BEER, WHAT ARE YOU TALKING ABOUT?
Jessica: SHE DOESN'T WANT BEER, NATE. THAT'S WHAT SHE'S SAYING.
[ mocking ] OH, OKAY.
LOOK, SEE THAT FREEZER DOOR?
UH-HUH.
OKAY, NOW DON'T OPEN IT.
BUT THERE'S A LEVER RIGHT ON THE DOOR. IF YOU PUSH THAT IN-
THERE'S FILTERED WATER. IT'S GOOD FOR YOU. YOU SHOULD TRY IT.
[ sighs ] YOU'RE SUCH AN A-
Jessica: I'M SORRY AJ, IT'S MY FAULT.
I PACKED UP EVERYTHING FOR THE WEEKEND AND IT'S AT MY HOUSE.
Jessica: I'M SORRY.
SO HE'S NOT BRINGING ANY BEER?
OH, I AM. SHE PACKED THE REST UP ALREADY.
WHAT YOU SEE IN THERE IS LEFTOVER.
PETER BETTER BE REALLY, REALLY HOT.
OTHERWISE I'LL NEVER FORGIVE YOU FOR THIS.
HE'S ACTUALLY A REALLY NICE GUY SO YOU'D LIKE HIM.
AND IF NOT THERE'S PLENTY OF WOODS SO YOU'LL HAVE YOUR SPACE.
[ Nate burps ]
[ huge burp ]
[ AJ laughs ]
[ doorbell ] OH, PIZZA.
I'LL GET IT.
NO I'VE GOT THE MONEY HERE.
AJ: PLEASE, YOU'RE NOT PAYING.
Aya: HI.
Aya: UM. IT'LL BE $29.50.
YOU WENT TO WALL HIGH SCHOOL THE LAST TWO YEARS, RIGHT?
YEAH.
AMBER. RIGHT?
[ scoffs ] NO ONE EVER CALLED ME AMBER. IT WAS ALWAYS AJ.
HOW LONG YOU BEEN WORKING THIS JOB?
SINCE SENIOR YEAR.
I STARTED IN THE KITCHEN.
I JUST STARTED DELIVERING AFTER SCHOOL ENDED.
YOU'RE BRAVE.
I WOULDN'T WANT TO BE GOING TO STRANGE PLACES ALONE THIS TIME OF NIGHT.
I CAN HANDLE MYSELF.
I BET YOU GOT TO TAKE WHAT YOU CAN GET, RIGHT?
YEAH.
UM. I HAVE SOME MORE DELIVERIES, SO...
OH, RIGHT. I DON'T WANT TO HOLD YOU UP.
HERE.
[ bag rustling ]
SODA'S ON THE HOUSE. I BROUGHT IT BY MISTAKE.
YOU CAN COME BACK AND GET IT.
WE DON'T WANT IT.
IT WAS SOMEONE WE WENT TO SCHOOL WITH?
YOU'LL NEVER GUESS WHO.
NANCY? I THOUGHT SHE WORKED AT THE OTHER PLACE.
HOMESCHOOL.
NO FREAKIN' WAY. YOU'RE LYING!
NO, IT WAS HER!
HOMESCHOOL?
Jessica: SHE TRANSFERRED INTO OUR HIGH SCHOOL THE LAST TWO YEARS.
SHE WAS HOMESCHOOLED BEFORE THEN.
SHE WAS A CHARACTER.
JESUS FREAK. ALWAYS DRESSED MODESTLY.
NEVER CURSED. Jessica: NEVER TALKED.
Jessica: I MEAN, SHE SHOULDER-CHECKED BRITTANY AND JUST WALKED AWAY.
AJ ALMOST BEAT HER UP OVER THAT.
YOU REMEMBER THAT?
AJ: YEAH, IT MIGHT HAVE BEEN AN ACCIDENT OR SOMETHING, BUT -
AJ: SHE NEVER APOLOGIZED OR ANYTHING.
SHE JUST MADE THAT STUPID, AWKWARD LOOK SHE ALWAYS DID-
-AND THEN TRIED TO WALK AWAY.
YEAH, IF ANYONE WAS GOING TO SHOOT UP THE SCHOOL OR SOMETHING...
AJ: IT WOULD'VE BEEN HER.
YOU GUYS DON'T KNOW WHAT HAPPENED?
I TOLD YOU, SO PETER'S UNCLE WORKS FOR THE SHERIFF'S DEPARTMENT.
AND THEY TALK AROUND THERE.
I THINK HER NAME IS IYA, OR AYA...
...I DON'T KNOW, SOMETHING LIKE THAT.
SHE MOVED HERE FROM PEN'S GROVE.
Nate: HER DAD'S IN JAIL FOR RAPE AND MURDER.
Nate: BUT HE WASN'T REALLY AROUND, ANYWAY.
AND HER MOM DIED A FEW YEARS AGO IN A ROBBERY.
SHE NOW LIVES WITH HER AUNT AND UNCLE.
SO, IF SHE'S A LITTLE TOO WEIRD FOR YOU GUYS...
SHE HAD HER REASONS.
[ crickets ]
[ trance music fades in ]
AJ: HERE, LET ME GIVE YOU A HAND WITH THAT.
Peter: THEY'RE HEAVIER THAN THEY LOOK.
YOU LOOK, LIKE YOU'RE ABOUT TO PASS OUT.
JESSICA LOOKS LIKE SHE'S ABOUT TO PASS OUT.
[ trance music stops ]
THERE'S GOOD, AMBER.
I'VE GOT TO TELL NATE. SO FAR, IT'S NOT BAD.
IT'S QUIET. RELAXING.
YEAH, FOR YOU.
WHEN YOU GO CAMPING YOU WORK FIRST, THEN YOU GET TO ENJOY IT.
OH, HE DID NOT DRAG ME OUT IN THE MIDDLE OF NOWHERE JUST TO WORK.
I'M ENJOYING MYSELF FROM START TO FINISH.
WE'LL MAKE HER COOK LATER. GET SOME USE OUT OF HER.
WATCH IT, FOUR-FOOT.
OH, HEY PETER.
DIDN'T YOU GUYS SAY WE SHOULD BE THE ONLY ONES OUT HERE FOR MILES?
MOST LIKELY.
I'M PRETTY SURE WE SAW SMOKE.
YEAH, IT WAS COMING FROM OVER IN THAT DIRECTION.
AND NATE AND BRITTANY WOULDN'T HAVE GONE THAT WAY.
COULD BE A HUNTER OR... OTHER PEOPLE LIKE US TRYING TO GET AWAY.
COULD BE.
HOW ABOUT YOU BE A GOOD BOY AND FIND OUT?
I COULD COME WITH YOU.
WORKS FOR ME.
Peter: UM, JESSICA?
OH, I'M NOT PLAYING THIRD WHEEL. GO AHEAD.
JUST, DON'T GO TOO FAR WITHOUT ME.
Peter: WE'LL BE QUICK.
Nate: CAN YOU GET BY OKAY?
Brittany: SURE CAN.
AND WITHOUT LOOKING RIDICULOUS IN A UNIFORM.
HEY, THE LADY LIKES IT, THAT'S ALL THAT MATTERS, ALL RIGHT?
I'D WEAR IT ON OUR WEDDING DAY IF SHE WANTED ME TO.
WEDDING DAY? THAT'S AMBITIOUS.
WELL, ACTUALLY IT WAS A FIGURE OF SPEECH BUT -
A FEW YEARS DOWN THE ROAD, WHY WOULDN'T WE GET MARRIED?
MOST PEOPLE DON'T THINK THAT FAR AHEAD.
WELL, THEN THEY'RE SHORT SIGHTED.
GOOD POINT.
HOW MUCH FURTHER DO YOU THINK WE SHOULD GO -
BEFORE WE TRY ANOTHER DIRECTION?
Nate: WHY, ARE YOU GETTING TIRED ON ME, GIRL SCOUT?
NO, BUT... SUN'S GOING DOWN SOON.
AND IF WE'RE NOT BACK BY DARK YOUR LADY MIGHT FREAK OUT.
WHY, BECAUSE I'M IN THE WOODS WITH HER PRETTY BEST FRIEND?
THAT IS THE LEAST OF HER CONCERNS. SHE WON'T LAST A NIGHT OUT HERE IF-
HUH.
I DIDN'T THINK ANYONE ELSE WAS OUT THIS FAR.
YEAH...
MAYBE WE SHOULD GIVE THEM THEIR SPACE.
YOU KNOW, CUT AROUND - GO FOR ANOTHER MILE OR SO, MAYBE?
NO, WE SHOULD...
CHECK IT OUT. JUST TO BE SURE.
YOU'RE NOT ON THE JOB, NATE.
NO, BUT I'M A DECENT HUMAN BEING. UNLIKE YOU, BRITTANY.
HELLO? ANYONE THERE?
I'M JUST DOING A WELFARE CHECK, I'M A PARK RANGER.
OH, MISTER BIG SHOT, HUH?
DO YOU WANT THEM TO COME OUT SHOOTING?
NO, I DO NOT.
HEY, DO YOU THINK SOMETHING MIGHT'VE HAPPENED?
SOMEONE GETTING DRUNK THIS FAR OUT YOU NEVER KNOW.
GOT EMPTY CASES OVER THERE.
Nate: PROBABLY A HUNTER, SO THEY'RE ARMED.
ANYONE THERE?
HUH.
[ camera jingle ]
REALLY?
HEY, IF SOMETHING HAPPENED IT MIGHT BE ON HERE.
YEAH, OR -
A VIDEO OF THIS GUY'S LAST SEXCAPADE STARRING HIMSELF AND -
THE FABULOUS FIVE. Brittany: OH, YOU ARE SO DISGUSTING.
Detective: PRIMARILY IT'S BECAUSE YOUR BROTHER'S WORRIED ABOUT YOU.
Mina: HE HAS NOTHING TO WORRY ABOUT.
Mina: I'M BETTER THAN I'VE EVER BEEN.
Detective: WELL, HE'S CONCERNED ABOUT SOME OF YOUR ASSOCIATIONS.
[ ominous music ] Mina: HE'S MENTIONED HIS CONCERNS DETECTIVE, BUT-
Mina: -WE AREN'T DOING ANYTHING ILLEGAL.
Detective: THEN, WHY WON'T YOU GO INTO DETAILS ABOUT IT?
Mina: BECAUSE IT'S A PERSONAL MATTER.
Mina: THERE ARE TWO THINGS YOU DON'T TALK ABOUT.
Mina: RELIGION AND POLITICS, RIGHT?
Detective: NOT EVEN TO A CLOSE FAMILY MEMBER?
Detective: YOU AND CALEB HAVE BEEN THROUGH A LOT HAVEN'T YOU?
Mina: I WOULDN'T BE HERE TODAY IF IT WEREN'T FOR HIM.
Detective: I'M NOT GOING TO PRY INTO SPECIFICS, BUT...
Detective: THERE ARE THINGS I NEED TO KNOW.
Detective: IN ADDITION TO YOUR BROTHER A LOT OF PEOPLE ARE...
Detective: SCARED AND I THINK THEY HAVE A RIGHT TO BE.
Detective: WHAT YOU AND YOUR FELLOW PARISHIONERS DO-
WITH YOUR OWN LEGAL KILLS IS ONE THING, BUT...
Detective: THERE ARE A LOT OF MISSING PETS AND...
Detective: POTENTIAL CASES OF BREAKING AND ENTERING.
Mina: RIGHT. AND YOU HAVE WEIRDOS IN THE WOODS...
Mina: PRAYING TO THEIR GODS, PERFORMING STRANGE RITUALS.
Mina: NOT HURTING ANYBODY. SO THEY MUST BE INVOLVED?
Mina: SOUNDS A BIT LIKE SALEM TO ME, DETECTIVE.
Detective: WELL, I THINK PEOPLE ARE...
Detective: RIGHTFULLY DISTURBED BY WHAT YOU'VE ADMITTED ARE...
Detective: ANIMAL SACRIFICES.
Mina: WE EAT WHAT WE KILL. AND WE AREN'T DOING ANYTHING ILLEGAL.
Detective: WELL, HURAM, YOUR ALLEGED LEADER WAS RELEASED FROM PRISON-
-JUST A YEAR AGO. HE HAS A...
-SKETCHY PAST.
Mina: WE WERE ALL RELEASED FROM PRISON, SO TO SPEAK.
Mina: THAT'S WHAT HE DID FOR US.
Detective: WHO'S HE?
NOTHING IN THERE. WE SHOULD PROBABLY GET ON THE WAY, HUH?
Brittany: YEAH.
HEY, DID YOU SEE THIS?
THE WOMAN IN THIS TAPE WAS PART OF THAT CULT FROM A WHILE BACK.
AND THIS IS ACTUAL FOOTAGE.
I MEAN, THEY COULD'VE RECORDED IT FROM TV OR SOMETHING, BUT...
YEAH, IT'S UH... INTERESTING.
BUT, NOTHING WE SHOULD TELL THE OTHERS ABOUT.
I DON'T WANT JESS' IMAGINATION RUNNING WILD.
HUH. I WON'T SAY ANYTHING.
ALRIGHT, LET'S KEEP GOING TILL WE FIND A SIGNAL.
OTHERWISE, SHE'S GOING TO THINK YOU TOOK ADVANTAGE OF ME WHILE WE WERE OUT HERE.
I'M NOT EVEN GOING TO SAY, IN YOUR DREAMS.
HAVE YOU EVER BEEN CAMPING BEFORE?
NOT REALLY.
WHAT'S THAT MEAN? [ Amber laughs ]
MY PARENTS' IDEA OF CAMPING WAS TAKING OUR RV OUT INTO THE MIDDLE OF NOWHERE-
BUT STAYING INSIDE ALL DAY WATCHING MOVIES.
WE'D GO TO THE MOST GORGEOUS LOCATIONS, BUT...
WE MIGHT AS WELL HAVE STAYED HOME AND WATCHED NATURE VIDEOS.
[ both laughing ]
I'M NOT SUPER EXCITED ABOUT SLEEPING OUTSIDE...
BUT IT'S GOT TO BE BETTER THAN WHAT WE DID.
YOU'LL LOVE IT.
THE NIGHTS CAN BE A LITTLE ROUGH AT FIRST BUT - IN THE MORNING...
WELL, YOU'LL SEE. I PICKED OUT THE SPOT MYSELF.
YEAH, I HEARD. YOU SPENT THE NIGHT ALONE?
I DID.
I WANTED TO GET THE BEST VIEW OF THE SUNRISE. THE MOON COMING UP.
THE NIGHTS CAN BE FUN, BUT...
WAKING UP IN NATURE AT FIVE IN THE MORNING.
NOTHING ELSE LIKE IT.
I CAN'T WAIT.
I HOPE YOUR FRIEND JESSICA COMES AROUND TO IT.
YEAH, SHE'S NOT CUT OUT FOR THIS.
MY PARENTS THINK I'M NOT GOING TO LAST THE NIGHT-
-BUT I'M GOING TO PROVE THEM WRONG.
WHY DO THEY SAY THAT?
THEY UNDERESTIMATE ME. THEY ALWAYS DO.
JUST LIKE EVERYONE ELSE.
I'M JUST THE SPOILED RICH BRAT WHO DOESN'T KNOW HOW TO TAKE OF HERSELF.
YOU DON'T SEEM LIKE A SPOILED BRAT TO ME.
YOU DON'T KNOW ME.
WELL... YET.
[ both laugh ]
UH, I GUESS WE SHOULD START LOOKING FOR THAT SMOKE.
MANMADE FIRE.
AND IT LOOKS WELL KEPT.
BUT, I DON'T THINK IT'S ANYONE'S SITE.
SHOULD WE GO PUT IT OUT?
MIGHT WANT TO WAIT FOR A FEW MINUTES FIRST.
PUT OUT THE WRONG MAN'S FIRE AND WE COULD GET INTO TROUBLE.
BUT I DON'T... SEE...
[ ominous music ]
IS THAT A... A PERSON?
[ fire sounds ]
[ eerie music ]
IS HE LOOKING AT US?
[ birds chirping ]
[ mysterious music ]
AJ: WHAT WAS HE DOING?
DON'T KNOW. DON'T CARE.
SHOULD WE GO CHECK IT OUT?
I'M NOT ON THE CLOCK SO NO. I SAY WE GET BACK TO CAMP.
OKAY.
[ footsteps in leaves ]
AJ: JESS?
Peter: OH SHOOT! AJ: THAT WAS NOT FUNNY!
I JUST WANTED TO GIVE YOU GUYS A NICE SCARY MOVIE MOMENT.
SEE, I BROUGHT YOU TWO CLOSER TOGETHER.
NOT COOL!
SO HOW'D IT GO OUT THERE? WAS IT A FIRE?
SOME WEIRDO BURNING BAGS AND STUFF.
AJ: PAPERS. IT LOOKED LIKE.
REDNECK WAY OF SHREDDING PERSONAL DOCUMENTS OR SOMETHING?
WHY NOT LET 'EM BURN?
OR IT COULD'VE BEEN EVIDENCE.
[ Jessica laughs ]
[ ominous music ]
Detective: SO, CAN YOU TELL ME HIS NAME?
Mina: I DON'T KNOW HIS NAME. THAT WOULD DEFEAT THE PURPOSE
Detective: WHAT PURPOSE?
Mina: HE'S A REPRESENTATIVE OF OUR GOD.
Mina: WE'VE NEVER SEEN HIS FACE BECAUSE THAT WOULD GIVE US-
Mina: -AN IMAGE TO WORSHIP.
Detective: SO, HOW DID YOU MEET HIM?
HE SENT LETTERS TO ME. AND TO THE OTHERS.
HE TOLD US ABOUT HIMSELF. WHAT HE WANTED TO ACCOMPLISH AND-
HE INVITED US TO BE A PART OF IT.
Detective: HOW DID HE PICK YOU?
Detective: IS THERE SOMETHING SPECIAL ABOUT YOU? OR...
YES. BUT IT WASN'T OUR SARCASM.
HE KNEW EVERYTHING ABOUT US.
WE ALL HAD SOME... KIND OF...
Mina: TRAGEDY OR UNFORTUNATE EVENTS IN OUR LIVES.
Mina: HE OFFERED US HEALING.
AND A WAY TO MAKE EVERYTHING BETTER FOR EVERYONE EVENTUALLY.
Detective: AND HE WASN'T JUST... PREYING ON THE WEAK?
THE ABUSES WE LIVED THROUGH AND SURVIVED MAKES US WEAK?
Detective: I DIDN'T MEAN TO IMPLY THAT I'M SORRY.
IT'S OKAY.
Detective: WHAT DOES THE BLOOD HAVE TO DO WITH THESE RITUALS?
Detective: I KNOW IT'S INVOLVED IN WHAT YOU DO.
Detective: THAT'S WHY YOU'RE GETTING OUR ATTENTION.
THE LIFE OF THE FLESH IS IN THE BLOOD. BLOOD IS SACRED.
IT'S THE SOURCE OF ALL LIFE INCLUDING OUR GOD'S.
Detective: WHY DOES A SPIRITUAL BEING NEED BLOOD?
SO HE CAN MOVE ACROSS THE PLANE.
SO HE'S NOT LIMITED TO THE SPIRITUAL.
THINK OF IT LIKE THE SECOND COMING IN CHRISTIAN TERMS.
OUR SACRIFICES. THE ANIMALS WE ABSOLVE AND EAT.
THE BLOOD WE POUR OUT.
Mina: WE GIVE IT TO HIM. TO GIVE HIM A BODY.
[ soothing, blues music ]
[ phone ringing ]
[ Alice yawning ]
EW.
Alice: SORRY, MOM MADE ME COME TO BED HALF AN HOUR AGO, BUT...
I CAN'T SLEEP.
LOOKS LIKE YOU'RE READY TO ME.
I AM TIRED.
SOMETHING BOTHERING YOU?
NOPE. SPIT IT OUT.
I THINK IT'S BECAUSE I HAVEN'T SEEN YOU ALL WEEK.
WHAT? WE HAD BREAKFAST TOGETHER YESTERDAY.
YOU SHOVED WAFFLES DOWN YOUR THROAT WHILE YOU PUT YOUR COAT ON.
AND THEN YOU RAN OUT THE DOOR.
DOESN'T COUNT.
ALICE.
I JUST MISS YOU. I KNOW YOU HAVE WORK AND SCHOOL, BUT...
THE SEMESTER'S OVER IN A WEEK.
THEN I'LL BE AROUND.
I'LL HAVE SCHOOL FOR ANOTHER WEEK AFTER THAT.
TRUE. BUT I WON'T BE SCARFING DOWN WAFFLES IN THE MORNING -
TRYING TO GET OUT ON TIME. WE'LL HAVE REAL BREAKFAST TOGETHER.
AND THEN...
FINE. TWO WEEKS.
Aya: THEN YOU'LL SEE A WHOLE LOT OF ME.
ARE YOU GOING TO BE HOME SOON?
YEAH, IF SOME JERK DOESN'T ORDER PIZZA AT THE LAST MINUTE.
AT THIS TIME OF NIGHT?
IT HAPPENS. TRUST ME.
[ window slides down ]
WHERE IS IT?
Mary: DOWN ATLANTIC AVENUE. TOWARD WALL.
UH HUH.
I TOLD THE GUY WE WERE PRACTICALLY CLOSED, BUT...
I'D ASK MY DRIVER AND SHE MIGHT DO IT FOR A GENEROUS TIP.
YOUR CALL.
YOU BETTER SPEND THAT TIP TAKING ME OUT IN TWO WEEKS.
DEAL.
Mary: JOEY DELIVERED THERE A FEW TIMES.
I THINK IT'S A DISABLED VET.
HOW DO YOU SAY NO TO THAT?
I'LL DO IT.
YOU'RE THE BEST.
[ emotional, tender music ]
WHAT AILS THEE?
NOTHING.
TELL ME.
WELL, DADDY KEEPS TELLING ME HOW DANGEROUS YOUR JOB IS.
AND I'VE HEARD STORIES SO, SOMETIMES I WORRY.
DON'T.
YOU'RE THE BIGGEST WEIRDO I KNOW AND I SLEEP UNDER A ROOF WITH YOU.
[ Alice laughs ]
[ tender music fades ]
[ crickets chirping ]
SOUNDS LIKE DARKMAN.
[ Peter and Nate laugh ]
THAT OLD LIAM NEESON MOVIE?
NO, ITS OUR NICKNAME FOR A HERMIT SOME PEOPLE REPORTED SEEING OUT HERE.
WELL, HE'S USUALLY COVERED FROM HEAD TO TOE AND...
Peter: THEY THINK HE MIGHT BE A BURN VICTIM, BUT...
Peter: SOME PEOPLE SAY THAT HE LOOKS...
Peter: JUST LIKE ONE OF THE CULT MEMBERS WHO DIED.
BACK FROM THE DEAD OR SOMETHING, SO...
WHAT? YOU TOOK US OUT HERE AND YOU DIDN'T MENTION THAT FIRST?
AH, COME ON JESS.
I MEAN, THERE'S ALL SORTS OF PEOPLE OUT DEEP IN THE WOODS.
OKAY? BUT THEY'RE HARMLESS. I MEAN HE'S NEVER HURT ANYBODY.
WE WOULD KNOW. THAT'S COMFORTING
WHAT IF HE IS A PART OF THAT CULT?
AW, COME ON. THEY'RE ALL EITHER DEAD OR INCARCERATED.
AND BESIDES, THAT WAS NINE YEARS AGO.
DIDN'T THEY MOSTLY KILL ANIMALS?
YEAH, I SWEAR TO THIS DAY THEY KILLED MY FIRST DOG.
[ Brittany laughs ] OH, NOT THIS AGAIN.
AJ: I CAME HOME FROM SCHOOL AND LET HENRY INTO THE BACKYARD FOR HALF AN HOUR.
BROUGHT HIM BACK IN, LAID DOWN FOR MY NAP.
AND WHEN I WOKE UP THE BACK DOOR WAS OPEN AND HENRY WAS GONE.
OKAY, FIRST OF ALL - WHO NAMES THEIR DOG HENRY?
[ laughter ]
AND SECOND OF ALL, YOU JUST LEFT THE DOOR OPEN WHEN YOU LET HIM BACK INSIDE.
NO, I ALWAYS CLOSED IT.
AND LOCKED IT BECAUSE I WAS HOME ALONE.
MY PARENTS ASSUMED I LEFT IT OPEN THAT DAY BUT I DON'T THINK I DID.
I DON'T THINK IT'S A COINCIDENCE IT HAPPENED AROUND THAT TIME.
SO, WHY WASN'T IT BIGGER NEWS THEN? I MEAN I HEARD ABOUT IT -
BUT IF SOME CRAZY CULT WAS RUNNING THROUGH THE WOODS, I MEAN...
WHY WASN'T IT MAJOR NEWS?
WELL, LET'S THINK ABOUT IT. I MEAN, ELECTIONS, BUSINESS...
IF YOU MAKE MONEY IN THIS AREA YOU DON'T WANT PUBLICITY LIKE THAT.
YEAH, AND THE 7 OR 8 PEOPLE THEY KILLED WEREN'T FROM AROUND HERE.
THAT'S RIGHT.
MOST PEOPLE THAT WENT MISSING WERE FROM... OTHER COUNTIES OR...
THEY WERE JUST DRIVING THROUGH.
THAT'S HOW YOU GO UNNOTICED.
BUT THEY'RE ALL DEAD OR IN JAIL RIGHT?
Peter: DEPENDS ON WHO YOU TALK TO.
I SAW SOME OF THE INTERVIEWS AND MY UNCLE SAID DIFFERENT THINGS.
WELL, THERE'S TWO MAIN GUYS. HURAM OR HURAN.
AND, THEY FOUND HIM WITH HIS FACE RIPPED OFF.
MOST OF HIS BLOOD DRAINED. SOME KIND OF A FINAL RITUAL I THINK.
THAT'S DISGUSTING.
AND 3 OF THE FOLLOWERS THEY ARRESTED ALL SAID DIFFERENT THINGS.
ONE OF THEM BLAMED IT ALL ON SOME GUY WHO...
TALKED THEM INTO IT BUT NEVER ACTUALLY PARTICIPATED.
YEAH THAT SOUNDS LIKE AN EXTENSION OF, 'THE DEVIL MADE ME DO IT'.
YOU KNOW? EASY SCAPEGOAT.
HOPEFULLY.
ALRIGHT, CREEPSHOW IS OVER.
LET'S HAVE SOME FUN.
[ Brittany laughs ]
[ twig snaps ]
[ uplifting rock music ]
HEY. THAT WAS NINE YEARS AGO.
WELL, WHAT IF THAT PERSON IS STILL OUT THERE?
WHAT ABOUT THAT MAN WE SAW EARLIER?
HEY, LIKE THE OTHERS SAID IT WAS PROBABLY JUST SOME WEIRD HERMIT.
BURNING PERSONAL PAPERS.
OR SOMETHING.
HEY, DON'T WORRY. YOU'VE GOT TWO PARK RANGERS.
AND ME.
AND WHATEVER SHE IS.
[ uplifting rock music continues ]
[ uplifting rock music fades out, car engine fades in ]
[ wind howling, nearby chimes ]
[ silently mouthing the note ]
YEAH, NOPE.
HELLO?
PIZZA'S HERE. IN CASE YOU'RE BACK.
GUESS I KNOW WHAT YOU DO WITH YOUR WEEKENDS.
[ ominous music ]
[ Muffled groan ]
[ Muffled whimpering ]
[ suspenseful music builds ]
[ whimpering continues ]
Paul: I - I DON'T THINK I'M GOING TO MAKE IT.
WHAT HAPPENED?
Paul: SOMEONE KNOCKED AT THE DOOR.
Paul: I WENT AND ANSWERED IT AND THERE WAS NOBODY THERE.
SO I - I STEPPED OUTSIDE TO LOOK AROUND AND...
BIG... BIG GUY IN A HOOD RUSHED ME, AND...
Paul: I WOKE UP LIKE THIS AND... I GOT MY HANDS, AND...
CAN YOU HELP ME?
YEAH...
I'M GOING TO CALL THE POLICE, I DON'T WANT TO MOVE YOU.
GOOD. GOOD.
MY CELL'S IN THE CAR. I'M GOING TO RUN OUT AND GET IT.
Paul: NO USE - USE MY PHONE.
IT'S ON THE COUNTER IN THE KITCHEN.
Paul: ON THE LEFT. UNDER THE CABINET.
[ coughing and gagging ]
Paul: DO YOU SEE IT?
Paul: WHAT'S WRONG? ARE YOU CALLING?
[ quiet, menacing music ]
[ pressing buttons, heavy breathing ]
COME ON, COME ON.
WHAT'S GOING ON?
I NEED TO CUT YOU LOSE, WE HAVE TO HIDE.
WHY? DIDN'T YOU CALL? I TRIED. PHONE'S OUT.
Paul: OH, NO NO NO.
JUST GO KID. GET OUT OF HERE.
I'M NOT JUST GOING TO LEAVE YOU LIKE THIS.
Paul: NO SENSE IN BOTH OF US DYING.
GO TO YOUR CAR. CALL FOR HELP.
Paul: COME ON, GO. GO.
[ loud door creaking ]
[ footsteps ]
The Hunter: WHERE IS SHE?
The Hunter: LIE TO ME AND I'LL SHOOT YOUR KNEECAPS OUT.
Paul: YOU KNOW I'M ALREADY DEAD.
Paul: AND MY KNEES BEEN REPLACED. BOTH OF THEM.
SO NO BIG DEAL TO ME.
The Hunter: I LIKE YOUR SPIRIT. IT REMINDS ME OF MY OLD MAN.
WANT TO KNOW WHAT I DID TO HIM?
[ gun cocks ]
Paul: OKAY, OKAY. SHE'S HERE. SHE'S HERE.
I TOLD HER TO HIDE IN MY ROOM. IT'S DOWN THE HALL TO THE LEFT.
SHE MAY HAVE GONE OUT THE WINDOW, I DON'T KNOW.
The Hunter: I HOPE YOU'RE NOT LYING TO ME.
Paul: I'M NOT. I'M NOT, I SWEAR.
I SWEAR...
The Hunter: I DON'T BELIEVE YOU.
[ bone cracks, Paul cries out ]
The Hunter: YOU BETTER TELL ME THE TRUTH.
NOW LET'S TRY THIS AGAIN.
The Hunter: WHERE IS SHE?
Paul: I'M NOT. I...
I'M NOT TELLING YOU ANYTHING.
WORKS FOR ME.
[ Aya grunts ]
[ thrilling music ]
[ liquid spills ]
[ eerie music ]
HOW THE HELL?
[ Aya screams in frustration, hits car horn ]
[ crickets ]
WELL, IF WE WEREN'T BEST FRIENDS BEFORE.
YEAH, THANKS.
Nate: MUST BE A WATERFALL AROUND HERE, HUH GIRLS?
OH, SHUT UP NATE! Nate: DON'T GO CHASING THEM!
SERIOUSLY, I DON'T KNOW WHY I AGREED TO THIS.
YOU'RE HAVING A GOOD TIME.
YEAH, CAUSE I'M AWESOME. IT'S ALWAYS A GOOD TIME WHEN I'M AROUND.
IN THE MIDDLE OF NOWHERE, OR OTHERWISE.
TOUCHE'.
I MEAN, COME ON. IT'S A BEAUTIFUL NIGHT OUTSIDE.
Jessica: THE FIRE'S NICE. THE STARS ARE GORGEOUS.
AND I'M HERE TAKING A PISS UNDER THIS GIANT TREE LIKE A NEANDERTHAL.
I MEAN, THIS IS BS.
YEAH, I PROBABLY COULD'VE PREPARED YOU A LITTLE BETTER.
I THOUGHT SLEEPING OUTSIDE ON THE GROUND WOULD BE THE BIG THING.
YEAH, LET'S NOT TALK ABOUT THAT.
YOU'LL BE FINE.
EASY FOR YOU TO SAY.
THAT WAS EMBARRASSING.
IT'S LIKE PEEING IN THE STALL NEXT TO MINE.
NO BIG DEAL.
I'M SORRY I MADE FUN OF YOU FOR BEING A GIRL SCOUT.
FORGIVEN.
WHEN WE GET HOME, I'LL BUY ALL OF YOUR COOKIES. I PROMISE.
SHUT UP. [ both laughing ]
[ branch snaps ]
[ ominous music ]
RELAX. YOU'RE GOING TO HEAR ALL KINDS OF STUFF WHEN WE GO TO SLEEP.
YOU DON'T WANT TO BE UP ALL NIGHT AT EVERY LITTLE SOUND, DO YOU?
NO, I'M SLEEPING THROUGH THE NIGHT NO MATTER HOW MANY DRINKS IT TAKES.
COME ON.
[ moody, ominous music ]
SO WHAT DO YOU MAKE OF IT, PETE?
UH, I DON'T KNOW.
POSITION OF THE MOON CAN VARY BUT IT SHOULD BE THE SAME AS LAST NIGHT.
THINK SOMEONE MOVED YOUR MARKERS?
I DON'T WANT TO SAY THAT, YET.
WELL, WE GOT A HUNTER AND DARKMAN OUT HERE WITH US.
MAYBE ONE OF THEM WANTED US A LITTLE FARTHER AWAY FROM THEIR SPOT.
I DON'T THINK I'M COMFORTABLE WITH THAT, I MEAN...
TAMPERING WITH SOMEONE'S TRAIL IS... DANGEROUS.
YEAH, WELL...
IF YOU FEEL WEIRD ABOUT IT, WE CAN ALWAYS MOVE TOMORROW.
GO BACK CLOSER TO THE TRAIL.
MAYBE.
EVERYTHING OKAY?
YEAH. I WAS JUST GETTING A LITTLE WORRIED.
YOU KNOW WHAT HAPPENS WHEN SOMEONE HAS TO PEE IN THE MOVIE.
WHAT HAPPENS?
Nate: FOR EXAMPLE.
I'M GOING TO THE BATHROOM, RIGHT?
BUT INSTEAD OF HOPPING BEHIND THAT BIG TREE OVER THERE -
I'M GOING TO GO AT LEAST A HALF MILE DOWN INTO THE WOODS.
Nate: WHY?
WELL. MAYBE IF I'M TRYING TO SQUEEZE OUT ONE LAST DROP AND LET OUT A BIG FART.
[ Nate makes a fart noise, girls laugh ]
Nate: OR MAYBE IT'S A LITTLE TOO COLD OUT AND SOMEONE'S WATCHING -
I DON'T WANT THEM TO GET THE WRONG IDEA.
WHATEVER THE CASE I'VE GOTTA PUT A MILE BETWEEN ME AND EVERYBODY ELSE.
[ Brittany laughing ]
NOW, IF YOU GUYS DON'T MIND GIVING US SOME PRIVACY.
SURE THING.
Brittany: HEY. WHAT WERE YOU GUYS TALKING ABOUT?
SOMEONE MOVED YOUR MARKERS?
UM, NOTHING TO WORRY ABOUT.
I THINK I MIGHT HAVE JUST REMEMBERED IT WRONG.
IT WAS LATE LAST NIGHT, IT'S NOTHING.
[ creepy, hopeless music ]
[ menacing music ]
NICE JOB.
The Hunter: COVERING YOUR TRACKS.
NOW, I KNOW YOU'RE SMART.
WHICH MEANS YOU WON'T VENTURE TOO DEEP OUT INTO THE DARKNESS.
The Hunter: WHICH MEANS...
[ intense music ]
WHICH MEANS...
YOU CAN HEAR ME.
The Hunter: NOW... I KNOW I'M NOT GOING TO FIND YA.
AND I DON'T HAVE ALL NIGHT.
SO, THIS IS WHAT WE'RE GOING TO DO.
YOU ARE GOING TO COME OUT. RIGHT NOW!
OR I'M GOING TO GO OUT THESE WOODS, GET IN MY CAR...
AND DRIVE.
TO TWO-ZERO-ONE...
The Hunter: ...LEEDS LANE.
[ emotional music ]
The Hunter: THAT'S RIGHT.
I'M GOING TO TAKE YOUR NIECE.
I'M NOT GOING TO KILL HER.
The Hunter: BUT I AM GOING TO DO OTHER THINGS.
IS THAT WHAT YOU WANT?
NOW...
I'M GOING TO GIVE YOU TILL TEN.
The Hunter: ONE.
The Hunter: TWO.
The Hunter: THREE.
FOUR.
FIVE. SIX.
SEVEN.
EIGHT.
The Hunter: NINE.
TEN.
[ metallic clanging ]
[ both grunting ]
[ The Hunter breathing heavy ]
WAS THAT AS GOOD FOR YOU, AS IT WAS FOR ME?
[ laughs ]
[ dreamy, melancholy music ]
[ crickets ]
THANKS FOR MAKING ME COME.
I TOLD YOU, YOU'D LIKE IT.
IT'S LIKE IT'S QUIET ENOUGH FOR ME TO THINK FOR THE FIRST TIME IN MY LIFE.
YEAH...
YOU SHOULD DO IT MORE OFTEN. I MEAN I KNOW IT'S HARD TO...
...THINK, WHEN YOU DON'T DO IT AS MUCH.
DON'T RUIN THE MOMENT YOU KNOW WHAT I MEANT.
YEAH, I KNOW. I KNOW.
IT'S A DIFFERENT WORLD WHEN THERE'S NOT AS MANY DISTRACTIONS.
BUT... AS BEAUTIFUL AS YOU ARE.
NATURE CALLS. I'VE GOT TO PISS. I'LL BE BACK.
MOMENT OFFICIALLY RUINED.
YEP.
Nate: I'M GOING TO TAKE A PISS EVERYONE.
Nate: I DON'T WANT YOU TO HEAR AND I DON'T WANT JESS GETTING REALLY EXCITED-
Nate: SO I'M GOING SUPER FAR.
SO FAR SO GOOD? YES. LOVE IT.
ACRYLICS ARE SUCH A PAIN. [ Brittany laughs ]
Nate: I'M STILL WALKING.
Nate: IT'S DARK AS HELL OUT HERE BUT, I DON'T THINK I'M FAR ENOUGH YET.
[ girls laughing ] WHAT A JERK!
Nate: CAN YOU HEAR ME NOW? CAN YOU?
WE CAN HEAR YOU!
[ girls laughing ]
Nate: ALRIGHT, I'M GOING TO KEEP WALKING TILL YOU CAN'T.
Nate: CAUSE YOU HEARING ME PEE IS SCARIER THAN ANY SERIAL KILLER OUT HERE!
Jessica: JUST PEE AND GET BACK HERE YOU BIG DUMMY!
[ girls laughing ]
Nate: WHAT'D YOU SAY?
[ girls laughing ]
[ Nate screams ]
Peter: NATE, CUT IT OUT!
[ tense music ]
Nate: WOULD YOU HELP ME? IT'S A BEAR TRAP!
Brittany: WHAT?
Jessica: IS THIS A JOKE?
Jessica: PETER, I'VE NEVER HEARD HIM SOUND LIKE THAT.
Peter: WAIT HERE.
Jessica: BUT WHAT IF IT'S... Peter: JUST WAIT HERE!
Nate: I CAN'T GET LOOSE, I NEED HELP!
MAN, THIS BETTER NOT BE A JOKE!
Nate: HURRY UP, I CAN SEE YOUR LIGHT.
[ all three struggling ]
Nate: COME ON!
[ trap opens ]
WE WERE ALL AROUND THIS SITE. HOW DID THAT GET THERE?
WE HAVE TO GET THE FIRST AID KIT.
I MEAN, THE CUTS AREN'T THAT BAD BUT THERE'S BRUISING...
WE HAVE TO DO SOMETHING TO FIX HIM UP.
GO GET IT.
GIVE ME THE LIGHT.
WHAT THE HELL'S GOING ON, MAN?
I DON'T KNOW.
I WAS WALKING, I HEARD SOMETHING FROM OVER THERE, AND...
I WENT TO CHECK IT OUT AND...
THAT WAS THAT...
[ Nate groaning ]
[ eerie music ]
[ Peter screams ]
Nate: PETE?
Brittany: PETER?
Jessica: NATE?
ARE YOU OKAY? WHAT HAPPENED?
WE NEED TO GET BACK TO THE TENT.
RIGHT NOW!
Nate: SHE'S RIGHT.
WHAT ABOUT PETER?
[ chain dragging through leaves ]
[ creepy, suspenseful music ]
[ trap snaps shut ]
Brittany: JESSICA, HELP ME WITH HIM. NOW!
Brittany: JESS!
[ intense, scary music ]
[ music fades out ]
[ clicking sound ]
[ ominous music ]
[ footsteps ]
[ loud footstep ]
[ tent unzips ]
GO TO HELL!
WE HAVE A GUN. WE WILL SHOOT YOU!
[ footsteps retreating ]
[ intense music ]
IN HERE BRITT. FRONT ZIPPER, THERE'S A GUN.
I DIDN'T EVEN KNOW.
I JUST THOUGHT MAYBE IT WOULD SCARE HIM OFF.
YEAH WELL, NOW IF HE COMES BACK IT WON'T BE AN EMPTY THREAT.
YOU BROUGHT A GUN.
YEAH. I ALWAYS BRING A GUN WHEN I GO CAMPING.
YOU NEVER KNOW WHAT YOU'RE GOING TO RUN INTO.
DO EITHER OF YOU KNOW HOW TO USE IT? BESIDES NATE?
I USED TO GO TO THE RANGE WITH MY PARENTS AS A KID, BUT...
I WAS OKAY.
I'VE NEVER FIRED ONE BEFORE IN MY LIFE.
JESS KNOWS.
HE TOOK ME. ONCE. A FEW MONTHS AGO.
YOU WERE ACTUALLY A PRETTY GOOD SHOT.
IN A RANGE AT A TARGET BOARD.
YEAH, WELL. THAT'S GOING TO HAVE TO DO FOR NOW.
IF HE COMES BACK, EITHER YOU LEARN QUICK OR WE'RE IN BIG TROUBLE.
GOT IT?
HE MUST'VE SET US UP.
Nate: PETE SAID SOMEBODY MOVED HIS MARKERS.
I DIDN'T THINK ANYTHING OF IT.
BUT, MAYBE HE WAS RIGHT.
MAYBE HE WANTED US HERE.
[ scary music ]
[ dreamy, melancholic music ]
[ phone buzzes ]
[ crickets ]
Ashley: ALRIGHT. THANKS FOR THE CALL.
THAT'S ENOUGH NOW. BRING IT IN.
Aya: I DIDN'T NEED A BREAK. I CAN KEEP GOING.
Ashley: I DON'T DOUBT IT.
BUT I DON'T WANT ANYONE CALLING DYFUS ON ME.
BESIDES YOUR AUNT AND UNCLE ARE GIVING ME A HARD ENOUGH TIME AS IT IS-
FOR PUSHING YOU TOO MUCH.
I CAN TAKE IT.
OF COURSE YOU CAN, YOU'VE GOT MY BLOOD IN YOUR VEINS.
WHAT'S BOTHERING YOU?
COME ON, HONEY. HAVE A SEAT.
[ crickets ]
WE WALK THE REST OF THE WAY.
MY BOSS IS GOING TO CALL THE COPS.
THEY'LL FIND MY CAR.
The Hunter: THEY WILL. BUT WE'RE 20 MILES AWAY FROM THERE.
The Hunter: AND THE LAST FIVE... HAVE BEEN OFF ROAD.
IT'LL BE A FEW DAYS BEFORE THEY EVEN THINK TO LOOK HERE.
AT LEAST.
[ crickets fade out ]
Ashley: I GOT A PHONE CALL ABOUT YOUR....
YOUR BIOLOGICAL.
IT LOOKS LIKE UH.. HE... HURT SOMEONE ELSE.
SO, HE'S IN JAIL.
ISN'T THAT GOOD?
YES, BUT...
NOT FOR HER.
IT'S ALL MY FAULT.
IF I HADN'T JUST RUN FROM HIM...
I THOUGHT I WAS DOING THE RIGHT THING, YOU KNOW?
STAY ON THE MOVE, KEEP US SAFE, BUT...
I WAS WRONG.
I SHOULD'VE STOOD UP TO HIM. OR AT LEAST REPORTED HIM.
THEN SHE WOULDN'T HAVE GOTTEN HURT.
I WENT OVERSEAS TO FIGHT AND...
RAN FROM MY BATTLES AT HOME.
IT'S NOT YOUR FAULT. [sad, hopeful music ]
WHETHER IT IS, OR IT ISN'T.
IT ISN'T.
I WANT YOU TO BE BETTER THAN ME.
THAT'S WHY I'M GOING TO KEEP PUSHING YOU.
BECAUSE I DON'T WANT YOU TO EVER BE ANYBODY'S VICTIM.
NOT ANYBODY'S.
I DON'T WANT TO BE BETTER THAN YOU.
NOT EVER.
[ crickets fade in ]
I NEED TO GO OUT THERE.
WHAT? WHY?
NATE ISN'T LOOKING SO GREAT.
BETTER THAN YOU ON MY WORST DAY. OW.
Brittany: MAYBE, BUT THAT'S BESIDE THE POINT.
ARE YOU CRAZY? WHY WOULD YOU GO OUT THERE?
WHAT'S THE ALTERNATIVE, JESS?
JUST.. SIT HERE AND PRAY FOR MORNING?
AND HOPE THAT PSYCHOPATH DOESN'T COME BACK?
YEAH, THAT SOUNDS GOOD. I MEAN, WHAT IF YOU RUN INTO HIM OUT THERE?
MAYBE HE'S GONE.
WE CAN WAIT TILL MORNING AND LEAVE THEN.
AJ: YOU TOLD US BEFORE IT'S NOT SAFE TO BE GOING OUT IN THE DARKNESS.
IT'S RISKY.
YEAH...
THAT WAS BEFORE NATE GOT HURT.
I MEAN... IT'S NOT LIKE MY LEG'S GOING TO COME OFF.
I'LL BE FINE.
MAYBE. BUT...
THAT TRAP WASN'T NEW. YOU DEFINITELY NEED A TETANUS SHOT.
Brittany: WHO KNOWS WHAT HE COULD'VE COVERED IT WITH.
IT COULD'VE BEEN COVERED IN POISON.
POISON? OKAY, NOW YOU'RE JUST TALKING CRAZY.
HE'S SWEATING AND IT'S 40 DEGREES OUTSIDE.
Brittany: LOOK AT HIM.
LOOK AT HIM!
ALRIGHT, DON'T MAKE THIS ABOUT ME!
LOOK, I DON'T WANT YOU TO DIE. I DON'T WANT ANY OF US TO DIE.
AND PETER IS STILL OUT THERE ALONE.
IF I GET THE POLICE HERE, MAYBE WE CAN HELP HIM.
Brittany: SITTING AROUND HERE WAITING FOR THAT PSYCHOPATH TO COME BACK-
IS JUST A REALLY BAD IDEA.
OUR CARS ARE... ABOUT TEN MILES AWAY.
THAT'S A HIKE EVEN IN THE DAYLIGHT, YOU KNOW THAT, RIGHT?
I DON'T HAVE TO MAKE IT TO THE CARS.
WE FOUND A SIGNAL. REMEMBER?
JUST LIKE, A MILE BEYOND THAT OTHER GUY'S TENT?
THAT'S HOW FAR I'D HAVE TO GET.
Brittany: WHAT? THREE MILES. MAYBE FOUR. TOPS.
ABOUT THAT, YEAH.
YOU'RE TAKING THE GUN WITH YOU.
NO, IF HE COMES BACK HERE YOU GUYS ARE GOING TO NEED IT.
YOU'RE NOT LEAVING HERE WITHOUT PROTECTION.
SERIOUSLY?
IV'E USED IT TO START FIRES BEFORE. IT'LL WORK.
TRUST ME.
YOU'RE CRAZY.
SOMEONE'S GOTTA BE.
MAYBE I CAN COME WITH YOU.
MAYBE IT'S SAFER IF IT'S TWO OF US.
NAH, I'LL GO FASTER ON MY OWN. AND MORE QUIETLY.
JUST...
HOLD DOWN THE FORT, TILL I COME BACK.
OKAY?
I WILL.
The Hunter: DON'T WORRY.
I DIDN'T BRING YOU OUT HERE FOR THAT.
The Hunter: HELL...
The Hunter: THAT'S WHY I HAVE THIS PLACE.
The Hunter: SO I CAN TAKE CARE OF MY NEEDS WITHOUT HAVING TO HURT ANYONE.
YOU THINK LOOKING AT LITTLE GIRLS IN THE WOODS IS ANY BETTER?
LOOK. IF MY DAD HAD DONE THIS...
MAYBE MY SISTER AND I WOULDN'T HAVE TURNED OUT SO SCREWED UP.
SO, YEAH.
LOOK. I'M NOT GOING TO HURT YOU. I'M NOT GOING TO TOUCH YOU.
I NEED YOU IN GOOD CONDITION.
The Hunter: YOU'RE BAIT.
The Hunter: NOW LUCKY FOR YOU. I GOT ENOUGH BLOOD FROM PAUL.
The Hunter: SO I DON'T HAVE TO TOUCH YOURS.
BUT, HE KNOWS WHAT'S IN YOUR VEINS.
HE WANTS IT. AND WHEN HE COMES FOR IT...
I'M GOING TO KILL HIM. [ disturbing music ]
NOW, IF I SUCCEED...
YOU GO BACK TO YOUR NIECE. YOUR AUNT. YOUR UNCLE.
IF I FAIL. HE KILLS YOU, TOO.
WHAT'S IN MY VEINS?
BLOOD. O-NEGATIVE.
WHO WANTS IT?
YOU DON'T WANT TO KNOW.
WOULDN'T BELIEVE ME IF I TOLD YOU.
PROBABLY NOT.
[ footsteps outside ]
WE HAVE COMPANY.
NOW, DON'T MAKE A SOUND OR YOU'LL KILL WHOEVER'S OUT THERE.
GOT IT?
I DON'T NEED ANYMORE BLOOD ON MY HANDS TONIGHT.
DON'T FORCE ME.
[ mysterious music ]
[ mysterious, uptempo music ]
[ mysterious music fades out ]
[ crickets ]
CAN I HELP YOU?
UH... YEAH.
I'M JUST PASSING THROUGH.
I NEED TO CALL THE POLICE. AND AN AMBULANCE FOR MY FRIEND.
WE WERE ATTACKED.
ATTACKED. BY WHO?
I DON'T KNOW.
I HAVE MY PHONE WITH ME. THERE'S RECEPTION...
ABOUT A MILE FROM HERE.
The Hunter: HOW MANY ARE LEFT OUT THERE?
UH, THERE'S THREE PEOPLE. ONE'S HURT REALLY BADLY.
HUH.
THEY'LL PROBABLY BE DEAD BY THE TIME ANYONE GETS BACK TO THEM.
WHAT?
YOU KIDS ARE SO DENSE.
DIDN'T YOU REALIZE YOUR MARKERS WERE MOVED?
The Hunter: WHEN I FIRST SAW YOUR FRIEND LAST NIGHT.
The Hunter: I WAS PISSED.
The Hunter: THEN I REALIZED...
THEY COULD BUY ME SOME TIME.
APPARENTLY THEY DID.
I DON'T UNDERSTAND.
YOU KNOW, WE HAVE A PERMIT.
UM... TO BE OUT HERE. I'LL... I'LL SHOW YOU.
I DON'T CARE ABOUT NO PERMIT.
The Hunter: BUT I AM GOING TO SUGGEST THAT YOU AND YOUR-
[ knife cuts through flesh, Brittany crying in pain ]
The Hunter: THAT WASN'T SMART.
Brittany: GO TO HELL!
Brittany: YOU LED US OUT HERE? TO THAT FREAK?
ONLY THREE MILES FROM WHERE YOUR FRIENDS SET UP.
[ Brittany grunts ]
CLOSE ENOUGH THAT I'VE SEEN HIM THERE TWO OR THREE TIMES.
WHY?
The Hunter: HAD SOME PLACE TO GO.
NEEDED HIM TO STAY BUSY WITH YOU GUYS... TILL I MADE MY MOVE.
WHY US?
The Hunter: WRONG PLACE, WRONG TIME.
NOTHING PERSONAL.
WELL, NOT UNTIL YOU TRIED TO BURN MY FACE OFF.
PUNCHED ME IN THE FACE.
[ Brittany crying ]
The Hunter: DON'T WORRY. I'M NOT GOING TO USE THIS ON YOU.
The Hunter: NOT UNLESS YOU MAKE ME.
BUT THAT FIGHT IN YOU... [ The Hunter smells her ]
IT'S GOT ME EXCITED.
SO I'M GOING TO HAVE TO PENETRATE YOU.
DON'T YOU TOUCH ME YOU... FILTHY...
[ both grunting ]
[ gun cocks ]
[ gunshot ]
[ melancholy music ]
[ HIGH-PITCHED, INHUMAN SCREAM ]
[ unsettling music ]
[ DISTANT, HIGH-PITCHED SCREAM ]
WHAT'S WRONG, JESS? QUIET.
[ high pitched shriek ]
TAKE IT EASY, BOTH OF YOU.
WHAT DO YOU MEAN, TAKE IT EASY? WHAT THE HELL IS THAT?
I'M NOT SURE. IT WOKE ME UP LIKE TEN MINUTES AGO.
Nate: IT WAS FURTHER AWAY THEN. I WAS HOPING IT WOULD JUST PASS US.
IT SOUNDS LIKE SOMEONE SCREAMING. WHAT IF IT'S PETER...
IT'S NOT HUMAN. IT SOUNDS LIKE A MOUNTAIN LION.
MOUNTAIN LION?
YEAH.
THERE AREN'T ANY MOUNTAIN LIONS AROUND HERE.
THAT'S WHY I SAID, 'SOUNDS LIKE'.
[ high-pitched scream ]
THIS HAS BEEN GOING ON FOR TEN MINUTES AND YOU DIDN'T WAKE ME UP.
WOULDN'T HAVE MADE A DIFFERENCE.
Nate: EXCEPT NOW, YOU'RE JUST UP WORRYING ABOUT IT.
JUST BE QUIET. WHATEVER IT IS - HOPEFULLY, IT'LL JUST PASS US.
[ high-pitched wail getting closer ]
[ high-pitched roar ]
[ low growl ]
CAN YOU HANDLE IT?
YEAH, GIVE ME IT.
NATE.
[ tent unzips ]
[ branches break, something hisses ]
[ Nate screams ]
[ both scream ]
NATE?
DON'T!
I HAVE TO DO SOMETHING.
[ disturbing, menacing music ]
[ punches through flesh and bone ]
[ wet, squishing sounds ]
[ wet, cracking sounds ]
WHAT DID YOU SEE?
WHAT DID YOU SEE?
[ footsteps ]
GO AWAY OR I'LL SHOOT!
Ghoul: WHAT MAKES YOU THINK THAT GUN IS GOING TO WORK?
JESSICA.
[ distant gunshot ]
Ghoul: I ONLY WANT... ONE OF YOU.
YOU DECIDE WHICH BEFORE I GET BACK.
OR YOU BOTH DIE.
[ disturbing music ]
[ heavy, emotional music ]
[ tape stretching ]
YOU WANT ME TO SET IT?
YOU KNOW HOW?
BEFORE I BECAME A JERK IN HIGH SCHOOL I WAS A GIRL SCOUT.
Brittany: ONE OF MY LEADERS THOUGHT SHE WAS LARA CROFT.
I'VE LEARNED A THING OR TWO ABOUT INJURIES.
I'M GOING TO COUNT TO THREE. OKAY?
OKAY.
ONE...
[ Aya screams ]
[ Aya breathing heavy ]
[ tender emotional music ]
I THOUGHT YOU LOOKED FAMILIAR.
BRITTANY, RIGHT?
YEAH. HOW'D YOU REMEMBER?
I WAS TOLD TO PRAY FOR MY ENEMIES. SO...
I USED IT. A LOT.
AND WHAT DO I CALL YOU?
BESIDES 'HOMESCHOOL'?
AYA.
FRESH START.
YEAH.
Brittany: NICE TO MEET YOU.
Aya: MAYBE WE CAN SIGN EACH OTHER'S YEARBOOKS WHEN WE GET OUT OF HERE.
WE SHOULD GET A SLING ON THAT. IT WAS REALLY BAD.
Aya: WHO ELSE WAS CAMPING WITH YOU?
UH... JESSICA. AJ. PETER AND NATE.
SOMETHING HAPPENED TO PETER AND... NATE'S HURT REALLY BAD.
I CAME OUT HERE TO GET A SIGNAL. TO CALL FOR HELP.
I'M GOING TO HEAD DOWN TO YOUR SITE.
WHAT? WHY?
THAT'S WHERE THAT JERK WAS HEADED.
I'M NOT SURE WHAT YOUR FRIENDS ARE UP AGAINST, BUT...
SOMETHING TELLS ME THEY WON'T MAKE IT UNTIL HELP GETS HERE.
'UNFORTUNATELY, THE STATE IS DENYING AN APPEAL.
IT'S CLEAR THERE WAS AN UNIDENTIFIED PARTY INVOLVED-
-REGARDLESS OF HOW PASSIVE HIS ROLE MIGHT'VE BEEN.
HOWEVER, THAT WON'T CHANGE THE ACTIONS YOUR SISTER TOOK.
ALSO, THE SHERIFF'S DEPARTMENT AND COUNTY REALLY JUST WANT TO -
-PUT THIS ENTIRE MATTER BEHIND THEM.
THEY RECEIVED A COPY OF THE FOOTAGE I PROVIDED YOU WITH,
BUT MADE IT CLEAR IT WOULDN'T BE ADMISSIBLE IN COURT BECAUSE OF
THE MANNER IN WHICH IT WAS OBTAINED.
I'LL KEEP PUSHING BUT I DON'T THINK IT'S GOING TO MATTER.
I'D RECOMMEND IN THE MEANTIME THAT YOU STAY IN TOUCH WITH YOUR SISTER.
SHE'LL NEED YOUR FAMILIAR FACE TO HELP HER THROUGH HER RECOVERY.'
SHE WAS IN A VIDEO I FOUND HERE EARLIER.
MINA.
SHE'S HIS SISTER?
LOOKS LIKE IT.
Brittany: I THINK HE'S GOING AFTER THE MAN THEY WERE REFERENCING HERE.
I THINK HE'S THE ONE WHO ATTACKED US.
I'M GOING TO GO.
I'M COMING WITH YOU. NO.
YOU SHOULD GO CALL THE POLICE.
THE SOONER WE GET HELP HERE THE BETTER.
AND I CAN HANDLE MYSELF.
I'M NOT LETTING YOU GO OUT THERE ALONE WITH YOUR SHOULDER MESSED UP.
PERIOD.
SO, WHERE'D YOU LEARN HOW TO HANDLE A GUN SO WELL?
THAT WHAT THEY TEACH YOU AT HOME SCHOOL?
MY MOM WAS IN THE ARMY, SO... KIND OF.
[ wet splashing noise ]
[ eerie music, fire crackling ]
[ Brittany struggling ]
BRITTANY.
Brittany: PETER.
WHAT'RE YOU DOING HERE?
WHAT HAPPENED TO YOU? WHERE ARE THE OTHERS?
NATE'S DEAD.
THE OTHERS... I DON'T KNOW WHERE THEY ARE.
Peter: HE DRAGGED ME BACK HERE.
Peter: I THINK I LOST A LOT OF BLOOD.
Peter: I DON'T HAVE LONG.
HE WAS DRINKING MY BLOOD. RIGHT IN FRONT OF ME.
WE NEED TO GO. RIGHT NOW.
BRITTANY, YOUR FRIENDS NEED US.
I CAN'T JUST LEAVE HIM LIKE THIS.
LOOK, I'M SORRY BUT HE DOESN'T HAVE LONG.
YOUR FRIENDS ARE STILL ALIVE. FOR NOW.
I'M NOT LEAVING. HELP ME WITH HIM.
GO WITH HER.
Peter: PLEASE. FIND THE OTHERS.
Peter: DON'T WASTE TIME WITH ME.
NO, IT'S NOT A WASTE.
DID YOU CALL FOR HELP, ALREADY?
NO, I...
I RAN INTO HER AND WE CAME BACK HERE TO FIND YOU AND THE OTHERS.
THERE'S A HUNTER OUT HERE. HE'S... DANGEROUS.
[ eerie music ]
YOU CAN'T STOP THE BLEEDING.
IT'S ALL OVER.
[ Brittany struggling ]
[ tense music ]
[ intense music ]
[ bear trap snaps into place ]
[ bear trap snapped off ]
Aya: LEAVE HER ALONE!
[ gun cocks, gunshot ]
[ body hits ground ]
[ mysterious music ]
[ cocks gun ]
LET'S FIND THE OTHERS.
WE'LL NEED THE BULLETS.
[ mysterious, uptempo music ]
OKAY.
[ mysterious music fades out ]
[ eerie music ]
WE FOLLOW THE BLOOD.
[ quiet, tense music ]
[ mystical, creepy music ]
Aya: IF HE'S USING THEM AS BAIT HE HAS TO BE WATCHING FROM SOMEWHERE.
Aya: WE CAN'T JUST RUN OUT INTO THE OPEN.
[ tense guitar music ] SO, WHAT DO WE DO?
DO YOU HAVE ANY IDEA HOW TO USE A GUN?
NO. WHY?
I COULD RUN OUT THERE. GET HIS ATTENTION.
IF HE MAKES A MOVE ON ME, YOU'LL KNOW WHERE HE'S HIDING.
THEY HAD A GUN, WHICH MEANS HE HAS IT NOW.
IF YOU GO OUT THERE HE COULD SHOOT YOU BEFORE I SEE HIM COMING.
I KNOW.
KEEP THE GUN.
I'D PROBABLY JUST END UP SHOOTING YOU.
FAIR ENOUGH.
WATCH MY BACK. IF YOU SEE ANYTHING, SHOUT TO ME.
THANK YOU.
[ gun clicks ]
WHAT'RE YOU DOING HERE?
I'M WITH BRITTANY. WE'RE GOING TO GET YOU OUT OF HERE.
BRITTANY'S OKAY?
THANK GOD.
WE WERE AT OUR CAMP, AND THIS GUY SHOWED UP.
AJ: HE DESCRIBED BRITTANY. AND SAID THAT SHE HAD GONE LOOKING FOR HELP.
AFTER THEY GOT ATTACKED.
HE DIDN'T KNOW WHAT HAPPENED TO HER, BUT...
HE HAD A PLACE WITH A RADIO WHERE WE COULD CALL FOR HELP.
WE FOLLOWED HIM BACK HERE BUT HE TOOK OUR GUN.
AND TIED US UP.
DO YOU KNOW WHERE HE IS, NOW?
HE WENT OFF THAT WAY.
[ flashlight hits the floor ]
DROP THE GUN OR I SHOOT.
SCREW YOU.
I'LL DO IT. DON'T PUT IT DOWN, AYA.
HE'S JUST GOING TO KILL ALL OF US, ANYWAY.
I DON'T CARE ABOUT THOSE OTHER GIRLS, THIS IS ALL YOUR FAULT.
The Hunter: YOU ESCAPED SO THEY TOOK YOUR PLACE.
NOW, GIVE YOURSELF UP. I'LL LET THEM GO.
YOU'LL LET US GO TO CALL THE COPS?
BY THE TIME THE COPS GET HERE-
I'LL HAVE ALREADY DONE MY JOB AND I DON'T CARE WHAT HAPPENS TO ME.
The Hunter: AS LONG AS THAT THING IS DEAD.
Brittany: DON'T LISTEN TO HIM, AYA. IF YOU HAVE A CLEAN SHOT TAKE IT.
SHUT UP! [ hits her ]
DON'T MAKE ME DO THIS.
YOU WILLING TO PUT A HOLE IN THIS PRETTY LITTLE THING JUST TO GET TO ME?
The Hunter: IF NOT. PUT THE GUN DOWN.
COME ON, YOU'RE WASTING TIME. DON'T MAKE ME COUNT DOWN.
OKAY.
OKAY.
AYA, DON'T.
SMART GIRL. NOW KICK IT TO ME.
[ gun slides on floor ]
[ The Hunter cries out ]
[ Head bounces off floor ]
NO!
The Hunter: DROP IT... OR I'LL...
[ both grunting ]
[ suspenseful music ]
[ liquid dripping on floor ]
[ AJ and Jessica scream ]
[ neck stabbed ]
[ eerie piano music ]
[ Ghoul growls ]
[ eerie piano music fades out ]
GET THE HELL OUT OF HERE.
[ intense, scary music ]
[ gunshot Ghoul grunts ]
Aya: IT'S ME YOU WANT, RIGHT?
[ gun jams ]
[ stall door slams hard ]
[ suspenseful music ]
[ footsteps ]
[ birds' wings fluttering ]
[ suspenseful buildup music ]
[ shovel hits skull ]
[ energetic, intense music ]
[ loud, demonic roar ]
[ mysterious, uptempo music ]
[ Aya grunts, Ghoul snarls ]
[ terrifying music ]
Jessica: STOP!
[ gun cocks, gunshot ]
[ Ghoul growls, Jessica shrieks ]
[ stabbing sound ]
[ Ghoul breathing heavy ]
[ Ghoul snarls ]
[ pistol hitting wooden stake ]
[ dramatic music ]
[ emotional music ]
AJ: AYA. IT'S DEAD.
AJ: IT'S DEAD.
HE... THE HUNTER HAD THE STAKE.
Jessica: I SAW HIM WITH IT EARLIER.
FIGURED HE PLANNED ON USING IT ON HIM.
I TOLD YOU TO LEAVE.
YOU SAVED US. WE WEREN'T JUST GOING TO RUN.
AJ: THERE'S A RADIO IN ONE OF THE OTHER ROOMS.
WE HEARD HIM LISTENING TO IT, EARLIER.
SOME OF THE RANGERS NEARBY HEARD ALL OF THE GUNSHOTS-
BUT DIDN'T KNOW WHERE IT WAS COMING FROM.
WE COULD TRY IT.
I HAVE NO IDEA HOW TO USE IT, THOUGH.
I DO.
Aya: LET'S GO.
HEY.
Miriam: I'M SORRY. I LOST CONTACT WITH HIM ALMOST A YEAR AGO.
Miriam: I KNEW HE WAS TAKING THINGS PRETTY HARD, BUT I DIDN'T...
EXPECT THEM TO GO DOWN LIKE THIS.
I KNEW IT WOULD.
HIS WHOLE LIFE HE WAS TRYING TO PROTECT ME, AND...
THIS WAS ONE CASE WHERE HE COULDN'T.
I DIDN'T THINK HE'D RECOVER FROM THAT.
THE COPS ARE RUNNING WITH THE STORY THAT HE DID EVERYTHING HIMSELF.
EITHER TO PROVE THAT THE OTHER PERSON DID EXIST, OR THAT...
HE WAS IN ON IT. ALL ALONG.
OF COURSE. THAT'S THE EASIER STORY TO RUN WITH.
NO LOOSE ENDS. AND IT DOESN'T SOUND INSANE.
YEAH, UNLESS YOU KNOW THE DETAILS.
THE GIRLS WHO SURVIVED.
DID THEY SAY THERE WAS ONLY ONE PERSON OUT THERE?
OF COURSE NOT.
THE POLICE DIDN'T WANT IT GETTING OUT BUT THEIR INITIAL STATEMENTS
INCLUDED A MAN WITH SCALY SKIN AND SHARP TEETH.
HOW DID THEY DISCOUNT THE STORY?
Miriam: TWO OF THE GIRLS WERE MINORS AT THE TIME AND...
Miriam: THEY'D BEEN THROUGH QUITE AN ORDEAL.
SO, THE POLICE ARE ATTRIBUTING THEIR STORY TO A SORT OF GROUP HYSTERIA.
BROUGHT ON BY CALEB'S BELIEFS.
AND THEY'D BEEN PROTECTED FROM THE MEDIA, SO...
THESE INITIAL STATEMENTS AREN'T WELL KNOWN.
MY BROTHER...
THE GIRLS KILL HIM IN SELF DEFENSE? YES.
BUT... WHAT?
THEIR...
DESCRIPTION OF THE EVENTS WAS CORROBORATED BY PHYSICAL EVIDENCE.
EXCEPT... IT'S KIND OF GRUESOME.
Miriam: I DON'T KNOW IF I-
WHEN THEY FOUND HIM THE SKIN FROM HIS FACE AND NECK WAS GONE.
ALONG WITH MOST OF HIS BLOOD.
Miriam: JUST LIKE HURAM.
AND THEY'RE SAYING HE DID IT TO HIMSELF.
AS PART OF THE WHOLE RITUAL.
AND JUST LIKE HURAM, HE'S GOING TO GET AWAY WITH IT.
AND MOST PEOPLE WILL NEVER KNOW.
WHAT CAN WE DO?
I DON'T KNOW.
I'VE STOPPED TELLING PEOPLE THE REAL STORY BECAUSE EVERY TIME I DO
THEY JUST PUT ME ON MORE MEDICATION.
HE TRICKED ALL OF US.
HE USED US.
AND THEN WHEN HE GOT WHAT HE WANTED HE JUST MOVED ON.
I HAVE TO RUN TO THE STORE.
DO YOU WANT TO COME?
[ doorbell rings ]
Aya: I ALREADY MADE MY LAST DELIVERY AND...
Aya: THIS WASN'T TOO FAR OUT OF MY WAY, SO...
I FIGURED I'D STOP HERE.
YOU'RE GOING TO LET ME GIVE YOU SOMETHING FOR THE PIZZA.
YOU DON'T HAVE TO DO THAT.
AJ: I SHOULD.
ONCE THINGS GOT SETTLED I... WANTED TO TAKE YOU OUT FOR DINNER.
AJ: OR SOMETHING. IT'S THE LEAST WE COULD DO.
IT'S JUST BEEN SO INSANE LATELY.
THE COPS ARE OVER EVERY OTHER DAY. DETECTIVES, REPORTERS...
I GET IT.
YOU DON'T HAVE TO WORRY ABOUT IT.
WHEN YOU'RE READY, YOU KNOW HOW TO REACH ME.
I'M AROUND.
YOU SERIOUSLY STILL DELIVER PIZZAS.
SERIOUSLY?
EVEN STARTED THE NIGHT SHIFT THIS WEEK, TOO.
YOU GOING TO COME EAT?
I USED TO MAKE FUN OF HER ALL THE TIME FOR BEING A GIRL SCOUT.
BUT...
WHEN SHE HELPED ME BRAVE THE OUTDOORS I TOLD HER I'D...
BUY ALL OF HER COOKIES WHEN WE... WHEN WE GOT HOME.
IT'S KIND OF SILLY BUT, NOW I BUY THEM WHENEVER I CAN.
I DON'T THINK IT'S SILLY.
REMEMBER HER ANY WAY THAT YOU CAN.
SHE SAVED ALL OUR LIVES THAT NIGHT.
YOU SAVED ALL OF OUR LIVES.
YOU WERE BROUGHT OUT THERE AND YOU COULD'VE RAN BUT YOU CAME TO HELP US.
I BELIEVE EVERYTHING HAPPENS FOR A REASON.
I DIDN'T KNOW WHAT WAS GOING ON AT FIRST, BUT...
I FIGURED IT OUT. [ emotional music ]
Aya: IF CALEB HADN'T CAUGHT ME I WOULD'VE NEVER KNOWN ABOUT YOU.
Aya: AND I WOULDN'T HAVE BEEN THERE TO HELP.
SO, IT WAS WORTH IT.
I'D DO IT ALL OVER AGAIN.
THANK YOU.
[ melancholic music ]
[ stay tuned for post credits scene ]
[ CLOSED CAPTIONS PROVIDED BY: SHADY DAWN PICTURES ]
[ sinister music fades in ]
Torrie: WHY SHOULD I HELP YOU? WHY SHOULD I EVEN BELIEVE YOU?
Bailey: YOU DON'T HAVE TO.
YOU CAN WALK AWAY AND FORGET ABOUT EVERYTHING.
Bailey: OR, YOU CAN BE PART OF SOMETHING BIGGER.
SOMETHING THAT'LL CHANGE EVERYTHING.
HOW MUCH ARE YOU GOING TO NEED?
A PINT. MAYBE LESS.
AND YOU'LL HAVE TO DO IT YOURSELF. IT HAS TO BE AN OFFERING.
AND AFTERWARD?
EVERYTHING I PROMISED. AND MORE.
THE MONEY WON'T EVEN COMPARE.
[ wooden door creaks open ]
[ fire crackling ]
[ sheet snatched off ]
[ scary, menacing music ]