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Murder in the Dark (2013)
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[music playing] [shutter clicking] [panting] No. No. No, no, no! [blood gushing] [scream] [music playing] [shutter clicking] Why would anybody walk up here? Let me just see if that guy speaks English. Wait, no, no. Can we-- no, please, Steve. I'm just gonna ask him if he knows where we're going. - No, no, no. - Please. Over here. Matthew, what are we doing here? I'm just getting directions. [speaking turkish] Uh, do you speak English? Do you speak English? Yes, yes. Yes, hi. Hi, hi. I'm Matthew. Kevin. Listen, we're trying to find a ruin, but we've been looking for hours. Celsus? I don't even know what it's called. I just know that it's a big ruin with a tower and a whole lot of cave things. Yeah, yeah, that's Celsus. Yeah, that's where I'm going. Look, as far as I know, it's maybe an hour's drive this way. There's one turn up past a farm. Give him a ride. Well, OK. Wanna jump up? Yeah, absolutely. Thank you. Is that OK with you? Yeah, it's fine. Everybody fine? Yeah. We don't usually pick up hitchhikers in Turkey, but you speak English. Hey, Kevin, what's up? Ajay. This is Luca. This is my sister, Lily. Hi, Kevin. I'm Lily. I'm Taylor. Taylor, hi. Well, we've been looking for this place for hours, so if you can help us find it, that would be helpful. Might be an hour's drive in this direction. There's a farm with a wagon without the front, and a sign that starts with-- --5 weeks innoculating polio vaccinations and the like in Turkey. So yeah, it's pretty good. Yeah, it looks like you keep going on the road. OK, cool. Oh my god. Look at that, guys. Hey, Matthew, nice job. [cheering] - Matthew! - Matthew! Hey, look what I see. Matthew. Wow. We found it. Oh. Wow. Wow. It's beautiful. You guys up for camping here? Tayor, do you want to borrow this? Someone at the front. Oh, I don't-- it's so fancy. I don't know. Just take it, point and shoot. [shutter click] Wow. Now that was worth a six-hour drive. Wow. It's gorgeous. You said that you hadn't seen it, right? Look at this place. Ready? I know, it's amazing. Come on, guys. You got the keys? Yeah. Yeah, I tried to ask that. 'Cause there's no one here, but I don't know why. And then they split, exactly. Ajay. What? Did you hear anything about where these people all went? [shutter click] Wow. Look how quick nature takes over and starts reclaiming. Yeah. This is the perfect place. We should camp here. I know. I'm going to put this down. This is amazing. It feels like it's been abandoned for 1,000 years. This place is so old. 7th century. How come you never say you love me? You scared? You know how I feel. Come on. [shouting] What's that crazy Aussie yelling about? This is awesome. Not everyone can hide their emotions like you, Rambo. Oh, Rambo? Yeah, he's the military guy in the moves. [laugh] Yeah, I know who Rambo is. Hey, check this out. What is that? Oh, don't pick that up. That's nasty. You know, maybe it still works. It won't turn on. It's like, completely destroyed. How do you open it? It's not going to work. This is an adventure. Play along. Come on. We still need to find a place to sleep. [shutter clicking] That's a good look. You're beautiful. No, I'm not. Why so many? Stop. It's a fashion shoot, come on. Come on. A fashion shoot? Give me sultry eyes. [shutter clicking] [laugh] You're not really as bashful as you pretend. Come on, come on. Look into the camera. Look into the camera. That's it. You're a tiger. Ah, lovely, lovely. That's it. Show me, rockstar. That's it. Swing your hair. Nice. I don't know about that. OK, that's good. Swing around. I need to get in this too. [shutter click] Beautiful. Wow. Hey. Hey, Matthew. Look at these photos. That's great. All right. - Should we get going? - Let's head back. Sweetie, why don't you go ahead for a minute? We're going to be right behind you. Kevin. It's fine. I'm right behind you. Any plans after Turkey? Going back to France. I'm going to check out, and I'll check to find-- You OK? Yeah, totally fine. What? Whoo! [echoing] [speaking french] You're wearing your bracelet. Of course. [speaking french] I love when you speak French to me. I'm still deciding. What do you think? It all depends. Do you want to help people, or do you want to change the world? Can I do both? It's hard to save the world treating one person at a time. That's why I chose research. I'm too impatient for research. So many restrictions. A free spirit, huh? I like that. It gets me into trouble sometimes. OK, then you should definitely get into research. We could use a few troublemakers. Hold on. A souvenir from Turkey. Thank you. Yeah? I would prefer if you could just maybe give her some space. She's kind of naive, and you're very charming. Hey, hey, Matt-- Matthew, we were taking some photos, all right? Yeah, yeah. No, I know that. I was young once myself, wish I still was. But you know, we got a Dane here. We got a Chilean here. We got an Indian. You got a smorgasbord of gals here, so I guess what I would hope is that you can just sort of focus on the gals that are a little older and just kind of leave her to me. Sure, Matthew. Yeah, look-- - OK, cool. I don't-- yeah. I appreciate you guys giving me the lift up here. Yeah, and I don't want it to be awkward. Yeah, great. - OK, good deal. - OK. And I don't think we need to say anything to her about this, just, you know-- just leave it be. No, no, not at all. - Cool. - Cool. - All right. - Let's leave. All right. Don't you think your dad will want you to stay with him? Ew, no. He's so embarrassing. Oh, he's just being dad. Welcome to the palace. Are you sure it's safe? We have snacks, yeah? You got the Pringles, right? Did you guys hear that? Can you eat those? KEVIN: Taylor. I thought I heard something sort of Australian. Taylor. What are you doing? Lady Taylor, as the fairest maiden in all of Celsus, I would be honored if you would accompany me to check out possibly the coolest view in the entire world. What about my dad? Look, your dad, he's telling some amazing stories, reminding everyone what a great doctor he is. We have half an hour at the least. Come on, seriously. You don't want to miss this. OK. Yeah? Yeah. I'll be right there. I shall eagerly await your return. You're full of it. Where are you taking me? So your dad seems pretty intense. Yeah, he can be. Just a little higher. This is it. What a view, huh? Wanna see the roof? I don't wanna go back. You don't have to. I don't know. Sorry, my hands are cold. Yeah, mine too. MATTHEW: Kevin! Yeah, they're right there. MATTHEW: Kevin! Kevin! Matthew. You guys should see the view from up here. It's great. You guys coming down? Yeah. But do you have enough self-control to layoff my daughter? I just-- I'm not used to having somebody just tell me something straight to my face. We all know that she's a grownup. She's an adult. Hey, Taylor, let's go. Taylor, now! I don't wanna talk, Ajay. Let's just enjoy it. We're here, let's just have a good time. I want you to-- No, no. Lily, this is totally different. I know, I know, those times, I flaked out. But I'm working on some stuff right now. I want you to work with me. This would be great for you. It'd be great. It's what I've always wanted to do. But, Ajay-- [speaking foreign language] OK. Kill you. - OK. - I will kill you. OK. And you're on your own with the girl. I'm not helping with that. I can't do a thing. [crickets chirping] [chatting] How do you say "that was fantastic" in French? C'etait fantastique. What about in Spanish? Fantastico. Fantastico. In Danish? Det er fantastisk. Det er fantastisco. I could it-- I could do it-- What is it? (INDIAN ACCENT) That is fantastic. No, that's not it! That's not it! Oh my god. That's so offensive. That's so racist. You're such a racist. I'm not, I'm not. Well, we can play a game. Yeah. What do you want to play? That's a good idea. It's called Murder in the Dark. That's so fun. So for those who haven't played before. one person is going to be the killer, and we all walk around in the dark shaking hands. And then the killer marks his victims by pressing a finger into the palm of the hand. And the point of the game is to figure out who the killer is before he can kill you. And if I'm the killer, you should know that I'm very good, and you're all going to die. No, that's not it. OK, sorry. Let's do this. 3, 4. And if you have the black cross, then you're the killer. OK, we can go everywhere. You ready? All right, go. [scream] [laughter] Turn on the lights. Turn on the lights. There has been a murder. Which one of you bastards killed me, huh? It was you. It must've been somebody over there. Maybe we should do a second run right away. Yeah. 'Cause we just were-- OK, let's do it again. So let's just go back again. Another round. Lights off, lights off. Turn off the lights. Hey, lights off. [gagging] Have we learned nothing? Who killed Lily? [laughter] All right. My condolences. It has to be Matthew. No. What? Look at his position. Wait, you were there too. No, hold on, hold on. You were right there. No, she died right here. [chatting] First guy to talk. Yeah, first guy to talk, so sure. OK, everyone who thinks Solo is the murderer, raise your hands. Uh-- I'm sorry. I am not the killer. Oh. Told you. Oh, well. OK, next round begins now. Lights off. Hey, everybody, pay closer attention. We don't wanna lynch another innocent person. Hey, let's get outta here. Lights off, lights off. Sorry, Solo. [rocks clattering] Oof, sorry. Sorry. [groaning] Sorry. Somebody's dying. [gasp] Lights on, lights on. [groaning] [laughter] Well, that only leaves five of us. Taylor? Where were you guys? We were playing. Kevin, where were you? I haven't seen you. How obvious to judge the hitchhiker, really? It's so easy. So? Why is it not the hitchhiker? I think it's the person next to the hitchhiker. She's being very quiet. Oh, I can tell. That is pure guilt. I don't know. Look at your face. You look so guilty. You look so guilty. You both look guilty. I didn't do it. Oh, that's a guilty look. That, I can vouch for. Yeah. - Who's gonna vote for Taylor? - OK, OK. My votes up. So did you do it? I can bank on it. Sorry, sweetie. Was it you? Oh my god, it was. Nope. [gasp] Sorry. Luca, we play again? Not many left. I'm gonna pay for that one. [scream] [gasp] Oh! Oh my god. Very interesting. This is weird. Oh my god. Ajay, we've won, because it ain't me, and I think it's you. It's not me. Why is it not you? You would know if it was me because I start laughing, and I start, like, not-- I can't say. Look, it's not me. That's pretty convincing. My flashlight's not working at all. OK, so how about you? Is it you? Look at me right in the face. Wait a minute, OK, do it too. Get the light. Did you kill him? Today? No. It's not me. Was it you? No. Was it you? It's Matthew. It's not Matthew. Why would it be Matthew? I'm not a murderer. It's not in my blood. If they gave me the little piece of paper, I would've refused it, that's how much I'm not a murderer. Oh. I would've just-- the game would've gone to pot. I'm a family guy. Family guys don't kill, OK? Come on. How about you? Did you kill your sister? You think I'd kill my sister? I don't know. She died. If you're the killer, you killed her. She did die very early on. And you killed her quick. Never. She's the reason I'm here. Aww. OK, I buy that. Actually, I buy that. I don't think you'd kill your sister. Second, anyway. So that leaves you. I wish it was me, that would be more fun. But I didn't get it. Go on. I didn't get the [non-english]. I can't-- She's playing the cute card on us. But she is cute. I know, but she's playing the card. Don't be fooled by it. No, I told you, I'm not a killer. You got the little piece of paper. No, if I got the piece of paper, I'd have thrown it away. I would have. You wanna do it? - You wouldn't. - I would have. You wanna do it? Let's do it. Uno. Ajay, is it you? Dos. - 'Cause if it's not you, it's her. - Tres. It's Matthew! OK, I'm dead. So did you do it? No. What? No, who was-- ah! [laughter] I told you. [wails] I told you. It's so unfair. [guitar playing] [singing] Simone. Come here. I love you. I do. You do? I love you so much. There's something that I need to tell you. I mean, whose do you think this was, you guys? I wanna see what's in it, man. Do you think there's any way we can get this working? Wait, is there something like, in it? Yeah, check inside. Like batteries? Wait, wait, wait. Like here. Yeah, look. Look at you. Do you have a camera? Do you have something to put that in? Yeah, that's what I'm doing. Meanwhile, I will snap that photo of you. I wanna see. Aww, she's cute. That's so weird that they left it here. She's really cute. She's cute. Aww. So pretty. I wonder how long ago they were here. That's beautiful. I don't know where that is. Oh my god. She looks really scared. It's weird, no? Yeah, it is a little weird. Oh my god, do you see that? What? What? Look. Look, that's like-- there's a person behind her. Are you serious? That is scary. Woo. OK, no, seriously, look at this. Stop trying to scare me. I don't want to look at this anymore. Let's turn it off, and we'll go to bed. Jeez. SOLO: I never said that! [shouting] SIMONE: Say that to my face! SOLO: Shut up, you stupid bitch! SIMONE: Stop that! SOLO: What are you doing? SIMONE: I don't want it! I came-- I came all the way down here. I came all the way, and you don't care. SOLO: For what? What are you talking about, I don't care? SIMONE: Because I wanted to see you, you asshole! SOLO: What? Me? I'm an asshole? You're the one that's going to other people. SIMONE: Get away from me. SOLO: How is this my fault? SIMONE: I don't wanna talk with you. I don't wanna see you again. SOLO (SARCASTICALLY): This is my fault, yes, this is my fault. [scream] Help me, somebody, please! Help! Jess! Help me! Jessica! No! Simone. Simone. Don't touch her! Last night, you saw her? Last night, they were both really upset. They were arguing. Ajay, I'm gonna get the car. I'll pull it up, and we need to pack. Why don't you get everybody's things together? I'm gonna go with Matthew. You guys go too. I'll see you down there. Ajay, get everything together. Matthew, wait. [thunder rumbling] Maybe she tripped. That did not look like an accident to me. I didn't see the-- That did not look accidental. How the hell was she draped over-- Don't you think it's a little strange that this happened? Yes, I think it's a little strange. Even if something did happen, right now, we want everyone to think that was an accident. I don't need you to be patronizing. OK, well, I'm sorry. I don't need you to be patronizing. We should take her down. Leave us alone. [sobbing] Solo, man, we gotta go. Hey, hey. Man, we gotta go. They're bringing up the car. We'll get you inside, get you dry. We'll get some help. We'll bring someone back here. We gotta get outta here, OK? I got her. [grunting] [thunder] [engine turning over] Let's see. Maybe it's this thing. Just give me a minute here. You're joking. No, no, no. Just stop it. What I need you to do is open the glove box and see if there's an owner's manual. Do you need a hand? Need a hand? I got it. Watch her. I'll be right back. I'll get my stuff. OK, press on it. [engine turning over] Lilly. Come here. Listen to me. I need you to go up there, tell them I can't get the car started. I don't know whether it's broken. I don't know what's wrong with it. Listen to me, maybe by the time you get back here, it's working. Let me just work on it, but we cannot waste time. They're expecting us back there. Do you know anything about cars, Matthew? I know enough. Go. [shutter click] Why are you still here? I thought you wanted me to wait here till you got back. I'll go to the van, OK? You OK to wait here while we pull the van up? I'll be fine. It's-- it's not even turning over. It's not even making the click sound. We may have to just walk out of here, but that's a long ass walk. I can't get the car started, Ajay. Where's Lily? I sent her up to-- I just sent her up. She's up. Did you-- she told you to come here? No, I didn't see her. I don't think I even saw one car the whole way up here. Why aren't you guys at the van? Kevin. Why aren't you at the van? Where's Lilly? Where's Lily? Lily? Lily went with you. Matthew, you said Lily went up here. I sent Lily up to get you. Let's get in the van, let's get the hell outta here, OK? The van doesn't run. We gotta all get-- What do you mean the van doesn't run? The van won't start. Do you know anything about cars? Not very much. What's wrong with it? It won't start. We need to all get together and decide what to do. In the hall, for a moment-- I can hike it, I'll get some help. It'll take me about a day. I can find a farm. I'll find someone and come back. But I don't think you should go. We don't have a car. We need a car. I should be back here by tonight. I think that's a great idea. All right, all right. All right. Taylor, let's go. Matthew, can I just have a second with Taylor? I just want to say goodbye, OK? Say goodbye. Can I have a second, please, Dad? Really? Taylor. Really. You got 30 seconds. I'm right around the corner. Do you really have to go? I want you to come with me. What? We have to get outta here, OK? Go get some help for the others, but we have to get outta here. Please don't go. Taylor, I don't trust these people, OK? But my dad's here. I-- Come with me now. I can't go with you. Please don't go. Look, if you're going to stay here, you be safe, OK? Don't trust anyone, not even your dad, OK? I want you to hold onto my camera for now. Hey, I promise I'll be back. OK. OK. Please come back. Please don't leave me. MATTHEW: Taylor. I didn't see her until I was already up there. She did not fall-- I didn't hear-- You weren't listening to music or anything. I didn't hear anything. I didn't hear anything. OK, let's keep moving. Let's take a look from up there. She should have been right here. So maybe she fell down, you know? Maybe she fell down. Jess! You guys! Oh my god! Oh my god! Hey, hey, hey. What's going on? What's going on? I just saw-- I saw a man in a mask! What's going on? Talk to me. He was looking at me! Shh. I thought everybody was gone. Don't look at it. Just keep going. Oh. [muttering] What is that? It's probably just from an animal or something, OK? Here. Go. Yeah. We're just gonna find everybody, and we're gonna go. Don't look at that. [screaming] Oh, god. Is she dead? Oh, man. [shouting] [sobbing] Lily. Lily. Lily. Help me get her down. Help-- help me get her down. This was no accident. We should take her to where Simone is. Lay her down gently. Lily was-- She didn't want to tell you. There's a-- What? Wait, Kevin took a-- There's a gash on her side. He took a picture of Simone? Go check her body. I was in there for two hours. I did not see a single thing. Oh, Lord. How could we not have seen this? 'Cause we weren't looking. But why would they-- who would do this? Organ harvesting. It's for the black market. What the hell. Luca. Come here. What? Matthew, he's-- Matthew's what? I don't trust him. I didn't know that he was taking a picture. Ajay, that is a sophisticated surgical procedure in there. That is no hack job. Somebody knows what they're doing. It's a little strange that all of us are doctors, or-- or you are a surgeon, and now, all of a sudden, this is happening? There's obviously someone else here because none of us did that. Well, whoever strung Lily up is absolutely nuts. Maybe it was Kevin. That's probably it. He was so anxious to go and get help. It's not him. He was going to get help. Oh, I don't know about that. He came-- After I left him, I saw this thing. It was right after. What did you see? It was a person with a mask on their face. This place is so big, there could be anyone anywhere. She's got a really vivid imagination. It's Kevin. It's not him. I think it's one of us. What? No, she's just afraid. Taylor, don't talk like that. Why do you think that? Kevin's gone to get help. He's gonna be back. If he gets a ride, it could be in the morning, who knows. What if it is one of us? Oh, gosh. Look, we should all like, take out our pockets and show what we have in our pockets. That's what I think. Because I actually think, most likely, it is one of us. Luca, we don't wanna start turning this on ourselves, OK? No, but-- - There's somebody out here. - We need to find them. But you know what? I'd like to be able to sleep tonight. OK. And I'd like to feel safe. So I'm gonna make sure it's none of us. OK? I don't have to do this. We're all going to do it, OK? OK. Why am I going first? Because you are a surgeon. All of us have medical training, Jessica. It doesn't make us killers, of course not. And you're the last person we saw with Lily. Oh, Ajay, listen. Down at the car. I was, and I sent her up here. Ajay, I make 600 grand a year at home, OK? I got a wife. I got a son. I have a beautiful daughter. I didn't come to Turkey to kill people. Come on. Someone's got to start, so you're going to start. And you do it, eh? Oh, look, I found the murder weapon. It's a half inch long. Don't joke about that. That's it. Listen, it's not me, OK? How can you think that? We've been together for weeks. Do you think I just cracked a fuse? Come on. Jesus. Take off your shirt. Take my shirt off? What in the-- Yeah, take your shirt off. The person who did that, you know what, there's most likely some blood somewhere on his clothes. No blood. Take it off. I cannot believe this. Take your shirt off. Ajay, you're-- I just want to see. Oh my god, look at his back. Look at his back. What are talking about? What are you talking about? Get off. What are you talking about? What are these scratches? What scratches? I don't even know what you're talking about. - What is that? - Stop it! You guys get off of me. Ajay! Hey, hey, hey. Get that knife off my neck. You have scratches on your arm. You have scratches on your back. On my back? Where are the scratches coming from? You have marks on your back. I told you, I told you. Lily was at the car with me. I sent her up. Please, get that knife off of me. No, listen. And then what happened? And then I never saw her again. What are those blood marks on your back, Matthew? I have no idea. You have marks on your back. Listen to me, listen to me, Ajay. I have no-- I have no idea. I don't know what those marks are. Get off of me. Please, I'm begging you. Matthew. I made those. What'd you say? What did the girl say? Taylor, did he do something to you? He's not my father? What do you mean? He's not my father, but I was with him last night. Taylor, what are you saying? Haven't you ever heard of an affair? What's going on? She's only a girl. Big girl. What's going on? What happened? I'll tell you what's going on. I didn't kill anybody. Who cares about this? This is none of your business. Why have you been lying this whole entire time? Because she gets a kick out of it. It would be-- You've been lying to us. Right, and who do you sleep with? It's none of my business. Hey, can we rule me out now? Now that you turned my life inside out? Listen, you want to be done? We're done, OK? I'm gonna get you outta here safe and sound. We're gonna get away from here. And when we go home, we're gonna pretend it never happened. But there is no reason to drag anybody else into this. Oh, there's not? No, why would you ruin the life of my wife and kids just so you can unburdened yourself? Why would you ruin the lives of your wife and your children by having an affair? You're trying to make this my fault? Listen to me. I was building my career when you were in diapers, and you are not gonna wreck it for me. You bring this out, I lose everything. And I am not gonna lose everything. So you're gonna get your crap together and keep your mouth shut. You are a sicko and an idiot! You're trying to hide behind all your goodness and all your dignity. Well, you know what? I don't give a crap. You make me sick. SOLO: It was a problem between me and my girl. AJAY: And did you meet Simone afterwards last night? Just tell us, did you meet with her after we went to bed, after we went to sleep? Did you? SOLO: Yes. OK. Lily said that she saw you and Simone arguing last night. SOLO: So what? Late last night, were you guys fighting? Well, we had a fight. Who cares? You didn't walk her back too? We got in a fight. I did not know this was going to happen. Ah, so it's Solo's turn in the hot seat, huh? You gonna get a knife on him too? Where did she go when you finished talking to her then? What happened? OK, where did you go? Where did you go? Where did you meet her? You're putting this on me? That I killed Simone? Why-- why would I do this? We fight like every relationship does. Who cares? Like you said, it's none of our business, right? No, it's our business when people show up dead, Solo. That's why it's our business. Why would I do that? It's not them. I don't believe it's Ajay. What were you fighting about? Look, she has somebody on the side. That's what happened. Yeah, and then she's dead the next morning. Oh my god. Do not blame this-- do not put this on me. Oh, really? I feel so bad for you since I was just on the ground. Shut up. I'm telling you. Seriously. OK, I will shut up. Give me your coat. Yeah, yeah, give me the jacket. Here, take it. Nude up. How do you like that, huh? You see anything? Search it. Empty out your pockets. Why are you doing this? Just empty your pockets. Here, you want your camera back? - Yeah, I do. - Here you go. Well, this is ridiculous. It is ridiculous. I don't know why we're doing this for anybody. What you got? Hold on, look, I do not know how that got in my pocket, I swear. - It's Lily's. - What is that? - It's Lily's. - Look, I do not know. It's Lily's. I just reached in my pocket right now, I swear. I didn't know this-- How did it get in your pocket? I don't know. Why would I kill Lily? Because she saw something you didn't want her to see. No, no, no. And then you killed her. Why would I tie her up like this? Why would I do all of this? Why? Because you're harvesting organs to sell on the black market. What the hell are you talking about? That doesn't make any sense. What I'm saying is that-- I did not do this though. I swear, I swear, I did not do this. She was pregnant. Lily was pregnant. Jess, I'm sorry. I didn't-- Did you know that, Ajay? I didn't know that she was pregnant. I didn't-- I swear, I didn't touch her. I'm sorry. I'm sorry. Look, I didn't do anything. Why do you have this? It was just in my pocket, I swear. Why do you have this? Jess, please. No. [screaming] Ajay. Ajay. Hey, Ajay. Luca? Luca? She was your sister. I get why you did it. She never told me she was pregnant. I'm sorry for that. We have no way of knowing that it's him, it was him for sure-- Of course, we do. We found the bracelet in his pocket. Watch his head. Why'd I get stuck with the midsection anyway? That's it. I mean, anybody could've put the bracelet in his pocket. Life's not that complicated. He had to have someone helping him, taking organs from the site, you know? It's not safe here. I don't think we should wait any longer. We need to go. Ajay. We can come back for Lily's body. We need to go. Keep up. Everyone stay together. [crashing] Oh my god! Luca! Oh my god. Luca? Luca! Luca, are you OK? Luca? I'm gonna go check. Do you see anything? - I'm gonna go check. - Are you sure? Yeah. Oh my god, please, be careful. Please, be careful. It's OK. It's OK. Oh my god. Luca, I'm coming. Luca! Jess, here you go. Let me go. Here, I got it. OK. Luca, I'm coming down. Luca, can you hear me? Can you see anything? Not yet. Can you get back up? Yeah, yeah. [scream] Jessica? Jessica, what's the matter? Jess? I think my ankle is broken. There is someone else here. It could not have been Solo, unless he came here before. There were at least 10 corpses. They had cuts that were similar to-- It was Solo who killed Lily. I don't know about the others. I think my leg is not that bad. I think we can-- I think I can walk-- It's so dangerous. If you fell already, now it's darker. I don't want to fall into another room full of bodies. Look, it's pitch black. I mean, even with flashlights, we might get lost. That'd be worse. At least here, we're in a space, contained. We're together. Nothing's gonna happen if we stay together. How you feeling, Taylor? You OK? I'm just scared. Hey, Taylor. I'm sorry. And-- I agree with you when you say you want to be honest. I took advantage of you because I was lonely. And I'm sorry. Thank you. Everything is gonna be OK. [sobbing] You cry way too much. I can't stop. No, it's OK. Hey, hey, hey. Now, when you stop crying, that's when you know there's something wrong with you, you know? Nothing wrong with you. Tell me about her. I don't know. I'm sorry. You should go to sleep. Just till morning, then we'll leave. [crickets chirping] Ajay. It wasn't Solo. Ajay! Ajay! We're sitting ducks here. They're coming back for us next. We gotta find something, a knife, get anything. Look in your bags. I'm getting the body, getting it outta here before they come back for that. Do something, you guys. Jess, find something! I don't feel well. [sobbing] Oh, shit. This is that game. What? The game we played the first night. Murder in the Dark. Simone was the first to die. Simone! And then Lily. And then we-- we chose Solo as the killer. And we killed him. And then Luca. And I was next. And then Kevin. It's just a game. You won. You were the killer, and you won. Taylor, please. You know I couldn't do this. There's definitely somebody here. Somebody has been watching us this whole time. We have to go, OK? Let's go find Ajay. We're gonna get out of here together. Yeah? Yes. OK, get your shoes. We'll just go. We have to go. We can't stay here. We can get to the road and hike out of here. I'm sorry, I'm so tired. We'll just make sure nobody's there, OK? OK. Stay with me. We're gonna get out of here, OK? Yeah. Don't worry about it. OK, OK. I'll get you some water. OK. We'll turn around. Come on, come on. Let's go. [screaming] Oh my god! Oh my god! Where did you-- I don't know. Matthew has some medical background. He can help us. Where were you? Jessica, what happened? Taylor, get outta the way. Where did you find him? I don't know. He's dying. Please, you have to do something. What can you do? He may already be missing organs at this point. Who did this to you? You have to do something. You're a surgeon. I'm not this kind of surgeon, I told you that. Where's Ajay? Ajay can help. I don't know. Did you see anything? Who did this to you? A man in a mask. I don't want him to kill me. Come with me, please. Ajay can help him. I'm not going. Don't move anywhere. Stay here. There's still smoke. There was something there. Where? I don't know. Taylor. What? This is the piece of the car. Fix the car and go, OK? I'm not going. Go, go. You-- Shh. Shh. Ah! Listen, he was in a mask. You need to go. You need to go. I love you. I'm not gonna leave you. I'm not going to. I don't remember. This is the only way-- it has to be the way. [panting] Come here. I came back. I came back. I love you. What's wrong? [retching] I'm OK. I'm OK. What's wrong? [gasping] Ajay, what are you doing here? Listen, we need your help. That's Lily. It's OK that you were wrong, but now you can save the rest of us, please. Kevin needs your help, and the rest of us need your help. It's the only chance we have, and Lily would not want you to give up. Please. Where's Kevin? He's there. And Taylor? Let's go. They're in the place where we were sleeping. [gasping] Right here. Taylor. Taylor. Oh my god. Taylor! Taylor! Get away. Kevin. Taylor, why? She was fine. What happened? You said they were alive. What is this? This is what I was telling you. He got away. He was cut like this, and we brought him here, and she was fine. She was fine. Come on, let's get into the light. You don't need to do this. It's the only way to know for sure what's going on here. This is strange. What is it? I don't think anything's missing. I don't understand. Nothing is missing. Everything is there. Oh my god. There's no marks on her, Ajay. I don't understand. She must've been injected. Get his medical kit. Here. Here, I found these two. This doesn't make any sense. You see anything? She's been poisoned. How can you tell? There's edema on the throat's lining and mucosal swelling there and there. Why would he poison her? Oh, god. What am I gonna tell her family? Here. It fell out of his back this morning. I don't know what it is, but I saw it. Matthew, what is this? I don't know what that is, Ajay. What is this, Matthew? It was in your bag. Get her water bottle. Ajay. We are wasting time. There is a killer out here. Can't see anything, but he still could've poisoned her. How dare you. You accuse me of this? After what you did? If you didn't do it, then drink it. This is crazy. Drink it, Matthew. Drink it. Ajay. Drink it! Drink it if you didn't do it! If you didn't do it, then you drink it! Drink it! Drink it! Drink it. Drink it. Drink it. Drink it. Stop. Stop, Jessica, stop. Just wait. It was obviously him. The three of us slept here. He wasn't there. In the morning, someone was killed. And he was the last one to see Lily. And it was his idea to bring us all here. You killed my sister. Go to hell! Stop! Matthew! Did you kill Taylor? Ajay, listen to me? Did you kill Taylor? You killed Solo. You poisoned Taylor. Yes! But I didn't kill the others. I'm not a killer. You killed her. You just said that you killed her. You just said you killed her. Why should we believe that you didn't kill the other people? You avenged your sister's death, and I killed to save my wife, OK? She was gonna ruin me. Did you murder Lily? No! Lily was sacrificed like the others. And if you wanna know who did it, we gotta find them. There's somebody here she saw. She saw! Jessica's the only one that knows. We can work this out. You murdered Solo! I found this with Taylor. He must've had it the whole time. He was trying to keep us here. Ajay. You're awake. What are you doing? It's a very exciting day. I don't understand. Look, transplant research. Pretty simple, really. It's all about the donors. And a healthy recipient. Kevin. But he got away. Yes, he did. Of course, all the organs failed by that point, unfortunately. He was an ideal subject. But Lily-- how could you do this to Lily? That wasn't the plan. But-- science. I You can't do this! Calm down. Lily. You can't do this! I needed her help. She-- she didn't understand. I had no choice. [scream] You can't imagine how hard it was to keep everyone guessing. You're sick. But the organs must be fresh, so I could only take one at the time. This isn't science. It's a game. Yes, you remember the game. When I was forced to kill Lily, I noticed the pattern. Why did you do it like that? Why? What better way to do it? [sobbing] Please, it doesn't work. You're just killing people. Ajay. - Shh. Please. Please. This should help with the pain. Try to focus on the thousands of people who will benefit from the breakthrough in organ regeneration. [monitor beeping] You understand, serving the greater good, right? [saw whirring] Ajay, please. You don't have to do this. [scream] [monitor flatlines] [sobbing] [heartbeat] Jessica, it works. You're alive. Don't-- [scream] [coughing] [sobbing] [music playing] From the very beginning, this was designed as an experiment. We wanted, as filmmakers, to create a situation where actors could be in character, experiencing events, and conflict, and story as it happened live. And in that way, it's kind of like the game Murder in the Dark, where they would have to figure out who the murderer was before they were killed. So our experiment is going to be involving getting information to actors in such a way that the dialogue can be unscripted, the scenes can be unscripted. The characters can have a lot of movement to do what those characters would do. But we're still getting information to the actors. Each individual will know exactly what they need to do at any given moment. But they are not gonna know what everyone else knows. And we're not in control of everything. But even in our first rehearsal with the actors, it's pretty cool how you give them a little bit of information, but steer them in the direction-- and we have great actors-- and how well they are already finding paths that kind of go in the direction that we want them to without us saying anything. Calm down! I was told, when I got cast for this, they were just like, so you're doing a film in Italy, and it's improv'd. It's like, how do you know these people just won't take you, and you'll never come back? I'm really excited about the fact that there's gonna be a plot. I don't know what's gonna happen. I think something bad's gonna happen, or we wouldn't be making a movie. If this had not said it was shooting in Italy, I would have been like, hell no. An experimental ensemble thriller. I don't know if anyone actually knows what's going on. Who knows what's gonna happen with it? Because what's the worst that could happen? Give me that! We're in these insane ruins. I have no idea where we are. It's the coolest set there ever was. I've seen some really amazing places, but I have never seen anything like this. There's limitations on the location that we wouldn't expect based, first, on just what our hopes would be for location, and secondly, on what we've been promised. Let's just make sure that nobody, nobody, not even for one single shot, goes off the path that we have agreed upon. It's like a mystery. It's like theater. It's like doing a play, because we're going continuously, but we don't know the plot. Why can't we get out of here? Everything horrible about me came out yesterday. But for us, it was complete chaos. And for the first time today, I'm thinking, I'm screwed. My heart was pounding, and tears were coming, even after they blew the whistle. Because I realized, oh, shit, this is actually what I got myself into. Your mama won't care? [whistle] Crazy guys headed back toward the upper plaza. [shout] And this dude walks by with a pickaxe. And I wasn't sure. I thought maybe he was part of the movie, 'cause who walks around with a pickaxe? He's here to protect us in case these guys-- like, they brought the pickaxe to try to intimidate us. Apparently, there are two factions of locals. There's the ones that are supportive of us, and then the ones that are trying to extort money from us. They feel like we are using them. They freak out any time they see a camera. It's hard for me. So there's a cultural gap between me and people here. You have saw through some kind of negotiation. What else can I do? [shouting] I've had less exciting days. I actually was scared out of my life. We got to experience the unfolding of the story the same way the audience does, where we didn't know what was going to happen next. Except the thing was we were living it. There's a method to this madness. Hey, we're gonna play some games tonight. It's called Murder in the Dark. We can play a game called Murder in the Dark. [scream] And I'm pretty sure that Lily's dead right now 'cause she's missing, and so is Johanna. And any time that an actor is missing-- While we were shooting this film, we, as characters and actors, were also trying to work out who the killer was, who we should trust, what we should do next. [speaking italian] Man, I'm kinda out there. There'll be a few more people killed by the time I get back. Honestly, I don't know if I'm going down today, but why would they let me live? I'm such a dickwad. Maybe I will live. You guys are all dead. I'm dead. You're dead. I just died. Jason's the killer. I'm hoping. I'm telling you that. - Jason? Oh, yeah. From the crew? Yep. Told me that he could do a really good Russian accent, so I'm thinking he's gonna be some kind of Russian mobster killer. You're the killer. Yeah, we're having camera problems because I need to get an actor in place, and therefore, I'm pretending to have camera problems so the actors don't suspect that we're just sitting here, waiting for-- Stalling. Stalling. So when you're stalling, there's a lot of tricks. If these filmmakers would get outta my way, I think I could get outta here. Like, I love these people, you know what I mean? It could've been one of the toughest experiences I've had to face on a film shoot. But it was just really, really difficult. It was hard, you know what? It was hard. I'm not glad it's over, but it was hard. It was hard to be hated for that long. I don't like being a complete dickwad. And I was trying to work out my stuff the whole time in that film, but it was just hard to stay outta trouble. Really, it is the best thing that has ever happened to me, definitely as an actor and maybe as a person. I feel really fortunate to have been part of it. It was not easy. That was just-- that was intense. That was really intense. But it was totally worth it. I mean, and it felt great doing it. It, honestly, has been the greatest experience of my life so far, because I felt like I really came into myself as an actor. And everybody around was so incredible to work with. All awesome human beings. Everybody knew exactly what they were doing and did it well. Everybody was capable of doing so many different things. It really changed me as a person. |
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