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Queen City Rocker (1986)
[MUSIC PLAYING]
[SINGING] I hear it coming in my heart. Hear it coming on the street [INAUDIBLE].. Of the traffic calling out to the soldiers of the heart. We gather for the union, not the money, nor the power. [WHISTLE] [SINGING] Running round the rabble, swinging round and round. Climbing on the winding stair people on the ground. You take all bloody chances. The women will be sweet. We celebrate together now. It's just another night, when we get right up on top of this, look out on the town. Stupid bastards! Ryd, go for it. [SINGING] To the animal in your heart. You're truly a believer on the streets you're here to charge. You know all the traffic calling out to the soldiers of the heart. We gather for the union, not the money nor the-- Hey, try not to drop this one. Oh, right. Up yours, you're a loser. [SINGING] Spinning round and round. Climbing up the winding stairs to travel on the ground. You take your level chance, cause winning will be sweet. We celebrate for nothing now. It's just another brick. When we get right up on top of it, look out on the town, [INAUDIBLE].. Come on, you're wasting our time. Take it or leave it. - 50 bucks? Shit. See what comes from something there there's no beer man It's electric. I told you to get electronic. Everything's electronic now, right? Now what happened after the videos? Too fucking thick, hey? Yeah tell me about it. Now how much do you get? Sitting on your fat ass while we take all the risks. That sucks, man. Well, tough shit, you little punk. Fuck you. Come on, Scott, tell these creeps. Forget it. Yo, Scott. Fuck it. Hey, watch it. Drop dead, man. What's wrong with you lately, man? You like being ripped off? I said, just let it play, OK? They can collect their own rubbish. What do you mean? You mean, chuck it in? Yeah, but what else are we going to do? I mean those crews got a lock on everything. Not on me. You all right? Yeah. So what's all this me shit then, bro? Us then. You know what I mean. Not on us. All right. I still got to find something else to do. Hey, turkey. Look at this. [LAUGHS] We could talk to my uncle, man. Get us seaman's ticket, hey? I'm not shitting you. He could do it. Out at sea, man, good life out there, clean, you know, fresh. My old man went to sea. Yeah? Don't mean we have to be like him. Shit. Have a ball, hey? Get laid all over the world. Get it sideways in China. What do you say, bro? CHILD: Come in, Andrew. Dad wants you. Let's get out of here. CHILD: Dad wants you. MAN: Andrew. Get in here! You'll miss your tea. Go to your place. Come on, drive. CHILD: Andrew, Andrew! OK, you two, don't be staying up too late now. I mean that. OK. All right, go on then. And lock the door. Bye, Fran. Come on. She ever going to go out with me again, mate? Just give a minute, all right? Hi. You're looking pretty good there, kiddo. Thanks. So, where are you going then, takes a cab and everything? You know where I'm going. Come on. Don't tell me that. I'll see you tomorrow, OK? Fran, you're not really working for Ryder. Come on, don't start that again. I don't believe it. Matthew, please. I've told you 20 times. It's only a sauna parlor, nothing else. Only a sauna parlor. It's just the money, that's all. So come on, all right? Don't worry about me. You just look after your brother and sister. Of Of Wanker! Get out of here, asshole. G'day. [GUNS ENGINE] [SIREN] [LAUGHING] Sucker. Hey! Come on, man. Excuse me, ossifer. You big, great bastard. [SQUEALING] All right, just take off, will you? OK. Hey, come back here. Out of the way, you skinhead fuck. [INAUDIBLE] [SCREAM] Get your hands off me! [SCREAM] Look, you don't smoke that shit in here. Just calm down, hey? You're not coming in here. Just take off, hey? Are you looking for trouble or something? Look out! Why don't we go down there somewhere, some other place? - Hey. - Where could we go? Where could we go? What about Tuxedo Moon? Tuxedo Moon. Yeah, Tuxedo Moon. Sandy, come on. GIRL: Sandy, come on. Just get the hell out of here, you piece of shit. [CHANTING] Moon, moon, moon, moon, moon, moon. Yea! Dumb bitch. [STILL CHANTING "MOON"] [MUSIC PLAYING] [SINGING] We're packing up feelings. We will turn it around. Ain't nothing gonna stop me, gonna keep my head up high. I'm gonna stand on solid ground. You know, you really could hurt me. It's almost blowing my mind. But no [INAUDIBLE] my feet. I really don't need what's there behind. No. You didn't want to take me for your own, but then you do. I didn't want nobody else but you. So you can go alone. [INAUDIBLE] I don't want you to grind me under. Why don't you give me your number. Hey! Come on, let's go. Let's get out of here. Fuck off. That's enough! Come on, you guys. I want you out. Now. Don't come back. You too. Out, come on, out you go. No, out you go. That place sucks. How are you keeping, bro? Keeping. Yeah, look a little pale to me. Scared shitless, hey? Hey, Andrew, still eating that white meat I see. Hey, no problem, Flak. Got your lunch hanging. Bust the shithead, Flak. Later. We got to talk. So, talk. I've been patient with you, Ska. But you can't come around here hassling my people. You know, man, I mean, things has changed. Your face don't fit no more. Know what I'm telling you? These streets are mine. Don't you think we're getting kind of old for the shit, Flak? Old? Is that what you call it? Sounds like a case of small balls to me. POLICE LOUDSPEAKER: Oh, now, break it up. Move along, you fellows. Watch your stick, man. MAN: Dicks. MAN: Stupid sucks. He's crazy, man. Can't trust him. He just wants a fight. WOMAN: They're all kids anyway. MAN: Well, it's a hell of a bloody thing to tell someone I got AIDS. WOMAN: Well, why did you turn white as a sheet then? Never touched her in my life? Then why did she nearly faint, you bastard? Ah, hah, bet he can't answer that one. [INAUDIBLE] This town's [INAUDIBLE].. [RAUCOUS YELLING, BREAKING GLASS, POUNDING] You didn't let me finish. I was going to tell you to be ready to get it on, man. You know, I mean like right now. Hey, Flak, we don't need this. Smaller and smaller, man. Pissing his pants, bro. [SOUNDS OF FIGHTING] Cops! Cops! Freeze! Hold it! All right, come on, out you go. [SIREN] FLAK: Next time, bro. [MUSIC PLAYING] [SINGING] Wrapped up in my overcoat. Protection from the cold. Before we unlock the door, whoa. Lechers and [INAUDIBLE] clinging to my coat. Trying to sell their terminal condition. Turn back, grab the line. There's a whole life for living. You gotta go and you gotta go and forget it. [INAUDIBLE] [INAUDIBLE] A young man tries, he has to fight the cores of tradition. Watch your feet as the crowd fills the [INAUDIBLE].. Still the same old [INAUDIBLE],, still the same old [INAUDIBLE].. Still the same [INAUDIBLE]. And wife. Sweet smell of rose. You choose the other [INAUDIBLE].. MAN: Short cut. GIRL: But I'll be able to make [INAUDIBLE] short cut. MAN: Come on. Come on. GIRL: Stop pulling on me. MAN: Come on. GIRL: No! Let me go! Let me go! [SCREAM] MAN: Come on. [INAUDIBLE] [SCREAMING] No! [SCREAMS] You all right? Come on. Come on. Come on. We have to get out of here. Hey, what are you doing to that girl? Piss off. Hey, you all right? Yes. Do you want to go to the cops? No. Well, what do you want to do? You want to go home? Yeah, well where is that? I've got a car. Yeah, but you can't drive. Would you wait here if I got a cab? You mind? No. Do you want a comb? Can't see anything anyway. Well, I'll stop and turn on the light if you like. No, don't bother. Thank you. Aren't you going to tell me what a jerk I was, what an idiot? Why should I? Well, I was. You don't know the half of it. Everybody's a jerk sometime. Turn right here. Hell, I forgot all about this. Why don't you come in for a drink or something. No way. I meant what I said about thank you. You were really something. You were. No, come on. It was nothing. You really believe that. Oh, please, come in. The least I owe you is a drink, right? Thanks. But. What are you going to do then, just ride off into the night like the Lone Ranger? Please. [MUSIC PLAYING] [SINGING] Didn't I hear you saying you got class. Did you say that she is a flim flam flirt. Are you saying that some double dealing doll [INAUDIBLE] did you dirt. Well, Bub, welcome, welcome, welcome to the club. Now you know the feeling of-- I've being warned to stay away from you on pain of death. But I always do like to see what my daughter drags home. Woops. Did I say that? Excuse a mother's concern, but she's certainly breaking new ground with you, isn't she? Well, would you like a drink? Or are you just going to stand there looking sullen? Whatever. Wonderful. Stacy's a great one for statements, you know. I should think that's why you're here, wouldn't you? She's rather sparing of details when it comes to her personal life. However, the story goes that you rescued her from some nasty bar brawl downtown. Hello. Where she had no earthly reason to be in the first place, which rather makes you a knight in shining leather, doesn't it? Doesn't it? Well would it be condescending of me to offer you a beer straight off? I'm curious, actually. Beer's fine. Oh, excellent. Now don't be shy you'd like a glass. Then you're happy. Stacy shouldn't be long. She's upstairs changing for second round. Why don't you just circulate, yes? Perhaps you'll make some useful contacts. You must be the boy, the boy Stacy bought here? Exactly. I'm told I owe you something in the line of [INAUDIBLE] thanks. That's OK. No, I expect you don't know our Stacy very well. Let me stress that she's a very, very fine girl. But, she does have a tendency to [INAUDIBLE] for a fete. You understand? [INAUDIBLE]? Fine. Well, I can see we have a mutual understanding, in which case I no longer detain you. I'm certain you'll be wanting to resume your interrupted evening, and no doubt a little extra cash won't go amiss. I don't want any money. Oh, I absolutely insist. We can't send you out empty handed, now can we? You're handling this all wrong, Richard. I'm simply making a just offer a time and effort spent. You're treating the boy like a servant to his face. Kindly allow me to make my own decisions, will you? Richard, you're behaving like an asshole. Monica, go fuck yourself. Oh, bloody marvelous. I'm sorry. I knew something like this would happen the moment I set eyes on you. Come on, will you? You're drunk. Drunk am I? [LAUGHS] I'm drunk, in my own house! He does have eyes, Richard. My old man's a drunk too. But he's on the bones of his ass. Oh, so now I'm like your old man. There's only one difference between him and you, between all of you. Insolent little shit! Don't you touch me! Stacy! [TIRES SCREECH] Think I'm saying there? Well, come on, go. That was great. I've been dreaming about for years. I loved it. You're too much, you know that? I mean, did you see their faces? What's wrong, don't you think it's funny? [TIRES SCREECH] You think I'm some kind of clown? I'm here to make you laugh? No, of course not. Think I like doing shit like that? Don't you? I do. I'll take you back. No. I don't want to go back. You don't think I'm like them, do you? I want to be with you. I like you. Well, would you take me back to town at least to get my car? And would you tell me your name? Both alcoholics, I guess. Drunks, really. I guess you could see that. He's a lawyer and she-- I don't know. I think she was educated to marry someone like him. I wonder a lot what keeps him going, you know? Whether they like it. What do you think? Don't know. Would you believe he wanted me to be a lawyer too but I'm not going to. I'm going to design school. What are you going to design? Beautiful things. You quit school when you were what? 15, 16? Why? Boring. Supposed to be though, isn't it? Prepares you for later life. You're too rich to be bored. That's what you think. Nice car. It's been quite a night. Do you have to go away? [HORN HONKS "DIXIE'] [TIRES SCREECH] MAN: Yee-haw! [DRUNKEN YELLING AND CURSING] Shit! YOUNG MAN: Hey, we been looking for you everywhere, man. YOUNG MAN: Good to see you, mate. Thought the cops got you. No way. What's going on, man? YOUNG MAN: I thought you were gone for sure. YOUNG MAN: Man, where you been? YOUNG MAN: Hey, check out the lady. So what's been happening, bro, where you been? Just around. She's just a friend. Nice set the wheels. So what happened to Palmer? They get him, did they? Yeah, the big dumb fuck. Oh, he's used to it. Oh, he'll be all right. He won't say anything. Not fast enough, hey? YOUNG MAN: Silly shit, never was. YOUNG MAN: Yeah, no one runs like you, hey? MAN: Hey, that's Fran? YOUNG MAN: Yeah, so what? YOUNG MAN: How come she's all tarted up like that? YOUNG MAN: Shut up, asshole. Oh, man, what a bummer. YOUNG MAN: I knew this would happen, hey? Hey, Fran, how you going? OK. So, how are you? Good, hey? Don't see you much lately. Busy. Yeah, she's working. YOUNG MAN: Hey, so what? Let's go hang out or something. Oh, you're great. And do what? Stand on the corner? Go for cruise in the car? - Come on. We'll have some fun like we used to. Grow up, Andrew. Look, I said I'm busy, OK? I mean it. Just leave me alone. Hey that's really neat. What's Andrew ever done to you? - Nothing. It's just-- It's shit, right? The whole thing's shit. I'm warning you, Matthew. Just tell me one thing, that's all. Tell me you want to be doing this. Don't be so dumb. It's not right. How much you into to these guys for anyway? Since when did you start caring? Give me a chance. I can handle it. Oh, yeah, with your job on a rubbish truck. And how long is that going to last? MAN: Get in the car. All right, I'm coming. Fran. Here we go again. Who's she? His sister. Come on. Fran, I'm not finished yet. What the hell is this? Are you dragging in rough off the street now? Get him out of here. - He's my brother. - Oh, yeah? Family reunion? Who gives a shit. Piss off. I just want to talk to her. You got $100, you can talk to her. You're too young anyhow. Fuck you. Matthew, no. Leave him alone, please. Matthew, just go home, will you? You still working here or what? Fran! She your sister, is she? Well, you don't have to worry about her. She's going to do very well here, yeah, very well. She's got what it takes, see? What an impetuous boy. That's one of the rubbish truck kids, Jack. Is he? Well, you know who I am then. Right, up you too. [CLUCKING] You really should learn to relax. Enjoy yourself more. You know, let it happen. He's very tense. Tell you what. You like music, do you? I mean all this heavy metal stuff? I can't stand it myself. Got them tickets? Now here's a couple of tickets for the rock concert. You take your girlfriend, hey? You have a good time. You relax. Enjoy yourself. No hard feelings. Don't worry, Joe, he's a smart boy. Get him out of here. I'll buy me one of those. - Stinking rubbish trucks kid. - Hey! What the hell's this shit? What the fuck do you think you're doing? MAN: Piss off, sonny. Well, what are we going to do? Just let it play, No, man. OK. Said forget it. Hey, where's he going, man? Ska, where are you going? Listen, man. Fuck off, Andrew. Ska. Listen, I don't know what happened back there. I don't understand any of it. But I know one thing. You can take care of it. I know that because I've seen it. You can, you know. Got to go. I want to help. Yeah, maybe I'll see you around. Kind of late to be doing that, isn't it? So? It's time to sleep, Izzy. What do you care? I saw Fran where she works tonight. You know what she does? She works in a bar. So what? There's food in there too, you know. WOMAN [ON TV]: I had gone to sleep with my bedside light on. [INAUDIBLE] And I was just fortunate that I had my dog and I had my safe catch on. You shouldn't have to live like that, should you? You shouldn't have to live like that. And that's one, I think you really should ring Peter about that and [INAUDIBLE] even and-- [HEAVY METAL MUSIC PLAYING] You're so hopeless. Christ, I feel old. There's got to be a better way. It's good money Matthew It's shit money. Since when did you give a damn about anything but yourself, Ska? All you're good at is playing games. Pretty soon it'll be the jail game, won't it? You'll be good at that too. Well what am I supposed to do? Be like everyone else. It's not so hard. Like you. Yeah, like me. At least I've learned something. You can't change things. You can't hurt people like Jay, Ryder. And you can't change things. If you see Andrew today, tell him, tell him to grow up, dammit. Two words, two little words. The system, that's right. The fucking system is gonna swallow you and me. The fucking system, designed specifically to get the world for the little man just where they fucking want you. Take a good look around. Look at you, sir. You're just another [INAUDIBLE] in the fascist bourgeoisie. You're another maggot in the life's festering carcass. You're a boil on the crotch of humanity. You're a tapeworm up a sheep's ass. You're a rat turd in a [INAUDIBLE].. Dad. Matthew. Bless you, son. Are you well? Frannie and the little ones, how are they? All right, I guess. That's good. That's good. So how are you? Me? Well, I've been worse. I have. [INAUDIBLE] They should never have killed your mother like that, with their drugs, their machines It's not right. Hey, I need your help. I want to talk to you about Fran. Do you know, they put them in the water, Matthew, these drugs. Aye. In the water we drink. Did I tell you that? In the sea itself. Did I tell you that, Matthew? Did I? Come on, Andrew, I'm serious, you know. [INAUDIBLE] wasn't here anyway, man. He's getting that look in his eyes. Because you're so fucking lazy. Hey, but I [INAUDIBLE]. Ain't that enough? Ugly and black. Hey, you could go it alone, you know. I wouldn't blame you. You think I'd do anything as crazy at that alone? It's personal for me too, remember? What do you think, you're Superman or something? CHILD: Hi, Ska. - It's going to be heavy. Hello there. I've tried talking to her. It's the only way. Well, we could still use some help. Let me ask around. Yeah, I've got enough people in the shit. I'm through with that. Can't cut out Slapper, man. He'd go bananas. [INAUDIBLE] Thank you. You know what she said, man? What? She said, [INAUDIBLE] make her so sick, she want to puke. Listen, why don't we just bust in through the back in the first place, short and sweet, hey? Not the point. Someone I want to see up front. Shit, we're going to see enough as it is. Hey, what's this? No escort or something. [CAR HORN PLAYING "DIXIE'] Hey, man get some of this. Sweet hits. Think [INAUDIBLE] like some? Fucking hell. Fucking guy's a nut case. He better be there, man. He'll be there. [SCREAM] [SCREAMING] There, look. I hope we're doing the right thing, man. MATTHEW: Hey, I said I'd do it alone, right? ANDREW: Take it easy, man. How long you give it? MATTHEW: Not long. ANDREW: She looked good, didn't she? Hey, ain't that what's her name? She seen us, man. We got no time for this. I actually found you. You know how long I've been looking? Ages. What for? Well, to find you. Yeah, well, I'm busy, OK? OK. I mean I've got something on, that's all. It's personal. Is it about your sister? That place? I'll come with you. What the hell for? Look, I said I wanted to help. I want to do something. I owe you. What the fuck? Yeah, well, park your car and get in then. This getting crazier by the minute. What's the story? Later. You got them? Yep. OK, we go fast, right? This is Talla. She's from the island of Nukuhiba. I'm sure Talla will enjoy working out any of those little kinks you might have. Like to join her at a drink in the bar? Well, well now, I guess-- Will that be credit card, cash? [CRASH] [SCREAMS] [CRASHES] [INAUDIBLE]! [CRASH] [SCREAMS, CRASHES] Holy shit. Is this good for your eyes? Easy. Take it easy. Oh, let me out. Let me out. No! What's happening? God! [YELL] [CRASH, SCREAM] [SIRENS] Hello. Hi. OK? Come on, let's go! Drive, drive, drive! [TIRES SQUEAL] See you later! OK! You OK, Fran? You're not mad? It was pretty good, hey? You stupid bloody bastards! You idiots! What in God's name are you trying to prove? Nothing. What are you trying to do then? Can you ever go back there? No. Then that's what I was trying to do. She's cold. How do-- Who the hell is she? Her name's Stacy I owe Ryder money, Matthew. Yeah, well we'll pay it back. How? I don't know. I'll think something. Yeah, let's go somewhere. Have some fun, hey? Just take me home. Just shut up and take me home. Hey, Fran, come on. We just wanted to get you out of that stink place, out of it for good, hey? You know you hated it there. You're free now. Free, like us. Don't worry. We'll help you get things together, won't we god, Ska? Yeah, sure. Let me out. Want me to talk to her? What are you going to do now? Just let it play, I guess. She'll come round. You'll see. What you did was right. So come on, tell me about it. What happened in there? Oh, yeah, I'll bet. It all happened so fast. They didn't even know what was going on. Wish I'd been there. You're crazy. I'm not crazy enough. At least everything's OK. [MUSIC PLAYING] [SINGING] I see that sign in your eyes. Love was fighting, never even tried. Came from the house of the broken heart. Now I know what would make me so happy. Sometimes you run and hide. With every little hurt inside. Catch a little light dancing inside you. That is my love getting through to you. Sometimes you run and hide. With every little hurt inside. Never want to see it again. I know things never go to plan. Will you look to be my man? You know what he said to me that first night? He said, she's only his sister, but I love her. You're not afraid. That's what I like about you. You're not afraid. [MUSIC PLAYING] [SINGING] Went out on the lonely night. The city was burning bright. I know things never go to plan. [INAUDIBLE] That's us one day, hey, bro? Sailing the seven seas. Yeah, maybe. Away from it all. The whole scene. Hey, what about us? No problem. You can be the Auckland girls. We can be the what? Auckland girls, you know a girl in every port. I ought to think about getting home. Just to let them know I'm still alive. You're still alive. Hey, I'm hungry. Why don't we get some breakfast? Hey, maybe, nah, your old man wouldn't think it was too cool. Why don't we go back to our place? I've got to see to the kids anyway. Hey, yeah. Ska. That's Ryder. [TIRES SCREECHING] Get out of it! Get away from us! Hold it, boys, hold it. Well, is it going to happen to your girlfriends down here or is it going to happen to you? Yeah, I thought so. The honorable thing. You're lucky, yeah. You've definitely got a lucky streak. You could've been killed last night. You would've been if I'd been there. And you are lucky I don't believe in the cops. These are my cops. And you've been nipped. You are about to receive a little lesson in law and order. Then we'll say no more about it. Right? Of course if there's ever the next time, you're dead. Well, and we thought you were smart. Isn't that right, boy? Kiss my ass. [SMACKS AND GROANS] Andrew. Hey, Andrew, you OK? Hey, no problem, bro. Ska. No problem. Hey, get an ambulance. Get an ambulance! I said, get an ambulance! So it was pitch black. You were wearing sunglasses and there was a total eclipse of the moon. Something like that. And you and your friend had a nasty fall. It's called honor among idiots. Who is he? Give me a break, Matthew. How else are we going to bring these culprits to justice? Or maybe we should give them a medal. Where is my mate? They're still cutting on him. It could have been you up there, couldn't it? He'll be back. They love this place. Can I go now? What do you reckon, Doc? You ever get tired of wasting your time on trash like this? They pay me for it. Hey, you're welcome. I want to find out about a friend of mine. His name's Andrew Policci. What? Friend of mine's a patient here. Admissions. Excuse me. If he's in surgery, you're just going to have to wait. Sit over there. I just want to find out how he is. - Are you a relative? - No, but-- Then I can't give you any information about him. Hey, you can't go in there. [CRASH] What are you doing here? What the hell do you want? We tried. A rib punctured his heart. He hadn't a chance. Hi, Ska. Shit, man. Fucking Andrew. Wish I'd been there, yeah? Yeah, I know. Be there tonight if you want to help. We're all going to be there. You joking? No shit, Sniper. It's going to be heavy. I mean dangerous. You tell them that. Listen, man. Truth is, nobody out there gives a fuck anymore. They just want to see something happen. All right then. Thanks. Come on, mate. Listen, I've um, decided to take the kids and leave. Go down South to Gran's. Don't know for how long. Until-- This thing. Is it far? How will you get there? Bus, I guess. Take the car. - Take mine then. - Come on. I mean it. Just let me know where you are and I'll send you the registration. You can sell it if you want, whatever. - I wouldn't do that. - Please. I don't need it. Hey, listen, sorry about everything. Matthew, come with me, please. Just leave it. What do you want, honky? Hey, that's Ska. What do you want? I want to talk to Flak. What for? Business. Start climbing. Come on. Yo, Flak, we got company! What's the matter, Ska, something running down your leg? Hey, Ska, what's happening? We've got to talk. Heard about Andrew, man. Didn't like it. Guy was too young. Yeah, you know who did it? Everybody knows. Shit, yeah. Well, I want to take that bastard down. Yeah? And I need your help. Take Jay Ryder down? That's some heavy shit, man. Heavy. Jay Ryder. And you want my help? That's right. You got it. [MUSIC PLAYING] [SINGING] Stand up and fight. Some times that's what you got to do. Do [INAUDIBLE]. Take heart, you're not alone. You know everyone else is too. It's all black and white. On the battlefront of life. If you believe something is true, then nothing else will do. You've got to make a stand. Stand up and fight. Once you decide you're old enough. You've been fighting all your life. This can't go on, being sabotaged. Take no abuse. MATTHEW: So when they panic, you move, right? And listen, it's not too late for you. STACY: For you? MATTHEW: Oh, yeah. STACY: Matthew? About the money again. MATTHEW: He's got to pay somehow. STACY: You can't buy Andrew back. [MUSIC PLAYING] [SINGING] This can't go on. No more, no more. Stand up and fight. That's what you do. Once you decide you're old enough. 40 bucks a head to listen to that shit. Oh, yeah, suddenly we're all critics. Come on, come on, let your fingers do the walking. 20% off the top, the rest in the bag. [MUSIC PLAYING] [SINGING] Stand up and fight. Once you decide you're old enough. You've been fighting all your life. There's a way to win. Stand up and fight. Stand up and fight. Stand up and fight. Stand up and fight. Fight! Fight! Fight! Fight! [CROWD CHANTING] What? Shit! Nice job. I'd almost believe it yourself. [INAUDIBLE] loves you! But they think that you have been ripped off. First 100 people backstage get their money back now! Right, get that in the truck and shut everything down. And move it. Deacon? Deacon? [GROAN] What have you got here, man? Looks like Mr. Jay Ryder himself. Looks like shit to me. So what's this? A little something off the top? Oh, shit. The alarm! Get that bloody alarm! [ALARM SOUNDS] Give me the gun. Shit! Go, Flak! Come on, let's go! Are you coming, man? Hey, we can still take them. Flak, catch! Right, you bastard. Get out of my way. Shit! Stop him! [SIREN] I gave you a ticket. That pisses me off. [MUSIC PLAYING] [SINGING] I see that sign in your eyes. Love was [INAUDIBLE] you never even tried. Came from the house of the broken hearted. Now I know why you make me so [INAUDIBLE].. Sometimes you run and hide. With every little hurt inside. Had your little light dancing inside you. That is my love getting through to you. Sometimes you run and hide. With every little hurt inside. Never want to see it again. I know things never go to plan for you to be my man. Hey, I'm starving. Can we stop and get something to eat? Haven't got any money. No money? No money. No. Nothing whatsoever. I don't have any money either. And what have you got to say to that? [MUSIC PLAYING] [SINGING] Came from the house of the broken hearted. Now I know I completely sold out to you. Went out on a lonely night. The city was burning bright. I know things never go to plan. There's lines in your hand. Got your little light dancing inside you. That is my love getting to you. Got your little light dancing inside you. That is my love getting through to you. Went out on a lonely night. The city was burning bright. Woo. I know things never go to plan. There's lines in your hand. |
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