BELIEVE ME,
THE LAST THING I WAN
IS TO BE LETTING YOU GO
LIKE THIS.
IT'S JUST THAT IT'S
A ROUGH TIME FOR EVERYONE.
PEOPLE GET SCARED.
THEY GET SCARED AND
THEY PULL OUT THEIR MONEY.
WELL, DID HE SAY
SOMETHING ABOUT ME?
IS THAT WHA THIS IS ALL ABOUT?
NO, HE DIDN' GIVE A REASON.
CAN SOMEBODY TELL ME
JUST EXACTLY HOW THE FUCK
SOMETHING LIKE THIS HAPPENS?
- LANGUAGE.
- YEAH, JESUS.
SHIT, MAN, TAKE IT EASY.
DON'T TELL ME
TO TAKE IT EASY, TODD.
THIS ISN'T HAPPENING TO YOU.
IT'S HAPPENING TO ME.
I'M SORRY,
BUT WHAT'S DONE IS DONE.
WHAT ARE YOU SAYING TO ME?
I'M SAYING
WHAT'S DONE IS DONE.
(distant dog barking)
Boy:
MOM!
(birds chirping)
(garage door humming)
(cell phone ringing)
Man:
Don't say anything.
I just need you
to come over here
Right away.
(phone line ringing)
(distant phone ringing)
(doorbell rings)
(phone continues ringing)
HELLO?
(answering machine clicks)
Female voice:
No one is available
Please leave a message
after the tone.
KERSHE?
YEAH, BACK HERE.
OH GOOD, IT'S YOU.
IT'S NICE TO SEE YOU, COLE.
THE DOOR WAS OPEN
AND I--
YEAH YEAH, GOOD.
COME.
COME ON IN.
SORRY. I DON'T HAVE
ANY CLOTHES ON.
EVERYTHING HAS JUST BECOME
SUCH A GODDAMN MESS LATELY.
AND I NEVER HAVE BEEN
VERY GOOD AT HOUSEKEEPING.
- KERSHE, PUT THE GUN DOWN.
- I'M NOT FINISHED WITH IT.
BUT I DON'T WANT YOU
TO WORRY ABOUT THAT, COLE.
THIS IS STRICTLY
A FAMILY AFFAIR.
YOU KNOW?
I'M GONNA CALL SOMEBODY.
NO NO NO, DON'T.
CAN WE JUST--
CAN WE JUST SIT HERE
TOGETHER FOR A MINUTE--
YOU AND ME? AND--
YOU KNOW WHA MY PROBLEM IS, COLE?
I ALWAYS TRIED TO DO
EVERYTHING MYSELF...
NEVER WANTED ANY HELP
FROM ANYBODY.
I THOUGH THAT MADE ME STRONG,
BUT I'VE BEEN
A VERY WEAK MAN, COLE--
VERY WEAK.
(sighs)
THE TRUTH IS,
THE ONLY REAL STRENGTH
IS KNOWING
YOU CAN'T DO IT ALONE.
SO I REALLY WAN TO THANK YOU,
BECAUSE I DON'T THINK
I COULD HAVE DONE THIS
ANYWAY,
IT'S GETTING LATE
AND I KNOW YOU'VE--
YOU'VE GOT THINGS
TO DO, SO...
SO...
AWAY WE GO.
(birds chirping)
I'VE BEEN IN THIS--
THIS BIN
FOR THE LAST 30 DAYS.
I'M HAPPY AS HELL
TO BE GETTING OUT OF HERE.
EXCITED TO GET BACK
WITH MY FAMILY,
PICK UP RIGHT WHERE
WE LEFT OFF.
Man:
AND YOU FEEL THA
READY AS I'LL EVER BE.
IT'S TRUE YOU'VE MADE
SOME PRETTY SIGNIFICAN
AND WE'VE BEEN
TALKING A LOT ABOU
HOW HE PLANS ON
STAYING BUSY OUT THERE.
OUT THERE?
CHRIST, YOU MAKE IT SOUND
LIKE I AM PARACHUTING
BEHIND ENEMY LINES.
DO YOU EXPEC TO FIND MANY ENEMIES
NO, THAT'S--
THAT'S NOT WHAT I MEANT.
I--
I HAVE A JOB LINED UP.
ARE YOU AT ALL CONCERNED
ABOUT YOUR ABILITY
TO MANAGE
THE HALLUCINATIONS?
THEY'RE HALLUCINATIONS.
THAT MEANS THEY'RE NOT REAL,
SO NO PROBLEMO.
I'LL TAKE MY MEDS.
I PROMISE, OKAY?
OKAY?
JENNIFER, I'M SEEING
SOMETHING GOING ON
DO YOU WANT TO TELL US
ABOUT IT?
IT'S--
IT'S BEEN--
IT'S JUST BEEN A LOT.
AND I DON'T KNOW,
I GUESS I JUST DON'T FEEL
VERY COMFORTABLE WITH YOU.
SAY THAT TO HIM.
I'M SORRY,
AM I MISSING SOMETHING HERE?
IT'S-- IT'S JUST--
I'M SORRY, I--
I DON'T FEEL SAFE
WITH YOU ANYMORE.
WHAT?
YOU'VE JUST--
YOU'RE NOT--
I JUST-- I THINK
YOU NEED MORE HELP.
GIVEN THE PARTICULARS
OF YOUR CONDITION,
IN ADDITION
TO THE ADDED STRESS
OF A RECENT TRAUMA,
WE BELIEVE THAT THE WORK
YOU'VE DONE WITH US
IS ONLY THE BEGINNING
OF WHAT WILL BE
A CONSIDERABLY LONGER PROCESS
OF REHABILITATION.
HOW MUCH LONGER?
WE'RE RECOMMENDING
THAT YOU UNDERGO AN
AT $1000 A DAY.
THE COST OF TREATMEN IS THE COST OF TREATMENT.
THE QUESTION IS,
ARE YOU PREPARED
TO PAY THE PRICE OF LEAVING
BEFORE YOU ARE READY?
- IT'S NOT GONNA HAPPEN.
- AS YOU BOTH KNOW,
LEGALLY WE CAN' KEEP YOU HERE.
THIS IS MERELY OUR ATTEMP TO DO EVERYTHING WE CAN
TO PROTECT YOUR WELL-BEING
AND THE WELL-BEING
MY FAMILY IS FINE.
NOTHING IS GONNA HAPPEN.
IT'S NOT GONNA HAPPEN.
TODAY'S THE BIG DAY, HUH?
UH-HUH. YES.
YES, IT IS.
OH, AND THESE ARE
FOR YOU AS WELL.
USE ONLY AS DIRECTED
ON THE LABEL.
NO MIXING WITH ALCOHOL.
RIGHT.
YOU NEED ME
TO CALL YOU A CAB?
NO, THAT'S OKAY.
MY WIFE IS GOING TO BE
PICKING ME UP OUT FRONT.
(rock song playing)
# One, two,
three, four... #
# You've got a Bentley #
# I've got a Dodge #
# You've got
the bling-bling #
# Oh, you're living large #
# I don't care
what you say, yeah #
# I know
where you've been #
# You make me say it #
# With the lies you live #
# Oh yeah,
you play the part... #
HERE'S YOUR ICED TEA.
(turns off cleaner)
OH, THANK YOU.
WHAT'S THAT?
I SAID, "OH, THANK YOU."
OH.
YOU'RE VERY WELCOME.
(laughing)
YEAH, MIKE, I'M DONE.
YEAH, I'M JUST FINISHING UP
AND DRIVING AWAY,
SO PUNCH ME OU FOR THE DAY.
Mike:
Hold it, Cole.
I need you to go out
and take a look.
Write the guy an estimate,
get the paperwork going.
COME ON, MAN.
I'VE WORKED A DOUBLE
EVERY DAY THIS WEEK.
I'M OFF. JUST GE PAUL OR TERRY TO DO IT.
Ah, they're both
doing an office job.
I'M TELLING YOU,
I'M FREAKIN' EXHAUSTED.
I'M LITERALLY
SEEING DOUBLE.
I JUST WANT TO GET HOME
AND SLEEP FOR LIKE 17 HOURS.
Go out there,
walk around.
Scribble some shit
on the contract.
You'll be back
in the city by 6:00.
- WHERE IS IT?
- It's out in Haybrook.
HAYBROOK?
FUCK, MIKE.
I'll bump you up 10%
on the commission.
SHIT.
# DON'T COME AROUND
AND STAY AWAY #
# YOU SAY
I SHOULD LEAVE #
# I DON'T WAN TO STAY #
# I HEAR ALL YOUR
BUSES RUNNING #
# AIN'T GOT TIME #
# AIN'T GOT TOME
TO WASTE, NO #
# BABY, YOU'RE SO BAD,
BABY, YOU'RE SO BAD #
# BABY, YOU'RE SO BAD, BABY,
YOU'RE SO BAD #
# BABY, YOU'RE SO BAD,
BABY, YOU'RE SO BAD #
# BABY, YOU'RE SO BAD, BABY,
YOU'RE SO BAD... #
Female voice:
In 2/10 of a mile
Turn right onto
Cheswick Park Road.
FUCK YOU, LADY.
FUCK YOU AND MIKE
FOR SENDING ME OU
IN THE MIDDLE OF
GODDAMN NOWHERE.
(beeps)
Woman on intercom:
Hola.
HELLO? I'M HERE WITH
MAHONEY'S CARPET & FLOORS.
(static crackling)
I'M HERE FOR THE FLOORS.
CAN YOU--
CAN YOU BUZZ ME IN?
(sighs)
(door alarm dinging)
(doorbell rings)
HOLA.
HI THERE.
I'M HERE TO TAKE A LOOK
NO COMPRENDO.
- NO.
I DON'T EVEN KNOW
HOW TO SAY "SPANISH"
TO THE EAR.
NOT EVEN TO THE EAR.
YES, OVER TO THE EAR.
OH, TO THE REAR.
YOU WANT ME TO MEET YOU
AROUND BACK?
ADIS.
OKAY.
FOR THE-- THE--
THE TRACKS.
OH.
THANK YOU.
S.
AQU, POR FAVOR.
SO YOU WANT ME
TO JUST WAIT HERE THEN?
HEY, RIGHT HERE?
(clock chiming)
Woman:
I CAN'T VERY WELL
AND LEAVE OFF
THE MASTER SUITE.
Man:
THEN TRY ASKING NICELY.
Woman:
HENRY, YOU'RE BEING
Henry:
WHAT'S COMPLETELY
IS THAT I'VE NEVER
TAKEN YOU TO MY BEDROOM.
HOW ABOUT WE MOVE THIS
TO MY OFFICE
WHERE I CAN PLY YOU
WITH ALCOHOL
AND SEE WHERE
IT GOES FROM THERE?
Woman:
WHAT ABOUT YOUR WIFE?
Henry:
SHE'S NOT IN THERE EITHER,
THE MISTER-- HE COMES.
- Henry: I'LL MEET YOU
IN THERE...
...IN 20 SECONDS OR LESS.
- ARE YOU THE GUY?
- YEAH.
YEAH, OF COURSE YOU ARE.
YOU'RE ALSO LATE.
SORRY, I CAME FROM
ANOTHER JOB IN THE CITY.
THAT'S NOT MY PROBLEM.
WHERE IS YOUR-- YOUR GEAR?
WELL, USUALLY I SURVEY
THE JOB FIRST,
THEN I FIND OU WHAT GEAR I NEED
AND I GO OUT TO MY VAN
AND GET IT--
A LITTLE SYSTEM
I GOT WORKED OUT.
- HOW'S THA WORKING OUT FOR YOU?
I'M SURE THIS IS
JUST THE BEGINNING
OF A LONG AND
FASCINATING CONVERSATION
CHOCK-FULL OF THE CRUDE
JARGON OF YOUR PROFESSION.
UNFORTUNATELY, I AM
ENGAGED AT THE MOMENT.
SO WHY DON'T YOU
SHOW YOURSELF AROUND?
AND I'LL GET TO YOU
WHEN I CAN.
COOL.
I MEAN, AWESOME.
Woman:
SO DID YOU DO IT?
Henry:
UH, DID I DO WHAT, KIRBY?
Kirby:
HENRY, I KNOW
THE ESTABLISHED RULES
OF THE GAME DON'T APPLY,
BUT FOR THE REST OF US
WHO HAVE TO SCRAPE I
THE SITUATION
IS A BIT MORE--
HOW CAN I PUT THIS?
--SERIOUS.
STOP IT.
YOU'RE BREAKING
WHERE IS SHE?
- WHO?
- YOUR WIFE.
OH RIGHT, THAT.
UH, WELL, SHE WAS HERE,
BUT NOW SHE'S NOT.
SHE'S AT HER BOOK CLUB.
IT'S A LONG BOOK CLUB.
THEY-- THEY TALK ABOU A LONG BOOK.
AND IT'S REALLY FAR AWAY.
SO SHE'S NOT GONNA BE
BACK UNTIL LATER--
MUCH MUCH LATER,
SO LATE IN FAC THAT SHE MIGHT NEVER
AND YOU AND I CAN JUS LIVE HERE TOGETHER.
HENRY, AS MUCH AS YOU WAN THIS CAT-AND-MOUSE THING
TO TURN ME ON,
IT REALLY DOESN'T.
I THINK I GOT OVER
RICH BAD BOYS
WHEN I WAS ABOUT 20,
AND RICH MARRIED GUYS
WHEN I WAS ABOUT 25.
YOU AND I ARE IN
A BUSINESS RELATIONSHIP,
THAT'S ALL.
NOW I'VE WORKED MY ASS OFF
FOR THE LAST EIGHT YEARS
TO GET WHERE I AM TODAY,
AND I'M NOT ABOU
YOU'D BETTER TRY
ANOTHER EIGHT YEARS
'CAUSE YOU STILL HAVE
A REALLY--
WHEN WAS SHE HERE?
UH, AN HOUR AGO.
OH REALLY?
NO, NOT REALLY.
I CAN'T LIE TO YOU.
BUT WHEN SHE WASN'T HERE,
SHE DID SIGN THAT THING
THAT YOU'VE BEEN WANTING
HER TO SIGN SO BADLY.
WHERE IS THAT--
HELLO-- THING?
THIS IS HER SIGNATURE?
I THINK YOU CAN SEE
IT'S NOT MINE.
SO NO ONE SEES HER
FOR OVER A WEEK
AND THEN SHE JUST POPS IN
AND SIGNS SOMETHING
THAT, FROM WHAT YOU TELL ME,
WOULD SEND HER OVER
AND THEN SWINGS OU TO DISCUSS LITERATURE?
THAT'S THE STORY
I'M GOING WITH, SURE.
YOU DO REALIZE THA FORGING A SIGNATURE
ON A LEGAL DOCUMEN IS A FEDERAL OFFENSE?
PLEASE CUFF ME.
I'M GOING TO ASK YOU
ONE MORE TIME:
WHERE IS YOUR WIFE,
SO I CAN CONTACT HER
AND GET HER TO SIGN?
(Henry whispers)
BEATS THE HELL OUT OF ME.
TO TELL YOU THE TRUTH,
I DON'T EVEN KNOW
THE FLOORS LOOK LIKE
THEY WERE DONE LAST WEEK.
Mike:
So do it again.
- COME ON, MIKE.
- Run a spot check on it.
The guy called
for an estimate--
- WHO IS THIS GUY?
- How the fuck
- He's not exactly
in my social circle.
Speaking of social,
are you gonna finally bring
your mystery family
to my house on Sunday
or is it just gonna be
you again?
YEAH, SURE.
Kirby:
YEAH, AND AS FOR THE WIFE,
SPOTTING A FUCKING
CALIFORNIA CONDOR.
YEAH, PROBABLY,
LIKE CHOPPED HER UP
AND MAILED HER
TO THE NEWSPAPER
Mike:
Hello?
- I GUESS WE COULD
SHOW IT TOMORROW.
YEAH, ABOUT 9:00 A.M.
OKAY OKAY, BYE.
- CAN I HELP YOU?
- I'M JUST HERE TO LOOK
WELL, THEN YOU'D BES GET INSIDE, BECAUSE THAT'S
Mike:
Hello?
YEAH, I JUST CAME
FROM THERE.
Who are you talking to?
Hello?
Are you there?
YEAH, MIKE.
CONSIDER IT DONE.
- PUNCH ME OUT IN 15.
- (car engine starts)
HAVE A NICE WEEKEND.
ASSHOLE.
- IT'S A HELL OF A PLACE
YOU GOT HERE.
- SO ARE YOU COMING OR GOING?
- IS THAT REALLY ANY
ALL RIGHT.
SO I WROTE YOU UP
AN ESTIMATE HERE.
AND I'M ASSUMING
YOU'RE LOOKING TO HAVE
ALL THE ROOMS SERVICED?
OKAY.
AND WHEN DID YOU WAN THE WORK DONE?
IMMEDIATELY--
TONIGHT.
WELL, I'M AFRAID THAT'S
NOT GONNA BE POSSIBLE.
AND BY THAT YOU MEAN
WHAT EXACTLY?
I MEAN I CAN'T DO IT.
IT'S IMPOSSIBLE.
WITH AN ATTITUDE LIKE THAT,
IT'S NO SURPRISE
YOU'RE THE ONE
HOLDING THE CLIPBOARD.
LOOK, A HOUSE THIS SIZE,
IN THAT AMOUNT OF TIME--
IT'S A THREE-MAN JOB
AT LEAST.
LOOK, I CAN SCHEDULE YOU
FOR AN APPOINTMENT NEXT WEEK.
I'LL BRING A COUPLE OF GUYS,
DO A BEAUTIFUL JOB FOR YOU.
LET'S TRY IT THIS WAY:
I'M NOT ESPECIALLY INTERESTED
IN WHAT YOU THINK IS POSSIBLE.
I NEED THE JOB DONE
AND I DON'T CARE
IF IT TAKES YOU
ALL NIGHT TO DO IT.
WITH ALL DUE RESPECT, SIR,
I GET YOU'RE
A WEALTHY GENTLEMAN--
WHAT MAKES YOU THINK
I'M WEALTHY?
FOR STARTERS,
YOUR HOUSE IS
A DEAD GIVEAWAY.
OKAY, LET ME EXPLAIN
SOMETHING TO YOU, COLE,
IF THAT'S REALLY
YOUR NAME
AND NOT THE LAST GUY
WHO DIED IN THAT SUIT--
YOU DON'T PAY FOR A HOUSE
LIKE THIS WITH MONEY.
YOU PAY FOR IT WITH CLARITY
AND WELL-BEING.
YOU PAY FOR IT WITH
AN ALL-CONSUMING REPULSION
TOWARD THE CONCEP OF FAILURE.
SO WHEN A MAN SAYS TO ME,
"I CAN'T DO IT,"
IT MAKES ME
WANT TO THROW UP.
AND I'M GLAD
THAT IT DOES,
BECAUSE THE DAY THAT I SAY,
"I CAN'T DO IT,"
IS THE DAY THAT I TASTE
THE BARREL OF MY SHOTGUN.
AND, WELL, COLE, I'M NO READY TO DIE TODAY.
ALL RIGHT, ALL RIGHT,
LET'S JUST TAKE IT BACK--
YOU DON'T SEEM
TO FEEL THE SAME.
I'M PREPARED
TO MAKE YOU AN OFFER--
$5000
TO COMPLETE THE JOB
YOURSELF, TONIGHT.
FIRST OF ALL, ALL BILLING
GOES THROUGH THE OFFICE,
I'M TALKING ABOUT $5000
IN CASH IN YOUR HAND.
THAT'S IN ADDITION TO
WHATEVER I AM CHARGED
SIR, THAT IS
A VERY GENEROUS OFFER,
I'M COMING OFF
FIVE STRAIGHT DAYS
AND THIS IS
A THREE-MAN JOB AT LEAST.
AND I SPECIFICALLY ASKED
FOR ONE MAN.
ARE YOU TRYING TO TELL ME
I DIDN'T EVEN GET THAT MUCH?
WHAT I'M TRYING
TO TELL YOU IS
AFTER A WEEK LIKE THIS
I'M A LIABILITY.
I'M INSURED.
I CAN'T DO IT.
ASSHOLE.
(door alarm dinging)
Cole's voice:
YOU--
I CAN'T BELIEVE
YOU'RE ASKING ME TO LEAVE.
Jennifer:
I JUST--
I DON'T THINK
IT'S GOOD FOR SAMMY.
I'VE ALREADY STARTED
THE PROCESS
AND ALL I ASK IS THA YOU DON'T FIGHT ME ON IT.
THIS IS CRAZY.
YOU KNOW THAT?
THIS IS REALLY CRAZY.
I'M NOT GONNA TAKE
EVERYTHING.
I'M GONNA LEAVE
SOME OF MY STUFF HERE.
I ASSUME
THAT'S ALL RIGHT?
IT'S FINE.
SAMMY'S GAME ON SUNDAY--
I SUPPOSE I'M NO WELCOME THERE EITHER.
LOOK, WHAT DO YOU WAN FROM ME?
HONESTLY, I JUST WANT YOU
TO GET BETTER
AND START SUPPORTING THIS
FAMILY LIKE YOU USED TO.
JESUS CHRIST.
CLEAN THIS UP.
(lawnmower whirring)
FUCK.
(door alarm dings)
HELLO?
HELLO.
Henry:
JUST A SECOND.
FORGET SOMETHING?
NO, I--
I HAD TO MAKE A--
(door slams shut)
I WENT TO--
COME ON, YOU CAN DO IT.
I MADE A FEW CALLS AND
REARRANGED A FEW THINGS.
YOU-- I THINK
YOU SAID $5000.
DO YOU HAVE
$5000 IN CASH?
WHAT DO YOU THINK?
IS IT HERE?
WOULDN'T OFFER IT TO YOU
IF IT WASN'T.
CAN I SEE IT?
OH, LET'S NO CHEAPEN THE MOMENT.
WE HAVE AN AGREEMEN OR WHAT?
YEAH. COOL.
IF YOU DON'T MIND ME ASKING,
WHAT'S THE RUSH?
I DO MIND YOU ASKING.
# THE SOUND OF CHANGE #
# IS ON THE GROUND #
# NOT THE KIND #
# TO BRING US ROUND #
# WE'RE COLORED GREEN #
# BY ALL ACCOUNTS #
# WE SLEEP WITH GREED #
# TO SOOTHE THE DOUBT #
# CONGRATULATE
OUR THIEVERY #
# TAKE ALL WE CAN
RELIGIOUSLY #
# HIDE YOUR CARD,
SAVE YOUR FACE #
# THESE ARE THE DAYS #
# WE SAY,
FEED YOUR THIEVERY #
# WHAT'S IN IT FOR ME? #
# WE SAY, TAKE ALL YOU CAN
BEFORE THEY SEE #
# WE SAY,
FEED YOUR THIEVERY #
# WHAT'S IN IT FOR ME? #
# WE SAY, TAKE ALL YOU CAN
BEFORE THEY SEE #
# WE SAY,
FEED YOUR THIEVERY #
# WHAT'S IN IT FOR ME? #
# WE SAY, TAKE ALL YOU CAN
BEFORE THEY SEE... #
WHAT IN GOD'S NAME
DO THESE PEOPLE EAT?
LOOK AT YOU.
YOU LOOK LIKE YOU GO SOMETHING UP YOUR ASS, SIR.
WHAT YOU GOT UP THERE?
YOU HIDING SOMETHING
UP THAT RICH GOLD-PLATED
ASS OF YOURS,
YOU GOLDEN ASS?
(voices whisper)
HELLO?
HELLO?
(phone ringing)
Henry's voice:
You've reached
Please leave
a detailed message
and someone
will get back to you
- (machine beeps)
- Hi Susan. It's Liz.
Where are you?
You missed the last two
book club meetings,
and I'm just calling to check
if everything's okay.
I left a message
on your cell also.
I don't know what's up,
so please call me back.
Oh, and we're reading
"Death of a Salesman"
- I told Amy that was
a play, but whatever.
Okay, call me back.
(air hisses)
ARE YOU FEELING
ANY BETTER?
JESUS. I WISH.
YOU CAN'T KEEP DOING
THIS TO YOURSELF.
I KNOW.
I JUST--
IT'S JUST A REALLY
BAD TIME FOR ME.
YOU ARE NOT THE ONLY ONE.
I'M SORRY.
I'M SORRY.
I GUESS I'M JUS REALLY NOT OKAY.
YOU'RE JUST NOT THE SAME.
YOU NEED HELP.
I KNOW.
TELL ME WE'RE GONNA BE
ABLE TO WORK THIS OUT.
I THINK WE JUST SHOULD TALK
ABOUT THAT ANOTHER TIME.
EVEN IF YOU DON' THINK SO,
JUST DO ME A FAVOR
AND FAKE IT FOR A SECOND.
WHO'S HERE?
THERE'S NO ONE HERE.
WHERE?
IN THE HOUSE.
SERIOUSLY?
COME ON.
THERE'S SOMEONE IN HERE.
THERE'S NO ONE HERE.
THERE'S NO ONE HERE.
PLEASE JUST RELAX.
JUST LAY DOWN
AND RELAX, OKAY?
- WHO'S HERE?
- THERE'S NO ONE HERE.
- THERE'S NO ONE HERE.
- THERE'S SOMEONE COMING
- THERE'S NO ONE HERE.
JUST STOP IT.
- GET AWAY FROM THE DOOR.
- STOP IT. STOP.
(clatter)
DAMN IT.
MOM, WHAT WAS THAT NOISE?
JESUS CHRIST, I REALLY
DON'T KNOW HOW MUCH MORE
(water runs, stops)
(thud)
(voices whisper)
(voices whispering)
OH.
(rock music playing)
# BEFORE I CLOSED
THE DOOR #
# AND SAID GOODBYE #
# I COULDN'T BEAR #
# TO LOOK HER
IN THE EYE #
# I THOUGH THAT LIFE WAS JUST #
# TO LOVE AND LEAVE
AND DIE #
# NOTHING MORE #
# YOU KNOW
IT WASN'T EASY #
# GOING THROUGH #
# WHAT IT WAS #
# I KNEW I HAD TO DO #
# I HIT THE ROAD #
# BACK TO THE ONLY LIFE
I KNEW #
# NOTHING MORE #
# IT'S TOO LATE #
# TO SAY IT NOW #
# I WISH I COULD #
# SOMEHOW #
# IT WASN' JUST A LIE #
# I HATE TO SAY
GOODBYE #
# AND IF I'D EVER
THOUGHT #
# OF TURNING BACK #
# I SWEAR
THAT I WOULD HAVE #
# A HEART ATTACK #
# THAT'S HOW
YOU LEARN TO LIVE #
# FOR ONLY
WHAT YOU HAVE #
# NOTHING MORE #
# IT'S TOO LATE #
# TO SAY IT NOW #
# I WISH I COULD #
# SOMEHOW #
# IT WASN'T JUS A LIE #
# I HATE TO SAY
GOODBYE #
# I HATE TO SAY IT #
# I HATE
TO SAY IT. #
IT'S LOCKED.
OH YEAH.
I-- I THOUGHT YOU--
YOU DID?
GOOD FOR YOU.
BUT I'M NOT PAYING YOU
TO THINK, AM I?
I'M PAYING YOU
TO CLEAN THE PLACE.
NO, I JUST THOUGH YOU WANTED ALL THE ROOMS--
OKAY, COOL.
WELL, I'M JUST ABOU DONE HERE,
SO I'M GONNA
GO AHEAD AND--
(chuckles)
OKAY OKAY OKAY.
TAKE IT EASY, GUY.
TAKE IT EASY.
I'M JUST GIVING YOU
A HARD TIME.
YEAH, I KNOW.
IT'S OKAY.
YOU FEEL ALL RIGHT, GUY?
'CAUSE YOU LOOK
A LITTLE--
WHAT'S THE WORD?
WASTED.
HUH? NO, I'M GOOD.
YEAH?
YOU GOOD?
THAT'S WHAT--?
SO THIS IS WHAT GOOD
LOOKS LIKE THESE DAYS?
'CAUSE I'M REAL GOOD TOO.
YOU LOOK IT.
YOU'RE FIT.
I FEEL REAL CLEAN--
NOTHING ON ME.
YOU KNOW WHAT I MEAN?
YES, I DO.
I SURE DO.
- I BET YOU DO.
- HEY, THAT'S MY JOB.
SO LISTEN,
HAVE WE MET BEFORE?
NO, I DON'T THINK SO.
NO?
NO.
'CAUSE YOU LOOK--
YOU LOOK
REAL FAMILIAR TO ME.
YOU KNOW WHO
YOU REMIND ME OF?
YOU LOOK EXACTLY
LIKE THE GUY
WHO CAME HERE LAST WEEK,
CLEANED THE SHI OUT OF MY SEPTIC TANK--
SAME EXACT UNIFORM.
THANKS.
WELL, UNLESS THERE'S
ANYTHING ELSE,
I'M GONNA JUST LOAD UP
MY RIG AND--
YEAH, UH...
YOU THINK YOU COULD
GIVE ME A HAND
YEAH SURE.
WHAT IS IT?
IT'S IN THE GARAGE.
IT'S A LITTLE AWKWARD.
(insects chirping)
I LEFT MY KEYS
IN THE HOUSE.
(door opens and closes)
(cell phone ringing)
(cell phone
continues ringing)
(garage door humming)
(cell phone
continues ringing)
I TOLD HER THAT PEOPLE
WHO USE THE RING
THAT COMES WITH THE PHONE
DESERVE TO DIE.
I MUST HAVE TOLD HER
IF SHE DOESN'T CHANGE
THAT RING, I'M GONNA
DID SHE CHANGE THE RING?
SHE DIDN'T.
ALL RIGHT, LET'S GET THESE
FUCKERS UP IN THE CAR.
ONE, TWO, THREE.
ALL RIGHT,
THIS ONE'S HEAVY.
LIFT WITH YOUR BACK.
ONE, TWO, THREE.
(flies buzzing)
WHAT THE FUCK
ARE YOU DOING?
NOTHING. I JUST--
WELL, THEN STOP
JUST BREATHING AND GE
JESUS CHRIST.
SORRY, I GOTTA
MAKE A CALL.
- JUST SHUT UP THE FUCK UP
A SECOND, OKAY?
JUST MEET ME
IN THE KITCHEN, GUY.
HEY, JEN, IT'S ME.
IT'S COLE AGAIN.
UM, I JUST THOUGH I'D TRY YOU AGAIN.
(chuckles)
YEP, UH,
I-- I DON'T KNOW,
I JUST WAS
CALLING TO--
I'D LOVE TO HEAR YOUR VOICE
RIGHT NOW, THAT'S ALL.
UM, I JUST WANTED YOU
TO KNOW
I'VE BEEN TAKING
MY MEDS
JUST LIKE THE DOCTOR
WANTED ME TO AND--
ANYHOW,
I'LL TALK TO YOU LATER.
JUST GIVE ME A CALL BACK.
LOVE YOU BOTH.
BYE.
Kershe's voice:
TURNS OU
THE ONLY REAL STRENGTH
IS KNOWING
YOU CAN'T DO IT ALONE.
(pills rattling)
(water running, stops)
(exhales)
JUST SIT ANYWHERE.
I OPENED A FEW BOTTLES
JUST TO LET THEM BREATHE
SAM-- THAT'S
MY SON'S NAME.
HUH?
SAM-- ISN'T THA YOUR SON'S NAME?
OH YEAH.
SMALL WORLD.
SO THAT'S A RABBIT.
IT'S FORMERLY A RABBIT.
NOW IT'S JUST RABBIT.
AND WE'RE GONNA EAT IT.
FRANCIS FORD COPPOLA,
MY ASS.
WHO?
NOBODY.
HE'S NOBODY.
HERE, TRY THIS.
NO, THAT--
THAT'S ALL RIGHT.
NO? WHAT, ARE YOU SOBER?
DON'T TELL ME YOU'RE SOBER.
NO, IT'S--
MEDICATIONS THEN?
ARE YOU DEPRESSED,
COLE, UPSET?
YEAH RIGHT.
OH SURE.
WHY THE HELL NOT?
WELL, THAT'S ONE WAY
TO DO IT.
CHATEAU MAISON LEDOUX, 1965.
SUSAN'S FAVORITE.
SUSAN-- IS THA YOUR WIFE?
MAYBE I SHOULDN'T BE
DRINKING THIS.
SHE HAD HER CHANCE.
YOU KNOW WHAT?
TO SUSAN, HUH?
MAY SHE ROT IN A SPECIAL
CIRCLE OF HELL
RESERVED JUST FOR
MISERABLE, BLOOD-SUCKING
IS SHE OUT OF TOWN,
AWAY?
I MEAN, FOR A WHILE?
SOMETHING LIKE THAT.
SO WHAT ABOUT YOU, GUY?
MARRIED,
FUCKING EVERYTHING
THAT MOVES, OR BOTH?
NO, I'M MARRIED.
OR I WAS MARRIED.
JUST DIDN'T WORK OUT.
IT'S NOBODY'S FAULT.
IT'S JUS ONE OF THOSE THINGS.
WELL, IT SOUNDS TO ME
LIKE YOU FOUND OU A LITTLE TOO LATE
THAT SHE PREFERS
BLACK GUYS.
YOU KNOW, WE WENT THROUGH
THERAPY AND ALL THE REST.
I GUESS SHE JUST DECIDED
IT WAS OVER.
OF COURSE, I WAS THE LAS ONE TO KNOW, RIGHT?
TURNS OU IT'S LIKE A BAND-AID.
YOU JUST GOTTA TAKE IT OFF
WITH ONE CLEAN MOVE
JUST LIKE THAT.
JUST--
YOU KNOW,
I WAS GOING THROUGH
AND ISN'T THE WHOLE THING
WITH MARRIAGE
THAT YOU HELP OU THE OTHER PERSON--
RICHER OR POORER,
SICKNESS AND HEALTH
THERE WAS THIS TIME
WHERE I REALLY NEEDED
BUT NOPE, SHE JUS COULDN'T DO IT.
THEN ALL OF A SUDDEN
THE PERSON
WHO'S ON YOUR SIDE
IS LEADING THE CHARGE
AGAINST YOU.
FUNNY HOW THAT CHANGES
SO FAST.
I USED TO THINK
A STRONG MAN
SHOULD BE ABLE TO DO
EVERYTHING HIMSELF.
THE TRUTH IS,
THE ONLY REAL STRENGTH
IS REALIZING THA YOU CAN'T DO IT ALONE.
I'LL DRINK TO THAT.
YEAH,
SUSAN-- SHE'S ALL RIGHT,
I GUESS.
THE TRUTH IS,
MY WIFE AND I...
(voice distorted)
(phone ringing)
DON'T YOU WAN TO GET THAT?
HEY, THE THINGS
I WANT TO DO, I DO.
THE THINGS I DON'T WAN TO DO, I DON'T DO.
Henry's voice:
You've reached
Please leave
a detailed message
and someone
will get back to you
(machine beeps, clicks)
SO YOU STILL WAN TO SETTLE UP?
JESUS.
FUCK IT.
LET'S GO TAKE CARE
OF SOME BUSINESS.
WHAT DID I SAY?
$5000?
THE MONEY
I'VE OFFERED YOU
WHAT YOU'RE ABOUT TO SEE
ON THE OTHER SIDE
DO YOU UNDERSTAND THAT?
YEAH.
WELL, OKAY, LET'S HAVE
A LOOK INSIDE THEN.
HERE WE HAVE
THE MASTER SUITE.
GO AHEAD.
YOU'RE A PROFESSIONAL
MAN, COLE.
I'LL GIVE YOU 500 BUCKS
IF YOU CAN NAME
THAT STENCH.
YEAH, SOME--
(imitates buzzer)
IT'S PISS.
IT'S DOG PISS,
IF YOU WANT TO BE
PRECISE ABOUT IT.
YEAH, SUSAN HAD
THIS LITTLE FUCKING DOG.
AND I SWEAR
IT WAS PUT ON THIS EARTH
FOR THE SOLE PURPOSE
OF PISSING ON MY HOUSE.
BUT I TOOK CARE
OF THAT BITCH.
(chuckles)
I TOOK CARE OF
THE LITTLE DOG TOO.
YEAH.
THINGS GOT A LITTLE
OUT OF HAND, I GUESS.
OH, BUT DON'T WORRY.
IT'S--
IT'S WINE.
MOSTLY IT'S WINE.
I'D SAY
PARDON THE MESS,
BUT THE MESS IS
WHAT I'M MOST PROUD OF.
DOES YOUR WIFE KNOW
THAT--?
WHAT?
THAT I KILLED HER SHIT?
SHE'S GOT BIGGER PROBLEMS
THAN THAT RIGHT NOW.
EITHER THA OR NO PROBLEMS AT ALL,
DEPENDING ON
HOW YOU LOOK AT IT.
OH RIGHT.
I FORGOT TO SHOW YOU
THE BEST PART.
COME ON, CHECK IT OUT.
LADY'S POWDER ROOM.
IN ALL FAIRNESS, YOU KNOW,
I TOOK THE IDEA FROM SUSAN.
WHEN WE WERE FIRST TOGETHER,
SHE USED TO WRITE ME
THESE MESSAGES
IN HER LIPSTICK.
I USED TO PRETEND
TO LIKE IT.
SHIT, I MIGHT HAVE
ACTUALLY LIKED I
BUT THEN IT STARTED
TO SEEM,
I DON'T KNOW,
KIND OF CHEAP TO ME,
LIKE SOMETHING
A HOOKER WOULD DO.
LADY'S POWDER ROOM.
JUST ONCE I'D LIKE TO HEAR
ONE OF THESE
REAL ESTATE PEOPLE
"AND HERE'S THE ROOM
WHERE THE LADY
WILL TAKE
MOST OF HER SHITS--
NOT ALL OF HER SHITS,
'CAUSE SHE'LL PROBABLY TAKE
ONE OR TWO SHITS
IN A DOWNSTAIRS BATHROOM,
JUST TO KEEP THE STAFF
ON THEIR TOES."
AND THAT'S IMPORTANT,
BECAUSE IF I WALK INTO
A BATHROOM IN THIS HOUSE
AND THE TOILET PAPER ROLL
IS NOT FOLDED
TO A PERFECT POIN LIKE THAT--
IF IT'S NOT FOLDED
TO A PERFECT POIN
I'M GONNA LOSE MY MIND.
DO YOU SEE THAT?
YOU SEE THAT?
YOU SEE THAT LITTLE GUY
RIGHT THERE?
AS LONG AS I HAVE THAT,
EVERYTHING'S PERFECT.
YOU SEE THAT?
NOW LET ME ASK YOU
SOMETHING, GUY:
IS THA THE TOILET PAPER ROLL POIN
OF A MAN WHO JUST KILLED
HIS WIFE AND KID?
- WHAT?
- HUH?
DID YOU JUST SAY
YOU KILLED YOUR
SHIT. DID I?
BECAUSE IF I DID,
IT WAS A MISTAKE.
BECAUSE IF I DIDN' KILL THEM,
IT'D BE A MISTAKE
TO SAY THAT I DID,
BECAUSE IT WOULD BE
FALSE
AND SO A MISTAKE.
ON THE OTHER HAND,
IF I DID KILL THEM,
IT'D BE A MISTAKE
TO TELL YOU THAT I DID,
BECAUSE THEN
YOU'D KNOW
AND I'D HAVE TO DO
SOMETHING ABOUT THAT.
AND YOU'D WANT TO RESIS AND THERE'D BE A STRUGGLE
AND SO ON AND SO FORTH.
AND THAT'D BE TOO BAD,
BECAUSE I FEEL LIKE
WE'RE FINALLY STARTING
TO UNDERSTAND
EACH OTHER.
NOW YOU LISTEN TO ME,
YOU PATHETIC, USED-UP SHELL.
SOME PEOPLE ARE
COMING HERE TOMORROW,
TO SEE THIS PLACE.
AND IT WON'T DO
FOR THEM TO SEE
YOU READ ME?
IT JUST WON'T DO.
- I CAN'T DO IT.
- BULLSHIT YOU CAN'T.
- IT'S TOO MUCH.
- WE HAD A DEAL.
- YOU SAID--
- I SAID "ALL THE ROOMS."
ARE YOU REALLY
IN ANY POSITION
IT'S LATE.
IT'S A THREE-MAN JOB.
SHUT THE FUCK UP!
THATTABOY.
(phone buzzes)
WOMEN-- JUST LIKE
TARGET PRACTICE, RIGHT?
YOU KNOCK ONE OUT,
ANOTHER ONE POPS UP
RIGHT IN HER PLACE.
UH, YOU MIGHT THINK ABOU GETTING STARTED THERE.
AFTER ALL,
YOU'RE JUST ONE GUY.
Jennifer's voice:
THERE'S NO ONE HERE.
Dr. Segal's voice:
GIVEN THE PARTICULARS
IN ADDITION TO THE ADDED
STRESS OF A RECENT...
JESUS. FUCK.
Jennifer's voice:
I DON'T FEEL SAFE
WITH YOU ANYMORE.
HELLO, COLE.
SHUT UP.
YOU'RE NOT REAL.
Kershe's voice:
ALL RIGHT, IF YOU SAY SO.
I BET THIS LOOKS
FAMILIAR.
NO?
YOU KNOW, IN THE END
IT'S NOT THE WAYS
IN WHICH WE'RE DIFFEREN
THAT DEFINE US, COLE.
IT'S THE THINGS
WE'VE SHARED.
THAT IS OUR STRENGTH.
I DON'T KNOW WHA YOU THINK YOU'RE DOING.
WELL, IT'S NOT YOUR
PRIVATE PROPERTY, COLE.
YOU ONLY WORK HERE,
RIGHT?
SO WHAT DO YOU THINK?
DO YOU THINK HE KNOWS?
KNOWS WHAT?
ABOUT US.
ABOUT YOU AND ME.
KERSHE.
AT YOUR SERVICE.
SHUT UP.
I--
YOU'RE NOT REAL.
YEAH.
I'M AFRAID IT'S A LITTLE
MORE COMPLICATED
YOU THINK YOU'RE THE GUY
IN THE UNIFORM
WITH HIS NAME
STITCHED ONTO THE TAG,
BUT YOU'RE NOT EVEN
THE SUIT.
YOU'RE JUS THE NAME ON THE TAG.
(panting)
I'M LOSING MY MIND.
YOU DON'T HAVE A MIND
TO LOSE.
YOU'RE NOT REAL.
UNFORTUNATELY, COLE,
YOU'RE NOT REAL.
WHAT ARE YOU TRYING
TO DO TO ME?
YOU REALLY DON' REMEMBER, DO YOU?
OR ELSE YOU WON'T.
IT'S AMAZING,
ISN'T IT--
THE LENGTHS
THAT WE'LL GO TO
TO FORGET THE TERRIBLE
THINGS WE'VE DONE?
WHAT THE FUCK
ARE YOU DOING TO ME?
SHH.
TAKE IT EASY, COLE.
I HAD BEEN SUFFERING
FROM CERTAIN DELUSIONS.
AND FROM WHAT I COULD
GATHER, LIFE WITH ME
HAD BECOME INCREASINGLY
DIFFICULT FOR MY FAMILY.
I DON'T REALLY THINK
THAT YOU KNOW
HOW FUCKING HARD
THIS HAS BEEN FOR ME.
SO I ADMITTED MYSELF
INTO A 30-DAY
TREATMENT PROGRAM.
Jennifer:
I DON'T FEEL SAFE
BUT WHEN THE TIME CAME
FOR ME TO GO HOME,
IT WAS PRETTY CLEAR
THAT I WAS THE ONLY ONE
WHO THOUGH THAT WAS A GOOD IDEA.
AND THESE ARE
FOR YOU AS WELL.
USE ONLY AS DIRECTED
ON THE LABEL.
NO MIXING WITH ALCOHOL.
OKAY.
Kershe's voice:
EVERYBODY WAS CONCERNED
THAT I WAS GONNA HAVE
A DIFFICULT TIME
OUT THERE
IN THE BIG BAD WORLD.
I ASSURED THEM
THEY WERE WRONG.
BUT THEY'D ALREADY
MADE UP THEIR MINDS.
Jennifer:
I'VE ALREADY STARTED
AND ALL I ASK
IS THAT YOU DON'
Kershe's voice:
I WAS ASKED TO LEAVE
THE HOUSE
THAT I HAD PAID FOR...
THIS IS FUCKING
UNBELIEVABLE.
Kershe's voice:
...BY THE WOMAN
SO FUCKING HARD
TO GIVE IT TO.
AND I KNEW
AT THAT MOMENT THAT--
WELL, THAT I WAS
ALL ALONE IN THE WORLD.
THAT WAS A FEELING
THAT FOLLOWED ME EVERYWHERE.
CAN SOMEBODY TELL ME
JUST EXACTLY
HOW THE FUCK SOMETHING
LIKE THIS HAPPENS?
- MR. KERSHE.
- TAKE IT EASY.
DON'T TELL ME
TO TAKE IT EASY, TODD.
Kershe's voice:
AND WITH NOBODY
IT BECAME
PALPABLY OBVIOUS
THAT EVERYONE WAS
AGAINST ME.
AND THE PEOPLE
WHO WERE SUPPOSED TO BE
THE CLOSEST TO ME--
THEY WERE THE WORS OFFENDERS OF ALL.
Sam: MOM!
Kershe's voice:
AND I UNDERSTOOD THEIR
TO BE AN ATTACK...
THAT THEY WERE TRYING
TO KILL ME
WITH THEIR DISREGARD.
SO I DID WHAT I FEL I HAD TO DO
TO PROTECT MYSELF.
(two gunshots)
(gunshot)
I DIDN'T KILL MY FAMILY.
NO, YOU DIDN'T.
I KILLED MY FAMILY.
I KNOW YOU.
YOU'D HAVE DONE
THE EXACT SAME THING.
SHH.
BUT THEN I HAD
A NEW PROBLEM.
THE THREAT HAD BEEN
EFFECTIVELY SILENCED,
BUT IN ITS PLACE
I FOUND
A RATHER
UNMANAGEABLE MESS.
AND THERE WAS
NO QUESTION
THAT IT HAD TO BE
TAKEN CARE OF,
BUT IN MY STATE
I KNEW
THAT I WAS
IN NO CONDITION
I KNEW I NEEDED HELP.
SO I LOOKED
DEEP INTO MYSELF
FOR STRENGTH
AND THERE YOU WERE,
COLE.
I'M PRETTY SURE...
THERE'S NO WAY I COULD HAVE
DONE THIS WITHOUT YOU.
YOU WERE CALM
AND COLLECTED
AND EFFICIENT.
(whistling a tune)
YOU ASSESSED THE JOB.
YOU GATHERED
THE APPROPRIATE TOOLS
AND WEN RIGHT TO WORK...
METHODICALLY REMOVING
ALL THE TRACES OF THE MESS
THAT I WAS POWERFUL ENOUGH
TO CREATE
BUT WAS
TOO FUCKING WEAK
TO SEE THROUGH
TO THE END.
AND I'VE GOT TO SAY,
COLE...
YOU DID
A HELL OF A JOB.
YOU'RE INSANE.
WELL, WE WOULDN'T BE
HAVING THIS CONVERSATION
I GOTTA GET OUT OF HERE.
BEFORE YOU DO,
YOU SHOULD TAKE A LOOK
IN THE SHOWER.
I'M ACTUALLY
A LITTLE SURPRISED
HE LEFT I OFF THE GRAND TOUR.
IT'S QUITE
A SHOW-STOPPER.
GO AHEAD.
IT'S NOTHING YOU HAVEN' SEEN BEFORE.
(engine grinding)
(insects chirping)
Kershe's voice:
I'M GONNA LEAVE SOME
JUST IN CASE.
I HOPE THAT'S OKAY
WITH YOU.
(knocks)
I NOTICED
YOU'RE NOT HELPING ME
(knocks)
I'M TALKING TO YOU, GUY.
YOU DON'T THINK
HE'S GONNA LET YOU JUS
COLE.
LET'S THINK ABOUT THIS.
WHY DO YOU THINK
HE WAS SO INSISTEN
ABOUT HAVING JUST ONE GUY
CLEAN THIS WHOLE BIG HOUSE?
MAYBE BECAUSE HE COULDN' HANDLE MORE THAN ONE
WHEN THE JOB
WAS FINISHED?
I DON'T KNOW
ABOUT YOU,
BUT I'M NOT READY
TO DIE TONIGHT.
I CAN MAKE I DOWN TO THE HIGHWAY
AND HITCHHIKE
MY WAY OUT.
THEN WHAT?
YOU DON'T THINK HE'S
GONNA COME AFTER YOU?
'CAUSE HE WILL.
WHAT ARE YOU SAYING?
I'M SAYING
WE DID IT BEFORE.
HOW HARD CAN IT BE
TO DO IT AGAIN?
I CAN'T.
I CAN'T DO IT.
YOU DON'T HAVE TO.
WE STICK TO
WHAT WE'RE GOOD AT.
I'LL MAKE THE MESS.
YOU CLEAN IT UP.
TRUST ME, COLE, OKAY?
JUST TRUST ME.
A SPECIAL SOLUTION--
YOU KNOW, FOR THE REALLY
TOUGH STAINS.
YEAH, ALL RIGHT.
(whistling a tune)
(continues whistling)
HOLD IT RIGHT THERE.
LET ME SEE THOSE BOOTIES.
HUH-UH.
THERE.
PUT DOWN THE BOX
AND PUT ON THE BOOTIES.
SO WHAT DO YOU WAN TO HEAR FIRST--
THE GOOD NEWS
OR THE BAD NEWS?
WELL, THE BAD NEWS IS
THAT THERE'S NO $5000
IN THIS HOUSE.
SO THERE'S THAT.
THE GOOD NEWS IS
THAT I WON THIS BA AT AN AUCTION
AND, AS YOU CAN IMAGINE,
IT'S QUITE VALUABLE--
QUITE VALUABLE.
IN FACT I THINK I PAID
JUST OVER $5000 FOR IT.
AND THAT WAS
A FEW YEARS AGO.
THERE'S GARBAGE
UNDER THE SINK.
A SPECIAL SOLUTION, HUH?
FOR THE REALLY
TOUGH STAINS?
I MEAN, IS THAT WHA WE'RE DEALING WITH HERE--
THE REALLY TOUGH STAINS?
HEY, GUY,
WHY IS THERE--?
SHH.
KERSHE?
(phone ringing)
Henry's voice:
You've reached
Please leave
a detailed message
and someone
will get back to you
(machine beeps)
(woman over phone)
Oh, um...
Henry, it's--
Well, it's me.
It's Susan.
So, um...
Listen.
I don't know exactly
what I was gonna say.
THE TRUTH IS, MY WIFE AND I
HAVE BEEN HAVING SOME
It's pretty late.
I hope I'm not waking you up.
- I HAVEN'T SPOKEN TO HER
IN A FEW WEEKS.
SHE'S UP WITH MY KID
IN SONOMA.
I DON'T EVEN KNOW
WHAT THE FUCK THAT MEANS,
I really just wanted
to call and talk.
I guess I'm thinking
that we should try
It's only money,
you know?
I GUESS WE'RE GONNA TRY
TO PATCH THINGS UP--
I HAVEN'T SPOKEN TO HER
IN A WHILE,
BUT I WAS THINKING OF
CALLING HER TOMORROW.
Susan:
And Samuel-- well,
Samuel really misses
his dad, you know?
Okay.
I shouldn't be
leaving all of this
Call me when you get this
and we'll--
okay.
Call me back.
Bye.
(rock song playing)
# OH NO #
# LOOK WHAT WE HAVE DONE #
# THEY'VE GOT US
ON THE RUN #
# BABY, THERE'S NO NEED
TO FEAR #
# I'M YOUR PISTOLIER #
# WE'RE GROWING YOUNG #
# SO FAST, SO FAST #
# THEY SAID #
# IT WOULD NEVER LAST #
# WE'LL HIDE UNDERNEATH
THEIR TRACKS #
# AND FIND #
# UNTIL WE'RE BLIND #
# WE'LL CHASE ANYTHING #
# POCKETS FULL
WERE LEFT BEHIND #
# OH, BEHIND #
# OH, BEHIND. #
- (cell phone ringing)
- (sighs)
(grunting)
(phone stops ringing)
# WE'LL CHASE ANYTHING #
# WE'LL CHASE
ANYTHING #
# WE'LL CHASE ANYTHING #
# GROWING YOUNG SO FAST #
# WE'LL CHASE
ANYTHING #
# IT WILL NEVER LAST #
# WE'LL CHASE ANYTHING #
# POCKETS FULL
WERE LEFT BEHIND. #
HE DIDN'T KILL HIS WIFE.
HE DIDN'T DO ANYTHING.
HMM, IT WAS
AN HONEST MISTAKE.
ANYWAY, IT'S DONE NOW.
I'M DRIVING
THE FIRST LEG.
Kershe:
COLE, ARE YOU SURE
WE'VE TAKEN CARE
OF EVERYTHING?
DON'T TELL ME
HOW TO DO MY JOB.
NO, I WOULDN'T DARE.
IT'S JUST I THINK WE
MIGHT HAVE MISSED A SPOT.
WHAT SPOT?
WELL, NOT SO MUCH
A SPOT REALLY,
BUT A RATHER ANNOYING
BRITISH
REAL ESTATE AGENT.
SHE SAW US.
SO DID THE HOUSEKEEPER.
YEP, GOOD POINT.
SEE, NOW YOU'RE THINKING.
THAT'S JUST GREAT.
UM, THE OWNER DOESN'T SEEM
TO BE ANSWERING THEIR PHONE.
WELL, THAT'S JUST GREAT.
SHE'S BEING SARCASTIC
FOR A CHANGE.
OH. (chuckles)
WELL, AS YOU CAN SEE,
THERE IS A PRIVATE DRIVEWAY,
TWO SECURITY GATES.
THERE IS A SIX-CAR GARAGE
OVER THAT WAY.
THE GROUNDS ARE
IN IMPECCABLE CONDITION.
AND I'M SURE THE SAME
CAN BE SAID ABOUT THE FLOORS.
I THINK I'M JUS GONNA TRY KNOCKING.
HELLO?
(rock music playing)
# TIME IT TELLS #
# LIVING IN MY HOMETOWN #
# WEDDING BELLS #
# THEY BEGIN EASY #
# LIVE IT DOWN, BABY #
# DON'T TALK THAT MUCH #
# BABY KNOWS #
# BUT, BABY, DON'T TEASE ME #
# IN THE PARK
WE COULD GO WALKING #
# DROWN IN THE DARK #
# OR WE COULD GO SAILING #
# ON THE SEA #
# ALWAYS HERE,
ALWAYS ON TIME #
# CLOSE CALL, WAS IT LOVE #
# OR WAS IT JUST EASY? #
# MONEY TALKS WHEN PEOPLE
NEED SHOES AND SOCKS #
# STEADY, BOYS,
I'M THINKING SHE NEEDS ME #
# I WAS JUST SIPPING
ON SOMETHING SWEET #
# I DON'T NEED
POLITICAL PROCESS #
# I GOT THIS
FEELING THAT THEY'RE GONNA
# I GOT THIS FEELING THA THEY'RE GONNA COME BACK
# SEE, I WAS THINKING
THAT I LOST MY MIND #
# BUT IT'S BEEN GETTING TO ME
ALL THIS TIME #
# AND IT DON'T STOP
DRAGGING ME DOWN #
# SILENTLY REFLECTION #
# TURNS MY WORLD TO STONE #
# PATIENTLY CORRECTION #
# LEAVES US ALL ALONE #
# AND SOMETIMES
I'M A TRAVEL MAN #
# BUT TONIGH THIS ENGINE'S #
# FAILING #
# I STILL HEAR
THE CHILDREN PLAYING #
# KICK THE CAN, KICK THE CAN,
SKIP AND BLACKJACK #
# STEAL A CAR
AND "RING AROUND THE ROSIE" #
# ROCK 'N' ROLL,
CANDY LAND, BOGEYMAN #
# RUN AWAY
AND GIVE ME YOUR SNEAKERS #
# ACID RAIN,
WHEN ABEL LOOKED UP AT CAIN #
# HE BEGAN A-WEEPING
AND WAILING #
# A HURRIED HIGH FROM
PESTILENCE, PILLS AND PRIDE #
# IT'S A SHAME,
WE COULD HAVE GONE SAILING #
# BUT HEAVEN KNOWS,
HEAVEN KNOWS EVERYTHING #
# TRANQUILIZE #
# I GOT THIS
FEELING THAT THEY'RE GONNA
# I GOT THIS FEELING
THAT THEY'RE GONNA COME
# SEE, I WAS THINKING
THAT I LOST MY MIND #
# BUT IT'S BEEN GETTING TO ME
ALL THIS TIME #
# AND IT DON'T STOP
DRAGGING ME DOWN #
# SILENTLY REFLECTION #
# TURNS MY WORLD TO STONE #
# PATIENTLY CORRECTION #
# LEAVES US ALL ALONE #
# AND SOMETIMES
I'M A TRAVEL MAN #
# BUT TONIGH THIS ENGINE'S #
# FAILING #
# I STILL HEAR
THE CHILDREN PLAYING #
# DEADBEAT DANCERS
COME TO US AND STAY #
# 'CAUSE I DON'T CARE
WHERE YOU'VE BEEN #
# AND I DON' CARE WHAT YOU'VE SEEN #
# WE'RE THE ONES
WHO STILL BELIEVE #
# AND WE'RE LOOKING
FOR A PAGE #
# IN THAT LIFELESS
BOOK OF HOPE #
# WHERE A DREAM
MIGHT HELP YOU COPE #
# WHERE THE BUSHES
AND THE BOMBS #
# ARE TRANQUILIZED. #
(instrumental music
playing)