(traffic passing)
(ominous atmospheric music)
(computer beeping)
(static glitching)
(distant chattering)
(static glitching)
(distant baby crying)
(distant moaning)
(ominous atmospheric music)
(breathing heavily)
- Okay.
Okay, okay.
Uh, it's a dream.
Okay, it's a dream,
it's a dream.
Wake up.
Come on, wake up!
Oh fuck!
(breathing heavily)
What the fuck is
happening to me?
What the fuck is
happening to me?
What the fuck is
happening to me?
Wake up!
Dallas?
Shit.
What the fuck is going on?
(crying)
What is going on with me?
What is going on with me?
(phone ringing)
- [Victoria] Blair?
Blair, are you there?
- [Victoria] Blair?
- Hello?
- [Victoria] Blair?
- [Victoria] Go to
Mockingbird Station
- [Victoria] Blair?
and don't talk to anyone,
especially no police.
- [Victoria] Blair?
Stay away from anyone in a suit.
- [Victoria] Blair?
Okay?
- [Victoria] Blair?
- Wait, what do you mean?
- [Victoria] Blair?
- [Victoria] You've
got to leave right now.
- [Victoria] Blair?
- Who is this?
- [Victoria] Blair?
- [Victoria] Blair, go!
- [Victoria] Blair?
Blair, run!
- [Victoria] Blair?
- Who is this?
- [Victoria] Blair?
- [Victoria] Run!
- [Victoria] Blair?
- Shit.
Fuck!
(phone dialing)
(phone ringing)
(phone dialing)
(crying)
- [Man] Front desk.
- Hi,
- [Man] Front desk.
uh, I need to know
how to get to,
- [Man] Front desk.
uh, the train to Mocking
uh, Mockingbird Station.
- [Man] Front desk.
- [Man] Mockingbird Station?
- [Man] Front desk.
- [Blair] Can you tell me?
- [Man] Front desk.
- [Man] Yes, please
hold for one second.
- [Man] Front desk.
(light jazz music)
- [Man] Front desk.
- Blair?
Blair?
(phone clicking)
Fuck.
(phone clicking)
Hello?
(phone clicking)
Shit.
Fuck.
(ominous atmospheric music)
(door closing)
(crying)
Okay, okay.
(sighing heavily)
(elevator doors opening)
Okay.
Okay.
Okay.
Okay, okay.
Mockingbird Station.
Okay, okay.
Okay.
Okay.
Okay.
(breathing heavily)
- Yeah.
What did he say other than that?
- Yeah.
No.
- Yeah.
(crowd chattering)
(crying)
(breathing heavily)
(coughing)
(breathing heavily)
Okay.
Okay.
- Where's she going?
(car horn honking)
- Um.
(breathing heavily)
Fuck.
(ominous synth music)
All right.
- [Mari] Blair!
- [Blair] Where the
fuck is Mockingbird?
- [Mari] Blair!
- [Woman Over PA]
This is the red line.
Down to Union Station.
- [Mari] Did she
get on the train?
- [Tell] I don't know.
I don't see her.
- [Tell] I don't know.
- Did you see her
get on the train?
- [Tell] I don't know.
(doors closing)
Okay, well that was unexpected.
Find out where that train stops.
Okay, well that was unexpected.
Find out where it ends up.
Okay, well that was unexpected.
I'm gonna call this in.
Okay, well that was unexpected.
- [Foster] Yeah.
Let me see if I can catch him.
- [Foster] Yeah.
Yeah, just a second.
Hold on.
Director!
Director Loyd!
Director!
Director!
Director!
Just a second.
Director!
Director!
Director!
Director L...
Director!
Director!
Sir, sir.
Director!
Sorry, sorry.
It's Mari and Tell.
I know you need to go,
but you need to take this.
- Mari?
I know you need to go,
but you need to take this.
- We've had a, uh, development.
I know you need to go,
but you need to take this.
She wasn't in the room.
- [Lloyd] Clarify with
information that is useful.
She wasn't in the room.
I'm not concerned
with where she wasn't.
She wasn't in the room.
- No, what I mean is
that she left the hotel.
She wasn't in the room.
She got on a train.
She wasn't in the room.
We're finding out where it goes,
She wasn't in the room.
and we're gonna go get her.
She wasn't in the room.
- Proceed.
She wasn't in the room.
But, remember, if
we don't get to her,
She wasn't in the room.
the results, the ramifications,
could be catastrophic.
She wasn't in the room.
So move quickly, move with
caution, but move with purpose.
She wasn't in the room.
Time is as much of an enemy
to us as it is to her.
She wasn't in the room.
- Yes, sir.
She wasn't in the room.
Yes, sir.
- [Foster] Sir?
Sir, do--
- [Foster] Sir?
- You're on your own.
- [Foster] Sir?
- Okay, I'll, I'll
stay here tonight,
and uh, I'll keep,
I'll keep you posted.
- Okay, I'll, I'll
stay here tonight,
Thank you.
(suspenseful guitar music)
- Where could she
possibly be going?
- We need to call a
team to scrub the room.
I want to know if there
was anything up there.
- We need to call a
team to scrub the room.
- Okay.
- We need to call a
team to scrub the room.
- There's got to be a reason
it's different this time.
She was supposed to be there.
- There's got to be a reason
it's different this time.
- Did you see her?
- There's got to be a reason
it's different this time.
Did you see her face?
- There's got to be a reason
it's different this time.
- Yeah, I saw her face.
- She's gone.
- Where's that train going?
- She's gone.
Where's that train going?
- She's gone.
This line.
It's going to
Mockingbird Station.
This line.
Red line.
- But wait, what, what
the hell is over there?
Red line.
What's over there?
- [Mari] I don't know.
What's over there?
That's what we get paid to
find out, so let's find out.
What's over there?
- [Woman Over PA] Now
arriving, Mockingbird Station.
What's over there?
Doors will open to the left.
What's over there?
Mockingbird Station.
- Come with me.
Blair, Blair.
- Who the fuck?
Blair, Blair.
- [Victoria] I'm your
sister, Victoria.
Blair, Blair.
- [Blair] What?
Blair, Blair.
- Okay, we have to
get you out of here.
Let me look at you.
- Okay, we have to
get you out of here.
Are you okay?
- Okay, we have to
get you out of here.
Do you feel okay?
- Okay, we have to
get you out of here.
- I--
- Okay, we have to
get you out of here.
- Are you hurt?
- Okay, we have to
get you out of here.
- I don't, I--
- Okay, we have to
get you out of here.
- Are you hurt?
- Okay, we have to
get you out of here.
- I don't know!
- Okay, we have to
get you out of here.
I don't know, I don't know.
- Okay, we have to
get you out of here.
- It's okay.
- Okay, we have to
get you out of here.
Okay, calm down.
- Okay, we have to
get you out of here.
Look, I'm the only person you
can trust right now, okay?
- Okay, we have to
get you out of here.
- I know you, don't know.
- Okay, we have to
get you out of here.
I don't know what's going on.
- Okay, we have to
get you out of here.
- You just have to come with me.
- Okay, we have to
get you out of here.
- I don't know what's going on!
- Okay, we have to
get you out of here.
- Blair.
- Okay, we have to
get you out of here.
Please don't make a scene.
I don't know where
they are, okay?
Please don't make a scene.
I'm the only person you
can trust right now.
Please don't make a scene.
Let's go.
Please don't make a scene.
- Okay, okay, okay.
Please don't make a scene.
You're my sister?
- I'm your sister.
You're my sister?
My name is Victoria.
You're my sister?
Do you remember anything?
You're my sister?
- I don't remember anything.
You're my sister?
I just, I,
You're my sister?
I woke up in, I woke
up in a hotel and,
You're my sister?
wait, are you, are
you really my sister?
- [Victoria] I'm
really your sister.
wait, are you, are
you really my sister?
- [Blair] How do I know?
wait, are you, are
you really my sister?
- I will explain more
when we get to the car.
wait, are you, are
you really my sister?
We've got to get out of here.
wait, are you, are
you really my sister?
We can't do this now.
wait, are you, are
you really my sister?
I'm the only person
you can trust, Blair.
wait, are you, are
you really my sister?
I'm the only person
you can trust, okay?
wait, are you, are
you really my sister?
I'm the only person
you can trust.
wait, are you, are
you really my sister?
You've got to trust me.
wait, are you, are
you really my sister?
- How do I know?
wait, are you, are
you really my sister?
- Just trust me.
wait, are you, are
you really my sister?
- What--
- There's our car.
- What--
(car alarm beeping)
- What--
- What happened to me?
- What--
- I'm not sure.
- What--
I don't know.
- What--
- [Blair] You don't know?
- What--
- No.
- What--
Get in and I'll
explain everything.
- What--
- How did you know where I was?
- What--
- [Victoria] I, I work for the
people that did this to you.
They wiped your memory, Blair.
- [Victoria] I, I work for the
people that did this to you.
- [Blair] What do you
mean they wiped my memory?
- [Victoria] I, I work for the
people that did this to you.
- [Victoria] That's
what they do.
- [Victoria] I, I work for the
people that did this to you.
They're the people I work for.
- [Blair] And I work for them?
- [Victoria] Yes.
- [Blair] And I work for them?
- What...
- [Blair] And I work for them?
I, what do I do?
- [Victoria] I'm gonna
get you some help.
- What do I do?
- [Victoria] I'm gonna
get you some help.
- [Victoria] Well, we
rehabilitate soldiers,
- [Victoria] I'm gonna
get you some help.
artificial limbs,
robotic body parts.
- [Victoria] I'm gonna
get you some help.
- [Blair] Where
are you taking me?
- [Victoria] I've
got to find someone,
- [Blair] Where
are you taking me?
the only person I know
that can help you.
- [Blair] Where
are you taking me?
Okay, I have to find him.
- [Blair] Where
are you taking me?
We're gonna see a few people
- [Blair] Where
are you taking me?
so I can get, so I can
get in contact with him.
- [Blair] Where
are you taking me?
I don't know how.
- [Blair] Where
are you taking me?
- You don't know how?
- [Blair] Where
are you taking me?
- [Victoria] I haven't
seen him in a long time.
- [Blair] Where
are you taking me?
Look, I know this,
this is crazy.
- [Blair] Where
are you taking me?
I understand.
- [Blair] Where
are you taking me?
You don't understand
what's going on.
- [Blair] Where
are you taking me?
Do you remember anything?
- [Blair] Where
are you taking me?
- I don't even remember you.
- [Blair] Where
are you taking me?
- [Victoria] Do you
remember anything?
- [Blair] Where
are you taking me?
- I don't remember--
- [Blair] Where
are you taking me?
- [Victoria] Okay,
let's start back at one.
- [Blair] Where
are you taking me?
Where were you when you woke up?
- [Blair] Where
are you taking me?
- I, I was in, I was
sitting in a chair and--
- [Victoria] Where at?
At the Omni, right?
- [Victoria] Where at?
- Yeah, I was at,
I was at the Omni,
- [Victoria] Where at?
but I didn't know, I was
sitting in a chair, and I,
- [Victoria] Where at?
I was looking out
a window, and I,
- [Victoria] Where at?
I just felt like
something was wrong,
but I didn't know what,
I just felt like
something was wrong,
and then, I--
I just felt like
something was wrong,
- [Victoria] What did you see?
- There was,
there was a dead guy in there.
- There was,
- [Victoria] Fuck.
- There was,
- I don't, what,
what does that mean?
- There was,
What does that mean?
- There was,
I don't know what that means.
- There was,
I don't know what happened.
- There was,
I don't, I don't know,
- There was,
I don't remember
my fucking name.
- There was,
- [Victoria] It wasn't you.
- There was,
It's not you, Blair.
- There was,
What they, what they're
doing, it's not you.
- There was,
It's not your fault.
- There was,
- What do you mean
what they're doing?
- There was,
What are they doing?
- There was,
- [Victoria] Listen, they
are wiping out anyone
- There was,
involved in the project.
- There was,
That's why we need to find help.
- There was,
- How did you know I
was going to be there?
- There was,
- [Victoria] Because I
logged into the database
- There was,
and found out what
you were doing,
- There was,
what they were doing, okay?
- There was,
- And what are they doing?
- There was,
- [Victoria] They've been
using you in our project
from the start.
- [Victoria] They've been
using you in our project
That's why I have to get
you to this place, okay?
- [Victoria] They've been
using you in our project
A safe place.
- [Victoria] They've been
using you in our project
- You say bad things,
like what bad things?
- [Victoria] They've been
using you in our project
- [Victoria] I don't know.
- [Victoria] They've been
using you in our project
Obviously, what you
saw in there was them,
- [Victoria] They've been
using you in our project
It wasn't you, so I don't--
- [Victoria] They've been
using you in our project
- What do you mean,
like, I don't know.
- [Victoria] They've been
using you in our project
But you think--
- [Victoria] They've been
using you in our project
- [Victoria] You're
a doctor, okay?
- [Victoria] They've been
using you in our project
You're a really good doctor
and your really smart,
- [Victoria] They've been
using you in our project
and you can do a lot of
things, but this is not you.
- [Victoria] They've been
using you in our project
- I don't,
- [Victoria] They've been
using you in our project
I don't remember anything.
I don't even remember
what I fucking look like.
I don't remember anything.
I don't remember anything.
I don't remember anything.
- [Victoria] I'm sorry.
I don't remember anything.
(crying)
I don't remember anything.
- When?
- [Victoria] I'll try
to get your memory back.
- When?
I'll try to find somebody
that can help you.
- When?
- Do you love me?
- When?
(crying)
- When?
Really, I don't, I don't
even recognize you.
- When?
I don't even know
if I can trust you.
- When?
I don't know what's going on.
- When?
I don't know.
- When?
- I'm your sister.
- When?
Look at me.
- When?
Look at you.
- When?
Look at you.
Look at the mirror.
Look at you.
Look at your face.
Look at you.
- [Blair] I don't--
Look at you.
- Look at your eyes.
Look at you.
Look at your nose.
Look at you.
Look at your face.
Look at you.
Now look at me.
Look at you.
We look alike?
- We do.
- I was there for you when
you got off the train.
- You were.
- I was there for you when
you got off the train.
- I will be there
for you to the end,
and I will make sure we get
you to a safe place, okay?
- I will be there
for you to the end,
- Thank you.
- I will be there
for you to the end,
(crying)
- I will be there
for you to the end,
- [Victoria] It's okay, shhh.
- [Blair] I'm so scared.
- [Victoria] It's okay, shhh.
- [Victoria] I
know you're scared.
- [Victoria] It's okay, shhh.
I know you're scared, but
you've got to trust me.
- [Victoria] It's okay, shhh.
You've got to trust me, Blair.
- [Victoria] It's okay, shhh.
You've got to be strong, okay?
Okay?
You've got to be strong, okay?
You can promise me
you can be strong
You've got to be strong, okay?
and no matter what happens,
You've got to be strong, okay?
I don't care what
you have to do,
You've got to be strong, okay?
you do not let them
get you again, okay?
You've got to be strong, okay?
- [Blair] Okay.
You've got to be strong, okay?
- Okay.
You've got to be strong, okay?
Now just let me
protect you, okay?
- Now we're one step behind.
We've got to get one step ahead.
- Now we're one step behind.
All right, so she's going where?
- Now we're one step behind.
Mockingbird Station.
- Now we're one step behind.
That's where she's headed.
- Now we're one step behind.
Find out where that
train station is.
- Now we're one step behind.
See if you can pull
up an arrival time.
- Now we're one step behind.
We have to find out where
she's going after that.
- Now we're one step behind.
(suspenseful synth music)
- Now we're one step behind.
What do we know about
who she knows here?
I'll be damned.
- [Mari] What?
I'll be damned.
- [Tell] A sister.
I'll be damned.
- [Mari] Where?
- Four and a half blocks
from Mockingbird Station.
- [Mari] Well, I know
where we're going now.
What's her sister's name?
What's her name?
What's her sister's name?
(car beeping)
Ready?
Go.
Go.
- [Tell] Clear.
- Clear.
Go.
Clear.
- [Tell] Clear over here.
- [Mari] Anything worth noting?
- No.
She's clearly not here.
- Let's go talk
to the boyfriend.
She's clearly not here.
- [Blair] I, somebody
called me, was that you?
- It was me.
- [Blair] I, somebody
called me, was that you?
- [Blair] That was you?
- [Blair] I, somebody
called me, was that you?
- That was me.
- [Blair] I, somebody
called me, was that you?
I didn't have enough time.
- [Blair] I, somebody
called me, was that you?
You didn't have any time.
- [Blair] I, somebody
called me, was that you?
So, okay, okay, so who?
- [Blair] I, somebody
called me, was that you?
Who?
- [Blair] I, somebody
called me, was that you?
- [Blair] I just, I,
- [Blair] I, somebody
called me, was that you?
you told me to stay away
from men in suits and I--
- [Victoria] Did you see any?
you told me to stay away
from men in suits and I--
- [Blair] I saw two.
you told me to stay away
from men in suits and I--
- Did they follow you?
you told me to stay away
from men in suits and I--
- [Blair] I got on the train
you told me to stay away
from men in suits and I--
and they didn't get on with me,
you told me to stay away
from men in suits and I--
but they tried to
get on with me.
you told me to stay away
from men in suits and I--
- Are you sure?
you told me to stay away
from men in suits and I--
- [Blair] Yes, I'm positive.
you told me to stay away
from men in suits and I--
Where are we,
where are we going?
you told me to stay away
from men in suits and I--
- [Victoria] We're at a bar.
you told me to stay away
from men in suits and I--
I'm the person that,
you told me to stay away
from men in suits and I--
there's somebody that works here
you told me to stay away
from men in suits and I--
that can get me contact
info for the person
you told me to stay away
from men in suits and I--
we need to talk to.
you told me to stay away
from men in suits and I--
- [Blair] What should I do?
you told me to stay away
from men in suits and I--
- You can come in with me.
you told me to stay away
from men in suits and I--
I'm not letting you
out of my sight,
you told me to stay away
from men in suits and I--
so don't go with anybody.
you told me to stay away
from men in suits and I--
Don't, don't, don't leave my
sight whatever you do, okay?
you told me to stay away
from men in suits and I--
- [Blair] Okay.
you told me to stay away
from men in suits and I--
- Okay, you're going to be fine.
you told me to stay away
from men in suits and I--
- [Blair] Okay.
you told me to stay away
from men in suits and I--
- Okay, be strong.
you told me to stay away
from men in suits and I--
- [Blair] Okay.
you told me to stay away
from men in suits and I--
- Okay, remember,
stay close to me.
Don't leave my sight.
- Okay, remember,
stay close to me.
I've got to talk to
somebody at the bar.
- [Blair] Okay.
I've got to talk to
somebody at the bar.
- Stay right here, okay?
Right here.
- Stay right here, okay?
I'll be, I'll be right here.
- Stay right here, okay?
Just keep your eye on me.
- Stay right here, okay?
- Are you okay?
- Yeah, I'm fine.
- Are you okay?
- Okay.
- Are you okay?
- You need any help?
- Are you okay?
- No, I'm okay.
- Are you okay?
Thank you.
- Are you okay?
- Hey, hey are you okay?
- Yeah.
- Hey, hey are you okay?
- I'm Jacob.
- Hey, hey are you okay?
- Jacob?
- Hey, hey are you okay?
- Yes.
- Hey, hey are you okay?
- Hi.
- Hey, hey are you okay?
- It's nice to meet you.
- Hey, hey are you okay?
And you are?
- Hey, hey are you okay?
- I'm, uh, Blair.
- Hey, hey are you okay?
- Blair?
- Hey, hey are you okay?
- Uh-huh.
- Hey, hey are you okay?
- Can I get you
something to drink?
- Hey, hey are you okay?
Some water?
- Hey, hey are you okay?
- I'm okay, yeah.
- Hey, hey are you okay?
- Are you sure?
- Hey, hey are you okay?
- Yeah, I'm fine.
- Hey, hey are you okay?
Thank you.
- Hey, hey are you okay?
I'm, I'm--
- Hey, hey are you okay?
- Have you been
running a marathon?
- Hey, hey are you okay?
You look excited.
- Hey, hey are you okay?
- Yeah, it's been a long day,
- Hey, hey are you okay?
and I'm just, I'm, I'm
here with my sister.
- Hey, hey are you okay?
I'm just waiting on her, so--
- Hey, hey are you okay?
- Hey, listen, I don't drink
- Hey, hey are you okay?
and I don't normally do this,
- Hey, hey are you okay?
but you are one of the
most stunning people
- Hey, hey are you okay?
I've seen in a long,
long time, and--
- Hey, hey are you okay?
- Thanks.
- This place is closing
here in a few minutes,
- Thanks.
and I know this amazing
cafe down the street.
- Thanks.
It's 24 hours.
- Thanks.
Really great DJ.
- Thanks.
- Uh, you know, I'm with
my sister right now,
- Thanks.
so I'm just going to--
- Thanks.
- She can come.
- Thanks.
Your sister can come.
- Thanks.
- Um, thank you, but--
- Thanks.
- I know what it seems like,
- Thanks.
but honestly I've not been
in the game for so long--
- Thanks.
- Hey.
- Hi.
- Thanks.
- Hey, are you the sister?
- Thanks.
- I'm the sister.
- Thanks.
- Awesome.
- Thanks.
- What kind of car do you drive?
- Thanks.
- Actually, I Uber.
- Thanks.
I don't drive at all
- Thanks.
- Ubering?
- Thanks.
Okay.
- Thanks.
I was going to do
this the nice way,
- Thanks.
but I guess I'm going to have
to do this the not nice way.
- Thanks.
Get the fuck away
from my sister.
- Thanks.
We're leaving.
- Thanks.
- Awe.
- Thanks.
You don't want to be that girl.
- Thanks.
- Yeah, I do.
- Thanks.
We're going to someone
that can help us.
We're going to
get you, seatbelt.
We're going to someone
that can help us.
- [Blair] Who?
Who can help us?
- [Blair] Who?
How can they help us?
- [Blair] Who?
- [Victoria] They can help
me get you out of here
to somewhere safe.
- [Victoria] They can help
me get you out of here
This is it, this is it.
Yeah.
This is it, this is it.
Okay.
All right.
Okay.
I'm gonna go talk to him.
Just stay here, okay?
I'm gonna go talk to him.
Just stay in the car.
I'm gonna go talk to him.
I'll let you know
when it's time to go.
I'm gonna go talk to him.
- Okay.
I'm gonna go talk to him.
Are you sure?
I'm gonna go talk to him.
- [Victoria] Yeah.
I'm gonna go talk to him.
Okay.
I'm gonna go talk to him.
I'll be right back.
I'm gonna go talk to him.
It'll be fine.
I'm gonna go talk to him.
(doorbell ringing)
(ominous atmospheric music)
(doorbell ringing)
(Victoria and man
chattering in distance)
We're going around back, okay?
So nobody sees the car.
We're going around back, okay?
- [Blair] He didn't
seem very happy.
- [Victoria] Okay,
go in with me.
- [Frank] Sure you
weren't followed?
- I don't think so.
- [Frank] Sure you
weren't followed?
- Blair.
- This is Frank.
- Blair.
- Hi.
- Blair.
- [Blair] Hey.
- Blair.
- How are you?
- Blair.
You okay?
- Blair.
You hurt?
- No, I'm, I'm okay.
You hurt?
- [Frank] She hasn't
changed a bit.
- I know.
- [Frank] She hasn't
changed a bit.
- What do you--
- [Frank] Come sit
down, come sit down.
- What do you--
Have a seat.
- What do you--
- [Blair] Okay.
- What do you--
- [Victoria] We're
in trouble, Frank.
- What do you--
- [Victoria] We're
in trouble, Frank.
- [Frank] Yeah, I heard you.
- [Victoria] We're
in trouble, Frank.
- What do you mean I
haven't, I haven't changed?
- [Victoria] We're
in trouble, Frank.
- He hasn't seen you in a while.
- [Victoria] We're
in trouble, Frank.
- How long has it been?
- [Victoria] We're
in trouble, Frank.
- [Frank] It's been a while.
- [Victoria] We're
in trouble, Frank.
- [Victoria] Look, we have
to get her across the border.
- [Victoria] We're
in trouble, Frank.
- Ha!
- [Victoria] We're
in trouble, Frank.
Are you crazy?
- [Victoria] No.
Are you crazy?
You can help us.
Are you crazy?
I know you can help us do that.
Are you crazy?
- Listen, they're going
to be coming for her.
Are you crazy?
You know that.
Are you crazy?
- [Blair] Who's they?
Are you crazy?
- The best thing we
could do is turn her in.
Are you crazy?
- Are you kidding me?
Are you crazy?
You said we could trust him.
Are you crazy?
- We can trust him.
Are you crazy?
We're not turning her in.
Are you crazy?
You know better than that,
Are you crazy?
and as soon as they find her,
Are you crazy?
they find us, and
we're dead anyway.
Are you crazy?
- [Frank] Just bringing her
here puts all of us at risk.
Are you crazy?
- Someone needs to start
telling me what's going on.
- Can I speak to you upstairs?
- Someone needs to start
telling me what's going on.
I told you he's just an ass.
Just let me talk to him.
I told you he's just an ass.
I don't know where else to go.
- I can not believe, I
told you not to come here.
- Who else am I going to go to?
- I can not believe, I
told you not to come here.
You're the only person I can
trust, especially right now.
- I can not believe, I
told you not to come here.
We still have a chance.
She has a chance at least.
We still have a chance.
Please.
I'm sorry.
Please.
I didn't want to
drag you into this,
but I don't know
what else to do.
I didn't want to
drag you into this,
(sighing)
- Okay.
(sighing)
Okay.
We need to get her
some place safe.
(ominous atmospheric music)
- Okay.
- Oh shit!
- [Frank] Oh shit, they're here!
We've got to go, now!
- [Frank] Oh shit, they're here!
- [Victoria] Blair!
Blair, let's go!
- [Victoria] Blair!
(intense suspenseful music)
- Let's go!
(intense suspenseful music)
We've got to go now.
(intense suspenseful music)
Out the back.
(intense suspenseful music)
- [Victoria] Come on!
(intense suspenseful music)
- [Frank] Come on.
- What happened?
- [Frank] They're coming.
Go.
- [Frank] They're coming.
- What?
- [Frank] They're coming.
- [Victoria] They're here.
- [Frank] They're coming.
- How did they find us?
- [Victoria] I don't know.
- How did they find us?
- [Tell] They went
around the back.
Well goddamn.
- Someone better start
giving me some answers
or I'm getting out
of the fucking car.
- Someone better start
giving me some answers
- [Victoria] Just tell her.
- Someone better start
giving me some answers
- Frank, please just--
- We have to get
to a safe place.
- Frank, please just--
Your memory loss
isn't permanent.
- Frank, please just--
It can be reversed.
- Frank, please just--
You're the key.
- Frank, please just--
- How am I the key?
- [Victoria] Blair,
your head contains
all the information they need
to build the perfect soldier.
- [Victoria] Blair,
your head contains
- If they catch us, it's going
to be very bad for all of us.
We need to get
across the border.
- If they catch us, it's going
to be very bad for all of us.
I know someone who can help.
- If they catch us, it's going
to be very bad for all of us.
- Mother fucker.
So what do we do now?
- We run the playbook.
Put out an APB on the car.
- We run the playbook.
See if we get any hits.
- We run the playbook.
Waffles?
- Fuck yeah, waffles.
Waffles?
(dreamy atmospheric music)
- What exactly was the program?
You guys keep talking
about the program,
but I don't fully understand
what we were doing.
You guys keep talking
about the program,
- Well,
You guys keep talking
about the program,
We develop neuroprosthetics.
We put prosthetic
devices on amputees,
soldiers coming back from
war with missing arms,
legs, hands.
soldiers coming back from
war with missing arms,
The thing about neuroprosthetics
is it's not just a
you know, a fake arm.
The thing about neuroprosthetics
We actually can wire it
to the nervous system
and to the brain so a
patient can gain use
We actually can wire it
to the nervous system
of that hand and arm again.
We actually can wire it
to the nervous system
It's not just a,
you know, cosmetic.
We actually can wire it
to the nervous system
It can think and make
the limb move, respond.
We actually can wire it
to the nervous system
It's kind of cutting edge stuff.
It's very complicated,
It's kind of cutting edge stuff.
but we have the ability
to help so many people.
It's kind of cutting edge stuff.
Victoria and I develop
the prosthetics,
the computer system,
all the testing,
Victoria and I develop
the prosthetics,
and she brought you in because
of your skills as a surgeon
Victoria and I develop
the prosthetics,
to help with how
to implement them,
Victoria and I develop
the prosthetics,
developing new ways to make
the process faster and easier.
Victoria and I develop
the prosthetics,
It's a very complicated process,
and we worked for a few years.
It's a very complicated process,
We helped a lot of people.
(Blair sighing)
- We've got this
technology, right?
I don't understand why
they can't just build
- We've got this
technology, right?
another one that doesn't
have all of the...
- We've got this
technology, right?
- It's very simple.
When we were out in the field,
you knew how to track a man.
- Yeah.
- He had to sleep.
- Yeah.
He had to eat.
- Yeah.
Maybe not all the time,
- Yeah.
but at some point
he's going to break,
- Yeah.
at some point he's
gonna grow weak.
- Yeah.
Her only weakness
right now is the fact
she doesn't know what she is,
Her only weakness
right now is the fact
and when she figures
that part out,
this is gonna be
a lot harder job.
- What was I like?
I mean,
I don't know, what
did we do together?
What did I like?
I don't know, what
did we do together?
- You just, you
just wanted to take
sick babies and make them well,
- You just, you
just wanted to take
and, you know,
veterans come home
missing limbs,
and you wanted to heal them.
You wanted to make
them whole again.
and you wanted to heal them.
(dreamy synth music)
and you wanted to heal them.
You always had a big heart.
and you wanted to heal them.
That's what I loved about you.
and you wanted to heal them.
I remember, I remember one time,
we went to Mexico,
and, uh,
we went to Mexico,
you loved the ocean and
anything around the water,
but you were afraid of
the things in the water.
you loved the ocean and
anything around the water,
So one time, we,
we were snorkling and
we were just floating
around in the water,
looking at all the rocks
we were snorkling and
we were just floating
and shells and stuff,
and I saw something.
we were snorkling and
we were just floating
So I got your attention
and I was like you know,
"Come with me, come with me."
So I got your attention
So you said, "Okay".
So I got your attention
So we dove down, and right on
the bottom of the ocean floor
So I got your attention
was this massive stingray,
I mean we're talking
like six feet wing span
and like nine feet from
the nose to the tail
I mean we're talking
like six feet wing span
and, and it was just amazing,
just laying down there.
And I'm swimming around him,
and, and it was just amazing,
just laying down there.
looking and I'm
pointing and you know
and, and it was just amazing,
just laying down there.
and I come back to
the surface and I,
and, and it was just amazing,
just laying down there.
I said, "That was so cool.
and, and it was just amazing,
just laying down there.
"Blair did you see that?
and, and it was just amazing,
just laying down there.
"Did you see that?"
and, and it was just amazing,
just laying down there.
and I'm turning and I'm
turning and I'm like "Blair?
and, and it was just amazing,
just laying down there.
"Blair?"
and, and it was just amazing,
just laying down there.
And you were halfway to the,
halfway to the beach, swimming.
and, and it was just amazing,
just laying down there.
"You're crazy, you're crazy!
and, and it was just amazing,
just laying down there.
"It's a sea monster!
and, and it was just amazing,
just laying down there.
"Ahhh!"
and, and it was just amazing,
just laying down there.
(laughing)
and, and it was just amazing,
just laying down there.
You're fearless until
there's a sea monster.
(laughing)
You're fearless until
there's a sea monster.
Maybe it'll come back.
I hope it comes back.
- [Tell] What's her sister
going to do with her?
- We've got some time
to figure it out.
- [Tell] What's her sister
going to do with her?
(phone ringing)
- [Tell] What's her sister
going to do with her?
We better get it done.
- [Tell] What's her sister
going to do with her?
Yeah.
- Mari, it's Foster.
Yeah.
We've located the vehicle.
Yeah.
We have a police officer
following them right now.
Yeah.
They're going to peel off
Yeah.
when one of our company
cars pulls them over.
Yeah.
- [Mari] Where?
Yeah.
- They're about 20 miles
from your location.
Yeah.
Yes, they'll hold
them at the scene.
Yeah.
I'll send you the
coordinates right now.
Yeah.
- Do not let them leave.
Yeah.
We are on our way.
Yeah.
Yeah.
Yeah.
- Who's that?
Yeah.
- The magic man.
(suspenseful percussive music)
- [Frank] Almost there.
(siren wailing)
Shit.
(siren wailing)
- [Blair] Should we stop?
I mean maybe we
should keep going.
- [Blair] Should we stop?
- [Frank] They're going to go.
- [Blair] Should we stop?
Everybody just stay calm.
- [Blair] Should we stop?
Stay calm.
- [Blair] Should we stop?
- [Blair] This is a bad dream.
- [Blair] Should we stop?
- [Frank] It'll be alright.
- [Blair] Should we stop?
- [Victoria] Don't
look at them, Blair.
- [Blair] Should we stop?
- [Officer] Mornin'.
- [Frank] Hi, Officer.
- [Officer] Mornin'.
How are you?
- [Officer] Mornin'.
- [Officer] Pretty good.
- [Officer] Mornin'.
You've got your driver's
license and insurance I see.
- [Officer] Mornin'.
- [Frank] I do.
- [Officer] Mornin'.
- [Officer] You folks
lost this morning or--
- [Officer] Mornin'.
- [Frank] No.
- [Officer] Mornin'.
- [Officer] No?
- [Officer] Mornin'.
- [Frank] No.
- [Officer] Mornin'.
- [Officer] You're sure?
- [Officer] Mornin'.
- [Frank] Yeah.
- [Officer] Mornin'.
- [Officer] Okay, all right
be with you in a second.
- [Officer] Mornin'.
- [Frank] Okay.
- [Officer] Mornin'.
- Why did they pull us over?
They didn't even
ask any questions.
- Why did they pull us over?
They didn't say anything.
- Why did they pull us over?
- [Frank] Shhh.
- Why did they pull us over?
I don't know.
- Why did they pull us over?
(suspenseful atmospheric music)
- Why did they pull us over?
- This is...
- Why did they pull us over?
- There's no speed limit posted,
so obviously I
don't even know how,
- There's no speed limit posted,
what the speed
limit is right here.
- There's no speed limit posted,
- They didn't even say
anything though about that.
- There's no speed limit posted,
This doesn't feel right.
- It's fine.
Let's just stay calm.
- It's fine.
It'll be fine.
- It's fine.
I don't even know
where they came from.
- Here they come.
- [Officer] Partner, is
this vehicle registered,
does this vehicle belong to you?
- [Officer] Partner, is
this vehicle registered,
- [Frank] Uh, It's
Victoria's car.
- [Officer] Partner, is
this vehicle registered,
She's, I'm just driving.
- [Officer] Partner, is
this vehicle registered,
She's right in the
back seat, yeah.
- [Officer] Partner, is
this vehicle registered,
- [Officer] Victoria?
- [Officer] Partner, is
this vehicle registered,
This car's registered to you?
- [Officer] Partner, is
this vehicle registered,
- [Victoria] Yes.
- [Officer] Partner, is
this vehicle registered,
- [Officer] Yeah,
it's your vehicle?
- [Officer] Partner, is
this vehicle registered,
What's your name?
- [Officer] Partner, is
this vehicle registered,
What's your last name?
- [Officer] Partner, is
this vehicle registered,
- [Victoria] Victoria.
- [Officer] Partner, is
this vehicle registered,
- [Officer] And?
- [Officer] Partner, is
this vehicle registered,
- [Victoria] Victoria Peters.
- [Officer] Partner, is
this vehicle registered,
- [Officer] Okay.
- [Officer] Partner, is
this vehicle registered,
All right, we'll be back
with you here in a second.
- [Frank] Sure.
All right, we'll be back
with you here in a second.
- [Blair] What are they doing?
- [Frank] I don't know.
- [Blair] What are they doing?
- [Blair] I'm telling you,
this doesn't feel right, guys.
- [Blair] What are they doing?
Oh, God.
(whispering)
- Yes, Director Lloyd?
I wanted to update
you on the situation.
- Yes, Director Lloyd?
Yes.
- Yes, Director Lloyd?
They found her.
- Yes, Director Lloyd?
They pulled her over and they're
holding her at the scene.
- Yes, Director Lloyd?
- Excellent.
- Yes, Director Lloyd?
I'll make the call now.
- Yes, Director Lloyd?
Mari, get to her.
Keep her still.
Mari, get to her.
Do not let her cross the border.
Mari, get to her.
If you let her go,
Mari, get to her.
we will not be able to
locate nor retrieve her.
Mari, get to her.
- We were just...
Mari, get to her.
What are they doing?
- [Frank] I don't know
who they're talking with.
Okay, maybe they're...
Okay, maybe they're writing
a ticket or something.
(Blair sighing)
Okay, maybe they're writing
a ticket or something.
- [Officer] All right,
here's your insurance card.
Would you mind, would you step
- [Officer] All right,
here's your insurance card.
to the back of the car with me?
- [Officer] All right,
here's your insurance card.
- [Frank] Uh, yeah.
- [Officer] All right,
here's your insurance card.
Do you, do you have
the ID too or--
- [Officer] All right,
here's your insurance card.
- [Officer] I've got it.
- [Officer] All right,
here's your insurance card.
I've still got it here.
- [Officer] All right,
here's your insurance card.
- [Frank] Okay.
- [Officer] All right,
here's your insurance card.
- [Blair] Don't
get out of the car.
Don't get out of the car.
- [Blair] Don't
get out of the car.
- What am I supposed to do?
- [Blair] Don't
get out of the car.
There's two of them.
- [Blair] Don't
get out of the car.
Sorry, I just had
to unbuckle there.
- [Blair] Don't
get out of the car.
(laughing)
- [Blair] Don't
get out of the car.
- [Officer] Nah,
that's all right.
- [Blair] Don't
get out of the car.
- [Frank] Shit.
- [Blair] Don't
get out of the car.
- [Blair] Frank?
- [Officer] Where, where
are you guys heading?
- [Frank] Oh, just to,
just to meet some friends.
- [Officer] Where, where
are you guys heading?
- [Officer] The reason I
stopped you, meet some friends?
- [Officer] Where, where
are you guys heading?
Okay.
- [Officer] Where, where
are you guys heading?
The reason I stopped you is,
- [Officer] Where, where
are you guys heading?
this is kind of a
dead area out here,
- [Officer] Where, where
are you guys heading?
so one of a couple of things,
- [Officer] Where, where
are you guys heading?
either somebody's very lost,
- [Officer] Where, where
are you guys heading?
somebody's out here looking
to get drunk or high,
- [Officer] Where, where
are you guys heading?
or they're drunk and
high and getting lost.
- [Officer] Where, where
are you guys heading?
- [Frank] No, no, not at all.
- [Officer] Where, where
are you guys heading?
None of that.
- [Officer] Where, where
are you guys heading?
- [Officer] You know, the only
people out here are farmers,
- [Officer] Where, where
are you guys heading?
so when it comes to vehicles,
- [Officer] Where, where
are you guys heading?
we're not used to
seeing this kind of car,
- [Officer] Where, where
are you guys heading?
so that's why I stopped you.
- [Officer] Where, where
are you guys heading?
- [Frank] Right, yeah.
- [Officer] Where, where
are you guys heading?
Our friend lives
on a farm out here,
- [Officer] Where, where
are you guys heading?
so we're just coming to get away
- [Officer] Where, where
are you guys heading?
from the city a
little bit, you know?
- [Officer] Where, where
are you guys heading?
- [Officer] Oh, all right.
- [Officer] Where, where
are you guys heading?
Okay.
- [Officer] Where, where
are you guys heading?
And is this, this
ol' gal's car here?
- [Frank] Uh yeah.
And is this, this
ol' gal's car here?
- [Officer] Okay.
And is this, this
ol' gal's car here?
I'm just waiting for
something to come back.
And is this, this
ol' gal's car here?
The computer is running
a little bit slow
And is this, this
ol' gal's car here?
and the trucks not uh, not uh...
And is this, this
ol' gal's car here?
Ma'am you don't have to--
- [Blair] Victoria?
Ma'am you don't have to--
- [Officer] I don't
need you to step out.
Ma'am you don't have to--
You can get back in the vehicle.
Ma'am you don't have to--
- [Victoria] Are we,
is everything okay?
Ma'am you don't have to--
- [Officer] Yeah,
everything's fine.
Ma'am you don't have to--
Yeah, please get
back in the car.
Ma'am you don't have to--
Back in the car.
Ma'am you don't have to--
- [Frank] What is
going on here, guys?
- [Partner] You got
control over there?
- [Frank] What is
going on here, guys?
- Everything's fine.
- [Frank] What is
going on here, guys?
Okay?
- [Frank] What is
going on here, guys?
We're just going to
visit a friend, okay?
- [Frank] What is
going on here, guys?
- [Officer] All
right, you know what?
- [Frank] What is
going on here, guys?
- We're fine.
- [Frank] What is
going on here, guys?
- [Officer] Just put
your hands on the car.
- [Frank] What is
going on here, guys?
- What, what, what?
- [Frank] What is
going on here, guys?
Seriously?
- [Frank] What is
going on here, guys?
We're just--
- [Frank] What is
going on here, guys?
Get off me!
- [Frank] What is
going on here, guys?
Hey, hey, hey!
- [Frank] What is
going on here, guys?
(heavy punching)
- [Frank] What is
going on here, guys?
- [Blair] What?
- [Frank] What is
going on here, guys?
(grunting)
- [Frank] What is
going on here, guys?
- [Frank] Stop!
- [Frank] What is
going on here, guys?
- [Officer] He's got my
gun, he's got my gun!
He's got my gun!
- [Officer] He's got my
gun, he's got my gun!
- What's happening?
- [Officer] Put
the gun down now!
- What's happening?
(gun firing)
- What's happening?
(screaming)
- What's happening?
(gun firing)
- What's happening?
(intense synth music)
- What's happening?
- [Blair] What happened?
- I don't know, but
Frank's still, it's okay.
- Did they shoot him?
- [Victoria] No, the officer is,
- Did they shoot him?
he's still moving.
- Did they shoot him?
There's someone back there.
- We've got to go,
Victoria, we've gotta go.
There's someone back there.
This isn't right.
There's someone back there.
Where's he at?
- [Victoria] He's
coming, he's coming.
Where's he at?
- Okay.
Where's he at?
- [Victoria] He's
there on the side.
Where's he at?
Come on Frank!
Where's he at?
Let's go!
Where's he at?
Go!
Where's he at?
Passenger side!
Go!
Passenger side!
(breathing heavily)
- What happened?
(breathing heavily)
- [Frank] I heard him
talking to somebody.
- What happened?
- [Frank] I heard him
talking to somebody.
What was he saying?
- [Frank] I heard him
talking to somebody.
- He said, " I have the girl".
- [Frank] I heard him
talking to somebody.
- [Victoria] Which way
are we going, Frank?
- [Frank] I heard him
talking to somebody.
- [Frank] Keep going straight.
- [Frank] I heard him
talking to somebody.
- [Victoria] Who
were those guys?
- [Frank] I heard him
talking to somebody.
- [Frank] They're with them.
- [Frank] I heard him
talking to somebody.
- [Blair] Straight?
- [Frank] I heard him
talking to somebody.
Where am I going?
- [Frank] I heard him
talking to somebody.
- [Victoria] I think you
need to turn right there.
- [Frank] I heard him
talking to somebody.
- Whose?
- [Frank] I heard him
talking to somebody.
Whose blood is that?
- [Frank] I heard him
talking to somebody.
Whose blood is that?
- [Frank] I heard him
talking to somebody.
- It's not mine.
- [Blair] What happened?
- It's not mine.
What did he say to you?
- It's not mine.
- He was on the phone.
He said, "I've got the girl."
- He was on the phone.
And, and then, he grabbed
my arm and started...
- He was on the phone.
- [Victoria] We don't have long.
- I'm fine, I'm fine.
- [Victoria] We don't have long.
Gloria can help us.
- [Blair] Okay.
Gloria can help us.
(car beeping)
- I'm fine, I'm fine.
(suspenseful synth music)
- Did anyone follow you?
Did anyone follow you?
- [Victoria] No, but--
Did anyone follow you?
- These cops pulled us over.
Did anyone follow you?
But, they aren't alive
anymore, I don't think.
Did anyone follow you?
- We need to get
out of here quick.
- [Gloria] Okay.
- We need to get
out of here quick.
Um, there's a bathroom
through there,
- We need to get
out of here quick.
sink right there,
there's towels too.
- We need to get
out of here quick.
- They're both gone.
- This is the only road
in three or four miles,
either direction.
- This is the only road
in three or four miles,
They're heading south.
- Yeah, they're heading south.
They're heading south.
They're trying to get
out of the country.
They're heading south.
The border is about
two miles from here,
and I'll bet you
they've got someone
helping them get across.
and I'll bet you
they've got someone
Let's go.
Let's go, let's go.
Let's go.
(water running)
- Frank, are you sure
that we can trust her?
(water running)
- I've known her
for a lot of years.
We can trust her.
- I've known her
for a lot of years.
- Where's the border from here?
- I've known her
for a lot of years.
- Just beyond that tree line.
- I've known her
for a lot of years.
- What?
- I've known her
for a lot of years.
Where?
- I've known her
for a lot of years.
- [Frank] That's the border.
- [Blair] It's that close?
- [Frank] That's the border.
- [Frank] It is.
- [Frank] That's the border.
- We're almost there.
- [Frank] That's the border.
- [Blair] Maybe
we should just go.
- [Frank] That's the border.
- We can't wait.
- [Frank] That's the border.
- We've got to wait for Gloria.
- [Frank] That's the border.
She knows the way.
- [Frank] That's the border.
It's not that simple.
- [Frank] That's the border.
- [Blair] Clean your face.
(door opening)
- [Gloria] We've got to go.
(door opening)
- [Victoria] What's wrong?
(door opening)
- We've got to go.
(door opening)
There's some men that
have been spotted
(door opening)
coming this way and we
gotta get you out of here.
(door opening)
- What?
(door opening)
- Come on now.
Now!
- Come on now.
(suspenseful atmospheric music)
Be careful.
You have no idea how
important you are.
Go!
You have no idea how
important you are.
John will show you the way.
You have no idea how
important you are.
Go!
You have no idea how
important you are.
(gun firing)
- Holy shit.
(ominous electronic music)
- [John] Get to the tree line.
No matter what happens,
don't turn back.
- [John] Get to the tree line.
(gun firing)
(breathing heavily)
- [Blair] Oh shit.
(breathing heavily)
(gun firing)
(screaming)
(gun firing)
- Okay, okay.
Move, move.
- Okay, okay.
Move away.
- Okay, okay.
Move back.
- [Blair] No, no!
Move back.
- Blair, run.
- [Mari] Blair?
- Blair, run.
- Blair, run.
- Blair, run.
- No, I'm not leaving you.
- Blair, run.
Just leave them alone.
- Blair, run.
Leave them alone!
- Blair, run.
- Blair, listen to me.
- Blair, run.
Blair!
- Blair, run.
Listen to me.
- Blair, run.
You need to come with us.
- Blair, run.
You need to leave with
us or nobody leaves.
- Blair, run.
Do you understand me?
- Blair, run.
- [Blair] I'm
begging you to stop.
- Blair, run.
No, I'm not leaving you!
- Blair, run.
- Blair, listen to me.
- Blair, run.
Blair!
- Blair, run.
You either leave with us
or nobody leaves at all.
- Blair, run.
Do you understand me?
- Blair, run.
- [Blair] I'm not
going to leave you.
- Blair, run.
No, no, no!
- Blair, run.
- [Tell] Get on your
knees, get on your knees!
- Blair, run.
- [Blair] No, don't do it!
- Blair, run.
- I will put a
bullet in her here.
- Blair, run.
- You, get over here!
- Blair, run.
Get on your knees!
- Blair, run.
Get over here.
- Blair, run.
- All right, all
right, all right!
- Blair, run.
- [Tell] Stay down!
- Blair, run.
- All right, all right.
- Blair, run.
I'm getting on my knees,
I'm getting on my knees.
- Blair, run.
- [Tell] Stay down.
- Blair, run.
- [Mari] You listen to me.
I know you think this is
family, but this isn't family.
- [Mari] You listen to me.
We're your family.
- [Mari] You listen to me.
- Shut up.
- [Mari] You listen to me.
- You are company
property, and we own you.
- [Mari] You listen to me.
- [Blair] You are not
my fucking family.
- [Mari] You listen to me.
- [Tell] She doesn't know.
- [Mari] You listen to me.
- [Victoria] Shut up!
- [Mari] You listen to me.
- She doesn't know
she's not a real girl.
- [Mari] You listen to me.
- [Blair] What do you mean?
- [Mari] You listen to me.
- [Frank] Don't listen to him.
- [Mari] You listen to me.
- [Victoria] Don't
listen to them, Blair.
- [Mari] You listen to me.
- Wait, what do you mean I--
- [Mari] You listen to me.
- [Victoria] Run!
- [Mari] You listen to me.
Don't listen to them.
- [Mari] You listen to me.
Run!
- I'm company prop--
- [Mari] You listen to me.
(gun firing)
- [Mari] You listen to me.
- Now I swear to God, you're
going to leave with us
or she stays behind.
- Just run.
or she stays behind.
They wont hurt you.
or she stays behind.
Just run.
or she stays behind.
- What do you mean
I'm company property?
(Victoria crying)
- What do you mean
I'm company property?
- [Mari] If you want
her to have a beginning
- What do you mean
I'm company property?
instead of an end--
- What do you mean
I'm company property?
- Don't listen to him, Blair.
Just run.
- Don't listen to him, Blair.
- [Blair] What are
they talking about?
- Please, just run.
- [Blair] What are
they talking about?
- What are they talking about?
- [Blair] What are
they talking about?
- I can't do it.
(crying)
- I can't do it.
- You have to do it, or I will.
- Victoria, what're
they talking about?
- Tell her.
Tell her who she really is.
Tell her who she really is.
Tell her who she really is.
- I had a sister
named Elizabeth.
She was in a car accident,
and the doctor was just supposed
She was in a car accident,
to do a simple operation,
and he was tired.
She was in a car accident,
And he made a simple human
mistake and she died.
Frank and I, we were
working on building AIs.
And we wanted, we wanted to
honor Elizabeth,
by creating an AI that didn't
sleep, didn't get tired.
It would never make
a human mistake.
That's you.
That's you, Blair.
(crying)
That's you, Blair.
I'm so sorry.
That's you, Blair.
But you can love,
you can feel, you,
you do all the things that
humans do, and I love you.
But you can love,
you can feel, you,
I'm just,
But you can love,
you can feel, you,
I'm so sorry.
But run.
- [Mari] Let's put
an end to this.
But run.
- You are more important
than this, Blair.
But run.
Run.
But run.
- [Mari] Come with me.
But run.
- [Victoria] He can't kill me.
But run.
- [Mari] Let's go
home, all of us.
But run.
- [Victoria] If you kill
me, you can't control her,
But run.
because you can't shut her
down, and you know that.
But run.
- If you go with
us, it'll be okay.
But run.
- If she goes with
you, you're fucked man.
But run.
- If she goes with
us, she'll be okay.
But run.
- If I, if I go with you,
But run.
will you let her go?
- We always take
care of our own.
Go ahead.
I'm tired of standing out here.
- [Blair] Were you my sister?
- I was.
- [Blair] Were you my sister?
- [Blair] I love you.
- [Blair] Were you my sister?
- I love you, Blair.
- [Mari] Let's go.
- I'll go, but you
cannot hurt her.
- No.
Don't do this.
- No.
- [Blair] She's the
only thing I care about.
- No.
- [Mari] I understand.
- No.
We'll take care of her.
- No.
- It's going to be okay.
- No.
Just go.
- No.
- Please don't do this.
- No.
just run.
- No.
Blair, you're more
important than this.
- No.
- But you're what's
important to me.
I'm sorry.
- But you're what's
important to me.
I can't.
- Come on.
I can't.
(gun firing)
(screaming)
(gun firing)
- No, no, no, no!
(gun firing)
(crying)
- [Tell] I'll get your car.
(crying)
(dramatic atmospheric nusic)
(crying)
- [Kaime] Senator Craig
Cole was found dead
this morning by a
hotel maintenance man.
- [Kaime] Senator Craig
Cole was found dead
Investigators are still trying
to put the pieces together
- [Kaime] Senator Craig
Cole was found dead
to determine how he died.
- [Kaime] Senator Craig
Cole was found dead
They say that there
is foul play involved.
- [Kaime] Senator Craig
Cole was found dead
His death is now under
investigation as a
possible homicide.
- [Kaime] Senator Craig
Cole was found dead
Republican Senator Cole was
working to shut down the use
- [Kaime] Senator Craig
Cole was found dead
of artificial intelligence
robots in civilian life.
- [Kaime] Senator Craig
Cole was found dead
We have reached out to
the senator's office
- [Kaime] Senator Craig
Cole was found dead
for a statement regarding
the senator's death,
- [Kaime] Senator Craig
Cole was found dead
and will keep you
up to date as soon
- [Kaime] Senator Craig
Cole was found dead
as we receive more information.
- [Kaime] Senator Craig
Cole was found dead
This is Kaime Stroot--
- [Kaime] Senator Craig
Cole was found dead
(static hissing)
- [Kaime] Senator Craig
Cole was found dead
(ominous atmospheric music)
- I had this idea
in January of 2016.
- And he called me and
he said, "I got it!"
We're gonna shoot a
movie, you're the lead,
- And he called me and
he said, "I got it!"
but you can't know anything.
- And he called me and
he said, "I got it!"
- I want to do something where
- And he called me and
he said, "I got it!"
you have to become
the character.
- And he called me and
he said, "I got it!"
Where, once we start rolling,
we don't talk to you.
- And he called me and
he said, "I got it!"
Only the characters talk to you.
- And he called me and
he said, "I got it!"
I was like, "what,
what, what do you mean,
- And he called me and
he said, "I got it!"
"I can't know anything?
- And he called me and
he said, "I got it!"
"What's the story."
- And he called me and
he said, "I got it!"
"No, can't tell you.
- And he called me and
he said, "I got it!"
"Can't tell you.
- And he called me and
he said, "I got it!"
"You just got to, do
you want to do it?
- And he called me and
he said, "I got it!"
"Are you interested?"
- And he called me and
he said, "I got it!"
"Uh, yeah.
- And he called me and
he said, "I got it!"
"I mean, it sounds interesting,
- And he called me and
he said, "I got it!"
"but I don't know how
this is going to be."
- And he called me and
he said, "I got it!"
And, it kind of, you
know, birthed from there.
- And he called me and
he said, "I got it!"
- When Bobby first approached
me with this concept,
we were actually
at a film festival,
- When Bobby first approached
me with this concept,
and he had mentioned
this idea of yeah,
- When Bobby first approached
me with this concept,
just have it not be scripted,
- When Bobby first approached
me with this concept,
having it be total improv,
- When Bobby first approached
me with this concept,
and then having it be
in addition to that
- When Bobby first approached
me with this concept,
something where like the
lead actress, Shannon,
- When Bobby first approached
me with this concept,
wouldn't know anything,
- When Bobby first approached
me with this concept,
and she would have to
learn what's going on
- When Bobby first approached
me with this concept,
over the course of the movie,
- When Bobby first approached
me with this concept,
just as the audience is.
- When Bobby first approached
me with this concept,
- I got really excited
to make this movie,
- When Bobby first approached
me with this concept,
because we were doing something
- When Bobby first approached
me with this concept,
that had never been
done in film before.
- When Bobby first approached
me with this concept,
So, we had several
challenges going in
- When Bobby first approached
me with this concept,
that we were going to shoot the
movie in less than 24 hours,
- When Bobby first approached
me with this concept,
that we were gonna
shoot it consecutively,
- When Bobby first approached
me with this concept,
that it was going to have an
improvisational performance
- When Bobby first approached
me with this concept,
in the movie.
- When Bobby first approached
me with this concept,
- We're gonna set
aside some rules
- When Bobby first approached
me with this concept,
before we go through this.
- When Bobby first approached
me with this concept,
You four people are
the only people allowed
- When Bobby first approached
me with this concept,
to talk to Shannon
when we're shooting.
- When Bobby first approached
me with this concept,
Once we pull the
bag over her head,
- When Bobby first approached
me with this concept,
and she wakes up from her sleep,
- When Bobby first approached
me with this concept,
none of the crew, producers,
- When Bobby first approached
me with this concept,
nobody is allowed to talk
to her unless it's you guys,
- When Bobby first approached
me with this concept,
the ancillary characters,
- When Bobby first approached
me with this concept,
or somebody who's not
involved with the film at all.
- When Bobby first approached
me with this concept,
- It was more of an
experiment than a movie.
- When Bobby first approached
me with this concept,
And so, throughout
the entire bit of it,
- When Bobby first approached
me with this concept,
I felt more of like
a more of like,
- When Bobby first approached
me with this concept,
more of like a scientist
than a filmmaker.
- When Bobby first approached
me with this concept,
A social scientist, kind of,
figuring out what
would cause people
A social scientist, kind of,
to make the decisions
that they make.
A social scientist, kind of,
- The process of the film,
A social scientist, kind of,
improvising everything
just kept you on edge
A social scientist, kind of,
the entire time, from
the moment we started,
A social scientist, kind of,
to the moment it was over.
A social scientist, kind of,
Just, kind of holding on to
the back of a speeding vehicle,
A social scientist, kind of,
because you don't know
what's going to happen,
and you don't know how the
other person's going to react.
because you don't know
what's going to happen,
And you have to be
prepared for that moment,
because you don't know
what's going to happen,
and you have to live up to
that moment and keep it going.
because you don't know
what's going to happen,
- But when we're in it,
you can't be the actor
because you don't know
what's going to happen,
I mean you really can't,
because you don't know
what's going to happen,
because you're responding.
because you don't know
what's going to happen,
It's not a, "Hey I have
this line planned out."
because you don't know
what's going to happen,
No, you have to respond
to whatever's happening.
because you don't know
what's going to happen,
In doing the response,
because you don't know
what's going to happen,
I was responding to Blair
being a real person.
because you don't know
what's going to happen,
- Prepping for this thing
was kind of interesting
because you don't know
what's going to happen,
because we didn't have a script.
because you don't know
what's going to happen,
We didn't know exactly
where it was gonna go,
because you don't know
what's going to happen,
so it was a full circle
kind of preparation.
because you don't know
what's going to happen,
- So we spent some time
walking through the steps
because you don't know
what's going to happen,
of, you know, where we
needed to help lead Blair.
because you don't know
what's going to happen,
You know, ultimately
we wanted to get her
because you don't know
what's going to happen,
to this final, this final stop,
because you don't know
what's going to happen,
where she can make a decision,
because you don't know
what's going to happen,
and it was up to us to
lead her along that path,
because you don't know
what's going to happen,
and you know, and get her there,
because you don't know
what's going to happen,
make sure she trusted
us, make sure she,
because you don't know
what's going to happen,
you know, she followed us
and we got her to that final,
because you don't know
what's going to happen,
that final step.
because you don't know
what's going to happen,
She's going to be
right, right there
because you don't know
what's going to happen,
- She's going to be at the
corner of the table top.
because you don't know
what's going to happen,
- We're going to be in
the corner over here.
because you don't know
what's going to happen,
- Okay, so this is a
quiet conversation.
because you don't know
what's going to happen,
- And just got to see
how they would react
because you don't know
what's going to happen,
in a situation where they
didn't know what was happening.
because you don't know
what's going to happen,
There was no second takes.
because you don't know
what's going to happen,
There was no rehearsals for her.
because you don't know
what's going to happen,
It was just a really cool idea.
because you don't know
what's going to happen,
And add the fact that we
shot it all in one night,
because you don't know
what's going to happen,
was really succinct
and efficient.
because you don't know
what's going to happen,
- I was going to ask
Bobby about this.
because you don't know
what's going to happen,
I was thinking that
when they drive,
because you don't know
what's going to happen,
they should drive down
that street and either you,
because you don't know
what's going to happen,
or you run out into the
middle of the street,
because you don't know
what's going to happen,
and we just catch them leaving.
because you don't know
what's going to happen,
- Again, everything that
ended up in the film,
because you don't know
what's going to happen,
is the first time
Shannon's doing it
because you don't know
what's going to happen,
and the last time she did it.
because you don't know
what's going to happen,
- And I'll never
forget that moment,
because you don't know
what's going to happen,
watching her walk outside,
because you don't know
what's going to happen,
realizing she has no
idea what's happening.
because you don't know
what's going to happen,
She doesn't even
know where she is.
because you don't know
what's going to happen,
And then we started
following her,
because you don't know
what's going to happen,
and at some moment,
because you don't know
what's going to happen,
I don't know how long we
had been walking after her,
she looked back at us, and
the look on her face was fear.
I don't know how long we
had been walking after her,
Real fear.
And she took off running,
and I took off running after her
And she took off running,
and it was like man, it is on.
And she took off running,
- Yeah, so this film really
was a total experiment,
And she took off running,
not only in the way
that it was captured,
And she took off running,
but in the process and what
we were trying to achieve,
And she took off running,
because really the
central focus of this is,
And she took off running,
everyone, myself and all
the other characters,
And she took off running,
the secondary characters,
trying to achieve their goals.
And she took off running,
- He is incorporating
and putting the ball
And she took off running,
completely into Shannon's hands
And she took off running,
and she has to take that
And she took off running,
and drive the story forward,
And she took off running,
because of the nature
of the concept.
And she took off running,
She'd been blindfolded
and dropped into a scene
And she took off running,
and told to go and carry
this thing until the end.
And she took off running,
So she's got to make all
these different scenes
And she took off running,
and drive the plot forward
in a 90-minute movie.
And she took off running,
So she's got to use
all of her skills
And she took off running,
as an actress and use all
of her talents as an actress
And she took off running,
to make this thing happen.
And she took off running,
But she's got to have a
100% belief in Bobby that,
And she took off running,
you know, what she's
doing is working.
And she took off running,
- So the process of the
actual shoot was terrifying,
And she took off running,
in an amazing way.
I didn't want to know anything.
in an amazing way.
I literally did not
want to know anything,
in an amazing way.
so I asked to be blindfolded
while I was getting dressed
in an amazing way.
in my costume and for
my hair and makeup
in an amazing way.
and of course you're
not blindfolded
in an amazing way.
when they're doing your makeup,
in an amazing way.
but there were no mirrors,
in an amazing way.
so I couldn't tell what colors,
in an amazing way.
what they were doing
to my face or hair.
in an amazing way.
I really don't know much of
anything about the project
in an amazing way.
I, the one thing I do know
is that my character
has retrograde amnesia.
I, the one thing I do know
- We take her to the
location in sunglasses
with her eyes closed and
we walk her in to the room
- We take her to the
location in sunglasses
that we're gonna
start shooting in
- We take her to the
location in sunglasses
and I sit her down in
a chair, and I ask her,
- We take her to the
location in sunglasses
"Do you trust me?"
- We take her to the
location in sunglasses
and she laughs for a second,
and I guess she's thinking,
- We take her to the
location in sunglasses
"I guess we're
really gonna do this"
- We take her to the
location in sunglasses
and she says, "Yes,"
and I said, "Okay.
- We take her to the
location in sunglasses
"Let's begin."
- We take her to the
location in sunglasses
And we started.
- We take her to the
location in sunglasses
Do you trust me?
(laughing)
Do you trust me?
- Yes.
Do you trust me?
- [Robert] Okay.
Do you trust me?
You ready?
Do you trust me?
(breathing deeply)
Do you trust me?
- Yes.
- [Robert] Begin.
(dramatic atmospheric music)