|
Shallow Grave (1994)
I'm not ashamed. I've known love.
I've known rejection. I'm not afraid to declare my feelings. Take trust, for instance, or friendship.|These are the important things in life. These are the things that matter,|that help you on your way. If you can't trust your friends,|well what then? What then? This could have been any city. They're all the same. Hello. I've come about the room. - So what's his name?|- I don't know. Campbell or something. - Cameron.|- Cameron? Really? That's right. What? - Are you comfortable?|- Yes, thanks. - Have you seen the flat?|- Yes. - And you like it?|- Yes, it's great. We all like it. The room's nice,|too, don't you think? Spacious, bright, all that sort of stuff,|all that sort of crap. Well, yes. So tell me, cos I'd like to know,|what on earth could make you think... .. we'd want to share this flat|with someone like you? My first impression is that you have none|of the qualities we seek from a flatmate. I'm talking about things like presence,|charisma, style and charm. I don't think we're asking too much,|or being unreasonable. Take David here. An accountant|he may be, but at least he tries hard. Trouble is, I just don't think you're trying. Hey, Cameron, I mean this. Good luck. - Just a few questions.|- What about your hobbies? - Why do you want a room here?|- Do you smoke? When you sacrifice a goat and rip|its heart out, do you summon hellfire? It's a straightforward question.|Either you're divorced or you're not. - Or do you just send out for a pizza?|- Do a little freebase, maybe? How do you decide|which shade of black to wear? OK, I'm going to play you|just a few seconds of this tape. Name the song, the lead singer,... ...and three hit singles subsequently|recorded by him with another band. Let me get this straight.|This affair that you're "not" having,... .. is it not with a man|or not with a woman? Turning very briefly|to corporate financing... No, this is important. Leveraged buyouts:|a good or a bad thing? When did anyone last|say to you these exact words: "You are the sunshine of my life"? And how would you react, then,|if I told you I was the Antichrist? Do you like my picture? Defeat. Defeat. Defeat. Sporting, personal, financial,|professional, sexual and everything. Next. - Did you know that...?|- Alex. Just serve. Anyway, I wasn't tryin' to win. I|don't want to devalue your victory, Juliet. - I wasn't tryin' to win.|- Victory's the same as defeat. It's giving in to destructive urges. Did you learn that in|your psychotherapy group? - Discussion group.|- I thought you'd stopped going. He had too many of those urges.|You of all people should know about that. God, you two are sensitive. All I'm doing is implying some|kind of ugly, sordid, sexual liaison. - I'd be proud of that.|- Maybe you should go. - You'll meet someone wonderful.|- For my life? - A discussion group? I think not.|- For the flat. No, it'd be someone like him,|and one's enough, thank you very much. What about that girl? That friend of yours,|the one that came round. I liked her. We had something. She could have|moved in. We had chemistry. - She hated you...|- She had problems. .. more than anyone|she had ever met in her entire life. Like they say, you know, she's|got to want to change, hasn't she? - You must be Hugo.|- And you must be Juliet. - Would you like to come in?|- I'd be delighted. - What do you do?|- I've been away for a while. Travelling. And now I'm writing a novel. Oh. - What's it about?|- It's actually about a priest who dies. I see. Maybe you're right. Maybe|I ought to change it. You're right. I mean, who wants to read|another story about a dead priest? In fact, it's about another guy,|he's not a priest, and he lives. He doesn't die. See? It's better already. - Writing seems easy.|- It's a breeze. No problem. Do you think you could answer that? - What, the telephone?|- But... if it's for me, I'm not here. Right. You're not here. OK. Hello? Yes, it is, yes. Who's calling, please? Well, I'm sorry, but she's not...|she's not in right now. No, I've got absolutely no idea. Would you like to leave a message? OK. Goodbye. That was, um... a guy called Brian. - Did he sound upset?|- A little bit, yeah. - Is that good or bad?|- It's an improvement. Shall I get the phone? Just leave it. He knows I'm probably|at home. I'm working nights this week. - You're working nights?|- I'm a doctor. Ah. - And he's a patient?|- No, but he needs treatment. - For what?|- A certain weakness. - The human condition.|- Oh. You know about it. - Well, I write about it.|- And that's not the same thing? No. I'm like all novelists -|on a search of the self. Has he tried|down the back of the fridge? He seemed like a nice guy, Alex. I'm not saying|he didn't seem like a nice guy. I just said it's a bit strange,|this search of the self or whatever. He didn't seem strange, Alex. He seemed... you know,... ...interesting.|- Interesting? Interesting. Hello? No, she's not in. I don't know. I've no idea. - Who was it?|- I don't know. He sounded Swedish. - Do you know any Swedish men?|- No. Maybe it was just the emotion. - What do you think?|- About what? - About this Hugo person.|- I don't have the time. - I'm just asking what you think.|- I don't care, so long as he's not a freak. David. It's your mother's|handwriting. I didn't open it. I don't like reading about|your father's constipation. - So we'll meet him, then?|- What? Yeah, yeah, whatever. I tell you, every|letter this guy writes you is the same. They all begin like true love|and descend into open pornography. "I dream of your thighs, the touch of|your white skin leading me in desire,... .. while I, aroused and inflamed... "|Aroused and inflamed? He even signs them in his own name. I'd sign someone else's. I'd sign his name.|If I wrote them, that is, which I don't. Interesting. That's what she said. Interesting. You see,|that's why you're here. I don't usually meet people,|unless I already know them. - I see.|- People can be so cruel. So, um... .. well, we think it's fine. Ah. So, I can have the room? - Yes, you can have the room.|- I'm not usually drunk. - Not usually this drunk.|- Only on expenses. He's going to tell you|he could have been someone. Instead of what he is, which is|the man we know and love. .. tired out, empty shell of a...|Know and love? - I think you're lying.|- You're right. - You see? They don't really know me.|- No, Alex. We don't really love you. Can you afford this place? Oh, yeah. - Can I ask you a question?|- Certainly. Have you ever killed a man? No. That's fair enough, then. Well, it certainly smells like the real thing. Rangers have made a few|dramatic comebacks this season. But they'll really have to|draw on all of their resources. - Have you seen Hugo?|- No. Any idea which channel he's on? .. the High Court in Edinburgh. Oh, for fuck's sake. No, she's not in. - Have you seen him?|- I don't have the time. - Yes or no? David, yes or...?|- No! - David hasn't seen him either.|- So I gathered. - Maybe he didn't like us.|- David? - No, Hugo.|- His car's still there. - He's got a car?|- Yeah. What's wrong with that? - What sort of car?|- I don't know, Alex. I'm just a girl. I'll ask you once more. What sort of car? A blue one, OK? And it's still there. Hugo, I'm sorry about this,|but can you open your door? It's us, your flatmates and companions,|your new-found friends. - He's not there. I can't see him at all.|- Maybe he's in the wardrobe. Of course he's not|in the bloody wardrobe. - It's a joke, Alex.|- I think he probably left. - We'll probably never see him again.|- Alex, the key is on the other side. - So?|- Open it. You want me to kick this in? Now? - Yeah.|- OK, no problem. Do you want a go? OK, you size that up. - Is this what they always look like?|- Yes. - Wonder how he did it.|- Did what? Killed himself.|I presume that's what's happened. What do you think? - Alex!|- What? What's wrong? - What are you doing?|- Looking. - Don't.|- Don't look? - No.|- Why not? What's wrong? Don't you|wonder what he died from? No. The guy's dead.|What more do you need? It's not every day|I find a story in my own flat. It's not a story, Alex, it's a corpse. I've never seen a dead body before. I saw my grandmother, of course,|but I don't suppose that counts. She was alive at the time. Can I show you something? Emergency. Which service? Emergency. Which...? - No.|- Just think about it. - No.|- Come on, David. - No.|- Juliet? - No, Alex. It's...|- It's what? - Unfeasible.|- Is that all? - You mean immoral.|- I know what I mean. - I'm only asking you to think about it.|- It's a sick idea, Alex. It's sick. But don't tell me you're not tempted.|Don't tell me you're not interested. - I know you well enough.|- You think so? Go ahead, then. Telephone. Telephone the police. Go ahead. No one's gonna|stand in your way. Telephone them. Tell them. Tell them there's a suitcase full|of money, and you don't want it. # My baby don't care for shows # My baby don't care for clothes # My baby just cares for me # My baby don't care for # Cars and races # My baby don't care for # High-tone places # Liz Taylor is not his style Was there a pet|in the house? Yeah, a pet. You know, like a dog or a budgie|or a gerbil or something? What I need here is "PC Plod saves Harry|the Hamster from house of horror". All right. Well, that's a pity.|You see, no pets - no human angle. # My baby just cares for me - Hi, there. What happened to that guy?|- What guy? That guy. The one that died. - Died?|- That one last week. - Here?|- Yes, here. Where else? Oh, him. Well, he died. That's what I thought. Hello? Have you got room|for an overnighter? # My baby don't care # For cars and races # Baby don't care for # He don't care for high-tone places # And Liz Taylor is not his style - He's still here?|- Yeah, he couldn't get his car started. When are you gonna let the police know? You phone them if you want, David. - What about you?|- I'm getting used to having him around. # With baby # My baby just cares for # My baby just cares for # My baby just cares for me # What is it we do here, David? - Sorry?|- Here. - Right here?|- In this firm. - Well, it's a wide range of...|- Accounting, David. Chartered accounting is of ten sneered at.|Were you aware of that? - Not any real sneering as such, no.|- There's a whole wide world out there,... .. and it all needs to be|accounted for, does it not? - Well, I...|- They sneer, do they not? - I'm not sure.|- It's unfashionable. But yes, we're methodical,|yes, we're diligent, yes, we're serious. And where's the crime in that?|Why not shout it from the rooftops? Maybe sometimes we're a wee bit boring,|but, by God, we get the job done. - Yes, sir.|- That's why I think you fit in here. - I'm boring?|- You get the job done. - I see. I thought you meant...|- Which is why I trust you with this client. Good morning. Can I help you? Yeah, I'll just check that for you. Let's do it. Let's talk about disposal.|We have to make that body unidentifiable. Burning, dumping at sea|and burial are all flawed,... .. either by fingerprints or more commonly|by dental records, I have learnt. What I suggest is that|we bury him out in the forest. First we remove his hands|and his feet, which we incinerate. And his teeth, which we just|remove. It's as simple as that. David. I've always wondered|what these were for. Now... Oh. This is what we need. And, um... .. this. - What else?|- I don't know. A spade. We need a spade. I wish you'd concentrate.|We need a spade to dig a pit. - Who's gonna do it?|- Dig the pit? - Not that.|- Who's gonna do what? - You know what I'm talking about.|- Do I? What are you talking about? - You know what. Who's gonna do it?|- We all are, David. We're all gonna do it. You, me and Juliet|will do his or her bit. Fair enough? - I can't do it.|- I don't hear this. - I won't be able to do it.|- You want out already? You don't want the money?|Hugo is going off! He smells! - The flat smells! We can't wait!|- I won't be able to cut him up. - Who's going to do it?|- I thought we all were. - I don't think I can.|- But, Juliet, you're a doctor. - You kill people every day.|- That's different. I still don't want to. Now you tell me. There's something I want to ask. I don't know! I swear to God, I don't know! Family? Friends? Drugged-up, wandering, suicidal|fuck-ups don't have families. - I just thought we should discuss it.|- Take his legs. Where's Hugo? - Pick him up.|- Shh. - Pick him up.|- Shh. I swear to God, I don't know! I don't know! Stupid fuckin' bastard. Why don't we draw lots for it? Whoever draws the short straw does it all.|That way you either do it or you don't. - OK. I can go with that.|- David? - I don't know.|- If I draw the short straw, I'll do it. But I'm not gonna do it|just because you won't. All right, then. Here we are and this is it. Do you wanna play or not? I can't do it. - Finished.|- All right, but not quite. - Is that going to be deep enough?|- Don't worry. - Is this necessary?|- Yes. Now come on. All or nothin'. - Are you all right?|- Oh, yes. I'm fine, thanks. Just fine. - Would you like to talk about it?|- No. These three people|get their chance to... .. lose a million. Yes, all right. Hello there and welcome|aboard our millionaire's yacht. It's just like the "Marie Celeste"|but without the party atmosphere. As you know, the object is not|to win the game, but to... Lose. Not to give right answers, but... - Wrong ones.|- Not to do well, but to do really... Badly. And above all to try|and make a total... hotchpotch. Be careful. Alex! I don't know why we couldn't|stuff it under the floorboards. - Stop nagging, Alex.|- We could have hid it in the fridge. Ladies and gentlemen,|could I have your attention, please? I'd like to thank you all|for coming tonight,... .. to help us raise funds|for the sick children's unit. You never told me this was for children.|I hate children. I'd raise money to have the little fuckers|put down. I want my money back! But before the dancing starts... - Excuse me!|- .. I would like to give a vote of thanks... .. to the few people who have worked|so hard to make this occasion happen. - Do you know these people?|- They're my friends. Oh, so if they want to speak to you,|we tell them that you're not here? But ladies and gentlemen and those|of you who are neither or both... - Where did they dig him up?|- Form sets for "Strip the Willow". - Are we going to dance?|- Well, it's physical contact, isn't it? OK. Talk to me. Talk to me. - OK.|- No! Don't! Please don't! No! No! Please! - Can we talk about something?|- Not now. I have an idea. - It's important. We need to decide...|- Will you just stop worrying? To love and to happiness for ever. For ever and ever. - What's wrong?|- I want to talk now. When you've drunk|to love and happiness. - Now.|- After. David, I promise we will.|Just keep him happy. It's not for me. It's for love|and happiness for ever. Look over there. It's Cameron. - Who?|- You remember Cameron. - No.|- What's he doing here? - That's not him.|- It is. Cameron! Cameron, come on over here. Come on. What? Nothing. We thought|you were someone else. Good luck! - Why does he have to follow us around?|- What I was wanting to say was this. Aha! - The divine Juliet. Long time no see.|- Brian. - Would you care to dance?|- Hold on. Who do you think you are? - What?|- Who do you think you are? - You interrupted us.|- I'm Brian Mckinley. And who are you? Well, Brian Mckinley, if you wanna talk|to my girlfriend, you talk to me first. If you wanna dance, you apply|three weeks in advance,... .. or you're gonna end up|inside a fucking bin bag! You didn't apply, so you don't dance. Do you think you could be|a little more forceful next time? - I'm sorry.|- No, no. I think he got the message. That was quite stressful. Yeah, but you were good. He was|really good. Fuckin' bin bag, I like that. You really explored|your maleness to the full there. - You think so?|- You certainly had a good look around. You were magnificent. Yeah. Fuckin' bin bag. Fuckin' bin bag. Cameron! What a surprise! Hello? Hello? - Who was it?|- I don't know. - No one said anything.|- Or rendered speechless with desire. I recall that feeling from|the days when I had such a thing. - Are you all right?|- No. Then let's spend some money. Hello. It's been a struggle,|but now our days of worry are over. The light at the end of the tunnel|has expanded into a golden sunrise. And now at last, at long last,|nothing will ever be the same again. This is Alex Law reporting on|the video diary of his own life. Let me tell you, I'm so happy I could die. I think we ought to stop this, don't you? - Oh, will you relax?|- You're making us all nervous. - How much did you pay for this?|- I don't know. - I can't remember.|- Tell me how much you paid. - I can't remember.|- How much did you pay for this? - No idea. I don't know.|- How much did you pay for this?! - 500.|- 500? You paid 500 for this? - That's what it cost.|- No. That's what you paid for it. 500 is what you paid for it.|We don't know how much it cost us yet. For you two to have a good time.|We don't know the cost of that yet. Excuse me. Did they take anything? Is that enough for you? Oi. - What?|- Is that enough for you? - Yes, that's fine.|- There's plenty more. That's fine. - What's wrong?|- Nothing. - You're not eating.|- Eating what? - You're not eating like you used to.|- If you give me the plate, I'll eat. Now swallow. You should spend some money|instead of worrying about it. - You'd feel much better.|- Once it's spent, you don't have to worry. - It'll be a weight off your shoulders.|- You know we're right. - I wanna secure it.|- Secure it? You wanna put it in a bank? You don't wanna put it in a bank, do you?|Do you want to bury it? - I don't see the point. It's stupid.|- Course it's stupid. We took the money. It was a material calculation. What's the point if it's underground|in some funny bank in some funny place? If you can't have it - spend it -|then what use is it? None. It's all for nothing. I didn't get into this|for nothing, so that I could have nothing. Yeah, and you didn't saw his feet off. Tastes different. David, what are you doin' up there? Will you come down now?|It's not safe up there. Are you listening to me? Security and insanity|are not the same thing. Shit. I don't care. A grown man shouldn't|be living in a loft. He isn't safe up there. If you cared about him at all,|you'd use your influence to get him down. - And the money?|- We could put it somewhere. Where he can't get it? Well, you thought of that, not me. Forget it. He'll come down. Oh, Juliet, look. Hello, Mr Lumsden.|It's David Stevens here. I'm sorry, sir. I won't be able|to make it to the office today. It's my mother, sir. She's very ill|and I think I need to be with her just now. I don't know. The doctors aren't sure.|It could go either way. Yes, sir. I'll certainly stay in touch. - Good day?|- What? - Good day?|- What are you talking about? - I'm just asking if you had a good day.|- Why? Well, I thought I'd make conversation. Please, I'd rather you didn't. - Are you expecting anyone?|- No. - Aren't you going to answer it?|- Well, I'm not expecting anyone either. It's in the loft! In the loft! September 19, London Heathrow|to Rio de Janeiro. It's British Airways.|You're looking at 765. That's 7-6-5. - That sounds fine.|- Air Portugal, on the other hand,... .. it's via Lisbon, the same day.|It's 565. 5-6-5. Is catering important? - What?|- Air France, Glasgow direct. But then you're looking at|the wrong end of 912. That's 9-1-2. - The first one was fine. Heathrow direct.|- It's up to you. Air Patagonia, that's a new outfit.|Via... via lots of different places, really. It's no catering. That's 411. 4-1-1.|It's good value, but refuelling at Bogot... The first one was fine. It's up to you. 7-6-5.|How will you be paying? Oh, God! Oh, Jesus Christ! Oh, my God! Christ! No, no. Dear God. No! Christ! No, and that's it.|I refuse to discuss it any further. - It's the only way.|- I refuse. - You're frightened.|- I'm not frightened. I'm a little terrified. Did you see what happened|to the last two people? They went up alive and|they came back down dead. Did you notice that? The difference,|I mean. Alive, dead - dead, alive. It wasn't difficult to spot. He killed them both. - He cut them up.|- Yeah, but you'll be all right. - And how's that?|- Because you're smarter than he is. Yeah, well, that's what|I've always thought. Good evening. I'm Detective Inspector|McCall. This is DC Mitchell. I wonder if we could ask some questions. - What about?|- It's about the burglary. - Burglary?|- Downstairs. - Of course.|- Can we come in? So I just heard|her cries for help and all that. When I went downstairs,|there were other people there. So I just stood around, you know,|waiting, the way people do. And when your colleagues arrived,|I came back upstairs. That's about all, I think. I didn't actually|see anything useful, I don't think. And the other three people,|did they hear anything? There are only two|other people in the flat. - Two?|- Who said there were four? We understood there were four people|living here. Not always, but now four. No, three. Who said there were four? How strange. And how unsatisfactory|to have misleading information. Only three people here? - You're sure?|- Yes, absolutely. Who said there were four? Make a note of that, Mitchell.|Only three rather than four. Write it down. You can use numbers or words.|I've no preference. - Which are you using?|- Both, sir. Excellent. DC Mitchell is a rising star, Mr Stevens. Under my tutelage, he will|undoubtedly make the grade. - I see.|- I doubt it. - You'll wait in the hall?|- I'll wait. If it sounds like I'm getting killed,|call the police and tell them everything. Except maybe that it was|his idea in the first place. That's important.|I need to die misunderstood. - Alex.|- What? As smart as you are,|you might need a little help. David, what I'm gonna do is I'm gonna|open this lock and I'm gonna come up. But what's really important|is that you remain calm. OK? Alex? It's all right. It's just a pigeon. Well, he isn't up here. Tell him to look for the money. Look for the money. Don't worry.|That's exactly what I'm doin'. It's not up here. He has eaten it. Are you looking for me? Looking for you, yeah. What for? What did you want?|The money? Was that it? We just wanted to talk to you. Who else have you just wanted to talk to?|Maybe you thought they'd already got me. - Who?|- Your friends. I don't know what you're talkin' about. He doesn't know, David. Maybe you don't. I'm talking about the police. I thought you'd gone to work. With a face like this? Alex, the editor wants to see you. - I'm sorry.|- So you should be. Maybe we can still sort everything out. Well, we can certainly try. Three bodies. Decomposed.|Mutilated beyond recognition. - I don't know anythin' about it.|- Of course you don't. If you knew anything about it,|I wouldn't have to send you to cover it. - Cover it?|- That's right. This is your break, son. Cover it? Jesus. Ow! All right. The releasable and printworthy|facts of the day so far are as follows. Late yesterday, forestry workers|came across one set of human remains... .. in a grave which appeared|to have been recently dug. Further excavation revealed another|deeper grave with two sets of remains. - Is this a serial killer?|- How come they haven't been identified? - Any obvious motive here?|- Is it true that one has been skinned? Not entirely. All right, all right.|An area of skin "has" been removed. And you'd better keep this to yourselves.|There's no hands, no feet, no teeth. The face is totally|unrecognisable and, yes,... .. skin has been removed|from one of the bodies. As and when the corpses are removed,... .. we will endeavour to ascertain the|mode of death and duration of burial,... .. as well as identification, which|will of course be passed on to you,... .. after informing,|where possible, the next of kin. - Are you OK?|- Yes, of course. Why wouldn't I be? - I don't know. I just thought maybe...|- We were just sorting things out. - You'd better read all about it.|- We already know. It was on the television. Of course, but print|provides a more lucid and... Oh, shut up, Alex. It wasn't deep enough. I told you it wasn't|deep enough and you wouldn't listen. It doesn't necessarily matter. They don't know who they are and have|nothing to connect us with them. Nothing. I'm glad you're so certain, Alex. It makes us feel a whole lot better. - I beg your pardon?|- It makes us feel a whole lot better. That's what I thought he said. Shh. Stop. What are you doin' here? It's about me and David. - The perfect couple, I should say.|- You mustn't take it so badly. Don't worry. I'd do exactly the same|thing, only I don't think I'm his type. - Don't you ever stop?|- No. Take all the time you like, Doctor. No, I've never seen any of them. Look again, if you like. I'm sorry, I haven't seen them. - Do you have a good memory for faces?|- The same as everyone else. But in your work you must meet lots of|people every day. New people, new faces. Yes. What do you recognise most,|names or faces? Diseases. Like recognising criminals|by their crimes. - I suppose so.|- I meant, that's what it's like. - Sorry?|- You said you supposed so. - I wasn't offering it for debate.|- He wasn't offering it for debate. Like recognising criminals|by their crimes. No, I've never seen|any of these men before. Take a look at the first two. No, I don't know them. If I told you their car was parked outside|just now, would that surprise you? Yes, I suppose so. Well, is it? - What?|- Parked there? No. Not any more. I just wondered if it would surprise you. - That's it.|- That's all? Yes. - Sorry to waste your time.|- Oh, not at all. Don't worry. - One thing.|- Your watch. - Your watch.|- Is it real? Oh, no. It's a fake. I got it in Thailand.|The second hand doesn't sweep. - I see.|- Right. Tell you what. If you do|remember these guys,... .. maybe you could give me|a phone on this number. Any time you like. I didn't tell them anything, nothing|at all, absolutely nothing. They're plods. If they had any witnesses, any forensic|evidence, they would have whipped it out. - They know.|- They can know all they like. - They know.|- So? They know. So what? There's nothing|to connect us with that body stuff. - Except the money.|- He's right, Alex. They know. Come on. My office is closed. Life, however, grinds on|towards its conclusion. In the meantime, you may wish to leave a|message, but the final decision is yours. David? You forgot to wake me. - So let's go.|- You and me? Together. Hey! Alex! Who are you calling|at this time of night? Come out here and talk to us. Well? Sex lines, is that it? Triple-X-rated, interactive fantasies?|Old habits die hard. - I was phoning your mother.|- You old devil. Well, anyway.|As you can see, we're leaving. - So I gathered.|- I'm sorry, but that's the way it is. - Don't worry. I'll forward your mail.|- No, really. I am sorry. Sorry to be ducking out on|you. I hope you won't take it personally. No, no. Don't let it worry you.|It's probably for the best. All for the best. Exactly. I wouldn't|want things to end on a downer. - Not at all.|- I mean, we've ups and downs, right. Good times, bad times. We could talk all night,|but we have to go. Don't we? Yes. - And you need your sleep.|- Yes. No, I can't think of|anything else that matters. - About your mail.|- Very good of you to offer, but... Where do you think you'll go? Where will we go? Where will we go? Juliet? - I don't know.|- Don't be so coy, dear. You're going to Rio. - What?|- That's right. Rio de Janeiro, on your own. You should know.|You bought the fucking ticket! Did you see that? I bet she didn't show you that before|she sent you up there. What did she say? We'll split it together,|you and me, fifty-fifty. But I bet you didn't say you'd split on him. - It wasn't like that.|- Don't lie to me. Don't treat me like that. I bought it. What? I bought the tickets.|For her and for me. It was my idea. Your idea. I see. Well, that fits. I mean, you and him fit together.|I should have seen that a long time ago. - Alex, stop him!|- No, let him go. Let him have it all. Juliet, let him go. I'm leaving. You shouldn't have hit her! Do what|you like, but you shouldn't have hit her! You want it? You want it? Aagh! You bastard! You did the right thing. But I can't take you with me. Be OK, Mummy. Oh, I'll be all right. Hello, Inspector. # It's the sound that lovers # Hear when they discover # There could be no other for their love # It's my happy heart you hear # Singing loud and singing clear # And it's all because you're near # Me, my love # Take my happy heart away # Let me love you night and day # In your arms I wanna stay # Oh, my love # Oh, yes. I believe in friends. I believe we need them. But, if one day you find that|you just can't trust them any more,... .. well what then? What then? # Music fills my soul now # I've lost all control now # I'm not half, I'm whole now # With your love # It's my happy heart you hear # Singing loud and singing clear # And it's all because you're near # Me, my love # Take my happy heart away # Let me love you night and day # In your arms I wanna stay # All night long # |
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