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That's Entertainment, Part II (1976)
The doubt while the jury is out
Or the thrill when they're reading the will Or the chase for the man with the face That's entertainment The dame who is known as the flame Of the king of an underworld ring He's an ape who won't let her escape That's entertainment It might be a fight like you see on the screen A swain getting slain for the love of a queen Some great Shakespearean scene where a ghost and a prince meet And everyone ends in mincemeat The gag may be waving that flag That began with a Mr. Cohan Hip hooray the American way The world is a stage The stage is a world of entertainment That's entertainment Here we are! All right. That's entertainment Look what I can do! It's still me! It's still me! And now, as we carry right on We call upon charming Leslie Caron Anywhere you can watch Fred Astaire That's entertainment A scene played by Judy and Gene It's a song that goes ringing along Garbo's dance has a touch of romance That's entertainment "The show must go on" is the show business cry But there's always someone who wants to know why With Robert Taylor I'll try to come up with an answer It's Eleanor Powell the dancer More There is much more in store The world is a stage The stage is a world of entertainment The bells are ringing For me and my gal For Me and My Gal was my first film... and, boy, was I lucky. I co-starred with Judy Garland. That's what I call starting at the top. Knowing To a wedding they're going And for weeks they've been sewing They've been sewing something old and something new Sew something that is blue so they can make a trousseau for my gal They're congregating for me and my gal Look here! Why, that's the parson waiting for me and my gal And sometime We're going to build a little home For two - Or three - Or four - Or five - Or maybe more Loveland for me and my gal Fascinating rhythm, you got me on the go Fascinating rhythm, I'm all a-quiver Fred, I hear tap-dancing is popular again. And here's a lady who will keep it that way. ; Eleanor Powell. Each morning I'm waking up Very happy just to find that no work has been done Once it didn't matter But now you're doing wrong When you start to patter I'm so unhappy Won't you take a day off? A couple of weeks Somewhere far away off But make it snappy Oh, how I long to be the man that I used to be Oh, fascinating rhythm Won't you stop picking on me? I've got a feeling you're fooling I've got a notion it's make-believe and you are laughing right up your sleeve Mr. Kelly, would you tell me a couple of things... you never expected to see? Well, Mr. Astaire, I never expected to see Robert Taylor singing. Moments of paradise You're such a standout but how you hand out that I've got a feeling you're fooling I've got a feeling it's all a frame It's just a well-known old army game No fooling - No fooling - No fooling No fooling When I'm When I'm fooling with you And I certainly never expected to see Greta Garbo dancing. Fred, I hear that since you've been a kid... you always said you wanted to be a dancing man. No, Gene. That's not true. I never said anything like that in my life. I wanna be a dancing man While I can Gonna leave my footsteps On the sands of time If I never leave a dime A dancing man With footsteps on the sands Of rhythm And rhyme A dancing man With footsteps on the sands Of rhythm A song of love is a sad song Hi-Lili, Hi-Lili, Hi-Lo One of my happiest discoveries was Leslie Caron. After An American in Paris, she starred in Lili. A song of love is a sad song For I have loved, and it's so Hi-Lili, Hi-Lili, Hi-Lo, Hi-Lo Hi-Lili, Hi-Lili, Hi-Lo Hi-Lili, Hi-Lili, Hi-Lo, Hi-Lo Hi-Lili, Hi-Lili Hi-Lo Be a clown, be a clown All the world loves a clown I always wanted to play a clown... and in The Pirate, I finally got the chance... with Judy, and a terrific Cole Porter song. Dress in huge baggy pants And you'll ride the road to romance A butcher or a baker ladies never embrace A barber for a beau would be a social disgrace They all will come to call if you can fall on your face Be a clown, be a clown, be a clown! Be a clown, be a clown All the world loves a clown Be the poor silly ass And you'll always travel first class The Brothers Marx hit our screens With their zany routines Groucho, brash and absurd Harpo never uttered a word Chico's quaint piano style Had his audience in the aisle They could have played French comedy, trs, trs lgant Or scenes in English drawing rooms with riches to flaunt But they knew they'd get far more laughs with Margaret Dumont Be a Chico! Harpo! Groucho! - Wait a minute. This can't be my room. - Yes, sir. Suite number 58, sir. Fifty-eight? That's an awful big number for a birdcage this size. Wouldn't it be simpler if you just put the stateroom in the trunk? Sing ho! For the open highway Sing ho! For the open road - Hello, boss. What are you doing here? - Hello. This makes it a perfect voyage. - I'm sorry. I thought this was my trunk. - It is your trunk. I don't remember packing you boys. Don't wake him up. He's got insomnia. He's sleeping it off. That's as grisly a looking object as I've ever seen. Get him up out of there. - Yes? - We've come to make up your room. Come in, girls. Leave all hope behind. Work fast because you gotta get out in 10 minutes. Tomasso. Wake up. They're going to fix the bed. I'd like two pillows on that bed there. There's a slight misunderstanding here. I said the girls had to work fast, not your friend. He's still asleep. You know, he does better asleep than I do awake. Yeah, he always sleeps that way. - Now he's half-asleep. - Yes, he's half-asleep in a half Nelson. - All right, come on. - Yes? I'm the engineer. I'm here to turn off the heat. You can start right in on him. Did you want a manicure? No. Come on in. I hadn't planned on a manicure, but on a journey like this... you ought to have every convenience you can get. Did you want your nails long or short? You better make them short. It's getting kind of crowded in here. I'm the engineer's assistant. I had a premonition you were going to show up. The engineer's over there in the corner. You can chop your way right through. Is it my imagination, or is it getting crowded in here? I got plenty of room. - Yes? - Is my Aunt Minnie in here? You can come in and prowl around if you want to. If she isn't in here, you can probably find somebody just as good. - Could I use your phone? - Use the phone? - I'll lay you even money you can't get in. - How do you do? This boat will be in New York before you get to that phone. I came to mop up. Just the woman I'm looking for. Come right ahead. You have to start on the ceiling. It's the only place that's not occupied. - You can clean my shoes if you want to. - Operator. Tell Aunt Minnie to send up a bigger room, will you? - Steward. - Come right ahead. - The food! - We've been waiting all afternoon for you. I want my Aunt Minnie! From this moment on You and I, babe We'll be riding high, babe Every care is gone From this moment on Kiss Me Kate with Cole Porter's lilting music... choreographed by Hermes Pan... and performed by Ann Miller and company. That's Bob Fosse dancing with Carol Haney. I wonder what ever happened to him. I love the looks of you The lure of you I'd love to make a tour of you The arms, the eyes the mouth of you The east, west, north and the south of you I'd love to gain complete control of you And handle even the heart and soul of you So love, at least, a small percent of me, do For I love all of you Cyd Charisse, lovely Cyd Charisse. How she dances. This is from Silk Stockings. I get too hungry for dinner at 8.;00 I like the theater but never come late I never bother with people I hate That's why the lady is a tramp Beautiful Lena Horne sings a great Rodgers and Hart standard... from the film Words and Music. Won't go to Harlem in ermine and pearls Don't dish the dirt With the rest of the girls That's why the lady is a tramp I like the free, fresh wind in my hair Life without care I'm broke, that's oke Hate California, it's cold and it's damp That's why the lady is a tramp They asked me how I knew My true love was true Jerome Kern wrote some of the loveliest melodies I've ever heard. And none lovelier than this one, sung by Kathryn Grayson... and danced by Marge and Gower Champion. Something here inside Cannot be denied They said someday you'll find All who love are blind When your heart's on fire You must realize Smoke gets in your eyes I could hardly wait to keep our date This lovely Easter morning Someone once asked Jerome Kern... where in American music he would place Irving Berlin. Mr. Kern replied, "Irving Berlin is American music." For In your Easter bonnet with all the frills upon it You'll be the grandest fella in the Easter parade I'll be all in clover and when they look us over We'll be the proudest couple in the Easter parade On the avenue Fifth A venue The photographers will snap us And you'll find that you're in the rotogravure Oh, I could write a sonnet about your Easter bonnet And of the guy I'm taking to the Easter parade On the avenue Fifth A venue The photographers will snap us And you'll find that you're in the rotogravure I could write a sonnet about your Easter bonnet And of the girl I'm taking to the Easter parade Anything that happens in life can happen on the screen Fantasies appear Colorful and queer Watch me You'll see just what I mean First Take the red from the scene After that Please remove all the green Then the yellow and blue, make them disappear, too What's left? Black and white But that's quite all right It's entertainment You came I was alone Here's Bing Crosby... starting us off in some numbers filmed in glorious black and white. The siren he's singing to is Fifi D'Orsay. The film is Going Hollywood. Born to be kissed I can't resist You are temptation and I am yours Here is my heart Take it and say we'll never part I'm just a slave Only a slave to you Temptation Dear, when you smiled at me I heard a melody It haunted me from the start Judy Garland told me that this is the song she sang... for her audition at MGM. By the way, she got the job. Zing! Went the strings of my heart! I still recall the thrill I guess I always will I hope 'twill never depart I knew I loved you heaps and you were mine for keeps Zing! Went the strings of my heart! The wonderful Ethel Waters in Cabin in the Sky. And that's Rochester on guitar. Here I go again I'm hearing trumpets blow again All aglow again Taking a chance on love Here I slide again About to take that ride again Starry-eyed again Taking a chance on love I thought the cards were a frame-up And I never would try But now I'm taking the game up And the ace of hearts is high Things are mending now I see a rainbow blending now We'll have our happy ending now Taking a chance on love Got to swing that jinx away Swing a hi-de-hey Hi-de-hey-de Rap, tap on wood Eleanor Powell in Born to Dance. And she sure was. Three cheers for the red, white, and blue Three cheers for the red, white, and blue The Army and Navy forever Three cheers for the red, white, and blue Men, the ship we were waiting for is anchored in the river... but it's in the hands of the police. Our plan's been discovered, and if we're ever to have our freedom... we've got to fight for it tonight. Who's with me? Not me. All right, if I have to, I'll go alone. - Wait, Charles. I'll go with you. - One man at last. And me, too. Nelson Eddy and Jeanette MacDonald were the king and queen of operetta... and New Moon was one of their most popular. Now we're 10! That makes an army. Come on! Give me some men Who are stout-hearted men Who will fight for the right they adore Start me with ten Who are stout-hearted men And I'll soon give you ten thousand more I'm going. Shoulder to shoulder And bolder and bolder They grow as they go to the fore Then there's nothing in the world Can halt or mar a plan When stout-hearted men Can stick together man to man Charles, you can't fight the whole French fleet. It's fight or perish for every man on this island. - Charles. - Goodbye, Marianne. Forgive me for any grief I've ever caused you. Charles. You'll come back, Charles. You must come back to me. This eager heart of mine is singing Lover, come back to me Near or far, where ever you are I'm coming back to you Love will guide me In the light that follows night I'll see you smiling through Your love Will be beside me The sky is blue The night is cold The moon is new But love is old And while you're waiting there This heart of mine is singing I will come back - To you - To me Oh, what a tune One of my favorite comedians... also happens to be one of my favorite human beings... that lovable lunatic, Jimmy Durante. It's got the whole world spooning I'm walking down the street I'm walking down the street Tell me, Mr. James, now just what did you accomplish? That note was given to me by Bing Crosby... and was he glad to get rid of it. I got rhythm, I got music I got my man Who could ask for anything more? I got daisies Now, Busby Berkeley's dude-ranch finale from Girl Crazy... with Judy, Mickey, and Tommy Dorsey. Old Man Trouble, I don't mind him You won't find him 'round my door I got starlight I got sweet dreams I got my man Who could ask for anything more? Who could ask for anything more? Who could ask for anything more? Be a clown, be a clown All the world loves a clown Take a pie in the face And you'll wow the whole human race In the beginning, there was slapstick comedy. And Laurel and Hardy. So you can't sleep? Abbott and Costello being Abbott and Costello. I'm going to put this in your ears... and then when I go to sleep, you won't hear the record. When I go to sleep, you take the arm off... - and the record will stop, and I'll sleep. - All right. - Yes. - Now how's that? Everything all right? How's that? All right? Is that all right? I said, is that all right? - Is that all right, the stuff in your ears? - Yes. Can't hear. Swell. And when you go to sleep, I'll turn it off. - Take it off. These are good. - Go ahead and get your sleep. I know I'll get some sleep. - I'm gonna get some sleep. - What? I says, I'm gonna get some sleep. - That's what I'm here for. - Then why do you keep saying... - I can't hear you, please. - Then keep them in your ears... - you don't have to listen to nothing. - What? Look. Now listen. Don't get excited, please. Will you? With these in my ears, I can't hear. Here. Try it yourself now. See that? Now can you hear anything? - What? - Can you hear me? You can't hear anything, can you? How can I hear if you're gonna put these in my ears like that? After all, I can't hear if you got them in my ears. He's got them again. In this 1929 film... among a group of songwriters, we find... Well, he'll introduce himself. Ladies and gentlemen, may I introduce myself. My name is Jack Benny, and I was asked... to be master of ceremonies for this occasion. I'd like to identify these boys for you... so in case you find them prowling around your home some night... you'll know how to address them. Mr. Nacio Herb Brown, the composer at the piano... and Mr. Arthur Freed, the lyricist... who also writes the words. These two boys wrote... Doll Dance, Broadway Melody... You Were Meant For Me, the Pagan Love Song... and The Wedding of the Painted Doll. It's a holiday Today's the wedding of the painted doll It's a jolly day The news is spreading all around the hall Red Riding Hood and Buster Brown The Jumping Jack jumped into town From far and near, they're coming here Church bells ringing Bringing all the little dollies From the follies With their painted cheeks Little mama doll has fussed around for weeks and weeks Shoo the blues, no time to lose Bikes and shoes will spread the news That it's a holiday Today's the wedding of the little painted doll I've come to the conclusion that it's a very simple matter to write a popular song. Let's see how song writer Sammy Cahn feels about that. Writing a song can be agony or ecstasy. It can take half an hour or half a year. But when anyone writes a song in a movie... there never seems to be any problem. Inspiration turns on faster than a light bulb. For instance... look how hard Ann Sothern and Robert Young... have to struggle to write a song... which was written by George and Ira Gershwin. And lovely. Hey, "Oh, sweet and lovely." Oh, sweet and lovely, can it be true? You are the one Baby, be mine Baby, be mine Oh, sweet and lovely, Baby, be mine Baby, be good Lady, be good That's it, "Lady, be good." Oh, sweet and lovely lady, be good Yeah! Oh, sweet and lovely lady, be good Oh, lady, be good to me How's that? I am so awfully misunderstood So, lady, be good to me ...this feeling. Lew Ayres, prodded by Al Shean... sets his love for Jeanette MacDonald to music. You got something that hurts you, that's important, that means something. Well, write it out. Put it in notes. Orchestrate it. Make the violins tell it, and the brasses. You never lost Mary Hale. You lost yourself. You were like a bird that wouldn't fly, a fish that wouldn't swim... a musician that wouldn't write. Speaking a woman's name night after night before you go to sleep... that's for nobodies, for weaklings. But you, you got to sing out on them so she'll hear it... and no matter where she is, she'll hear her name in your music... and then she'll come back to you. Although your tears may fall Jimmy. We won't be far apart Summer journeys to Niagara And to other places Aggravate all our cares We'll save our fares I've a cozy little flat in what is known as old Manhattan We'll settle down Right here in town We'll have Manhattan, the Bronx, and Staten Island, too It's lovely going through Now Mickey Rooney and Tom Drake show us... how Rodgers and Hart did it. It's very fancy On old Delancey Street, you know The subway charms us so When balmy breezes blow to and fro Fred Astaire and Red Skelton as Kalmar and Ruby. I wouldn't write that song with you if you begged me. Begged you? I didn't even ask you. I guess you just can't help it, Harry. I feel sorry for you. Feel sorry for me? You must think I'm just some... I can tell you what I think of you in three little words. You're a dope! Three little words, "You're a dope." You are a dope In the film The Great Waltz... Fernand Gravet as Johann Strauss... composedTales from the Vienna Woods... just by riding through the woods with Miliza Korjus. Come on, my Rosie Come on, my Rosie That's entertainment Good morning Good morning It's great to stay up late Good morning Good morning to you When the band began to play This is one of those terrific Singin' in the Rain numbers... with Gene, Debbie Reynolds, and Donald O'Connor having a ball. So, good morning Good morning Sunbeams will soon smile through Good morning Good morning to you and you and you and you Good morning Good morning We've gabbed the whole night through Good morning Good morning to you Nothing could be grander Than to be in Louisiana In the morning In the morning It's great to stay up late Good morning Good morning to you Might be just as iffy If we was in Mississippi When we left the movie show the future wasn't bright But came the dawn the show goes on and I don't want to say good night - So say good morning - Good morning Rainbows are shining through Good morning Good morning Bonjour Buenos Dias Buongiorno Guten Morgen Good morning to you Fred, Nanette Fabray, and Jack Buchanan... as a very young trio in this Schwartz and Dietz number from Band Wagon. Mrs. Wipple Poofer loves to talk to Mrs. Hildendorfer Of the fatal natal day she had her silly Willy Mrs. Hudson-Cooper loves to talk to Mrs. Golden-Wasser Of her major operation when she had her twins But when Mother comes along She silences the others She accomplished something that is very rare in mothers MGM has got a Leo But Mama has got a trio She is proud but says three is a crowd Oh, we do everything alike We look alike We dress alike, we walk alike We talk alike, and what is more We hate each other very much We hate our folks We're sick of jokes on what an art it is to tell us apart We eat the same kind of vittles We drink the same kind of bottles We sit in the same kind of highchair highchair, highchair I wish I had a gun A real gun It would be fun to shoot the other two And be only one Have yourself a merry little Christmas Fred, you remember those wonderful parties with Judy... where she'd get up and sing this song? She first sang it to Margaret O'Brien in Meet Me in St. Louis. Next year all our troubles will be miles away Once again, as in olden days Happy golden days of yore Faithful friends who were dear to us Will be near to us once more Someday soon we all will be together If the fates allow Until then we'll have to muddle through somehow So have yourself a merry little Christmas now Stepping out with my baby Can't go wrong 'cause I'm in right It's for sure, not for maybe That I'm all dressed up tonight Here you are again, Fred, in Easter Parade. Can't be bad to feel so good Never felt quite so sunny And I keep on knocking wood There'll be smooth sailing 'Cause I'm trimming my sails With a bright shine on my shoes And on my nails Stepping out with my baby Can't go wrong 'cause I'm in right Ask me when will the day be The big day may be tonight What a fabulous bit of trick photography. Please, Kelly. I don't tell your secrets. Ten cents a dance That's what they pay me Gosh, how they weigh me down Doris Day, belting out another great Rodgers and Hart tune... from Love Me or Leave Me. Ten cents a dance Dandies and rough guys Tough guys who tear my gown 7.;00 to midnight I hear drums Loudly the saxophone blows Trumpets are tearing my eardrums Customers crush my toes Sometimes I think I've found my hero But it's a queer romance All that you need is a ticket Come on, big boy Ten cents a dance - I got - Rhythm - I got - Music - I got - My gal Who could ask for anything more? I've always said, "Just put Gene with a bunch of kids... "and you're bound to come up with a winner. " Watch. - I got - My gal Who could ask for anything more? Old man Trouble, I don't mind him You won't find him 'round my door - Vous comprenez ca? - Non! - I got - Rhythm - I got - Music - I got - My gal Who could ask for anything more? Who could ask for anything more? Charlot! Charlie Chaplin! Aeroplane! Who could ask for anything more? More! C'est tout! Au revoir! You see a pair of laughing eyes And suddenly you're sighing sighs You're thinking nothing's wrong You string along, boy Then snap! Those eyes, those sighs They're part of the tender trap After having sung with the Harry James and Tommy Dorsey orchestras... Frank Sinatra made his solo debut... at the Paramount Theater in New York in December 1942. They had to call out the police to control the crowds. Especially his most avid fans, the bobbysoxers. When he walked out on the stage... it was not merely the birth of a star... but the creation of a legend. I'll walk alone They'll ask me why And I'll tell them I'd rather There are dreams I must gather I'll walk alone It was inevitable that the Sinatra hysteria would lead him to Hollywood... and equally inevitable... that producer Arthur Freed would choose him... to sing Kern and Hammerstein's classic. ; OI' Man River. OI'man river That ol'man river He must know somethin' But he don't say nothin' He just keeps rollin' He keeps on rollin'along He don't plant taters And he don't plant cotton And them what plants 'em Is soon forgotten But ol'man river Just keeps rollin'along I fall in love too easily There's something about a Sinatra ballad that makes it automatically unforgettable. Here is young Blue Eyes singing one of my favorites from Anchors Aweigh. I fall in love too terribly hard For love to ever last My heart should be well-schooled 'Cause I've been fooled in the past And still I fall in love too easily I fall in love too fast I believe Frank sings to Jimmy Durante and Billy Roy in. ; It Happened in Brooklyn. If you'll wish for the dream By the wishing well Don't tell the wish or you'll break the spell It may sound naive But that's what I believe I don't care High Society. And it can't get much higher... than Frank serenading the future princess of Monaco. 'Cause you're sensational Making love is quite an art What you require is the proper squire to fire your heart And if you'll say that one fine day You'll let me come to call We'll have a ball 'Cause you're sensational Sensational That's all She argued Fought like a wildcat She threatened Practically drew a gun on the boy She said "You can't send me home - "Not like this" - What happened? She finally got her kiss It seems only yesterday that I did this number with Frank. That's when he taught me how to dance. What a time we had tonight What a dish, what a dream, what a dame And she lives alone I gets weary And so sick of tryin' I'm tired of livin' But I'm feared of dyin' And ol'man river He just keeps rollin' Along Movie buffs and the rest Have a line or scene they like best The courtroom where a lawyer pleads for his client's life A sleuth that's hot but cannot spot the gun or the knife But you'll knock 'em flat with "That's no lady, that was my wife" They all last, unsurpassed Here's the cast Please let me stay. But I want to be alone. I just want to be alone. We want to be alone. But we want to be left alone. Do you want to be alone, comrade? No. I don't know how you'll look tomorrow... but right now, you're the most beautiful dame in the world. - You want to work with me? - Yes, Mr. Gallagher. Shake. - Yes, sir. - Now beat it. Thank you. Goodbye, Mr. Chips. Annual income 20. Annual expenditure 19. Result? Happiness. Annual income 20. Annual expenditure 21. Result? Misery. That advice is so far worth taking... I have never taken it myself... and I am the miserable creature you behold. Grand Hotel. Always the same. People come, people go. Nothing ever happens. I was reading a book the other day. Reading a book? Yes, it's all about civilization or something. A nutty kind of a book. Do you know the guy says... that machinery is going to take the place of every profession? Oh, my dear. That's something you need never worry about. I'd like to run barefoot through your hair. The picturesque impressions indelibly fixed in our memory. It is time to conclude our visit... and reluctantly say farewell to Hong Kong... the hub of the Orient. And as the midnight sun lingers on the skyline of the city... we most reluctantly say farewell to Stockholm... Venice of the north. And it is in this paradise of the Canadian Rockies... that we reluctantly say farewell to beautiful Banff. With this thought, we most reluctantly say... farewell to the Taj Mahal. We reluctantly say, farewell, colorful Guatemala. We reluctantly conclude our visit to Japan. Farewell to Ireland, the Emerald Isle. Farewell to Switzerland. Farewell Udaipur. Farewell to all... Farewell... I am Tandaleo. Jane. Tarzan. Please stop. Just walk natural, as if you were out for a stroll. Not a word. Hold it right there! Where are you going with that elephant? What elephant? As soon as I saw you, I said to myself: "There's a hot-looking little number." Don't let it throw you, champ. I'm 20 degrees cooler than you think. Dames are just like traffic. Sometimes you got to stop. Sometimes you got to go. Certain women should be struck regularly, like gongs. You see that chess game over there? When I was 4 years old, I played 10 people all at once... blindfolded. I lost every game. Lie down. Stand up. Grandpa, I love you. Rosetta, I love you. Tippy, I love you. Honey, I love you. Honey, I love you. Kippy, I love you. I love you, Duke. What're you trying to do? Steal my gag line? To begin with, I took four years at Vassar. Vassar? But that's a girls' college. I found that out the third year. I'd have been there yet, but I went out for the swimming team. It's all right. That's in every contract. That's what they call a sanity clause. You can't fool me. There ain't no Sanity Claus. Hold me closer. Closer. I hold you any closer, I'd be in back of you. It's a far, far better thing I do, than I have ever done. It's a far, far better rest I go to... than I have ever known. You're my Lassie come home. But, Rhett, if you go... where shall I go? What shall I do? Frankly, my dear, I don't give a damn. What can I say about Paris that wouldn't be redundant? Even people who have never been there know of its glories... from songs, books, movies, paintings... even cookbooks. And thanks to the invention of film and records... there is one national treasure... who will live as long as all the others. That's Paris. City of girls and lights! Maurice Chevalier. Here he is, singing about his Paris, in one of his early films. I'm going to Maxim 's Where all the girls are dreams Each kiss goes on the wine list And mine is quite a fine list Lolo, Dodo, Juju Cloclo, Margot, Frufru We promise to be faithful Until the night is through Let us gaze in the wine while it's wet Let's do things that we'll live to regret Let me dance till the restaurant whirls With the girls, girls, girls, girls, girls Where there's wine and there's women and song It is wrong not to do something wrong When you do something wrong You must do something right And I'm doing all right tonight You know... I guess more songs have been written about Paris than any other city. One of the loveliest and most poignant... was by Jerome Kern and Oscar Hammerstein. Dinah Shore sings it in Till the Clouds Roll by. The last time I saw Paris her trees were dressed for spring And lovers walked beneath those trees and birds found songs to sing I dodged the same old taxicabs that I had dodged for years The chorus of their squeaky horns was music to my ears The last time I saw Paris her heart was warm and gay No matter how they change her I'll remember her that way Paris is called the City of Lights. When these lights are turned on, it becomes the diamond of the world. Lovers, of course... prefer the romantic shadows along the banks of the Seine. Another famous Parisian landmark... but of a different kind. We see Georges Guetary performing... in true Folies-Bergre style. I'll build a stairway to Paradise With a new step every day I'm going to get there at any price Stand aside, I'm on my way I've got the blues And up above, it's so fair Shoes, go on and carry me there I'll build a stairway to Paradise With a new step every day I'll build a stairway to Paradise With a new step every day I'm going to get there at any price Stand aside, I'm on my way I've got the blues And up above, it's so fair Shoes, go on and carry me there I'll build a stairway to Paradise With a new step every day With a new step every day The place du Trocadro is one of my favorite places in Paris. It's a great hangout for children who skate. So I always bring my kids here to join me. You know... a number on roller skates, that might not be a bad idea. This is Montmartre... a very different section of the city. As you see, the sidewalks are jammed with young artists plying their trade. Montmartre is also world-renowned for its colorful cabarets. The cancan, danced by Gwen Verdon and company. Not far from Paris is Versailles. One of the most beautiful palaces ever built. A museum now, it's still used for special state dinners... and charity balls. Some suggestion of a... Bal de Versaille... was captured by Ernst Lubitsch in the picture The Merry Widow... filmed in 1934. Gene dances in the cartoon Then there's Bing, He and Louis will croon Bobby Van could jump over the moon That's entertainment You'll see Fred and Judy as tramps Cyd plays one of those glamorous vamps Howard Keel, He'll sum up the whole deal The world's a cartoon A great big balloon of entertainment Hey, Gene, you've had some very unusual dancing partners. But these, from Invitation to the Dance, beat everything. Well, you take some skins Jazz begins And you take a bass Man, now we're gettin' someplace Take a box One that rocks Take a blue horn, New Orleans-born High Society brings Bing and Satchmo together to explain jazz. Take a bone Hold the phone Take a spot Cool and hot Now you has jazz, jazz, jazz, jazz, jazz Pops, you want to grab a little of what's left here? - Yeah, daddy, yeah - Here we go - If you sail - A-sailin', sailin' - Over the sea - Will you wait for me? Take my tip, they're all molto hip in Italy Well, arrivederci As for France? - I know you're very big there - Yes, believe it or not I do believe I do indeed The Frenchmen all prefer what they call - "Le jazz hot" - Formidable Take a plane Go to Siam In Bangkok today, round the clock, they all like the jazz Indians on the Amazon Beat one bar, and all of them are Oh, well, gone, man, gone! From the Equator Up to the Pole Everybody wingin', everybody singin' That rock, rock, rock, rock 'n'roll And from the east to the west From the coast to the coast Jazz is king 'cause jazz is the thing the folks dig most Now that's jazz We're a couple of swells We stop at the best hotels But we prefer the country far away from the city smells Fred, here you are with Judy. Even when you play a tramp, you're in top hat and tails. The pride of the tennis courts In June, July, and August we look cute when we're dressed in shorts The Vanderbilts are waiting at the club But how are we to get there, that's the rub That's the rub We would sail up the avenue but we haven't got a yacht We would drive up the avenue but the horse we had was shot We would ride on a trolley car but we haven't got the fare So we'll walk up the avenue Yes, we'll walk up the avenue Yes, we'll walk up the avenue till we're there We would swim up the avenue but we haven't any lake So we'll walk up the avenue Yes, we'll walk up the avenue Yes, a walk up the avenue's what we'll take "V" stands for vim, vigor, vitality, and Bobby Van... in this number from Small Town Girl. How. Take me to Broadway, and let me take it from there Take me to Broadway, and let me take it from there - Gotta dance! - Gotta dance! - Gotta dance! - Gotta dance! Cyd Charisse... lovely Cyd Charisse, how she dances. This from Singin' in the Rain. There's no business like show business Like no business I know Everything about it is appealing In Annie Get Your Gun... Betty Hutton, Howard Keel, Keenan Wynn, Louis Calhern, and company... tear the screen apart... with Irving Berlin's fabulous anthem to entertainment. There's no people like show people They smile when they are low Even with a turkey that you know will fold You may be stranded out in the cold Still you wouldn't change it for a sack of gold Let's go on with the show Let's go on with the show! There's no business like show business Like no business I know Everything about it is appealing Everything the traffic will allow Nowhere could you get that happy feelin' When you are stealin' that extra bow There's no people like show people They smile when they are low Even with a turkey that you know will fold You may be stranded out in the cold Still you wouldn't change it for a sack of gold Let's go on with the show Let's go on with the Spencer Tracy and Katharine Hepburn. They starred in nine films together... and were, undoubtedly, the most successful dramatic team... in screen history. Let's look at some of their work, together, and apart. There, that's better. I'm Father Flanagan. I saw your brother Joe just a little while ago. We had a long talk about you, Whitey. Joe wants you to come with me to Boys Town. You've got a swell chance taking me to that joint. Look, in a pinch, I can be tougher than you are... and I guess, maybe, this is the pinch. You're coming with me to Boys Town because that's what your brother wants. And that's the way I want it. Shorty, you mind backing up and letting me by? Yeah, I do mind. Suppose you back up, and don't call me Shorty. Shorty or sonny, what difference does it make? Move over, bud. I'm wearing Justin boots with 4-inch heels. They'll sure make big dents in that little frame of yours. Lady athlete, properly handled, always a market. Always. I don't think you've ever been properly handled. That's right, not even by myself. Very few brains. - There's one thing I got to say, though. - What? Nicely packed, that kit. Is, at that. Not much meat on her, but what's there is cherce. - Let's get out. - Okay. I told you already. I ain't going to make no deals with you. - Two against one. - That's right, two against one... and that's how it is in this business, too, wise guy. Two against one. You want your usual percent? My glasses. That's no fair. What's the big idea? Where are my glasses? - What is this? - It's no fair. Did you ever see a thing like this before? We're so different, we could help each other, couldn't we? - I mean, really help. That is, if we... - What? Don't rush me. Give me time. - One, two, three... - I've been thinking... all sorts of things in all ways. Backwards, forwards, every which way, but chiefly forwards. I hope that means that you've decided to stop living in the past. Yes, and I've got to thinking maybe you're right. It is stupid of me, it is selfish... but it is a terrible world to live in alone with just memories. You've got qualities to face it and do something about it with. Your eye is so clear. You see straight. You're so honest, quick, aware, fearless, forthright, and... - Wait a minute. - Don't stop me. I'm none of those, except maybe honest. I've got qualities for it, too. I'm strong and have lots of energy. I'm brave, too. Things don't get me down, and I can take punishment. It isn't just this house I can offer you or myself as an assistant. After all we said to each other that night... the way we understand each other about love... you know I never could... and I know you never could or would want to... and then there's all that powerful commodity to be put to use. - So I thought... - You thought? I wondered if you'd like to marry me. What were you doing down in my bailiwick today? - Just a little ambulance chasing. - Successful? - I got the case. - What case? A girl named Doris Attinger shot her husband. I'm going to defend her. Now, when did you begin to suspect... that you were losing your husband's affection? When he started batting me around. Farewell, Amanda What's the matter? Don't you want your rub now? What... What are you, sore about a little slap? No. - What then? - You meant that, didn't you? - You really meant that. - No. I can tell, I know your touch. - I know a slap from a slug. - Okay. I'm not so sure it is. I'm not so sure I care to expose myself... to typical, instinctive masculine brutality. Come, now. It felt not only like you meant it, but like you felt you had a right to. I can tell. What have you got back there, radar equipment? All right. Break it up. Adam. Listen to me. Don't you handle me, lady. I'm not nutty. Adam, you're sick. Please. - What do you think you're doing? - Teaching a lesson. Him first, then comes yours. - Now get away, Amanda. - Don't you do it. Stop it, Adam. Stop it! - You've no right. - That's all I wanted to hear. Licorice. If there's anything I'm a sucker for, it's licorice. - I figure you can take care of yourself. - No, I can't. - I bet you could even lick me. - No, I couldn't. - Sure. I think so. - No, I couldn't. - I need someone to look after me. - What about me? Why not? I don't know if I can lick you or you can lick me... - but I'll tell you one thing I do know. - What? - Together, we can lick them all. - You bet. And together they did... because everything about Tracy and Hepburn... was cherce. Can it be I like myself She likes me So, I like myself If someone wonderful as she is can think I'm wonderful I must be quite a guy Gene, you finally did work out that number on skates, didn't you? Yes, I guess I did... in a film dreamed up by Comden and Green... called It's Always Fair Weather. Dislike myself But now my love has got me ridin'high She likes me, so, so do I I can remember everything as if it were yesterday. - We met at 9.;00 - We met at 8.;00 - I was on time - No, you were late Ah yes, I remember it well Here's my favorite boulevardier with Hermione Gingold... and a lovely Lerner and Loewe song from Gigi. I remember it well That dazzling April moon! There was none that night And the month was June That's right, that's right It warms my heart To know that you Remember still The way you do Ah yes I remember it well - That carriage ride - You walked me home - You lost a glove - I lost a comb Ah yes, I remember it well - That brilliant sky! - We had some rain - Those Russian songs - From sunny Spain Ah yes, I remember it well You wore a gown of gold I was all in blue Am I getting old? Oh, no not you! How strong you were How young and gay A prince of love in every way Ah yes I remember it well The last time Ginger and I worked together... was in The Barkley's of Broadway. I think this is one of the best routines you ever did. Yes! No picture about entertainment would be complete... without a number from wet and wonderful Esther Williams. And she does it without trick photography. A show that is really a show Sends you out with a kind of a glow And you say as you go on your way That's entertainment The art that appeals to the heart Is a song that just has to belong Or a dance that is sure to entrance That's entertainment And now may we pause For a moment or two? Because there's a chore that we feel we should do We'd like to name just a few of the stars You have seen here Performing a song or scene here There were Judy Garland, Leslie Caron, Greta Garbo, Doris Day Bob Taylor, Jack Buchanan, Tony Martin, Maurice Chevalier Bing Crosby, Mickey Rooney, Eleanor Powell, Nanette Fabray That's entertainment Clark Gable, Melvyn Douglas, Bob Montgomery, John Barrymore Hermione Gingold, Esther Williams, Frank Sinatra, Dinah Shore - Franchot Tone, Greer Garson - Katharine Hepburn, Spencer Tracy Roddy McDowall, Myrna Loy, and William Powell Jeanette MacDonald, Debbie Reynolds, Marge and Gower Champion Ann Miller, Cary Grant, Ann Sothern, Louis Armstrong, Bobby Van Jean Harlow, Cyd Charisse, Joan Crawford, Vivien Leigh, Tarzan That makes forty-two We've missed many who have entertained you And if it's a hit, then they'll go on from there They played a charade that was lighter than air A good old-fashioned affair As we sing this finale We hope it was up your alley No death like you get in Macbeth No ordeal like the end of Camille This goodbye brings a tear to the eye The world is a stage The stage is the world of entertainment English |
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