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That's Entertainment! (1974)
I'm singin'in the rain
Just singin'in the rain What a glorious feeling I'm happy again The year is 1929. The singer, Cliff Edwards, also known as Ukulele lke. The film, Hollywood Revue. It is the first all-talking... all-singing, all-dancing movie ever made. Everyone from the place Come on with your rain I've got a smile on my face I'll walk down the lane In the years that followed, Singin' in the Rain would become... a theme song for MGM. Singin'in the rain In the 1930s, Jimmy Durante gave us this rendition. You wrote that this morning? Yeah, it's something they'll remember. Yeah, I remember it already. I'm singin'in the rain I'm singin'in the rain What a grand, what a glorious feelin' I'm happy again In the 1940s, Judy Garland did it her way. So dark up above The sun's in my heart And I'm gettin'ready for love Let the stormy clouds chase Everyone from the place And come on with the rain I've a smile on my face I'll walk down the lane With a happy refrain And singin' Singin' I'm singin'in the rain In the 1950s, Gene Kelly, Debbie Reynolds, and Donald O'Connor... put it all together in what many folks would call, "the best musical ever made." Singin'in the rain Just singin'in the rain What a glorious feelin' We're happy again If you are wondering what happened in between... sit back and relax. You're about to find out. It's been quite some time since I first came to this place. And MGM is certainly not the same studio... and Hollywood's not the same town. But the films we made here are still around. Some studios can claim they made the finest gangster films... or the greatest horror movies... but when it came to musicals... MGM, they were the champions. Musicals were fantasy trips for the audiences of that day. For instance, boy meets girl, boy loses girl... boy sings a song and gets girl. The plots were that simple. The musicals of the 1930s, '40s, or even the '50s... may not tell you where our heads were at... but they'd certainly tell you where our hearts were at. And all of this lovable nonsense began back in 1929... when the silent film had suddenly become a thing of the past... and sound was the king. Don't bring a frown to old Broadway You've got a clown on Broadway Broadway Melody of 1929 won an Oscar for Best Picture that year... and MGM was off and running with a new formula for success. Charles King and a line of slightly overweight chorus girls... were the beginning of a new motion picture art form... that would captivate audiences for years to come. No skies are gray on that Great White Way That's the Broadway Melody! No skies are gray on that Great White Way That's the Broadway Melody! Within a few short years, the musical had come of age. The primitive stage show had now become a cinematic spectacular. Here Frank Morgan, Ray Bolger, Nelson Eddy and a cast of thousands... watched Eleanor Powell dance in Rosalie. When I'm calling you The most successful singing team in the history of motion pictures... Nelson Eddy and Jeanette MacDonald in Rose-Marie. Will you answer too? Then I will know our love will come true You'll belong to me I'll belong to you In 1936, The Great Ziegfeld won an Oscar for Best Picture that year... and it's no wonder. Virginia Bruce and a gang of lovely ladies... cluttered up Hollywood's biggest staircase. And somewhere in that lovely mob, you'll find Dennis Morgan singing a song. If anyone could afford to film this extravagant number today... perhaps it would look something like this. Just like a heavenly rhapsody She captures you right from the start Just like a beautiful melody She'll play on the strings of your heart A pretty girl is like a melody That haunts you night and day Just like the strain of a haunting refrain She'll start upon a marathon And run around your brain You can't escape She's in your memory By morning, night and noon She will leave you And then come back again A pretty girl is just like a pretty tune By morning, night and noon She will leave you And then come back again A pretty girl is just like a pretty tune The last of the big black-and-white production numbers... starring Eleanor Powell and Fred Astaire... Cole Porter's music, the sets and the camera work... the direction by Norman Taurog, the incredible tap dancing by these two... it all seemed to come together in Broadway Melody of 1940. You know, you can wait around and hope, but I'll tell you... you'll never see the likes of this again. Don't be afraid, you'll make your grade Why, you can sing as good as Bing And here, the old pro, James Durante, gives a newcomer... a few pointers in It Happened in Brooklyn. Sing it, Danny, make me proud. Okay, Nick, stand back. It doesn't have to be witty or smart Smile. Long as it comes from the heart Keep going. It doesn't have to be classic or rock Great. Long as it comes from the heart I'll give 'em that I'll give 'em this I'll strut away Boy! You can't miss! Just put a star on my chart You won't need this anymore. Cause the song's gonna come from the heart Don't work cheap. On opening nights, your name in lights Why we won't stop, 'til you reach the top We'll order our meal la carte That's expensive! If the song comes from the heart We'll be tremendous! If the song comes from the heart They'll holler "Bravo." If the song comes from the heart Heart That's just a sample of what's been going on around here for the past 40 years. The work was hard, but it was great fun. Because the people you worked with really knew what they were doing. And it was said that through those doors... passed the most famous stars in Hollywood. And I don't think many in this town will argue about it. Here's one of the most lovely and talented of those stars... Miss Elizabeth Taylor. I was 10 years old when I first came to MGM. And I spent most of the next 18 years of my life... behind the walls of that studio. As a young girl growing up in that strange place... it's hard to recall what was real and what wasn't. Perhaps, my most vivid memories were of MGM musicals. Just to stand there on the set and watch... the singing and the dancing. It was like fantasy come true. Total innocence. Loveliness. I love a melody of spring Lilac in bloom Birds on the wing I made my musical debut when I was 15 years old... in a film called Cynthia. I was certainly no threat to Jane Powell or Judy Garland... as you will see. For life is an eager joyous thing Whenever I hear the music of spring Maybe that experience helped give me... the enormous regard that I have for musical talent. And believe me, at MGM, I saw the best. Every honeybee sighs with jealousy For instance, if Lena Horne was in a movie... then it almost had to be from MGM. Honeysuckle rose When we're passin'by Flowers droop and sigh And I know the reason why You're much sweeter, goodness knows Honeysuckle rose I don't buy sugar You just have to touch my cup You're my sugar It's sweet when you stir it up When I'm takin' sips From your tasty lips Seems the honey fairly drips You're confection Goodness knows You're my honeysuckle rose You're my honeysuckle rose - 'Cause it's one - Two Three strikes, you're out at the old ball game When Frank Sinatra and Gene Kelly teamed up for a series of films... the results were irresistible. This is one of their best. ; Take Me Out to the Ball Game. Thou swell, thou witty Thou sweet, thou grand Wouldst kiss me pretty? Wouldst hold my hand? Both thine eyes are cute, too What they do to me Hear me holler, I choose a sweet lollapalooza in thee June Allyson, MGM's most popular musical sweetheart... in Rodgers and Hart's Words and Music. Two rooms and kitchen I'm sure would do Give me just a plot of Not a lot of land And thou swell Thou witty, thou grand Everybody's favorite college musical... Good News starring June Allyson and Peter Lawford. Those sure were the good old days. The boy, "garcon" His girl, "la fille" It's good, "c'est bon" The show, "fini" The moral to this tale Is not just "parlez-vous" Send her a billet-doux Tell her her eyes are blue They sure are blue. "Je vous adore"means I love you What wonderful years those were at MGM. One day, I remember meeting a terribly handsome young man from England. He'd just started work at the studio. Naturally, I fell wildly in love with him. I still adore him. He's still one of my closest and dearest friends. Peter Lawford. This building, or what's left of it... was, among other things, Tait College in Good News. You might say that June Allyson, Mel Torm, and I graduated from here. We were all under contract to MGM in those days. And the studio pretty much told us what pictures we were gonna appear in. They put us in dramas, comedies and in my case... don't ask me why, an occasional musical. As a singer or dancer, I was ill-equipped to compete with Astaire or Kelly... but we did what we were told to do. When I first came to MGM, the world was at war. For the Gls overseas and the audiences here at home... the musicals were a very special kind of escape... both during the war and afterwards. The films we made here had a certain style. A look that was unmistakable. Whether it was the directing, or the writing, or the scenery... the costumes, the lighting, I don't really know. But somehow you could always tell that it was an MGM movie. Especially the musicals. All right, cut it. Print it, Jane. All right, take me into No. 1. Okay, No. 1. Can you see your marks, Joe? - Okay, everybody. - Quiet! We're rolling. Speed. Action. The studio was constantly experimenting, constantly showcasing new talent. Like Debbie Reynolds and Carleton Carpenter... in Two Weeks: With Love. Said the chimpy to the monk Said the monkey to the chimp All night long they'd chatter away All day long they were happy and gay Swinging and singing in a honky-tonky way Means, "Monk, I love but you" Bab-a dab-a dab in monkey talk means, "Chimp, I love you, too" Then the big baboon, one night in June He married them, and very soon They went upon their aba daba honeymoon Elizabeth Taylor starred in A Date With Judy. One of the first in a new wave of teenage musicals... most of them produced by Joe Pasternak. That isn't Elizabeth's voice you're hearing. MGM kept her too busy to rehearse and record. But her co-star, Jane Powell, quickly became one of the studio's... most popular young talents. As an old native-born Californian would say It's a most unusual day There are people meeting people There is sunshine everywhere There are people greeting people And a feeling of spring in the air It's a most unusual time I keep feeling my temperature climb If my heart won't behave in the usual way Well, there's only one thing to say It's a most unusual, most unusual Most unusual day Here she comes! Hey, Jim, you better get the rig She's got a list of passengers that's pretty big And they'll all want lifts to Brown's Hotel 'Cause lots of them been travelin' for quite a spell All the way from California On the Atchison, Topeka On the Atchison, Topeka On the Atchison, Topeka and the Santa Fe! George Sidney's The Harvey Girls starred Judy Garland and Ray Bolger. And this Oscar-winning song was written by Harry Warren and Johnny Mercer. In this day and age Girls don't leave home But if ya get a hankerin' You wanna roam Our advice to you is run away On the Atchison, Topeka and the Santa Fe All aboard! We came across the country lickety-split rolling ninety miles an hour I can't believe I'm here at last When you go traveling, it's best for you To take the Atchison, Topeka and the Santa Fe I can't believe that anything would go so fast Then you pull that throttle Whistle blows A-huffin'and a-puffin', and away she goes All aboard for California On the Atchison On the Atchison, Topeka On the Atchison, Topeka and On the Atchison, Topeka and the Santa Fe By the 1950s the movie musical was reaching a level... of inventiveness and sophistication that was pretty hard to top... even by today's standards. But it wasn't always like that. Here's someone to tell you about it. And he's pretty hard to top, too. Mr. James Stewart. In the late 1920s and early '30s... these 200 acres of real estate were seeing a panic, pandemonium. Sound pictures had replaced silent films virtually overnight. The only actor in town that wasn't worried was Rin Tin Tin. As long as he could bark, sound was no threat to him. For MGM and the rest of Hollywood, there were gloomy days ahead. Some of the biggest silent stars spoke with thick foreign accents. Others had a lisp or talked through their noses. The early microphones seemed to exaggerate the flaws... that silent film had hidden. As quickly as the sound stages went up, careers collapsed. The studio heads were desperate. Where would the new stars, the new personalities come from, they wondered. The answer was obvious. From the theater, from Broadway. Theatrical experience suddenly became a passport to Hollywood... even if it meant no more than a few weeks of summer stock. Over the next few years, a steady stream of hopefuls... marched through the gates of every studio in town, including MGM. I should know, I was one of those hungry young actors from the East. - Sam, is everything all right? - Okay, Fred. - How are the cameras? - All right. Bob, how are your lights? All set, whenever you are. Good. How's the music... Musicals were the most popular commodities in the early '30s. And they were cranked out at an incredible rate. Most of them really weren't very good. But if audiences suffered, they didn't complain. The real victims were the dramatic actors. The studio pushed nearly every one of them into musical roles. It must be you who carries me away Here, an uncomfortable Robert Montgomery tries his best. But when you're near let music in my soul whenever you're with me Bob Montgomery was only one of the many MGM contract players... forced to sing and dance. In the frantic search for musical stars, many would be called... but few would succeed. Here's one of my favorites. And I know you all like her, too. Because she's the personification of youth... beauty, joy, and happiness: Joan Crawford. Did you ever see somebody who could love somebody Much as I love you? Did you? You're the kind of sweet somebody who could love somebody How about me, too? Oh, my You're the one I crave I can be your slave Honey, let me rave Got a feelin' for you Your great big smile Eastside style Got it all the time Got a feelin' for you Like your turned-up nose Like one that knows From your head to toe Got a feelin' for you Did you ever see somebody who could love somebody Much as I love you? You're the kind of sweet somebody who could love somebody Could you love me, too? You're the one I crave I could be your slave Honey, let me say Got a feelin' for you What'll you ever be? What'll you ever do? How'll you ever know if you don't take a chance? Jean Harlow, the blonde bombshell... tried out her musical abilities in Reckless. I wanna live, love, learn a lot I'll light my candle And I'll burn a lot You'll have some bad shots, hard knocks I'm on my own if I bruise And there'll be smiles here, shouts here And I can take it on the chin if I lose Because I'm reckless She's simply reckless Reckless She's simply reckless I'm gonna go places and look life in the face Did I remember Jean Harlow's musical talents were somewhat limited... and the studio usually used someone else's voice for her vocals. But in a movie called Suzy, her co-star, Cary Grant did his own singing. And darn well, too. How do you know? You didn't hear it. I assure you I heard every word. Let me convince you. Sit down. Gentlemen, play it again. You be the audience. Did I remember to tell you you're delightful? You're everything I want you to be. Your eyes look lovely and far beyond comparing Especially when they're glaring at me Do you think I've words to say how swell you are But I can tell you are I know so well you are I started falling the moment that I saw you Believe me, I adore you, chrie I'm sure you hate to hear That I adore you, dear But grant me just the same I'm not entirely to blame For you'd be so easy to love I was lucky enough to sing a Cole Porter song... in Born to Dance with Eleanor Powell. At first, the studio planned to have someone else record the vocal. But the tune became such a big hit that they decided to let me do it. You see... they figured the song was so good that even my singing couldn't hurt it. We'd be so grand at the game So carefree together That it does seem a shame That you can't see Your future with me 'Cause you'd be, oh so easy to love I know that you'll join us in giving a really rousing, rip-roaring reception... to Harry Vans and Les Blondes. Mr. Van. Norma Shearer and Edward Arnold looked on as Clark Gable... made his musical debut in Idiot's Delight. Hello, people, and thanks a lot for that very lovely reception. Thanks a million and I won't settle for a cent less. In our modest act tonight, we'll be ably assisted... by Prof. Palova and his talented team. Give him a hand, folks. Okie-dokie, fellas. Take it away. This will be amusing, Achille. I hope so. If you're blue and you don't know where to go to Why don't you go where Harlem sits Putting on the Ritz Spangled gowns upon the bevee of high browns From down the levee, all misfits Putting on the Ritz That's where each and every Lulu-belle goes Every Thursday evening with her swell beaus Rubbing elbows Come with me and we'll attend the jubilee And see them spend their last two bits Putting on the Ritz Clark Gable surprised everyone with his delightfully corny routine. Yet, his fans were just outraged... to see him even try singing and dancing. Their hero was above such nonsense. But it was perfectly all right for a youngster named Judy Garland... to dedicate a song to their idol. Dear Mr. Gable I am writing this to you And I hope that you will read it so you'll know My heart beats like a hammer And I stutter and I stammer Every time I see you at the picture show I guess I'm just another fan of yours And I thought I'd write and tell you so You made me love you I didn't wanna do it I didn't wanna do it You made me love you! And all the time you knew it I guess you always knew it You made me happy Sometimes you made me glad But there were times, sir You made me feel so sad You made me sigh 'cause I didn't wanna tell you I didn't wanna tell you I think you're grand! That's true Yes, I do, 'deed I do, you know I do I don't care what happens, let the whole world stop As far as I'm concerned, you'll always be the top 'Cause you know you made me love you! Dear Mr. Gable was a milestone in its day. It was the first time a studio permitted a song to be dedicated to one of its stars. And it was sung by a little girl... who would soon become MGM's newest star. And here's someone who can tell you more about that remarkable talent. He's a remarkable talent himself: Mickey Rooney. This is the Carnival Street. For anyone who's ever seen an Andy Hardy movie... well, this is where they were all shot, right here. Over there, that was Polly Benedict's home across the street. And this was the home of the Hardy family. The picket fence is gone, and the mailbox, too... but it's still the Hardy home. It might seem strange that a person could spend over 20 years... growing up on the same movie set. But in a way, that's what happened to me. I was about 10 years old when I first came to Metro Goldwyn Mayer... and I was raring to go. The movie was Broadway to Hollywood. And you guessed it, it was a musical. Well, we all change a little over the years, don't we? When you've been raised at a studio, the way I was... you learn a certain ability that time can't seem to erase. You learn to recognize real talent. You see so many people come and go... that when an exceptional talent comes along... it seems to stick out like a sore thumb. I was a seasoned veteran of 17 when I had first had the opportunity... of working with the great and wonderful Judy Garland. I knew when I saw her standing before the camera... that she had that certain magic. Her talent seemed to jump right off the screen at you. Do re mi fa so la ti do Judy and I became close friends when we did a series of films together... that the studio called "backyard musicals." Audiences seemed to love the pictures... even though the plots were suspiciously alike. Only our names seemed to change. How do you do? Good morning. I'm Betsy Booth. - I sing, you know. - I know, I heard you. You're Andy Hardy, aren't you? This is Barbara Jo. This is Mr. Williams. Pleased to meet you, Mr. Williams. Danny, this is my grandchild, Ms. Ginger Gray. - Yes, we've met. - This is my cousin, Ms. Polly Williams. Mr. Daniel Churchill, a junior. Ms. Barton, this is Ms. Essex, the once famous "Baby Rosalie." How do you do? This is Mickey Moran. How do you do? My name's Williams, Tommy Williams. What's yours? - I don't think I like you. - Thank you. You're welcome. - I want success. - And you'll have it. I know you will, Mickey. Just think when our names are up in electric lights. You the big composer and producer, and me the singing star. We can have our own great modern dance orchestra. We've got everything we need here. We've got the brass... the piano, and the reeds. We can make our own arrangements, specialties... and play for all the dances. We've got to have a great show, with a million laughs. And color, lot of lights to make it sparkle. And songs, wonderful songs with you out there selling them. It'll be wonderful. Say, that's not a bad idea. We could put on our own show. That'd be different. Why, it looks as if you'll need a whole city block. Yeah. Sure. That's it. Right in the neighborhood, and everybody'll come to it. A Western rodeo once a year will bring back the West. - Daniel Boone. - Jesse James, Buffalo Bill. - A hundred beautiful girls. - On horseback. Glorious costumes, happy, carefree. I'm gonna write a show for us and put it on right here in Seaport. It'd be the most up-to-date thing these hicks around here have seen. Opening night, we'll have Max Gordon and Sam Harris... down to give us the once-over. How about it? They call us babes in arms They think they must direct us But if we're babes in arms We'll make them all respect us Why have we got our arms What have we got our sight for? Play day is done, We have a place in the sun We must fight for When our movies took off at the box office... we found our budgets taking off, too. So they moved Judy and I out of the backyard and into the barn... then to the high school gym... and later to a Broadway stage that would never have fit in a real theater. Where we got all that energy, I'll never know. But a lot of it was inspired by our director, a genius. ; Busby Berkeley. Small town Living in a small town When you're in a small town You gotta make friends - One, two, three, four - One, two, three, four One, two, three, four Watch them shuffling along See them shuffling along Go take your best gal, your real pal Go down to the levee, I said to the levee And we'll join that shuffling throng Hear that music and song It's simply great, mate Waitin' on the levee Waitin' for the Robert E. Lee We're babes on Broadway We're goin'places When our new faces appear It's a wonderful street for babes like us to be on We're here because we want our names in neon We left Topeka We left Eureka And came to seek a career Oh, we're milkin'applause instead of milkin'a cow 'Cause we're babes on Broadway now! With the flag unfurled We can face the world Hey, leader strike up the band! There's another fellow who worked on this lot with Judy... and some of MGM's best musicals... are a direct result of his considerable talents. Gene Kelly. This is MGM's New York street. And for as long as I can remember... this has been the busiest standing set on the whole backlot. Any actor or actress... who made more than one or two films at this studio... sooner or later probably would find himself shooting a sequence here. Which reminds me, if you are a song-and-dance man... and you've spent some time in pictures... inevitably, some interviewer will ask: "Who was your favorite dancing partner? "Was it Rita Hayworth, or Vera Ellen, or Leslie Caron?" But if you're smart, you'll never give them a straight answer. I'm gonna break that rule right now. It might not be gallant... but I'd like to show you the greatest partner I've ever danced with. When you dance with Fred Astaire, you really have to be on your toes. This number from Ziegfeld Follies... was the only time we've had a chance to work together. But I'd change my name to Ginger if we could do it again. Fred Astaire has been the tops... in every field of show business he ever entered. And the motion picture musical owes him a great deal. The way you wear your hat The way you sip your tea The memory of all that No, no They can't take that away from me The way your smile just beams The way you sing off-key The way you haunt my dreams No, no They can't take that away from me When he starred in the series of musicals with Ginger Rogers... they quickly became the most popular dance team... in the history of motion pictures. But for Fred, as an individual... it was only the beginning of a screen career... that would delight several generations of moviegoers. And the band sings We've got the gang together We always sang together And the band sings Over the years, Fred Astaire's trademark would become... the top hat and tails. He wore the outfit in his very first film appearance. ; Dancing Lady with Joan Crawford. I guess I'll have to change my plan I should have realized there'd be another man Jack Buchanan, the debonair British musical star... joined Fred in The Band Wagon. Until the big affair began Before I knew where I was at I found myself upon the shelf and that was that I tried to reach the moon But when I got there All that I could get was the air My feet are back upon the ground I lost the one girl I'd found But besides elegance, there's a lot more to the Astaire style. Fred was constantly striving for perfection. Rehearsing hour after hour... searching for a new step or a new device... that would bring something fresh to each of his numbers. Because of his ingenuity and precision... audiences never realized how much incredible effort... Fred poured into his work. He made it all appear so easy. In Royal Wedding, Fred danced with a hat rack. And, as usual, he made his partner look good. In The Barkleys of Broadway... Fred and choreographer Hermes Pan... conceived the brilliant Shoes With Wings On number. Fred and director Stanley Donen... collaborated on this mind-boggling routine from Royal Wedding. Movie buffs are still arguing about how it was done. The gimmicks Fred used were exciting and fun. But his talents were so extraordinary... that he could easily get along without them. This is the Astaire I love to watch. With a lovely partner like Cyd Charisse... a simple setting... a marvelous song by Howard Dietz and Arthur Schwartz... these are the only ingredients Fred would need... to create a classic number. Dancing in the Dark from The Band Wagon. Fred Astaire was and is a unique talent. There'll never be another like him... and that's what I love about our profession. 'Cause every so often an artist comes along... who's impossible to compare with anyone else. Here's another of my favorite dancing partners. ; Donald O'Connor. MGM seemed to acquire talent the way you and I pick up paper clips: By the handful. When I was at the studio... we were up to our ears in tenors, baritones, tap dancers, pianists... and they were all good. But this set belonged pretty much to one star... and one star alone. I only wish we'd had a chance to work together. Well, she was not only a lovely actress, with a beautiful face and figure... but she could also sing and dance and even handle comedy. And if that wasn't enough, she was dynamite in the water. Of course I'm talking about Ms. Esther Williams. A champion swimmer... Esther was working as a model in a Los Angeles department store... when MGM talent scouts discovered her. The studio built a special swimming pool for her on the backlot... and starred her in a film called Bathing Beauty. The rest is history. MGM featured Esther in a series of spectacular productions. During her career, she swam... opposite some of MGM's most popular leading men. Some of them even got their hair wet. Like Howard Keel... Fernando Lamas, whom she would later marry... Van Johnson... Peter Lawford... Ricardo Montalban... even Tom and Jerry. Jimmy Durante... and Red Skelton. As her fame grew... so did the size and population of her swimming pools. Esther no longer could simply climb up a diving board and jump in. Now, she had to be presented like Venus... rising from the sea. In the ranks of great musical stars, there have been singers, dancers... musicians, even ice-skaters. But MGM saw to it there was only one Esther Williams. Eat your heart out, Mark Spitz. People say that performers are overly affectionate with one another. And that may be true. I don't have to apologize for the way I feel... about a young lady that I worked with here at MGM. I love her. And she's a big hit right now on Broadway... as she was here in Hollywood. She never stops. Miss Debbie Reynolds. I made my first movie for MGM back in 1950. Remember Three Little Words? Fellows, can we borrow your piano just a minute? Of course, the real stars were Fred Astaire and Red Skelton... but see that funny-looking kid coming down the steps? Look out, Hollywood. Here I come. I wanna be loved by you alone I wanna be loved by you, just you And nobody else but you I wanna be loved by you Alone Carleton Carpenter and I only did this one number in the picture. But it certainly helped our careers. Even though the voice wasn't mine... MGM brought in the song's originator, Helen Kane, to sing the vocal. And make you my I wanna be loved by you, just you And nobody else but you I wanna be loved by you When I first reported at the studio... MGM was celebrating its 25th anniversary. They had converted the biggest sound stage on the lot into a restaurant. They only served one meal, but it was a lunch that old-timers still talk about. The studio used to boast that it had more stars than there are in the heavens. And that day, they weren't kidding. The first time I met the king, Clark Gable... he looked down at me and said, "Hello, beautiful." And I nearly fainted. This place was the land of giants, and I was a small fry. But like any other young hopeful, I was determined... that somehow and someday I'd measure up. In the early 1950s... MGM was entering a new era of motion pictures... with more star power... than virtually every other studio in Hollywood combined. I've gotta hear that beat I've gotta hear those drums And even when it comes to the man When I feel that I might fall I always stall and play it smart Till I hear that beat I've gotta hear that beat That certain beat in my heart Ann Miller, the best tap dancing lady on the lot. Annie's talents and Busby Berkeley's imaginative direction... were a perfect combination in Small Town Girl. Be my love For no one else can end A truck driver from Philadelphia became the most sensational new voice... in motion pictures. Mario Lanza. He made only a few films. AndThe Toast of New Orleans with Kathryn Grayson was one of the best. Just fill my arms The way you've filled my dreams The dreams that you inspire With every sweet desire Be my love And with your kisses set me burning One kiss is all I need to seal my fate And hand in hand We'll find love's promised land There'll be no one but you for me Eternally If you will be my love Make 'em laugh Make 'em laugh Don't you know everyone wants to laugh? Donald O'Connor in Singin' in the Rain... in my opinion, the funniest musical number ever done. They'll be standin'in lines For those old honky-tonk monkeyshines Or you could study Shakespeare and be quite elite And you can charm the critics and have nothin' to eat Just slip on a banana peel The world's at your feet Make 'em laugh Make 'em laugh Make 'em laugh Make 'em laugh Don't you know everyone wants to laugh? My grandpa said, "Go out and tell 'em a joke "But give it plenty of hoke" Make 'em roar, make 'em scream Take a fall, butt a wall, split a seam You start off by pretending you're a dancer with grace You wiggle 'till they're giggling all over the place And then you get a great big custard pie in the face Make 'em laugh Make 'em laugh Make 'em laugh Make 'em laugh Don't you know... All the My dad They'll be standing in lines For those old honky-tonk monkeyshines Make 'em laugh Make 'em laugh Don't you know Make 'em laugh Make 'em laugh Make 'em laugh Make 'em laugh Make 'em laugh Make 'em laugh Cotton Blossom Cotton Blossom The showboat's coming. Come on, mule. Git. Show Boat, one of the best musical films MGM ever made. It starred Kathryn Grayson, Howard Keel, Marge and Gower Champion... Joe E. Brown, William Warfield and A va Gardner. See! The show boat! That's old Captain Andy's "Cotton Blossom" Will you go? Are you coming to the show? 'Twill be delightful Right, right, rightfully they say There's not another show Such a wonderful show Captain Andy has gathered a troupe in the greatest of dramas and jolly comedies Stephen Baker, the handsomest leading man And beautiful Julie La Verne as well! Cotton Blossom, Cotton Blossom Captain Andy's floating show! Thrills and laughter, concert after Everybody's sure to go! Leave the lumber in the sawmill Leave the cotton on the stalk Make believe our lips are blending In a phantom kiss or two, or three Might as well make believe I love you For to tell the truth I do OI'man river That ol'man river He must know somethin' But don't say nothin' He just keeps rollin' He keeps on rollin' along You and me, we sweat and strain Body all aching and racked with pain Tote that barge and lift that bale Ya get a little drunk And ya lands in jail I gets weary And sick of trying I'm tired of living And scared of dying And ol'man river He just keeps rolling along I'll go my way by myself Like a bird on the wing I remembered something else I learned at the studio... during my stay there. MGM's motto. ; "Do it big, do it right, and give it class." I'd like you to meet someone who certainly measures up to that phrase. He's the classiest gentleman I've ever worked with. Mr. Fred Astaire. I'm by myself alone I have a great many fond memories about this place. So many happy moments worrying about whether or not... we were getting the job done. What fun. We shot some of The Band Wagon here. Being here again brings to mind some of the wonderful people... I've worked with over the years. One of them in particular... is my long-time friend... Gene Kelly. In The Pirate with the Nicholas Brothers... Gene displayed the rough and tumble kind of acrobatic dancing... that quickly became a popular part of his repertoire. From the start, Gene was constantly experimenting... from classical ballet to a burlesque buck-and-wing. He was determined to broaden the horizons of the film musical. And in doing so, he became one of the most versatile... and original performers the movies have ever known. Kelly was forever breaking rules. Though the studio often tried to stop him... Gene insisted on doing his own stunts. His bosses always seemed to find out about it after the scene had been shot. But audiences loved the sight of Gene himself... flying through the air in film after film. New York, New York, a wonderful town The Bronx is up and the Battery's down The people ride in a hole in the ground New York, New York it's a wonderful town! In On the Town with Frank Sinatra and Jules Munshin... Manhattan became the backdrop for this unforgettable romp. A tribute to Gene's persistence... it was the first major musical to be filmed on location. The famous places to visit are so many Or so the guidebooks say I told my grandpa I wouldn't miss on any But we got just one day Gotta see the whole town Right from Yonkers on down to the bay In just one day New York, New York, a wonderful town The Bronx is up and the Battery's down The people ride in a hole in the ground New York, New York it's a wonderful town! Manhattan women are all in silk and satin Or so the fellas say There's just one thing necessary in Manhattan When you got just one day Gotta pick up a date, maybe seven or eight on your way In just one day New York, New York, a wonderful town The Bronx is up and the Battery's down The people ride in a hole in the ground New York, New York! It's a wonderful town! I've had a lot of partners in my day. But can you imagine a grown man dancing with a mouse? Well, Gene did just that in Anchors Aweigh. His dancing partner was Jerry the Mouse ofTom and Jerry fame. Critics said it was the most effective use of live and animation technique... ever put on film. And I certainly agree. Look at me! I'm dancing! More than any other star, I think Gene Kelly became the symbol... of the MGM musical of the 1950s. And here's a classic routine that audiences would never forget. This is my favorite number from one of his very best musicals. ; Singin' in the Rain. I'm singin'in the rain Just singin'in the rain What a glorious feelin' I'm happy again I'm laughing at clouds So dark up above The sun's in my heart And I'm ready for love Let the stormy clouds chase Everyone from the place Come on with the rain I've a smile on my face I walk down the lane With a happy refrain Just singin' Singin'in the rain Dancin'in the rain I'm happy again! I'm singin'and dancin'in the rain! I'm dancin'and singin' in the rain The finale to the Broadway ballet from Singin' in the Rain... seems to me to exemplify the genius of Gene Kelly. Actor, singer, dancer, choreographer and director. Gotta dance! Gotta dance! Gotta dance! That's the Broadway melody! You've seen Gene Kelly's work on the screen. I think I've said it all. He's one of those rare talents who really understands... what the movie musical is all about. Now I'd like you to meet someone that recently joined the gang. If Hollywood breeding could be compared to royalty... then she would certainly be our crown princess. I remember so well when she, as a tiny little girl... used to sit on the set watching her father, Vincente Minnelli... directing me in several pictures. Her mother: The fabulous Judy Garland. Yet this young lady has made it all on her own, yes, she has. Miss Liza Minnelli. The first studio I've ever been inside was MGM. I can't really say that I grew up here. But I know that for over 10 years, I'd race like crazy after school... to get down here and visit whatever set my parents were on. You may not know this... but I made my film debut at MGM. In the very last shot for The Good Old Summertime... they needed a little girl to play the daughter... of Van Johnson and Mama. Guess who got the part. There she is, folks. What personality! No wonder I didn't get any billing. It's no wonder this place will always be a part of me. My father directed dozens of films here... and Mama, well, this was her home for over 15 years... and 30 films. It began in 1935. In an MGM musical short... a vaudeville team called the Gumm Sisters... made their first appearance on film. Twelve-year-old Frances was the stand-out... and talent scouts from MGM decided to give her a chance. But first they changed her name from Frances Gumm to Judy Garland. The studio put Mom in another short subject. This time they paired her up with a young operatic singer named... Deanna Durbin. These musical shorts were like a screen test. In those days, if you came across in a two-reeler... you just might have a chance in a real musical. Swing North, south, east, west, just swing You'll find the swing is best, swing Make it a national thing You'll find There is a chance of romance If on the dance floor, you dance America Although MGM would drop Deanna Durbin... some executives at the studio pleaded to keep my mother under contract. And they finally won. Well, they kept her at MGM just barely. She spent the next few years in low-budget musicals. Once in a while, she did appear as a sort of novelty act... in a big extravaganza like the Broadway Melody of 1938... with Buddy Ebsen. Mama once told me... MGM seemed obsessed with Shirley Temple. They even offered 20th Century Fox Jean Harlow and Clark Gable... just to get Temple for a certain picture that Metro was preparing. But the deal fell through. So MGM finally went ahead with the picture... and let Mama play the role of Dorothy in The Wizard of Oz. We're off to see the Wizard The Wonderful Wizard of Oz You'll find he is a whiz of a Wiz If ever a Wiz there was If ever oh ever a Wiz there was The Wizard of Oz is one because Because, because, because, because, because Because of the wonderful things he does I'm afraid there's no denyin' I'm just a dandelion A fate I don't deserve I'd be brave as a blizzard I'd be gentle as a lizard I'd be clever as a gizzard If the Wizard is a Wizard who will serve Then I'm sure to get a brain A heart A home The nerve The Wizard of Oz finally did it for Mama. With Ray Bolger, Jack Haley, and Bert Lahr... she really started off on the road to success. Whatever rocks or bumps there were in that road... she never let it show in her films. For Mama, it was straight up all the way. Somewhere over the rainbow Way up high There's a land that I heard of Once in a lullaby Somewhere over the rainbow Skies are blue And the dreams that you dare to dream Really do come true Someday I'll wish upon a star And wake up where the clouds are far Behind me Where troubles melt like lemon drops Away above the chimney tops That's where you'll find me They're writing songs of love but not for me A lucky star's above but not for me With love to lead the way I've found more skies of gray Than any Russian play could guarantee Clang, clang, clang went the trolley Ding, ding, ding went the bell Zing, zing, zing went my heartstrings From the moment I saw him I fell Chug, chug, chug went the motor Bump, bump, bump went the brake Thump, thump, thump went my heartstrings When he smiled I could feel the car shake He tipped his hat and took a seat He said he hoped he hadn't stepped upon my feet He asked my name, I held my breath I couldn't speak because he scared me half to death Howdy Doody! Chug, chug, chug went the motor Flop, flop, flop went the wheels Stop, stop, stop went my heartstrings As he started to go then I started to know How it feels When the universe reels If you like-a me, like I like-a you And we like-a both the same I like-a say this very day I like-a change your name 'Cause I love-a you and love-a you true And if you-a love-a me One live as two, two live as one Under the bamboo tree How can I ignore The boy next door I love him more than I can say Doesn't try to please me Doesn't even tease me And he never sees me glance his way Summer Stock was Mama 's final film for MGM. Her last days of shooting here were devoted to this number... which a lot of people including myself feel was one of her very best. Forget your troubles Come on get happy You better chase all your cares away Shout hallelujah Come on get happy Get ready for the judgment day The sun is shining Come on get happy The Lord is waiting to take your hand Shout hallelujah Come on get happy We're going to the promised land We're heading across the river Wash your sins away in the tide It's all so peaceful on the other side Forget your troubles Come on get happy You better chase all your cares away Shout hallelujah Come on get happy Get ready for the judgment day Forget your troubles Come on get happy Chase your cares away Hallelujah Get happy For the judgment day The sun is shining Come on get happy The Lord is waiting to take your hand Shout hallelujah Come on get happy We're going to be going to the promised land Shout hallelujah Come on get happy You better chase all your cares away Shout hallelujah Come on get happy Get ready Get ready Get ready For the judgment day Thank God for film. It can capture a performance and hold it right there forever. And if anyone says to you, "Who was he or who was she? "What made them so good?" I think a piece of film answers that question better than any words I know of. My generation... Well, we're just beginning. It takes a lot of film and a lot of experience... and a lot of talent to become a real star. Now here's somebody who I think qualifies on all of those counts. Oh, boy! Mr. Bing Crosby. You know, one soundstage, well, it looks pretty much like another. But a backlot, out here where they shoot the exteriors... that seems to me that the backlot reflects the personality... the character of its studio. This was the biggest... and I think, perhaps, the best backlot in all of Hollywood. Of course the old backlot looks a little shabby right now, sort of scruffy... kind of an illusion on an illusion... but that's because most Hollywood filmmakers... they don't use backlots any more. They prefer the real thing. Hollywood. Hollywood. I remember when I did my first musical at this studio... they designed a big production number. It was all to take place in the vast Manhattan Railroad tunnel. Of course we didn't bother to go to New York City. MGM simply recreated Grand Central Station... added a couple of thousand extras and filmed the whole number right here. Once again Goodbye, pal Out where they say "Let us be gay" I'm going Hollywood I'll ballyhoo greetings to you I'm going Hollywood Say, while you sleepyheads Are in that hay I'll be dancing I'm gonna be dancing With a sun-kissed baby And I'm on my way Here's my beret I'm going Hollywood Well, it was vigorous, spirited anyhow. I was, what you might call, a casual participant in MGM musicals... because over 20 years went by... between the little effort which you've just seen... and my next attempt. And I found fantastic changes had occurred. They had color, all stereophonic sound, even wide screens. And MGM, in a loose moment, had decided to give me another chance... in a little pastiche to be called High Society. This starred Grace Kelly, Louis Armstrong, and Celeste Holm... and was directed by Chuck Walters. Oh, yes, there was another featured performer in that. What was his name? A brash young newcomer. A Frank... A clever kid. He had a lot to offer, too. Frank... Well, you'll recognize him when you see the footage. Have you heard about dear Blanche - Got run down by an avalanche? - No. Don't worry, she's a game girl, you know. Got up and finished fourth. - The kid's got guts. - Having a nice time? Grab a line. - Have you heard that Mimsie Starr - What now? - She got pinched in the Astor Bar - Sloshed again, eh? She was stoned. - Well, did you evah? - Never What a swell party this is - I'm going to have a drink. - I may have a bit of the bubbly myself. - I'm going to dance. - Don't get hurt. Oh, no. - It's great - It's great - It's grand - So grand It's wonderland! - We sing - We sing - So rare - So rare Like old Camembert! Like baba au rhum! Don't dig that kind a croonin', chum. You must be one of the newer fellas. Have you heard? It's in the stars Next July we collide with Mars Well, did you evah? What a swell party Swell party Swellegant, elegant party this is While I give to you And you give to me True love True love So on and on lt'll always be True love True love For you and I Have a guardian angel on high With nothing to do But to give to you And to give to me Love forever true Love forever true I'm recalling times when I was falling Like a free jubilee day Get this cast. ; Russ Tamblyn, Vic Damone, Tony Martin... Kay Armen, Debbie Reynolds, Jane Powell, Ann Miller... and the Pacific Fleet... in Hit the Deck. Sing Hallelujah, Hallelujah And you'll shoo the blues away When cares pursue ya Hallelujah Gets you thru the darkest day Satan lies a-waitin' - And creatin' skies of gray - Skies of gray But hallelujah, hallelujah Helps to shoo the clouds away Satan lies a-waitin' - And creatin' skies of gray - Skies of gray But hallelujah, hallelujah Hallelujah, hallelujah Helps to shoo the clouds away Sing hallelu-lu-lu-lu-lu-lujah! The next time anyone says that dancing is for sissies... remind them of Seven Brides for Seven Brothers. Produced by Jack Cummings, directed by Stanley Donen... and choreographed by Michael Kidd... it's perhaps the most vivid and exuberant ballet ever put on film. Gigi Am I a fool without a mind Or have I merely been too blind to realize Oh, Gigi Why you've been growing up before my eyes Gigi You're not at all that funny awkward little girl I knew Oh no Overnight there's been a breathless change in you One of the finest musicals ever made. ; Alan Jay Lerner and Frederick Loewe's Gigi. It was that rare blend of story and song... and it starred Leslie Caron, Louis Jourdan, Hermione Gingold... and the marvelous Maurice Chevalier. All under the inspired direction of Vincente Minnelli. - May I come in? - Yes. Gaston, please. No newspapers, no scandal. Madame, will you do me the honor... the favor... give me the infinite joy of bestowing on me... Gigi's hand in marriage. Thank heaven. For little girls For little girls get bigger every day! Thank heaven for little girls They grow up in the most delightful way! Those little eyes so helpless and appealing One day will flash and send you crashin' through the ceilin' Thank heaven for little girls Thank heaven for them all No matter where, no matter who Without them, what would little boys do? - Thank heaven - Thank heaven - Thank heaven - Thank heaven Thank heaven for little girls Through the years, MGM has produced over 200 musical films. And if you had to select one number from one film... that would best represent the MGM musicals... I have a feeling that the vote would be unanimous... especially among the people who worked here... and that's why we've saved the best for the last. An American in Paris starring Gene Kelly and Leslie Caron. It won an Oscar as Best Picture of the year... over 20 years ago. But the ballet for that film... is as timeless as the day you and I first saw it. Produced by Arthur Freed, directed by Vincente Minnelli... and choreographed by Gene Kelly... it can only be described as MGM's masterpiece. English |
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