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The Centre of the World (2001)
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[ Keyboard Keys Clacking ] [ Female Singer ] ROCKS FOR MY PILLOW AND SAND FOR MY BED FOR BETTER OR FOR WORSE I LEFT HIM FOR DEAD BUT TWO RIVERS TO EACH OTHER RUN WORDS THAT SHOOK ME LIKE A KICK OF A GUN SOMETHING IN MY HEAR AIN'T GOT NO NAME TURNED OUT HE FELT THE SAME AIN'T IT LONESOME AIN'T IT SAD I WAS THE ONLY HAPPINESS HE EVER HAD BY INDIAN RIVER THE VOWS WERE SAID IN A RED DEVIL'S DRESS I WAS WED KITTY CAT BONE KITTY, KITTY CAT BONE KITTY CAT BONE KITTY, KITTY CAT BONE KITTY CAT BONE KITTY, KITTY CAT BONE KITTY CAT BONE KITTY, KITTY CAT BONE KITTY CAT BONE KITTY, KITTY CAT BONE KITTY CAT BONE KITTY, KITTY CAT BONE HERE, KITTY, KITTY, KITTY HERE, KITTY, KITTY, KITTY HERE, KITTY, KITTY, KITTY HERE, KITTY, KITTY, KITTY KITTY CAT BONE KITTY, KITTY CAT BONE KITTY CAT BONE KITTY, KITTY CAT BONE KITTY CAT BONE KITTY, KITTY CAT BONE KITTY CAT BONE KITTY, KITTY CAT BONE KITTY CAT BONE KITTY, KITTY CAT BONE HERE, KITTY, KITTY, KITTY KITTY CAT BONE KITTY, KITTY CAT BONE KITTY CAT BONE KITTY, KITTY CAT BONE HERE, KITTY, KITTY, KITTY KITTY CAT BONE KITTY, KITTY CAT BONE KITTY CAT BONE KITTY, KITTY CAT BONE HERE, KITTY, KITTY, KITTY KITTY CAT BONE KITTY, KITTY CAT BONE KITTY CAT BONE KITTY, KITTY CAT BONE HERE, KITTY, KITTY, KITTY KITTY CAT BONE KITTY, KITTY CAT BONE KITTY CAT BONE KITTY, KITTY CAT BONE HERE, KITTY, KITTY, KITTY HERE, KITTY, KITTY, KITTY HERE IT IS-- LAS VEGAS. FASTEST GROWING CITY IN AMERICA. WE HAVE BROOKLYN BRIDGE, VENICE CANAL, EIFFEL TOWER. EVERYTHING YOU WANT, WE HAVE. WE HAVE FIVE RESTAURANTS RIGHT HERE IN HOTEL OPEN 24 HOURS. NO NIGHT, NO DAY. JUST FUN AND FROLIC. WORLD OF DREAMS. ANYTHING YOU NEED, YOU ASK FOR ME. MY NAME IS VLADIMIR. I CAN-DO GUY. NO PROBLEM TOO SMALL, NO PROBLEM TOO BIG. OKAY, GREAT. THANK YOU. UH, GOOD. VERY GOOD. THANK YOU VERY MUCH. OH. HOLD ON. HEY. SORRY. OH. THANK YOU VERY MUCH, SIR. ENJOY YOUR STAY. YOU TOO. [ Door Closes ] IT'S OKAY, RIGHT ? IT'S WHAT YOU WANTED ? RIGHT. OKAY. IT'S OKAY. YOU DON'T HAVE TO CLOSE THAT ONE 'CAUSE YOU CAN LOCK IT FROM THE OTHER SIDE. [ Man ] HEY, I SEE YOU IN HERE HAVING COFFEE EVERY MORNING. I'M RICHARD. HI, RICHARD. - YOU ARE ? - FLORENCE. FLORENCE WHAT ? JUST FLORENCE. - WELL, "JUST FLORENCE," WHAT DO YOU DO ? - I MAKE A LOT OF NOISE. OH ? I PLAY DRUMS. IN A BAND ? MM-HMM. SO, YOU HAVE A CD OUT ? NO. WE'RE JUST KIND OF PUTTING ONE TOGETHER RIGHT NOW. [ Cell Phone Ringing ] YOU KNOW, WHEN YOU'RE FINISHED, YOU SHOULD GE YOUR MP3 FILES TOGETHER. HOLD ON. [ Ringing Continues ] [ Phone Beeps ] YOU SHOULD GET YOUR MP3 FILES TOGETHER. IT'S A GREAT WAY FOR NEW BANDS TO GET HEARD. WE ALREADY THOUGHT ABOUT THAT. SO, YOU MAKE A LIVING PLAYING THE DRUMS ? NO. NO. NOT EVEN CLOSE. WHAT DO YOU DO ? I'M A STRIPPER. REALLY ? GOD, YOU DON'T LOOK LIKE A STRIPPER. NO ? MM-MM. WHAT DO STRIPPERS LOOK LIKE ? I DON'T KNOW. I MEAN, THEY DON'T LOOK LIKE YOU. WHERE DO YOU PERFORM ? PANDORA'S BOX. I'LL SEE YOU AROUND. HAVE YOU EVER BEEN HERE BEFORE ? NO. HAVE YOU ? NO. YOU WANNA GO OU AND TAKE A LOOK AROUND ? YEAH, OKAY. YEAH, REALLY ? OKAY. [ Elevator Bell Dings ] SMILE. SMILE. [ Camera Clicks ] SHOOT. OKAY. UH, OKAY. I DIDN'T COCK IT. [ Shutter Clicks ] DID IT FLASH ? [ Sighs ] [ Slow Rock ] [ Man ] WHOO ! [ Man Whistling ] [ Applause Continues ] [ Leather Dress Squeaking ] [ Moans ] [ Richard Moans ] [ Moans ] [ Richard Moans ] I SAID, NO TOUCHING. [ People Chattering ] SO, IS IT WEIRD JUS BEING ALL ALONE IN FRON OF YOUR COMPUTER ALL DAY ? I'M NOT-- NO. WELL, THE THING ABOUT COMPUTERS IS THAT YOU'RE KIND OF CONNECTED TO EVERYBODY AND EVERYTHING. IT'S LIKE YOU'RE A THE CENTER OF THE WORLD. DO YOU MISS YOUR COMPUTERS YET ? WELL, I HAVE I WITH ME. [ People Screaming ] MAN ! LET'S GO. WANNA GO ? YEAH ? ALL RIGHT. OKAY, COME ON. [ Chain Rattling On Track ] [ Laughing ] [ Screams, Laughs ] WHOO. [ People Screaming ] AAH. SO THEY'RE ALL STILL BACK IN OHIO ? YEAH. EVERYONE EXCEPT FOR MY SISTER. SHE LIVES IN SANTA ROSA. SHE'S MARRIED. [ Sighs ] WHAT'S HER NAME ? UM, VAL. DOES SHE HAVE KIDS ? YEAH. A LITTLE GIRL, MEGAN. SHE WAS BORN WITH A WANDERING EYE. THEY DID ALL THESE OPERATIONS WHEN SHE WAS A KID. SHE WEARS THESE REALLY THICK GLASSES. SHE'S VERY PRETTY. MY DAD JUST DIED. PROSTATE CANCER. OH, I AM SO SORRY. IT'S OKAY. WERE YOU GUYS REALLY CLOSE ? YEAH. HE WAS A GREAT GUY. SWEET. I COME FROM A VERY TIGHT FAMILY, VERY MIDWESTERN. [ Ice Cubes Cracking ] [ Soft ] [ Sighs ] [ Sighs ] [ Woman Vocalizing ] YOU LOOK GOOD. WHAT DO YOU WANT ME TO DO, BABY ? WHAT ARE THE OPTIONS ? THE REGULAR ROUTINE. SURE. LAP DANCE-- TWO SONGS, $60. [ Florence ] I CAN'T GO TO VEGAS WITH YOU. I MEAN, I GOTTA WORK. THANKS, THOUGH. I KNOW YOU'RE WORKING. I KNOW YOU HAVE TO WORK. UM, SO I CAN COMPENSATE YOU. SORRY. I DON'T DO THINGS LIKE THAT. WHAT KIND OF THINGS ? YOU DON'T GO ON, LIKE, A VACATION ? NO. I DON'T HAVE SEX WITH PEOPLE FOR MONEY. WHY DO YOU HAVE TO TALK LIKE THAT ? [ Chuckles ] RICHARD, THERE ARE LOTS OF OTHER WOMEN... WHO WOULD LOVE TO DO THAT WITH YOU. WHAT IF I PAID YOU, LIKE, $10,000 ? JESUS CHRIST ! YOU GOT A LOT OF MONEY TO THROW AROUND. YEAH, I MADE A LO OF MONEY LAST YEAR-- OVER A MILLION DOLLARS. - EVERYONE'S A MILLIONAIRE THESE DAYS. - I'VE WORKED SO HARD. I JUST-- I WANNA HAVE FUN, I WANNA CELEBRATE. YOU KNOW ? I'M NOT A BAD GUY. WHAT ARE YOU TALKING ABOUT EXACTLY ? NONSTOP SEX 24 HOURS A DAY ? WELL, NOT LIKE NONSTOP SEX, NECESSARILY. I JUST WANNA GET TO KNOW YOU BETTER. OH, YOU WANNA GET TO KNOW ME BETTER. AND I'M NOT TALKING ABOUT MARRIAGE. IT'S JUST THE WEEKEND. ALL RIGHT, LET'S TALK ABOUT THIS. I'M NOT SAYING THAT I-- I WOULD... DO IT, BUT-- I MEAN, IF I WAS GONNA DO IT, THERE'D BE A LOT OF CONDITIONS. OKAY. UM, NO TALK ABOUT FEELINGS. MMM. [ Stapling ] NO KISSING ON THE MOUTH. NO PENETRATION. WHAT DO YOU MEAN, NO PENETRATION ? I MEAN, NO FUCKING. [ Chuckles ] OKAY, I CAN LIVE WITH THAT. IT'S ALL AN ACT. YOU KNOW THAT, RIGHT ? [ Florence ] AND YOU'LL PAY ME CASH, UP FRONT. [ Gunshots On Game ] [ Industrial ] [ Computerized Voices Speaking Indistinctly ] [ Game Bleeping ] [ Cell Phone Ringing ] HEY. OH, HEY. HOW'S IT GOING ? OH, REALLY ? UM, LET ME JUST THINK FOR A SEC. UM, WHY DON'T YOU START OFF BY PUTTING LIKE-- JUST PUT 60 BACK INTO THE FUND. UH-HUH. UM-- SELL IT AT 55. ALL RIGHT. [ Game Continues Bleeping ] [ Man ] I MEAN, WHEN WAS THE LAST TIME YOU GOT LAID ? SINCE YOU BROKE UP WITH DEBBIE ? THAT'S FUCKING TWO YEARS AGO, DUDE. YOU NEED TO GET ON SOMETHING. MAN, I DON'T KNOW WHAT HAPPENED TO YOU. LAST YEAR, YOU WERE A FUCKING GENIUS. FUCKING CAME UP WITH THE BEST CONCEP OF THE YEAR. WELL, IT'S-- NOW YOU CAN'T EVEN GET OUT OF BED ? BUT YOU GOTTA GO ALL THE WAY. YOU TOOK YOUR FUCKIN' 90% AND NOW YOU'RE CHECKIN' OUT. YOU OWN 18% OF THIS COMPANY. DO YOU KNOW HOW MUCH MONEY THAT IS ? THAT'S NOT COURTSIDE SEATS. THAT'S BUYING THE FUCKING N.B.A. TEAM. AND YOU'RE SITTIN' HOME JERKIN' OFF, WATCHIN' PORN ? DUDE, I GOT A HUNDRED ENGINEERS AT M.I.T. WHO'D TAKE YOUR PLACE IN A MINUTE. GO GET ONE. YEAH, RIGHT. [ Game Continues Firing, Bleeping ] [ Computerized Voices Continue ] [ Stops ] [ Footsteps ] [ Door Opens ] NOT SO FAST. WE GOT UNTIL 2:00. YOU'RE RIGHT. I DON'T WANNA RUSH IT. [ CD Loading Into Player ] [ Slow Funk ] [ Man Vocalizing ] [ Man Singing Indistinctly ] [ Man Vocalizing ] [ Singing Continues, Indistinct ] [ Man Talking On CD ] HERE'S WHERE WE GO OFF THE MAP, OUT PAST THE POWER LINES, UP THAT LITTLE SIDE ROAD WITHOUT A SIGN, HIDDEN FROM THE MAIN STREET. THE KEEPERS OF THE ANCIENT FUTURE, THE KEEPERS OF THE DRAMA. THEY DON'T PRESERVE IT. THEY LIVE IT. [ Moaning ] [ Panting ] [ Grunting ] [ Fades ] [ Chuckling ] [ Sighs ] [ Knocking ] HEY. HEY. I'LL BE RIGHT THERE. [ Whistles ] SO YOU DON'T SEEM TO BE TOO UNHAPPY, THEN. WHY WOULD I BE UNHAPPY ? I DON'T KNOW. YOU WERE PRETTY RELUCTAN TO GET INTO ALL THIS. WELL, IT'S NOT EVERY DAY A GIRL GETS TO EAT OYSTERS... IN A SUITE IN VEGAS WITH DICK LONGMAN. YOU HAVE NO REGRETS, THEN ? DON'T BE SILLY. I'M HAVING A FINE TIME. ME TOO. DO YOU HAVE A SECRET FANTASY ? [ Chuckles ] UH, NOT REALLY. COME ON. COME ON. EVERYBODY HAS A SECRET FANTASY. UH, THREE DAYS IN VEGAS WITH A BEAUTIFUL WOMAN. THAT'S IT ? YEAH. THERE'S NOTHING THAT YOU ALWAYS WANTED BUT YOU NEVER ASKED FOR ? [ Whispering ] TELL ME. REALLY ? YEAH. REALLY. THE CHINESE CALL THA "FIRE AND ICE." NO ! THERE'S A NAME FOR IT ? THAT'S COLD. [ Shuddering ] OH, MY GOD. [ Chuckles ] [ Spitting Liquid ] OOOH ! [ Slurping ] AAAH ! AAH ! [ Coughs ] [ Groaning ] DO YOU WANT ME TO STOP ? I'M OKAY. NO, STOP, STOP, STOP, STOP. [ Panting ] [ Sighs ] [ Computer Humming ] [ Taps Keyboard ] [ Beeps ] SIX DAYS AWAY FROM THE I.P.O., OKAY ? MM-HMM. YOU GOTTA KEEP I TOGETHER. I KNOW. THIS IS WHAT WE TALKED ABOUT A YEAR AGO. YOU'RE A ROCK STAR. YOU RAISED THIS MONEY. YOU HAD THE BEST "B" TO "B" CONCEP IN THE WORLD. ALL RIGHT ? OKAY. THIS IS SERIOUS CASH. RIGHT. DON'T BURN YOURSELF OU ON QUAKE AND PLAYING STOCKS. OKAY. I NEED YOU TO BE TOGETHER FOR TUESDAY. OKAY. COME IN EARLY. HOW EARLY ? LIKE BEFORE LUNCH. THANK YOU. [ Beeps ] FLORENCE, YOU UP ? [ Moans ] GOOD MORNING. GOOD AFTERNOON. WHY ? WHAT TIME IS IT ? 1:30. I ORDERED UP SOME COFFEE. YOU WANT SOME ? UM, YEAH. JUST-JUST GIVE ME FIVE MINUTES, OKAY ? OKAY. I WORKED PART-TIME AT WAL-MART. I WENT TO COLLEGE. MM. WHAT'D YOU STUDY ? QUANTUM PHYSICS. WOW. REALLY ? YEAH. YOU KNOW, BLACK HOLES AND BIG BANGS. YEAH, I KNOW. SERIOUSLY ? NO. COME ON. WHAT'D YOU REALLY STUDY ? DOESN'T MATTER. I DIDN'T FINISH. - YOU KNOW WHAT I STUDIED ? - WHAT ? COMPUTER SCIENCE. REALLY ? NO. I DID WORK AS A LOCKSMITH... WHEN I FIRST CAME TO L.A. WHAT DO YOU MEAN, CUTTING KEYS AND INSTALLING LOCKS ? I WAS A LOCKED CAR SPECIALIST. CAN'T YOU JUST USE A COAT HANGER FOR THAT ? YEAH, YOU CAN. BUT ONLY IF THE CAR WAS BUILT BEFORE 1982. SOME OF THESE NEW LOCK SYSTEMS ARE SO COMPLICATED. I HAD TO TAKE A SPECIAL TRAINING COURSE. THEY HAVE ALL THESE TOOLS, LIKE THE SWAN KEY. IT'S LIKE A BIRD. THAT'S A PRETTY STRANGE JOB FOR A GIRL, ISN'T IT ? ACTUALLY, IT'S MOSTLY WOMEN THAT DO IT. I MEAN, THE COMPANY LIKES TO HIRE WOMEN BECAUSE THEY DON'T PANIC THE WAY MEN DO. THEY CAN HANDLE THE PRESSURE. WHAT PRESSURE ? THINK ABOUT IT. NO, USUALLY THERE'S NOBODY IN THE CAR. BUT SOMETIMES PEOPLE GET LOCKED IN THEIR CARS, AND PEOPLE GET REALLY FREAKED OUT WHEN THEY'RE LOCKED IN A SMALL SPACE. OKAY, BUT CAN'T YOU JUST OPEN THE LOCK FROM THE INSIDE ? WELL, WHAT ABOUT A DOG ? CAN A DOG UNLOCK A DOOR ? ONE TIME I HAD TO GET THIS POODLE OUT OF A MERCEDES. AND IT WAS DURING THIS HEAT WAVE A COUPLE YEARS AGO. AND THIS WOMAN KEPT SCREAMING AT ME THAT WINSTON WAS GONNA DIE. THE DOG'S NAME WAS WINSTON CHURCHILL. IT WAS A REALLY TRICKY LOCK, AND I WAS WORKING ON IT. AND SHE-- SHE KEP GRABBING ONTO MY ARM AND TELLING ME TO HURRY UP. I WANTED TO PUNCH HER. [ Laughs ] ONE TIME... I ARRIVED AT THIS CAR EARLY IN THE MORNING, AND THERE WAS A MAN TRAPPED INSIDE-- AN OLD MAN. HE'D BEEN IN THERE ALL NIGHT. HE HAD ALZHEIMER'S. HE THOUGHT IT WAS CHICAGO AND IT WAS 1932. GOD. WHEN I FINALLY GOT HIM OUT, HE WAS SO DEHYDRATED HE HAD TO DRINK SIX GLASSES OF WATER. THE SCARIEST ONE-- THERE WAS THIS TIME I WAS DRIVING... HOME, ACTUALLY. I DON'T THINK I WAS WORKING. AND I CAME ACROSS THIS ACCIDEN THAT HAD JUST HAPPENED. THERE WAS NOBODY THERE. SO I CALLED 911, AND I WENT OVER TO THE CAR WRECK... AND THERE WAS THIS WOMAN TRAPPED IN THE CAR. BUT I DIDN'T WANNA LEAVE HER IN THE CAR, YOU KNOW. SHE WAS UNCONSCIOUS. I COULDN'T TELL... IF SHE WAS REALLY BADLY HUR OR WHAT WAS GOING ON. AND I STARTED TO WORK ON THE LOCK TO TRY AND GET HER OUT. IT WAS JUST HER AND I, AND I KEPT LOOKING AT HER THROUGH THE GLASS THINKING, I COULD SAVE HER LIFE. [ Computer Game Bleeping ] [ Richard ] YOU HAVE THE BAD GUN AGAIN. JUST KEEP MOVING. NO. KEEP GOING. OKAY. OKAY. DON'T BACK AWAY. BUT IF YOU DIE, AREN'T YOU JUST DEAD ? I MEAN, HOW CAN YOU KEEP GOING IF YOU CAN DIE ? [ Richard ] JUST TRY AND PICK UP THAT BIG GUN BECAUSE-- - I DIDN'T KNOW THAT. - YOU'VE GOT IT AGAIN. BUT I DIDN'T PICK IT UP. IT JUST-- AAAH ! OH, MY GOD ! I KILLED HIM ! NO, THAT WAS YOU. NO, NO, NO, I WAS DOING SO GOOD. HOLD ON, HOLD ON. YOU WERE DOING OKAY. YOU'RE PRETTY GOOD, ACTUALLY. SERIOUSLY, YOU'RE PRETTY GOOD. NO, I KNOW. I'M REALLY GOOD. NO, FOR A BEGINNER YOU'RE PRETTY GOOD. FOR LIKE THE FIRST TIME-- HERE, YOU SHOULD LET ME HELP YOU. YOU SHOULD LET ME HELP YOU. YOU SHOULD LET ME HELP YOU. NO. NO. LET ME TAKE-- LET ME-- [ Imitating Explosions ] [ Knocking ] COME IN. HEY. HEY. I'M GOING OUT FOR A COUPLE OF HOURS, SO I'LL SEE YOU LATER, ALL RIGHT ? WHERE YOU GOING ? I'M GOING TO VISI AN OLD FRIEND OF MINE, JERRI. I DIDN'T KNOW YOU HAD A FRIEND HERE. MM-HMM. WHAT DOES HE DO ? SHE. SHE'S A DEALER AT CAESAR'S PALACE. OH. WAIT. CAN I COME ? CHECK OUT MY LITTLE GUY, RIGHT ? OH, MY GOD ! THAT'S MY SON JACOB. OH. HE'S SO BIG. HE'S ALMOST FIVE. CAN YOU BELIEVE IT ? NO. I'M TELLING YOU, HE IS SO SMART. LET ME SEE. YEAH, HE'S BRILLIANT. I KNOW ALL THE MOMS SAY THAT AND EVERYTHING, BUT I'M TELLING YOU HE IS. IS HE STILL WITH YOUR MOM ? YEAH, I-- I'M GONNA GO SEE HIM DAY AFTER TOMORROW. SO, I SAW THIS MOVIE THE OTHER NIGHT ON CABLE-- THIS BLACK AND WHITE MOVIE. I'M TELLING YOU, IT TOTALLY GOT ME. THERE'S THIS GUY, HE'S IN A HOSPITAL DURING, LIKE, SOME WAR. AND HE CAN'T REMEMBER WHO HE IS. AND HE MEETS THIS GIRL AND THEY FALL IN LOVE AND IT'S ALL REALLY GREAT, RIGHT ? THEY GET MARRIED. EVERYTHING IS FABULOUS. HE HAS TO GO TO THIS OTHER TOWN FOR A JOB INTERVIEW. MMM ! AND HE'S WALKING ACROSS THE STREET, HE GETS HIT BY A CAR. AND HE'S A LORD. YEAH, HE-- YEAH-- HE WAKES UP THE PERSON HE WAS, WHICH IS, LIKE, A LORD OR SOMETHING. AND HE CAN'T REMEMBER WHO HE IS NOW. RONALD COLEMAN AND... GREER GARSON. UM, SHE'S HIS SECRETARY ? AND-AND-- AND SHE NEVER TELLS HIM ! EXACTLY. FOR 15 YEARS-- FOR 15 FUCKING YEARS SHE NEVER SAYS ANYTHING. NO, IT'S UNBELIEVABLE. YOU FEEL LIKE MAYBE-- I DON'T KNOW-- MAYBE LOVE NEVER DIES. MAYBE LOVE NEVER DOES. [ Both Laughing ] RING, RING. OH, SHOULD YOU GET IT ? MAYBE YOU SHOULD GET IT. SHH. RING, RING. SHE DOESN'T KNOW YOU'RE HERE. - HELLO ? - HELLO, RICHARD ? OH, HANG ON ONE SECOND. I'LL GET HIM. UH, HEY, HOW'S IT GOIN' ? RICHARD, IS THAT YOU ? CAN I CONFERENCE IN ? I FEEL LEFT OUT. YES, IT IS. I HAVE A BANANA AND EVERYTHING. YES, IT IS, FLORENCE. WHAT ARE YOU DOING ? I DON'T KNOW. I'M JUS HANGING OUT WITH MY FRIEND HERE. WHO ARE YOU WITH ? NO ONE. UM-- WHO ARE YOU WITH ? DO YOU WANNA COME OVER AND PLAY ? [ Richard Growls ] [ Man ] YOU'VE GOTTA GO EAT. [ Richard ] YOU'VE GOTTA GO EAT ? EAT EVERYTHING. THIS IS THE ONLY TOWN IN THE WORLD WHERE... THE BREAKFAS GET BIGGER BILLING THAN THE ENTERTAINERS. DOWN THE STRIP A LITTLE BI YOU'RE GONNA SEE "STEAK AND EGGS," EIGHT-FOOT LETTERS. AND UNDERNEATH, "IN THE LOUNGE, I'M REALLY HUNGRY. FRANK SINATRA, JR. AND HIS ORCHESTRA." LITTLE TINY LETTERS. YOU GOTTA HAVE GLASSES TO READ 'EM. RICHARD ? BRIAN. I HEARD YOU WEN AWOL ON PETE. YEAH, I KNOW. I KNOW. UM-- THIS IS FLORENCE. UM, BRIAN. BRIAN. PIVANO. PLEASED TO MEET YOU, MR. PIVANO. IT'S NICE TO MEET YOU, MISS-- [ Southern Accent ] TREMAIN. FLORENCE ABIGAIL TREMAIN. - MY FRIENDS CALL ME ABBY. - I GUESS HE'S NO A FRIEND, HUH ? RICHARD IS A MAN OF DISCRETION. WE ARE BUSINESS PARTNERS, AFTER ALL. HE WOULD NEVER PRESUME TO TAKE LIBERTIES. YOU WANNA HAVE A SEAT ? YEAH. YEAH, WE'VE BEEN WORKING TOGETHER FOR-- WHAT IS IT-- LIKE... EIGHT MONTHS OR SOMETHING ? NINE MONTHS, RICHARD. NINE MONTHS. BRIAN AND I WEN TO COLLEGE TOGETHER. WHERE YOU WORKING NOW ? I'M OVER AT SILTEL. SO, UH, WHAT SORT OF BUSINESS ARE YOU TWO IN ? [ Florence ] WOMEN'S CLOTHING. WE DEAL EXCLUSIVELY ON THE INTERNET. WE'RE IN LAS VEGAS THIS WEEKEND DOING RESEARCH FOR OUR NEW LINE. WE DEAL IN SPECIALITY ITEMS, EROTIC FANTASY GARMENTS, LATEX DRESSES AND WHATNOT. WE'RE CALLED LOVE FACTORY DOT COM. [ Chuckles ] [ Brian ] UNDERWEAR, RICHARD ? YEAH, IT WAS A BIG OPPORTUNITY, BRIAN. EVERY WOMAN HAS A FANTASY, BRIAN. BUT MOST WOMEN ARE TOO SHY TO WALK INTO A STORE... AND TELL THE CLERK WHAT THEY WANT. AND WE'RE SUPPORTED LARGELY THROUGH ADVERTISING. WE'VE HAD QUITE A FEW HITS IN THE FIRST-- WOMEN WANT TO FEEL DESIRED. AND MEN LOVE IT WHEN THEIR WOMEN MAKE THAT EXTRA EFFOR TO BE DESIRABLE. AFTER ALL, WITHOUT SEX, NONE OF US WOULD BE BORN. AND WE ARE ALL BORN OUT OF A WOMAN'S CUNT. IT IS THE CENTER OF THE WORLD. AND THE MORE WE CAN DO TO GLORIFY THAT HOLY SPOT, THE MORE WE'RE DOING FOR MANKIND. OH, SISTER, WHEN YOU SAID THAT WORD-- I BELIEVE IT WAS "CUNT"-- I THOUGHT HE WAS GONNA CHOKE ON HIS DRINK. TELLING IT LIKE IT IS, SUGAR. A CUNT IS A CUN IS A CUNT. [ Growls ] [ Laughs ] NO, DON'T DO THAT. NO, NO, NO. EXCUSE ME ! MINK BRAS, SABLE PANTIES. BEAVER BEAVER COVERS. FURS FOR YOUR FUR. FOX FOR YOUR BOX. OH, CHINCHILLA CLIT WARMERS. CHINCHILLA CLIT WARMERS. [ Moans ] [ Chuckles ] [ Panting ] COME ON. OH, FUCK. WHAT AM I DOING ? OH, IT'S OKAY, IT'S OKAY. NO, IT'S OKAY. NO. NO. HEY, IT'S OKAY. OH, FUCK. IT'S OKAY. COME HERE, COME HERE, COME HERE, COME HERE. [ Gasps ] SHH. RICHARD, NO. IT'S OKAY. RICHARD. RICHARD ! IT'S OKAY. SHH. RICHARD-- SHH ! SHH ! WE CAN'T DO THIS. WE HAVE TO STICK TO THE AGREEMENT. [ Kissing ] I'LL SEE YOU AT 10:00. [ Groans ] [ Sighs ] FUCK. [ Sighs ] [ Soft ] [ Richard Moans ] I WANT YOU INSIDE ME. PLEASE. [ Moans ] I DON'T KNOW WHAT TO DO NOW. I CAN'T JUST GIVE HIM HAND JOBS FOR THREE DAYS, YOU KNOW. YOU KNOW WHAT, ROXY ? I MEAN, I'D DO IT. I WOULDN'T EVEN MIND. BUT IT'S LIKE, FUCK, I THINK I KIND OF LIKE HIM. NO, NO. I'M NOT GONNA BREAK THE RULES. TOMATO JUICE ? IN THE MINI-BAR, YEAH. WHY ? FAKE MY-- ARE YOU FUCKING KIDDING ME ? WHAT ? WHAT ? AND, LIKE, MIX THE TOMATO JUICE AND THE LIPSTICK ? [ Groans ] YOU OKAY ? OF COURSE I'M OKAY. [ Loading CD ] [ Soft Rock ] [ Male Singer ] HOW BEAUTIFUL YOU'VE MADE YOURSELF HOW CRUEL YOU'VE BECOME HOW SO MUCH LIKE ANOTHER THAT IT'S NO SURPRISE THAT I DON'T RECOGNIZE YOU NOW YOU'RE SO BEAUTIFUL AND CRUEL YOU'RE THE MEANEST FLOWER YOU'RE THE MEANEST FLOWER [ Moans ] [ Sighs ] [ Gasps ] [ Moans ] [ Panting ] OH, GOD, YOU'RE SO WET. [ Chuckles ] OH, SHIT. YOU'RE BLEEDING. OH, GOD. IT'S OKAY. NO. WHAT IS IT ? COME HERE. IT'S OKAY. [ Chuckles ] OH, MY GOD. IT'S ALL OVER YOU. OH, IT'S OKAY. FUCK ! I THOUGHT IT WAS OVER. NO, IT'S OKAY. I DON'T MIND, REALLY. IT'S FINE. OH, FUCK. IT'S OKAY. I'LL GET IT WITH ICE. IT'S FINE. ARE YOU OKAY ? ARE YOU ALL RIGHT ? UH-- THIS COMES RIGHT OFF THIS. OH, YOU'RE SO NICE. WHY DO YOU HAVE TO BE SO NICE ? I'M NOT NICE. IT'S GONNA COME RIGHT OUT. IT'S TOTALLY FINE. RICHARD, HERE. LET ME DO IT. IT'S-- HERE. [ Phone Ringing ] WHY DON'T YOU JUST TAKE IT RIGHT OFF ? HERE. COME HERE. [ Ringing Continues ] COME HERE. SHH. STOP PUSHING ME ! OW ! I'M SORRY. IF WE DON'T PLAY BY THE RULES, THIS ISN'T GONNA WORK. [ Ringing Continues ] OKAY. HELLO. HEY, JERRI. UH, YEAH. HANG ON ONE SECOND. FLORENCE ! JERRI ON THE PHONE. HEY, JER. WHAT'S UP ? WHAT ? HEY-- I CAN'T UNDERSTAND WHAT YOU'RE SAYING. OKAY, LI-- LISTEN, WHY DON'T YOU JUST COME UP HERE ? NO, WE'RE HERE. HE JUST FUCKING LOST IT, YOU KNOW. HE STARTED DRAGGING ME AROUND BY MY HAIR, AND H-HE-- HE-- HE SLAMMED MY HEAD INTO THE WALL. HE WAS PULLING AT I LIKE HE WANTED MY HEAD TO COME OFF MY NECK. WHO ? WHO IS THIS GUY ? [ Trembling, Whispering ] HE'S A REALLY NICE GUY. YEAH. I'VE KNOWN HIM FOR A WHILE. HE COMES TO SEE ME, LIKE, LIKE, UH, TWO OR THREE TIMES A YEAR. AND, UH, HE COMES ALL THE WAY FROM-- FROM, LIKE, SCRANTON FUCKIN' PENNSYLVANIA. WHERE'D YOU MEET HIM ? UH, AT WORK. HE, UH, SAT DOWN AT MY TABLE AND DIDN'T GET UP FOR THREE DAYS. [ Sighs ] OH, GOD. LOOK, HE'S A REALLY-- HE'S A REALLY LONELY GUY WITH A LOT OF EXTRA CASH, AND HE'S CRAZY ABOUT ME. [ Laughs ] HE EVEN SENT MY MOM... A BIRTHDAY PRESEN LAST YEAR. HE'S NEVER BEEN VIOLENT BEFORE. I MEAN NEVER. I-- I COULDN' SEE IT COMING. WH-WHAT ARE YOU DOING ? TRYING TO SUPPORT JACOB AND MY MOM. THAT'S WHAT I'M DOING. WHY DID HE HIT YOU ? WHAT DID YOU DO ? I, UH, I-I DIDN'T... DO ANYTHING, OKAY ? NO, I DIDN'T MEAN-- I DIDN'T MEAN "WHAT DID YOU DO ?" I MEAN, WHAT HAPPENED THAT HE WOULD HIT YOU ? [ Sniffs ] UM, MR. DOYLE... LIKES TO FUCK ME UP THE ASS. [ Sighs ] AND, UH, ONE NIGH A COUPLE YEARS AGO... HE DID IT TO ME HARD. I MEAN, REALLY HARD. AND IT JUST-- IT DID SOMETHING TO ME, YOU KNOW. WHEN HIS COCK WAS INSIDE ME, IT JUST GOT ME GOING... IN THIS MAJOR WAY. AND AS I WAS COMING, I FELT LIKE I HAD TO PEE. AND ALL OF THE SUDDEN, I AM HAVING THIS ORGASM LIKE I HAVE NEVER HAD BEFORE, AND ALL THIS STUFF STARTS SHOOTING OUT OF ME, LIKE A GUY SHOOTING HIS LOAD. OH, MY GOD. THIS TURNS HIM ON. FUCK, YEAH. HE KNOWS I'M NOT FAKING IT. BUT, YOU KNOW, THE THING IS, I CAN'T CONTROL IT, AND TONIGH I COULDN'T DO IT. IT'S THE SECOND TIME IN A ROW THAT'S HAPPENED. FIRST TIME HE WAS REALLY NICE. AND THIS TIME HE JUST WENT FUCKIN' APE-SHIT. [ Whimpers ] OH, SWEETHEART. I'M SORRY. [ Sobbing ] HE TOOK ALL MY FUCKING MONEY TOO. [ Sniffles ] HE RIPPED INTO MY PURSE LIKE A PIECE OF MEAT... AND TOOK HIS $2,000 BACK. [ Sniffles ] I WAS GONNA GO TO TACOMA, YOU KNOW, TO SEE-- AND NOW I CAN' AFFORD THE TRIP. I CAN'T SEE JACOB NOW. I CAN'T-- HEY. DON'T WORRY ABOUT THE MONEY. THE MONEY'S NO PROBLEM. I CAN JUST TRANSFER THE FUNDS INTO YOUR ACCOUNT. I CAN'T TAKE YOUR MONEY. HEY. OF COURSE YOU CAN. LOOK AT ME. OF COURSE YOU CAN. YOU'RE A FRIEND OF FLORENCE'S. FLORENCE IS A FRIEND OF MINE. SERIOUSLY, IT'S NO PROBLEM. TAKE IT, JERRI. IT'S FINE. TAKE IT. WHAT PLANE DID HE COME FROM ? I'M STILL TRYING TO FIGURE THAT OUT. AND DO YOU KNOW YOUR ACCOUNT NUMBER ? THE NUMBER OF MY ACCOUNT, UM-- I CAN'T REMEMBER. YOU KNOW, I JUST GOT ROBBED AND SMASHED IN THE FACE. HOW CAN I REMEMBER THE NUMBER OF MY ACCOUNT ? DO YOU HAVE YOUR CHECKBOOK WITH YOU ? [ Jerri Whimpers ] UH, YEAH. I HAVE MY CHECKBOOK WITH ME. [ Sniffles ] HERE. GREAT. OKAY. [ Whispering ] I'M SO SORRY. [ Whispering ] I'M SORRY. I'M SORRY. IT'S OKAY, BABY. IT'S OKAY. [ Sighs ] I'M SO LONELY. YOU KNOW ? I NEED YOU, FLORENCE. I REALLY NEED YOU. UM-- DO YOU WANT A DRINK ? WHY DON'T WE HAVE A DRINK. OKAY. A DRINK MIGHT BE GOOD. - I TRANSFERRED THE FUNDS INTO YOUR ACCOUNT. - WOW. [ Snaps ] YOU'RE QUITE THE GUY, RICHARD. UM, YOU KNOW, YOU DON' HAVE TO JUST WATCH, RICHARD. I MEAN, YOU CAN JOIN IN IF YOU WANT TO. [ Gasps ] YEAH, IT REALLY HURTS. I MEAN, WE'RE ALL FRIENDS, AREN'T WE ? [ Jerri Chuckles ] BESIDES, I'M SEXIER THAN SHE IS, RIGHT ? [ Laughs ] NO ! NO. COME ON. YOU'RE PRETTY. YOU'RE REALLY PRETTY. YEAH ? [ Whispers ] I KNOW YOU WANT TO TASTE ME, DON'T YOU ? I THINK YOU WANT TO TOUCH ME. [ Chuckles ] YOU DON'T HAVE TO PAY HIM BACK, JERRI. HE GAVE YOU THE MONEY. I WASN'T TRYING TO PAY HIM BACK, FLORENCE. I JUST THOUGHT... WE ALL MIGHT HAVE A GOOD TIME, YOU KNOW. [ Laughs ] I MEAN, YOU'RE FUCKING HIM FOR THE MONEY, RIGHT ? RIGHT ? [ Whispers ] I WON' HAVE THIS CONVERSATION WITH YOU RIGHT NOW. YOU'RE TOO UPSET. "I'M NOT GONNA HAVE THIS CONVERSATION WITH YOU RIGHT NOW." DON'T PULL THAT HOLY SHIT WITH ME. OKAY ? YOU'RE HERE... TO GET PAID. DON'T BE SUCH A FUCKING WHORE. WHY ARE YOU TALKING TO ME LIKE I'M BENEATH YOU, [ Sniffs ] LIKE WE HAVE NO FUCKING HISTORY ? I KNOW YOU, FLORENCE. [ Inhales Sharply ] AND WE ARE THE SAME. - NO, WE'RE NOT. - FUCK YOU. FUCK YOU ! [ Sobbing ] FUCK YOU AND YOUR FUCKING MONEY ! [ Door Opens, Closes ] IS SHE OKAY ? IS SHE ALL RIGHT ? YOU MAD AT ME ? HEY. OH. SHH. ARE YOU SAD ? DON'T BE SAD. DON'T BE SAD. COME HERE. [ Sighs ] [ Richard ] FEEL MY COCK. YOU CAN WRAP YOUR WHOLE HAND AROUND IT. IT'S SO HARD. YOU JUST HOLD I REALLY TIGHT... AND YOU JUST FEEL I GO IN A LITTLE BIT. IT'S SO HOT. SO HOT. JUST BARELY IN. YEAH. YOU WANT ME INSIDE OF YOU SO BAD. TELL ME YOU WANT ME INSIDE OF YOU SO BAD. BEG ME TO BE INSIDE OF YOU. YEAH. YEAH, AND YOU FEEL MY HAND ON YOUR HIPS. I JUST-- I JUST PULL YOU. I JUST PULL YOU ONTO ME, AND YOUR WHOLE BODY JUST SHAKES. YOU CAN JUST FEEL HOW HOT AND HARD... AND DEEP INSIDE OF YOU I AM. IT JUST STARTS THROBBING INSIDE OF YOU... AND YOUR BODY IS JUST SHAKING. I'M JUST SHUDDERING INSIDE OF YOU. YOU FEEL ME PULL SLOWLY OUTSIDE OF YOU. YOU CAN JUST FEEL ALL OF ME TOUCHING YOU GOING OUT. THEN YOU FEEL ME GO INSIDE OF YOU REALLY HARD. I'M INSIDE OF YOU, AND I'M SO HARD INSIDE OF YOU. AND I JUST START GOING IN AND OUT INSIDE OF YOU. AND IT'S JUST SO HOT. EACH TIME IT SEEMS IT'S HOTTER. IT'S JUST GETTING HOTTER AND HOTTER, AND YOU'RE GETTING SO WET. EACH TIME YOU'RE GETTING WETTER. YOU JUST WANT ME TO KEEP-- KEEP GOING. AND I'M JUST-- YOU FEEL ME GETTING HOTTER AND HOTTER. YOU FEEL LIKE YOU'RE GONNA COME, AND YOU FEEL LIKE I'M GONNA COME. YOU CAN JUST FEEL ME. I'M JUST GONNA COME SO HARD INSIDE OF YOU. AND IT'S GETTING HOTTER AND HOTTER. THEN I START SLOWING DOWN, AND YOU FEEL THA I'M JUST ABOUT TO COME... BECAUSE I'M GOING SO SLOW. I'M JUST-- I'M GOING IN AND OUT SO SLOW. I GO OUT, AND THEN I GO IN, AND I'M INSIDE OF YOU, AND YOU FEEL HOW HOT-- IT'S JUST-- THE HEAT, AND IT'S WET. IT'S GOING ALL UP INSIDE YOUR BACK AND YOUR PUSSY. IT'S SO HOT-- YOUR NECK AND YOUR SHOULDERS AND YOUR ARMS AND YOUR MOUTH. YOU CAN FEEL ME IN YOUR MOUTH. I'M COMING SO HARD. MY COCK IS JUST THROBBING INSIDE OF YOU. [ Door Opens ] [ Female Singer ] DAYLIGHT TRIPPIN' NOW I'M MISSIN' GUESS I'M SLIPPIN' SLIPPIN' OU DAYLIGHT TRIPPIN' NOW I'M MISSIN' GUESS I'M SLIPPIN' SLIPPIN' OU I FEEL THAT REALITY'S PULSATIN' GYRATIN' ALL THAT MATTERS TO ME IS VERY SMALL I'M IN ORBI STILL STANDIN' ON THE GROUND GUESS I'M ONE WITH IT ALL [ Continues, Fades ] [ Stifled Sobs ] [ Sighs ] [ Whispers ] IT'S OKAY. IT'S OKAY. [ Sighs ] [ Sighs ] OH, GOD. [ Gasps ] [ Both Gasping, Panting ] [ Moans ] OH, FUCK. [ Panting, Gasping Continues ] OH, GOD. [ Both Moaning ] OH, GOD, I'M GONNA COME INSIDE YOU. [ Both Gasp ] [ Moans ] [ Continues Moaning ] I LOVE YOU. YEAH, BABY, THAT WAS GREAT. YOU'RE AMAZING. YOU'RE SO AMAZING. WHAT ? YOU DIDN'T FEEL ANYTHING, DID YOU ? OF COURSE I DID. NO, YOU DIDN'T. [ Sighs ] [ Zipper Zips Up ] [ Sighs ] [ Chuckles ] DOES IT MATTER ? SO IT WASN'T REAL ? RICHARD, WE DID IT. THAT WAS REAL. NO, BUT YOU DIDN' FEEL ANYTHING ? WHAT DO YOU EXPECT ? I MEAN, YOU HIRED ME. YEAH, BUT A LOT OF STUFF HAS HAPPENED SINCE THEN. NO. NOTHING'S HAPPENED. IT'S ALL IN YOUR HEAD. WHAT ABOU YESTERDAY ? WHAT DID YOU THINK, THAT I WAS FALLING IN LOVE WITH YOU ? YEAH. [ Whispers ] OH, RICHARD. I LOVE YOU. YOU DON'T EVEN KNOW ME. WELL-- LOOK, I KNOW WHAT YOU WANT. YOU WANT-- YOU WANT TO GET A GIRL HOT. YOU WANT TO THINK THA YOU'RE SO SMART AND SO SMOOTH THAT YOU COULD TURN ANY GIRL ON. YOU PAID ME A LOT OF MONEY. I WANTED TO DO IT RIGHT. I WANTED-- YOU DON'T KNOW WHAT I WANT. OKAY ? YOU DON'T HAVE A FUCKIN' CLUE WHAT I WANT. YOU CAN'T-- YOU CAN'T BUY MY FEELINGS. NO. NO. NO. NO. NO. YOU CAN'T PAY TO MAKE ME LOVE YOU. BUT WE'RE PEOPLE, AREN'T WE ? AND PEOPLE FEEL THINGS, DON'T THEY ? I'M YOUR WHORE. HAVE I EVER TREATED YOU LIKE A WHORE ? HAVE I EVER BEEN ANYTHING BUT GOOD TO YOU ? IT'S NOT ABOUT GOOD OR BAD. IT'S ABOUT MONEY. YOU HAVE IT AND I DON'T. YOU PAY ME TO DO THIS, SO I DID IT. YOU PAY ME TO ENJOY IT, SO I ENJOYED IT. WELL, THEN, YOU'RE JUST DEAD, AREN'T YOU ? YOU WANNA FUCKING FEEL SOMETHING ? [ Grunting ] [ Shouts, Continues Grunting ] AAH ! FUCK. OW. [ Groaning ] [ Shouts ] [ Panting ] [ Sighs ] [ Sobbing ] [ Whispers ] YOU WANT REAL ? I'LL SHOW YOU REAL. [ Door Closes ] [ Rock ] [ Female Singer ] I BEEN DELAYING GRATIFICATION I BEEN READY FOR WORLD DOMINATION READY, SET, GO BABY, DON'T YOU KNOW I'M READY READY, READY, READY READY, READY, READY READY, SET, GO LIKE A DOMINO KICK IT OVER [ Phone Rings ] [ Answering Machine Clicks, Beeps ] HEY, RICHARD, IT'S PETE. I KNOW YOU DON'T GIVE A FUCK, BUT OUR I.P.O. WEN THROUGH THE ROOF YESTERDAY. YOU'RE NOW WORTH OVER $20 MILLION, YOU LUCKY ASSHOLE, AND YOU DON'T DESERVE ANY OF IT. WHY DON'T YOU GO FUCK YOURSELF, YOU BASTARD. [ Machine Clicks Off ] [ Richard ] YOU DON'T NEED TO OPEN YOUR DOOR. YOU DON'T NEED TO LEAVE. YOU CREATE A FRONTIER... TO PUT YOUR MATTRESS WITH THE CABLES AND THE C.P.U.s, AND YOU CLAIM A PIECE OF SPACE. THE WORLD BREAKS IN WAVES AT YOUR FINGERTIPS. YOU MAKE ITS CHOICES. YOU DECIDE. AND IT SINGS FOR YOU WHEN YOU ASK. [ Coughs ] HEY. HEY. IT'S YOU. YEAH. [ Clears Throat ] YOU LOOK GOOD. WHAT DO YOU WANT ME TO DO, BABY ? WHAT ARE THE OPTIONS ? THE REGULAR ROUTINE. SURE. [ Whispers ] LAP DANCE, TWO SONGS, $60. [ Man Singing In Arabic ] [ Woman Singing In Portuguese ] |
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