1
(WAVES CRASHING)
(BREATHING HEAVILY)
(INSTRUMENTS TUNING)
(CREAKING)
(FOOTSTEPS APPROACHING)
(TUNING)
(SIGHING)
GEORGE:
Our boys' curriculum is very wide.
They perform a short play
at the end of every term.
Theater's an abiding
interest of my wife.
- Ah, Mary, tea if you please.
- Yes, sir.
GEORGE: Through the open door.
Nelly, where were you?
Mr. Benham has been
here since 3:00.
I'm so sorry.
Mr. Lambourne has been
organizing the boys best he can.
I lost all sense of time.
Careful with those corners, boys.
- Yes, ma'am.
- Yes, ma'am.
NELLY: Thank you, Mary.
BENHAM: Ah, Mrs. Wharton Robinson.
At last.
NELLY: I'm so sorry, Mr. Benham.
I just kept walking. Forgive me.
Dear boys, let's go
from the third act.
Everyone get into positions.
- ALL: Yes, ma'am.
- NELLY: Thank you, Mr. Lambourne.
Mr. Benham must not see
all our tricks quite yet
or there'll be nothing left
to show him tomorrow.
It is cold outside?
It is, but it clears the mind.
It would be good to decide on the
readings before the end of term.
Of course. Perhaps later.
- Laurenson and Tanner, are you ready?
- BOTH: Yes, ma'am.
NELLY: Geoffrey dear,
don't forget, you come
in on the final line.
Sit there.
Coates, Watson, take those.
- Thank you, ma'am.
- Thank you, ma'am.
I recall no lion in Mr. Dickens
and Mr. Collins' play,
Mrs. Wharton Robinson.
A little dramatic license.
I'm confident that Mr. Dickens
would have let it pass.
(CHUCKLES)
Yates, if you could
drop the backing.
YATES: Yes, ma'am.
NELLY: Musicians.
- Is everyone ready?
- MR. LAMBOURNE: I think so.
ALL: Yes, ma'am.
NELLY:
Boys, remember your positions.
Let's begin.
(ORCHESTRA MUSIC PLAYING)
Well, my lads, the day
is breaking at last.
"Has broken," Hadley. Mr. Dickens
was very particular.
Well, my lads, the day
has broken at last.
What do you say
to the weather now?
BOY 1: I am ready to cross the
mountain with the gentleman,
if the others will go with me.
BOY 2: I can see for myself
there's a storm coming.
I smell the snow. I feel
the hurricane in the air.
No money those gentlemen can offer
will tempt me to cross the
mountain with them today.
BOY 3: Tanner, your cue.
BOY 4: Well, are you ready at last?
BOY 5: My patience is at an end.
I'm sick and weary
of all this doubt and delay.
BOY 4: I'm your man. I will
guide you to your journey's end.
- Say when.
- Now.
- Are you ready?
- I'm ready.
Come along.
Pull it taut.
Upright like a brigadier.
And thread it through.
Thank you.
Were you on the beach again today?
Miss Brooke thought she saw you.
Yes.
(PEOPLE LAUGHING)
- GEORGE: Look. See? It is signed.
- GOVERNOR: Really?
Apparently he modeled the character
of Lucie Manette on Nelly.
The families were very
close when Nelly was a child.
NELLY: I'm sure he drew
inspiration from many people.
My wife adores his novels.
Of course, he's often very funny,
but I find a little bleak.
One wonders what demons
raged in his mind.
GOVERNOR: Indeed.
GEORGE:
Thackeray, there's a writer.
George, you cannot compare them.
BENHAM: Oh, I agree.
I am for Mr. Dickens.
There are times that I have
envied Mrs. Wharton Robinson
to have known him even as a child.
A writer.
Yes, at times bleak, but one who
makes us laugh at our own absurdity.
We see ourselves
clearly in all our folly.
(ALL CHUCKLE)
He's been dead for some years,
but yes, he is still with us.
Thank you, Mr. Benham.
Oh, it is a subject in which I
sometimes run away with myself,
as Mrs. Wharton Robinson
knows only too well.
Run away. Run away.
I, for one, am determined
to revisit him immediately.
Where would you suggest I begin?
MR. LAMBOURNE: Martin Chuzzlewit.
BENHAM:
Any novel, but for brief pleasure,
I would suggest browsing
through a copy of
Dickens' weekly literary magazine.
GOVERNOR: Oh.
Household Words.
A collection of many
of his writings,
and indeed,
chapters of his novels.
And I'm sure Mrs. Wharton Robinson
would not mind if
you cared to borrow.
Of course.
My wife has nearly every edition.
We have run out of shelves.
(ALL LAUGHING)
MARY: Sir.
GEORGE: Ah, good. Thank you, Mary.
BENHAM: The Frozen Deep.
You have the text
of Mr. Collins' play?
Yes. it is not a good play.
But I shall find you one.
- David Copperfield.
- David Copperfield?
- For our readings.
- Oh, yes.
Will you walk again tomorrow?
Perhaps.
May I join you?
I walk at quite a pace.
(WAVES CRASHING)
(BREATHING HEAVILY)
(INDISTINCT CHATTER)
- Welcome. Welcome, Mrs. Ternan.
- Thank you, Charley.
Oh, dear.
Um, yes, do be careful now.
MARIA: Oh, my!
- Oh, Miss Maria. Come inside.
- Thank you.
- Come inside.
- Thank you. Ooh!
- Miss Ellen, welcome.
- (PANTING)
- Oh, your glove.
- Thank you.
I'm Charley Dickens.
Welcome to Manchester.
NELLY: It's so wet.
My father is waiting.
The others are already here.
MARIA: Nelly, look. See?
There we are.
Come on.
(PIANO PLAYING)
(HAMMER BANGING)
(THUDDING)
(INDISTINCT CONVERSATIONS)
MARIA: Look, Nelly.
- Father.
- CHARLES: Ah!
At last we have a full company.
Mrs. Ternan, welcome.
What a beautiful theater
you've built.
Thank you.
I'm glad, we have tried.
- Miss Maria, welcome.
- Thank you.
You had a good journey, I hope.
Yes, thank you, Mr. Dickens.
- MRS. TERNAN: Quite comfortable.
- Good. Good. Good.
- And you must be Miss Ellen Ternan?
- I am.
You've met my eldest son,
Charley, of course?
- He kindly rescued my glove, yes.
- Ah.
The gallant chevalier.
Ladies and gentlemen,
may I introduce Miss Ellen
who is helping us
in our hour of need.
We wish your sister, Fanny, well.
Is it the Haymarket or the Phoenix
Theater we've lost her to?
The Haymarket.
She's so sad not to be here.
No, Nelly will give you
a wonderful performance.
I have no doubt.
Now, Mrs. Ternan, Maria, you've met
everyone on our
previous rehearsals.
Miss Ellen, may I introduce
our family of actors?
- We have Mr. Lemon.
- Delighted.
- CHARLES: And Mr. Egg.
- Welcome.
- CHARLES: And our composer, Mr. Berger.
- Hello.
And Mr. Pigott.
Miss Sabine. Mr. Charles.
And I'd like to introduce our author,
Mr. Collins, but as ever, he is late.
But here are some
of my own family.
My daughters, Mamey, Katey.
My sister-in-law,
Miss Georgina Hogarth.
Assorted sons, Frank,
Alfred, Sydney, Henry.
And where is youngest boy?
Don't hide there, Plorn. Come here.
And that is it, I think.
Uh, yes, of course, and my wife.
And half an hour.
Is that time enough, ladies, for
you to settle your bonnets?
I'd like to rehearse,
but without our author,
Mr. Collins, who is at last here.
Why am I always waiting, Wilkie?
Why must you always be late?
Because it irritates you, Charles.
And it amuses me to
see you in bad temper.
Charles, I don't think
we can afford to cut it.
But it's too long.
It'll bore if it's too long.
It was too long in London, it'll
be too long in Manchester.
Though it pains, Wilkie.
Cut, cut, cut.
It is done.
You can tell Mr. Egg
he's lost his last soliloquy.
No, you must do it as author.
I shall not deny you that.
(LAUGHS)
You are insufferable. And this?
And here and here.
Now, everyone, please be careful.
Our little theater's
not yet complete.
Remember, we are rehearsing Miss Ellen
in today, so let's be considerate.
Now I'm keen to review
the last act,
just the final entry
of Wardour and Aldersly.
So places, friends.
- Now, Maria. Maria.
- Yes.
We should have
you just here, I think.
Then Mrs. Ternan and the girls.
And Miss Ellen...
Mr. Dickens, may I suggest that the
ladies are slightly further upstage?
Yes. Of course.
WILKIE: Have your officers
trimmed to your satisfaction?
Yes, excellent, excellent.
Very good.
Um, do you think I ought to stand
a little wider for the entrance?
Yes, but not too much for
it's your face and not mine
that'll be holding the attention
of our audience, I feel sure.
Uh, Wilkie, are you ready?
I need you standing at the
back if I'm to carry you in.
- Are you ready?
- No.
- Yes, come on, come on.
- Yes, yes.
Charley. Just relax the arms.
Just a little less stiff.
- Yeah?
- Hmm.
(WHISPERING) That's good, yes.
Should you not come?
I cannot carry myself.
Yes, yes, of course.
Do I speak after the gun?
After the gun and you move
downstage to the middle.
MARIA: Frank! Frank!
CHARLES: Then my line,
"Saved, saved for you."
- Then you've put me down here.
- Yes, I have.
CHARLES: And I am footsore and
weary, Clara, but I have saved him.
Yes. That's good.
Then your line, Wilkie.
Where is Wardour?
Help him. Never mind me.
Mark, that's when you come down.
Wardour. Dear Wardour.
Old friend whom I have wronged,
remember and forgive me.
- Very good, you're forgiven.
- (ALL LAUGHING)
Don't be afraid to project. We
have nearly a thousand seats.
Catherine, do say
if you cannot hear us.
- What?
- We can hear you very well, Charles.
CHARLES: Very good.
Everyone speak up.
Then, Maria, that's when
you come over here
and take me gently in your arms.
- Here.
- WILKIE: Sorry.
Richard. Richard,
look upon your old playmate.
- And then music...
- (PIANO PLAYING)
No, Berger... Berger, not yet.
I'm just marking through the cues.
It plays until
the curtain has fallen
by which time we kiss, then gun.
Bang. Then I'm dead.
And then epilogue.
This is a tale of woe.
This is a tale of sorrow.
A love denied. A love restored
to live beyond tomorrow.
Lest we think silence is the
place to hide a heavy heart,
remember, to love and be loved is life
itself without which we are nought.
And then the curtain closes.
Loud applause.
Yet audible the crying of 2,000!
Thank you. Bravo. Bravo.
Ladies, gentlemen.
Thank you, Maria.
WILKIE: Charles, your last speech
I think could benefit from cutting.
- CHARLES: You do?
- I do.
Shall we discuss it?
Uh, yes, yeah. Later.
She has something.
Come nearer.
Clara.
Kiss me.
Sister, kiss me
- before I die.
- (SOBBING) No.
(SOBBING)
(PIANO PLAYING)
(APPLAUSE)
(ALL CHEERING)
(PIANO PLAYING EERIE MUSIC)
WILKIE: Queen Victoria
Prince Albert of
Saxe-Coburg and Gothenburg
(ALL LAUGHING)
Leopold the First of Belgium
William Thackeray!
(POUNDING PIANO KEYS)
No, no, no. it is not enough that
we play before these mere mortals.
Friends, it is Manchester who has
given us the highest accolade.
It is Manchester whose
approval I have looked for,
and it is Manchester who has
bestowed tonight's success.
Friends, we are victorious!
(ALL CHEERING)
Sir Roger de Coverley,
Mr. Berger, please.
(LIVELY DANCE MUSIC PLAYING)
(PEOPLE LAUGHING)
And again!
Strip the willow!
(MUSIC CONTINUES)
Back-to-back!
Gentlemen, change for
the British Grenadiers.
(ALL LAUGHING)
Three corpse lay
out on the shining sand
In the morning gleam
as the tide went down
And the women are weeping
and wringing their hands
For those who will never
come back to the town
ALL: For men must
work and women must weep
The sooner it's over,
the sooner to sleep
And goodbye to the bar
and its moaning
(SOFTLY)
Raise your arms higher like a bird.
And then, when you are
ready, give me your hands.
NELLY: (WHISPERING)
It's remarkable.
CHARLES: Give me your hands.
There. Now you are safe with me.
One of his magic tricks.
(CHUCKLES)
- CHARLES: Where are you?
- (ALL CHUCKLING)
(SHUSHING)
I'm on my own.
You are an admirer of my
husband's work, Miss Ellen?
Of course.
At the moment,
I'm lost in Little Dorrit.
Until now, I thought Bleak House
would be the novel that would
stay with me the most.
It has this alarming spirit
of unease.
Lady Dedlock haunted by her past.
I keep coming back to those
pages again and again.
(SOFTLY) Yet there's so
much that makes me smile.
'Tis a fiction
designed to entertain.
Surely it's more than that.
It changes us.
CHARLES: Now you are,
you are back with us.
(ALL LAUGHING)
He will be up all night.
And cross all day.
(CHUCKLES)
Katey. Mamey.
CHARLES: Now, someone else.
Who is next?
Hmm?
- Who is next?
- Good night.
MRS. TERNAN: Hold the baby.
Hold the baby. She's gone.
Where is she? Where is she? Is she
safe? Please tell me she's safe.
And now you are back
with us, Mrs. Ternan.
- Back where?
- MARIA: Mother.
Mother, I think you were
remembering Fanny on the boat.
Oh. What did I say?
- You were trying to save her, Mother.
- MRS. TERNAN: Oh.
I'm sorry, Mr. Dickens.
I think I may have strayed
into some family history.
Oh?
My eldest daughter, Fanny,
was, um, thrown from her cot.
My husband and I were traveling
around America some years ago,
and, um, our paddle steamer
was rammed by another boat,
and Fanny was thrown
up into the air
and saved, miraculously,
by a mattress.
The angels were watching.
- Yes.
- They were.
Extraordinary story.
I am done, Mr. Dickens.
As am I. I must go.
Tomorrow and tomorrow
and tomorrow.
- Good night, Wilkie.
- Good night.
5:00.
- Bed.
- Or breakfast?
MAN: Good night.
Thank you, gentlemen.
- WOMAN: Good night.
- Good night.
- Maria, you broke all our hearts tonight.
- (CHUCKLING)
Everyone was weeping.
I couldn't hold back the tears.
You were so good.
I did try to console her
in a hushed aside,
but all she could say was,
"Oh, so sad, so sad."
Such a good,
dear, pale little face.
You won't find a better Clara.
Thank you, Mother.
I must get my angels to bed.
I'm too awake to sleep.
- It's daylight.
- Nelly.
MRS. TERNAN:
Everyone needs sleep, Nelly dear.
This is my favorite time.
When the day is creeping up on us
and we must put in order
the chaos of the night.
Stand guard once more,
ready for life.
A wonderful fact to reflect
upon, that every human creature
is a profound secret
and mystery to every other.
NELLY: Until that secret is
given to another to look after.
And then perhaps two human
creatures may know each other.
Do you not think?
Yeah.
Has Mrs. Dickens gone to bed?
Some time ago.
Mmm, yeah, well...
She has terrible headaches.
Sleep.
(FOOTSTEPS APPROACHING)
(DOOR OPENS)
Why must you do that?
GEORGE: Do what, Nelly?
Flaunt my connection?
It is dull.
Dull?
To have known Dickens?
I was a child.
Yet to refer to him as bleak.
It is a misconception.
What?
I do not understand what
you are talking of, Nelly.
This constant agitation.
(MOANING)
(BREATHING HEAVILY)
CHARLES: "As we struggled on,
nearer and nearer to the sea
"from which this mighty wind
was blowing dead on shore,
"its force became more
and more terrific.
"When we came
within sight of the sea,
"the waves on the horizon, caught at
intervals above the rolling abyss,
"were like glimpses of another
shore with towers and buildings.
"As the high watery walls
came rolling in,
"and at their highest
tumbled into surf,
"they looked as if the least
would engulf the town.
"As the receding wave swept
back with a hoarse roar,
"it seemed to scoop out
deep caves in the beach,
"as if its purpose were
to undermine the earth.
"Ham watched the sea,
standing alone,
"until there was
a great retiring wave.
"When, with a backward glance
at those who held the rope
"which was made fast around his
body, he dashed in after it.
"And, in a moment,
was buffeting with the water,
"rising with the hills, falling with
the valleys, lost beneath the foam,
"borne in towards the shore,
borne on towards the ship.
"At last Ham neared the wreck.
"He was so near that with one
more of his vigorous strokes,
"he would be clinging to it
"when a high, green,
vast hillside of water
"moving on shoreward
from beyond the ship,
"he seemed to leap up into it
with a mighty bound.
"And the ship was gone."
Truly, Mr. Dickens,
it is never so alive
as when it is spoken
by its author.
Thank you. Thank you.
Will you excuse me?
- (CHUCKLES) Ah, Mrs. Ternan.
- Mr. Dickens.
It was remarkable.
Such control, such mastery
in your performance.
Thank you. I am told
these readings double sales.
It was quite brilliant,
Mr. Dickens.
- It was?
- Yes. Yes.
- Absolutely.
- CHARLES: Miss Fanny.
(CHUCKLES) We've missed you.
Well, not enough, it would seem.
- Mrs. Dickens isn't here?
- Uh, no, not today.
- Oh, what a pity to have missed it.
- Mmm-hmm.
Oh, such a storm.
We were quite blown off course.
- So, it did not disappoint?
- MARIA: No.
- NELLY: Well...
- Well?
Nelly has read
every chapter twice.
I may have read
every chapter twice,
but I didn't really
hear it until now.
Hearing it spoken,
I felt I was in the storm.
I was there with Copperfield
seeing his friend drowned.
It was unbearable.
CHARLES: Yes, I...
- I am glad.
- (ALL CHUCKLE)
Charles, do please come
and talk to these gentlemen.
I've been entertaining them
for several minutes now,
but ultimately I feel
I am a poor substitute.
Wilkie, I am coming.
(ALL LAUGHING)
Where are you playing next?
They're engaged to play
Doncaster for three weeks.
And what are you playing?
Uh, two tragedies and a farce.
Ah, a farce. What farce?
The Pet of the Petticoats.
(LAUGHING) The Pet of the Petticoats?
What a terrible title.
Yes.
(ALL CHUCKLING)
CHARLES: Well, um...
But very good races, Doncaster.
Excuse me. Don't go away.
(DOOR CLOSES)
Catherine.
Yes?
Shall we sit together?
If you wish.
Well, no, if you'd
prefer not, I, um...
I did not sleep well last night.
Perhaps I will go to bed now.
Yes, of course, yes.
Wilkie has an idea for
Household Words.
A trip to the North.
He's calling it A Lazy Tour
of Two Idle Apprentices.
(CHUCKLES)
It might be a couple
of pages in it.
- Where will you start?
- Um...
- Doncaster, I think.
- Hmm.
Turn up the lamp.
You cannot write in this light.
(DISTANT SHOUTING)
(ALL CHEERING)
(HORSES APPROACHING)
CHARLES: She won! She won!
Nelly, victory.
(CHUCKLING)
Nelly, you've won!
- How much?
- 5 shillings.
5 shillings?
It was fixed. It was fixed.
I hope you're not
a bad sport, Mr. Collins.
- I am a very bad sport.
- Then you must win.
So, what will you do
with your winnings, Nelly?
I shall spend it all at once.
No, I may spend a half a shilling
on a copy of Household Words
just to be sure
the two apprentices
returned safely
from their lazy tour.
They did, though they did
not want to go home.
But what of their families?
Well, they missed them of course,
but they did so enjoy being away.
MAN 1: Charles Dickens.
Charles, you've been rumbled.
MAN 2: Mr. Dickens.
Hello. Good day. Yes. Thank you.
How very unexpected.
- Thank you. Thank you.
- (MEN CLAMORING)
Welcome to Yorkshire. Will
you write a book about us?
Mr. Dickens, great talking to you.
Miss Ellen.
- WOMAN: Mr. Dickens.
- Thank you.
- MAN: I've read all your stories.
- Thank you.
(CLAMORING CONTINUES)
(SIGHS)
Through there, please.
- Watch it!
- Yes, ma'am.
Give me that, Maria dear.
Thank you, Mother.
- NELLY: Nearly there.
- (SIGHING)
MARIA: Oh, home.
NELLY: Home. (CHUCKLES)
That's yours.
- MARIA: Does that need washing, do you think?
- I'll put it in.
(HUMMING)
FANNY: This will not stretch
to another season.
I cannot mend another sleeve again.
MARIA: The cuffs are still good.
And there's lace
on the collar I can save.
Yes, I'll unpick it.
Maria, also this hem.
Thank you. Look.
ALL: To pine on the stem
Since the lovely are sleeping
Go sleep thou with them
Thus kindly I scatter
Thy leaves o'er the bed
- (ALL LAUGHING)
- MRS. TERNAN: I'm collecting washing.
NELLY: Here.
And from love's shining circle
The gems drop away
This signed?
- A souvenir.
- MARIA: Where are my scissors?
FANNY: They're in the drawer.
It's to be treasured.
FANNY:
When true hearts are withered
And fond ones are flown
Oh, Catherine.
Um, excuse me.
(SNIFFLES)
Why are you up so early?
- I must go to London.
- Now?
There will be no train.
Well, then I shall walk.
It will take you all day.
Then it will take me all day.
(DOOR CLOSES)
SIR PETER:
So, here's perverseness.
(ALL LAUGHING)
No, no, 'tis Charles only
whom you would prefer.
'Tis evident his vices and
follies have won your heart.
NELLY: I have obeyed you, both in neither
seeing nor corresponding with him.
Yet I cannot think it culpable if,
though my understanding
severely condemns his vices,
my heart professes some...
(STAMMERS) Suggests some
pity for his distresses.
(ALL LAUGHING)
BUCKSTONE: Egad, we'll have
the wedding tomorrow morning.
ARNOTT: Thank you, dear uncle.
What, you rogue, don't you ask
the girl's consent first?
ARNOTT:
I have done that a long time...
- A minute ago and she looked...
- Be hard to believe she was so bad.
- Yes.
- For shame, Charles.
I protest, Sir Peter.
There has not been a word.
Because we can't hear a word!
(ALL LAUGHING)
BUCKSTONE:
Well, then the fewer the better.
May your love for each other
never know abatement.
And may you live
as happily together
as Lady Teazle and I intend to do.
MRS. TERNAN:
That was very good, Nelly.
Really, Mother?
There is such clarity
in your performance, Nelly.
Oh, thank you, Fanny.
- You looked so beautiful.
- Thank you, Maria.
Mr. Dickens, why didn't you
tell us you were coming?
A last minute impulse.
- Mr. Dickens.
- My dear Buckstone.
Always a pleasure to have
you grace our theater.
Thank you. A memorable night.
Miss Ellen,
you were simply splendid.
Oh, thank you, Mr. Arnott.
As were you.
And how is the writing,
Mr. Dickens?
My writing is ferocious.
I'm up at 7:00, cold bath before
breakfast, then I blaze away until 3:00.
I fight not to be distracted.
Won't you sit?
No, I don't think.
It's very late. You must
be tired, Mr. Dickens.
There's so much to do, I don't
know whether my head is on or off.
ARNOTT: Nelly, you must come
and meet my very good friends.
Thank you. Yes, Mr. Arnott,
I'd be delighted to.
- This is Ambrose.
- Hello.
- She is much in demand.
- Mmm, indeed.
(DOOR CLOSES)
MRS. TERNAN: Come through.
Come through.
CHARLES: Thank you, Mrs. Ternan.
(MATCH LIGHTING)
- Fanny, Maria, we need to feed our guest.
- Yes, Mother.
CHARLES: Please do not trouble
yourself, Mrs. Ternan.
There is some meat in the larder.
And some fruit. And bread.
Nelly, would you bring a
drink for Mr. Dickens?
(CHUCKLES)
This is enchanting.
Ah, I see you have
Mr. Keene as the Moor.
I played his Desdemona. May I
take your coat, Mr. Dickens?
I know. Thank you, Mrs. Ternan.
And my husband was Iago.
Indeed. "Farewell
the tranquil mind."
- Thank you.
- Uh, would you sit?
It is the only chair in
the house that doesn't sag
should you shift
in search of comfort.
Well, I am warned. Thank you.
We have ham and plums.
And some bread and some cheese.
This is charming.
NELLY: And Wine.
Then I shall never leave.
- MARIA: Oh, watch the...
- Sorry.
CHARLES: And I didn't know
how I could get rid of him.
And then what did you say?
Well, what I should have said was,
"Mr. Andersen, though your
Ugly Duckling has delighted,
"you've slept in this room for five
weeks now and you must go home."
- But you did not.
- I did not.
Why didn't you?
CHARLES:
He doesn't understand English.
He only speaks Danish, and I'm
not sure he understands Danish.
I was tempted to learn his
language so I could say to him,
"May you never outstay your
welcome so long again."
(ALL LAUGHING)
And now it seems that
I have done the same.
FANNY: No, never.
I will thank you, ladies,
for a pleasurable night.
Life is nothing
without good company.
Congratulations, Nelly,
on your performance.
Thank you.
Good night, ladies.
Ladies, good night.
- FANNY: Good night.
- Good night.
This is a very pretty cottage.
Thank you. If a little small.
(CHUCKLES)
The rewards of our profession
are rarely monetary.
But I would have it no other way.
No one is entirely
useless in this world
if they may lighten the burden.
(WHISPERING) I didn't know
he was going to be there.
My daughters are fine young women.
Sometimes, I'm anxious
for their future.
I understand.
If I may be of assistance
in any way?
I cannot risk Nelly's reputation.
I hope that nothing I could
offer would compromise her.
Good night, Mrs. Ternan.
Good night, Mr. Dickens.
Good night, ladies.
ALL: Good night.
(DOOR OPENS)
(DOOR CLOSES)
(INDISTINCT CHATTER)
MAN:
Oh, my name is Sam Hall
And I've robbed
both rich and poor
And my neck shall pay for all
When I die, when I die
(CARRIAGE APPROACHING)
(WHINNYING)
MAN: Come on out.
Shilling a blow, sir?
Shilling a blow?
I shall give you 5 if you
go home safely tonight.
I can play house, sir.
Want me as your wife, sir?
Where is your mother?
(CHUCKLING)
(BABY CRYING)
CHARLES: Last night, I sat
next to a gentleman at dinner,
and he asked me in some fury
why it was that our city should help
those who do not help themselves.
By "those" he meant
the many fallen women
that we see around us every day,
and their offspring, many who
rely on this hospital today.
I replied,
"The two grim nurses,
poverty and sickness,
"bring these children before you
and preside over their births,
"rock their wretched cradles,
"nail down their little coffins,
"pile up the earth
above their graves.
"Their unnatural deaths
form one third
"of the annual deaths
in this great town."
"But what of God?"
he piously replied.
"What Of him?" I said.
"I feel sure God looks
leniently on all vice
"that proceeds from human
tenderness and natural passion."
I hope we will, too,
and give generously tonight.
Thank you.
(MUSIC PLAYING)
(INDISTINCT CONVERSATIONS)
- MARIA: Thank you, ma'am.
- NELLY: Good night, sir.
Thank you, ma'am.
- Good night.
- Thank you, My Lord.
- Thank you.
- Thank you very much.
- Good night.
- Thank you.
Oh, I'm sure you can do
better than that, sir.
(CHUCKLING)
Maria. Fanny. Nelly.
Have we fleeced them?
MARIA: With every ounce
of our souls, Mr. Dickens.
Thank you. Thank you.
I did not believe we would
raise so much money.
Where does one begin?
They'll take some counting.
Yes. Yes.
Such an achievement.
We must celebrate.
Yes! We must!
CHARLES: (CHUCKLES) We shall.
Here we are. Please,
Mrs. Ternan, come through.
MRS. TERNAN: Are you moving
in or out, Mr. Dickens?
CHARLES:
I'm thinking of letting it.
My wife prefers to live
outside of the public glare.
London tires her
and Gad's Hill is where she likes
to retreat with the children.
MRS. TERNAN:
Gad's Hill near Rochester?
Indeed, very close.
Walking distance.
Nelly was born in Rochester.
Ah, I was schooled in Chatham.
But my earliest memories
are of Newcastle.
Newcastle I do not know so well.
Please, sit down.
Make yourselves at home.
- We have champagne.
- (CHUCKLES)
Thank you, John.
Please, on the piano.
MRS. TERNAN: Now did you ever see
Mr. Keene's Corsican Brothers?
CHARLES: Interesting. I saw that
melodrama many, many years ago...
(CONVERSATION CONTINUES DISTANTLY)
MRS. TERNAN: Nelly.
Thank you for your hospitality,
Mr. Dickens. We must leave you.
Fanny has an audition in the
morning and must rest her voice.
But, of course, of course.
MARIA: Uh, we have a wager,
Mr. Dickens,
on how much we collected tonight.
I think 400 pounds,
but Fanny thinks more.
Then I shall count it right away.
It must be banked tomorrow.
You'll be up all night.
Well, I don't sleep well anyway.
Why don't we help you?
Together it will take us no time.
- We have a rehearsal in the morning.
- No.
I could stay and help,
Mr. Dickens, with Nelly.
- If you have no objection.
- No, I...
(STAMMERING)
- Well, yes, thank you. Thank you.
- (ALL LAUGHING)
Well, then, I shall
walk home with Fanny.
- Very well.
- Thank you, Mr. Dickens.
CHARLES: Thank you. Good night,
Maria. Good night, Fanny.
We shan't be long.
507 pounds,
six shillings and thruppence.
- We are rich.
- Yes.
And they will be delighted
until the next time.
Do you like this life?
Constantly on show.
Constantly watched.
Well, it is not always
of my own making, but...
I do not think I would.
(CHUCKLES)
Well, I have my work.
It is a great foil.
They try, but they cannot
always find you there.
"They"?
Mmm, the hawkers,
the men who need to make money
who look to trip you up.
And then there are the admirers.
Those who wish you to be more
than you can possibly be.
And what is that?
Good, I suppose.
(CHUCKLES)
CHARLES: My father was sent to a
debtor's prison when I was 12.
I worked in a blacking factory
thereafter,
sealing bottles
and sticking labels.
It was hateful.
- Were you fond of your father?
- Well...
He was my first audience.
I honed my comic lines on him.
Mmm... (CHUCKLES)
I've told you too much.
You're too good at this.
You, now, you.
My father was an actor.
The son of a Dublin grocer.
Also in debt. Also dead.
When I was seven.
In an asylum.
I had a brother.
He died at 10 months.
Though how a boy would have
fit with three girls.
She is devoted to us.
Our life is unpredictable.
You are...
What?
You are so free.
She will sleep all night
if we leave her.
I will ask John to bring
the carriage around.
Nelly?
Nelly?
Tell me a secret.
What kind of secret?
Anything.
Something that
you've never told anyone
or perhaps never even
thought of telling.
My middle name is Lawless.
Now your turn.
Hmm.
Ellen Lawless Ternan.
That is my secret.
(EXHALES)
(SCRAPING)
She's barely 18.
I've never had to concern
myself about you and Maria.
There's always a tour for you
and your younger sister.
Mr. Buckstone's already enquired
if Maria is free for pantomime.
But Nelly...
Nelly is different.
Her talent lies elsewhere.
I love her.
I love her dearly.
Charles Dickens is not merely some
opportunist, some adventurer.
I am thinking about what
this life can offer her.
I'm thinking about her future.
What future would that be, Mother?
Our profession is hard enough,
even if you have talent.
(FOOTSTEPS APPROACHING)
(SOBBING)
(SNIFFLES)
Go away, Fanny.
FANNY: I will stay out here
all day if I have to.
Nelly.
- Did no one think of telling me?
- Nelly.
You are the truest person
I know in life,
but you are not an actress.
And what other arrangements have
been made which I do not know about?
It's only because we care so.
Do you love him?
(SIGHS)
He is married.
That has not stopped him
falling in love with you.
(WAVES CRASHING)
NELLY: We discussed Hard Times,
but it just doesn't
feel quite right.
I don't know. They're quite lost.
BENHAM:
So I thought Great Expectations
might be a choice
for our readings.
David Copperfield is,
of course, a contender,
but for me, Great Expectations
wins out in the end.
Do you agree?
'Tis a fine novel.
Mrs. Wharton Robinson,
I see you are soulful, distracted.
There is some...
As if...
...a part of you is absent.
I do not wish to intrude.
You talk, I am sure,
to your husband.
No.
Not all wives do.
To confide in the person
you love the most,
well, sometimes that is hard.
George is a good man.
- A very good man.
- Of course.
But you are troubled.
Comes and then it goes.
But it returns.
I wish to help you.
I hope I can be someone
you can trust.
- Really, I'm quite well.
- You are not.
Please, Mr. Benham.
I will listen without judgment.
BENHAM: I am always here.
- Come on, boys.
- (SHOUTING INDISTINCTLY)
Come on, Plorn.
The whole point of the third
leg is to give you more speed.
(CHUCKLES)
Oh!
Useless boy.
WOMAN: It's time to get you undone.
What's happened here?
Do you have enough to eat?
- Thank you, Mr. Dickens.
- Good.
(SNIFFLES)
More gossip in The London Diary?
You could not keep it
quiet forever, Charles.
No matter. You must deny it.
Rumors can always be denied.
Do not worry, it will pass.
And then you must stop this.
What if I do not want to?
Don't be foolish.
You cannot keep her a secret.
Yes, I can.
Plorn! We'll do a hopping race.
Mamey. Katey. Come on. Come on.
One leg. Come on, are you ready?
Come here, come here, come here.
Come on. Quickly, come on,
Plorn. You're so slow.
And ready, steady, go!
Yes! Yes! Yes! Yes! Yes!
MAN: Ladies, can I interest
you in some of this?
- Close your eyes.
- MARIA: Don't turn around, Nelly.
Don't turn around.
Close your eyes.
Keep them closed until I say...
Open your eyes! Happy birthday.
FANNY: Happy birthday.
That's lovely. Oh, look.
(INDISTINCT CHATTER)
Ma'am, there's a Mrs. Dickens
to see Miss Ellen.
Mother.
MARIA: I shall cut the cake.
MAN: And he never went home again.
And that was the first
and last time.
Mr. Ambrose? Have you
ever took to the stage?
NELLY: Mrs. Dickens.
I thought this was the right house.
Won't you sit?
Such attention to detail.
(CHUCKLES)
It's all just paste and glass.
You find us in disarray.
I'd heard that he'd found you
somewhere close on the square.
My mother and sister
are to go to Italy.
Fanny is to be a governess
to the Trollope family.
Really?
Mr. Dickens, um, kindly
made the introduction.
My husband's always
been very generous.
Mmm.
Happy birthday, Miss Ternan.
Won't you open it?
It is a gift from Charles.
It was mistakenly delivered to me.
The jewelers naturally believing.
Charles insisted that I delivered
it to its rightful recipient.
He is fond of you.
And you of him?
Silly question.
He is Mr. Charles Dickens.
In those early years together,
I could not fail to be impressed.
But you will find that you must
share him with his public.
They will be the constant.
And, in truth, you will
never absolutely know
which one he loves the most.
You.
Or them.
I do not believe he knows himself.
(CLICKS TONGUE)
I'm interrupting your party.
I'm far too old for parties.
There's not a soul
under 20 in attendance.
Well, Charles will be here soon.
And he's nothing if not youthful.
Keep these for later.
(IMITATING FANFARE)
Ah.
(LAUGHING)
- Good evening.
- Happy birthday.
Are we too late? We're too late.
MRS. TERNAN:
You've missed Maria's cake.
Oh, no! Say it's not so. We haven't
missed all the fun, have we?
We thought you might
provide the fun.
WILKIE: Well, then there's
only one thing for it.
We must whisk
the birthday girl away.
Yes.
Nelly.
Say you'll come.
Where are we going?
(DOOR CLOSES)
Come through. Come in, come in.
Caroline?
Nelly, follow me.
Caroline.
We have visitors.
CAROLINE:
Wilkie, why did you not say?
We are celebrating
a very special birthday.
Caroline, may I present
Miss Ellen Ternan?
It's her birthday today.
Happy birthday. I've
heard only good things.
Caroline!
A new painting.
(CHUCKLES)
It's unusual. It's quite slap-up.
Is The Butler about?
Yes, yes, she's about.
Ah, here she is.
- Squeals. There she is.
- (LAUGHING)
Squeals. And she squeals.
May I take your wrap and gloves?
Thank you.
I prefer to keep them on.
Please.
What a lovely home.
Yes. Yes.
Wilkie found it.
(HARRIET GIGGLING)
(CAROLINE CHUCKLING)
Charles christened her "The
Butler" on their first meeting.
It is all a game with him.
She's very dear.
Does this offend you, Miss Ternan?
Wilkie despises marriage, and
as a widow, this suits me well.
We live very happily.
But you do disapprove, I see.
We have fallen in love with
men of standing, Miss Ternan.
I am not in love.
CHARLES: (ROARS)
The giant's coming.
It is late. Really.
It is too, too late. I must leave.
Please excuse me, Miss Graves.
WILKIE:
Charles, will you stay for dinner?
CHARLES: Nelly?
Mmm.
CHARLES: And still she is silent.
NELLY: Mr. Buckstone has offered
me The World and The Stage.
It has a ridiculous plot.
A titled lady saved from debt
by her sister, an actress.
Yes, but a very
amusing final scene.
And it was you that
secured me the role.
Did you mean to deliberately
humiliate me tonight?
You did not like Miss Graves?
You cannot expect me
to associate with a woman
living so openly with a
man outside of marriage.
- Oh, Nelly... Nelly... Nelly!
- Entertaining guests as if she.
- (LAUGHS)
- I do not wish to appear ungrateful.
You have been generous.
Some might say too
generous to my family.
But I did not realize that
I was to be your whore.
Nelly.
Nelly.
Nelly, it was a mistake.
- Did you send Catherine to me?
- Yes.
She is the mother
of your children.
How could you be so cruel to her?
And for that,
I shall always be grateful,
but I do not love her.
She comprehends nothing.
She sees nothing.
I thought if she saw you,
then she would understand
that I have nothing with her.
- I wanted her to see it.
- "It"?
What is "it," Charles?
What is it that we are?
(SOBBING)
When your wife asked me
if I was fond of you,
I could not honestly reply.
I wanted to say no!
(FOOTSTEPS APPROACHING)
Can I be of assistance, sir?
Is this young lady
troubling you, sir?
Uh, thank you. She is not
troubling me at all. All is well.
Very good. Good night, sir.
Nelly?
Nelly.
May I come in?
Nelly.
(BREATH TREMBLING)
(DOOR OPENS)
(DOOR CLOSES)
(HAMMER BANGING)
CHARLES: I used to walk from
the Aldwych to Highgate,
then back to Westminster,
then on to Millbank.
NELLY: You've London in your blood.
I do. I walk at quite a pace.
- Good day.
- Good day.
CHARLES:
And I'd walk to Putney and...
(LAUGHING)
- I've done that walk.
- Yes.
You don't believe me?
Father.
Charley.
What are you doing here?
I walk this way if I've
taken an earlier train.
(STAMMERING)
You remember Miss Ellen?
Of course.
Charley, you look well.
I am quite well.
Thank you, Miss Ternan.
Charley is working in the city.
- How clever.
- Not really.
It's a friend of Father's.
I still have the glove
which you rescued for me.
I would have been most
unhappy to have lost it.
They're my favorite pair.
I am sure you would
have found another.
Well, I am already late...
Yes, yes.
Father.
Will we see you at home?
Yes.
Good day, Charley.
(FOOTSTEPS APPROACHING)
Charley.
What is it?
It's a letter in The Times.
It's from Father.
I can't read it.
Would you read it?
Read it to me.
"There is some domestic
trouble of mine,
"longstanding,
"on which I will make
no further remark,
"it being of a sacredly
private nature.
"However,
"it has lately been
brought to an arrangement
"which involves no anger
or ill will of any kind.
"My wife, Catherine, and I
have decided to separate.
"The whole origin,
"progress and surrounding
circumstances
"have been throughout within
the knowledge of my children.
"It is amicably composed,
"and its details have now but to be
forgotten by those concerned in it.
"I most solemnly declare that
all the lately whispered rumors
"touching upon my association
"with a certain young lady
are abominably false.
"Upon my soul and honor,
"there is no one on earth
more virtuous
"and spotless than
this young creature.
"And whoever says otherwise,
after this denial,
"will lie as willfully and
as foully as it is possible
"for any false witness to lie
before heaven and earth."
(SOFTLY) Thank you.
(SOBBING)
He's an honorable man.
And you, Nelly, are a beautiful...
- Mother.
- ...clever, wonderful young woman.
- But he cannot marry me.
- No.
He cannot.
But I have been married,
and it is at times
the loneliest place.
What do I do?
Um...
Fanny and I leave for Italy
at the end of the month.
You could come with us.
Um...
I can arrange a passage.
It's easily done.
WILKIE: He's burnt a lifetime's
correspondence, Nelly. Nelly, listen.
He's even asked me to burn
all our correspondence.
There is an insanity
to his behavior.
No, he's not insane.
He's distraught.
And I am not?
You have a choice.
You can distance
yourself from him.
You could find a new life,
a different life.
A different life?
What different life?
What life is there for me?
He is a good man...
Trying to be a good man.
But he is a great man.
You see him, Nelly.
I watch you together.
You see him, he sees you.
What more does one want in life?
- CAROLINE: Wilkie.
- I'm coming.
We have to break
these conventions.
Smash them up.
We're the pioneers.
Pioneers?
You men,
you live your lives while
it is we who have to wait.
You see a freedom
which I do not see.
CAROLINE: Wilkie.
The Butler will not sleep
if I don't read to her.
My name is whispered with yours.
Yet I have nothing.
Nelly.
- I have no regrets.
- Charles...
I have broken something
which needed breaking.
I have finished it.
Yes, it is finished.
No, no, no. The book.
I have finished the book. Here.
You do not like it?
No.
I like it.
I like it very much.
Wilkie thinks I should
change the ending.
No, you must not.
To bring Estella and Pip together
at the end but not to unite them.
- She is changed. That is enough?
- Yes.
It is a sad ending, but
Estella finds her heart.
- She finds an understanding at last.
- Exactly.
And at times...
Pip is not heroic.
He is filled with the vanities,
the ambitions,
the flaws in all of us.
Yes.
I know what I have done,
but to stay as it was,
I cannot when my heart...
Nelly.
In an earlier chapter, Pip said,
"You are part of my
existence, part of myself."
I remember.
"You have been in every
line I have ever read.
"You have been in every
prospect I have ever seen,
"on the river,
on the sails of the ships,
"on the marshes,
in the clouds, in the light,
"in the darkness,
in the wind, in the woods,
"in the sea, in the streets.
"You have been the embodiment
of every graceful fancy
"that my mind has ever
become acquainted with.
"Estella.
"To the last hour of my life,
"you cannot choose but
remain part of my character.
"Part of the little good in me.
"Part of the evil."
Let us go away.
(PLAYING PIANO SCALE)
(DISTANT MURMURING)
(GRUNTS)
(BREATHING HEAVILY)
CHARLES:
"'Now, touch my face with yours
"'in case I should not hold
out till you come back.
"'I love you, Mortimer."'
"The discovery was hers.
"'Observe, my dear Eugene,
"'while I am away, you will know
"'that I have discharged
my trust..."'
"'...so much, John dear,
and since you do,
"'I am sorry that these shoes
are a full size too large.
"'But I don't want a carriage,
believe me.
(INQUIRING IN FRENCH)
(CHARLES REPLYING)
CHARLES: I have agreed
to 50 more readings.
In Manchester, Glasgow and Dublin.
And I've been asked to
give a reading in Paris.
- Shall I come with you?
- Well...
There are whisperings, Nelly.
- Where?
- In Paris.
And if they're in Paris, then
they will soon be in London.
I've been out of circulation.
Then you must go.
Yes. It is what I am.
No, I shall not go.
- No, you shall.
- No, no, no.
- My mind is made up. I shall not go.
- No, you will.
(CHUCKLES)
Sorry, ma'am.
I didn't see you there.
It is quite all right, Mary.
I will do it.
Is there anything else, ma'am?
The guests will
be arriving shortly.
That is everything.
Thank you, Mary.
(DOCTOR SPEAKING FRENCH)
Mr. Tringham, I am sorry.
Even when they are perfectly
developed at birth, it happens.
I need a signature.
It is necessary.
Will he have a burial?
Yes, of course.
Certificate of Death
(FOOTSTEPS APPROACHING)
CHARLES: Nelly, have you
left the keys on the table?
I believe an English family wish
to take the house for the winter.
Nelly?
Say something.
Say something!
We shall miss our train.
(SOBBING)
All passengers arrived from France.
This train for London.
CHARLES: I think we're in
the last compartment here.
MAN: It's Mr. Dickens.
Thank you. We're in here, I think.
Mr. Dickens, sir.
My wife says she should marry
Rokesmith and be done.
- Perhaps the next chapter.
- I'll tell her.
CHARLES: That's for you.
Thank you very much.
(WHISTLE BLOWS)
Thank you.
(CHUCKLES)
Sleep, Nelly, and when you
wake, we shall be home.
(SIGHS)
(CRASHING)
(DISTANT SCREAMING)
(WOMAN SOBBING)
PORTER: Gentlemen, please. Someone
open these carriages here.
And your wife? Is anyone
else in this carriage?
Excuse me.
- MAN 1: Help!
- MAN 2: Over here!
- MAN 3: Please, they are hurt.
- BOY: Help!
MAN 3:
Take the weight on your other leg.
PORTER: Sir?
Sir?
We're asking everyone able-bodied
if they could help
with the most injured.
We need all the hands we can get.
Nelly.
Nelly.
PORTER: Sir?
Excuse me, sir.
Could you come and assist me?
- Is it Mr. Dickens, sir?
- Yes.
Were you traveling alone, sir?
(SOFTLY) Go.
Mr. Dickens.
- Were you traveling alone?
- Go.
Go. Go.
Sir?
Yes, quite alone.
This woman is in need
of assistance.
We are dealing
with the most injured first.
Yes, I'll do what I can, but you
must attend to this young woman.
PORTER: Madam, I will get one of
these ladies to attend to you.
Ladies, please. This way, sir.
- Yes, we're with her.
- Please, will you attend to her?
- We're with her.
- I have brandy here.
Uh...
- Sir?
- WOMAN: Don't worry. Stay here.
PORTER: Check who's inside.
Ah.
PORTER: Sir, press down as hard as
you can to stop the blood flow.
CHARLES: Sir, this is brandy.
We will find assistance
for you as soon as possible.
Porter, we need to release
all passengers
from the train above so they
may help with the injured.
All able-bodied gentlemen,
bring their hats to this tree.
(BREATHING HEAVILY)
BENHAM: Ellen Ternan?
Yes.
That was my name.
You have always known this?
Suspected.
Things you said.
Comments.
Memories of Mr. Dickens that
were not a child's memories.
I saw him read once.
It was magical.
One forgets that he was more
than writer, more than actor.
I have lived my life in the
pages of those novels.
I should not have
expected their author
to have lived so quiet a life.
CHARLES:
The house is to your liking?
Yes.
I'm happy to see the castle
from the window.
There's a fire in every room.
And I've taken the liberty of employing
a nurse who will attend to you.
She's a local woman
but of good kind.
It's a sleepy market town
with a very fine butchers.
And the church is newly
restored, which you must visit.
The fast train from
Paddington takes 18 minutes.
Or alternatively, there's a train to
Windsor from Victoria or Waterloo,
which also serves well.
Nelly?
It's as if it's floating.
You will come to see me?
Yes. Of course.
Weekly?
Mmm, twice weekly. More.
And if I should need anything?
You need only ask.
And should I expect you
at weekends and holidays?
- Yes, but my family...
- Of course.
When you can.
Yes.
And shall we keep Tringham?
Yes.
Then this is how it is to be now.
Whatever I have
tried to do in life,
I have tried with all
my heart to do it well.
Whatever I've
devoted myself to, I...
Don't, Charles.
Don't explain.
There's nothing to say.
Everyone has their secret.
And this is ours.
Yes.
NELLY: I was not a child
when I met Mr. Dickens-
I was 18.
It wasn't easy, our friendship.
Yet there were days of such
joy, such celebration.
And we'd talk and laugh together.
He knew he'd leave me first.
That he would die first.
Charles understood
that however painful it is,
we're alone.
Whoever we're with,
we are alone.
He was right.
Great Expectations.
He wrote an ending. it was his
first instinctive ending.
A good ending.
Pip and Estella do not
come together.
Pip sees that
she will never be his.
Later they wanted him
to change it.
Some people thought it too brutal.
So instead...
Pip's final words are...
"I saw the shadow of
no parting from her."
He ends the book in shadows.
In uncertainty.
In haunting.
And that is where
I have been living.
Do you see?
Yes.
I will not live there anymore.
Nelly.
You're late. It's nearly dark.
Where have you been?
George.
I am here.
I am here.
Are you quite well?
Yes, George.
Are you sure?
I walked with Mr. Benham today.
We talked about Mr. Dickens.
Yes.
George...
The memories of a child, Nelly.
(ROARS)
Geoffrey.
Oh, Geoffrey.
You will frighten our guests.
I think he was trying
to frighten his mother.
Geoffrey.
- Go on, take your place.
- Yes, Mama.
(MUSIC PLAYING)
Nelly.
(INDISTINCT CHATTER)
(INAUDIBLE)
HADLEY: Well, my lads,
the day has broken at last.
What do you say
to the weather now?
I say the weather will do.
I say doubtful.
(ALL CHUCKLE)
I can see for myself
there's a storm coming.
I smell the snow. I can feel
the hurricane in the air.
No money those gentlemen can offer
will tempt me to cross the
mountain with them today.
BOY 1: Well, are you ready at last
to cross the mountain
with us or not?
BOY 2: I say yes, if the
others will say yes, too.
BOY 3: I say no!
BOY 1: I am mountain boy.
I know the pass up there
as I know my ABC.
BOY 3: You know the mountain.
If you risk it, I will.
BOY 1: I'm your man. I will guide
you to your journey's end.
- Say when.
- BOY 3: Now!
Are you ready?
BOY 1: I am ready. Come along.
(WAVES CRASHING)
(WAVES LAPPING)
(SEAGULLS SQUAWKING)
(APPLAUSE)
(INAUDIBLE)
This is a tale of woe.
This is a tale of sorrow.
A love denied, a love restored,
to live beyond tomorrow.
Lest we think silence is the
place to hide a heavy heart,
remember, to love
and be loved is life itself
without which we are nought.
'Tis the last rose of summer
Left blooming alone
All her lovely companions
Are faded and gone
No flower of her kindred
No rosebud is nigh
To reflect back her blushes
And give sigh for sigh
I'll not leave thee,
thou lone one
To pine on the stem
Since the lovely are sleeping
Go sleep thou with them
Thus kindly I scatter
Thy leaves o'er the bed
Where thy mates of the garden
Lie scentless and dead
So soon may I follow
When friendships decay
And from love's shining circle
The gems drop away
When true hearts lie withered
And fond ones are flown
Oh, who would inhabit
This bleak world alone?