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The Real King's Speech (2011)
My first...
..word... ..must be one of praise... for... ..the enterprise... ..enthusiasm...and hard work which have made it possible... ..at a time... when... ..when... ..this country... ..was still under the cloud... The Queen's father, King George VI, suffered from a debilitating speech impediment. (PRODUCES LONG, WAVERING NOTE) Behind the scenes, the King was helped by an innovative speech therapist called Lionel Logue. Huhh! Huhh! Huhh! Huhh! Fish...find...fat...funny. (SPEAKS MUSICALLY) I hear I am accused of the atrocious crime of being a young man. For the first time, Logue's former patients who were treated alongside the King will reveal his methods. I could speak to him in a way that I couldn't speak to anybody else. I owe Logue... a lifetime debt. 'In this grave hour...' And through his iconic speeches we'll chart the King's journey to find his voice and lead a nation. In 1924, the Empire colonial exhibition was opened by Edward, Prince of Wales, and his father, King George V. Thousands attended Wembley that day. Many more listened in. It was the first time a British king was heard on radio. Broadcasting was the marvel of the modern age. 'I thank you from my heart for the words of devoted affection...' Now the monarchy not only had to look regal, they had to sound it. 'The Crown is the historic symbol that unites this great family of nations...' Not easy for George V's second son, Bertie, the Duke of York. The new age of radio was a tremendous personal shock to the Duke of York. You had to be able to perform... directly to millions of people. And he, with his stammer, was not equipped for it. I congratulate you on the completion of this fine building and I trust that it will prove... ..the centre... of an administration... The Duke was afflicted by shyness, and a fear of speaking in public because of his stammer. ..in bringing health and happiness...to the people here. It's difficult enough for anybody to give a speech in public and people didn't know he had a speech deficiency - that's another thing - until they saw him. He had to talk for perhaps two or three minutes, so agony for him. (STAMMERS) The strain was going into a new situation, where people didn't know you. I was heaving, either making no sound at all or making terrible faces. And there you stood, being on the point of sort of rolling about with either laughter or embarrassment. I felt...that I was in a prison... with bars, preventing me from communicating. I can almost visualise myself holding onto prison bars and looking out into an outside world. The Duke used the word "hell" to describe how he felt when he gave a speech. He was confronted, face to face, with a new reality. FEEDBACK SCREECHES Speaking in front of this... huge microphone. Ladies and gentlemen, I am very glad... to come here this afternoon... to welcome the King's Field. I am sure... ..that we are all... ..happy to feel... ..that... that the generosity of His Majesty... ..has set an example to all... He just used to seize up. He could not get the words out. The jaw muscles are going, and he is having one heck of a job to get the words out. ..throughout the country. 'I think people linked stammering' with a certain kind of mental disability. I think they thought you perhaps were not quite right. All of this was in sharp contrast to the Duke's elder brother Edward, a natural in the public eye. A playboy prince and heir to the throne. There was always the comparison with his elder brother. Now, that was very awkward. And people used to say things like, "Oh, it's like an ugly duckling and a cock pheasant." (NEWSREEL) His walk, his manner were copied. The Prince of Wales' drape was the epitome in men's suit design. Even use of a cigarette holder became the mode as a result of his visit. To the Prince of Wales, everything came very easily. He had but to sort of flash that grin and that boyish look and people sort of melted before him. George V had six children. Bertie was the second son. All had a strict upbringing. Bertie started to stammer at the age of seven. The father probably induced it as much as anybody else by his treatment of Bertie, and shouting...you know, "Get it out! Get it out!" when he stammered. He had also the braces put on his legs to stop him being knock-kneed, and being forced to write with his right hand when he was left-handed, and that combination is probably enough to give anyone a stammer. It adds up to a pretty grim picture for poor Bertie, doesn't it? I think that everything improved for him because he married the perfect woman. He had married Elizabeth Bowes-Lyon, who later became the Queen Mother. She was supportive of Bertie all his life. Away from public duty, they enjoyed the privileges of royalty. (NEWSREEL) These were the early, happy years. He chose the joys of the countryside whenever his heavy duties would permit. But in 1926, their lives were interrupted. TRAIN WHISTLE BLOWS His father thought it was time for Bertie to go out into the Empire on a six-month tour. And Bertie would be making dozens of speeches to thousands of strangers. If he didn't want to let his father down, he had to deal with his stammer. On 19th October 1926, the Duke and Duchess of York arrived at the less fashionable end of Harley Street to meet Lionel Logue, an Australian speech therapist. He was their last chance to try to get rid of the Duke's stammer before six months of public speaking on their tour of the Empire. By the time he saw Lionel Logue in 1926, he had evidently already seen about eight speech therapists. This man was tired. And we are all... ..happy to feel... ..the generosity of His Majesty... All attempts by the Duke to cure his speech impediment had failed. Why people stammered was not understood, nor was there any agreement on how to cure it. I think I'd got rather distrustful of all sort of speech therapists, or people who thought that could help stammerers. Say, "Ah." At that time, there were no theories about what caused stammering at all. Speech therapy was in its infancy. It wasn't considered part of medicine. It was a completely unregulated profession, if one could even call it a profession. DOORBELL RINGS Lionel Logue had travelled to Britain from Perth at the age of 44 with his wife and family. He's got no medical qualifications whatsoever. He decides to rent rooms in Harley Street. He doesn't have much money, he's just clinging to the very edge of the road, and he opens his practice there and starts to see patients. His background in Australia was more theatrical than medical. By day, he would be teaching elocution, and in the evenings he'd be using those same skills, treading the boards in his amateur dramatic productions. Lionel Logue's challenge was great. The Duke of York was 30 and had been stammering for 23 years. I can remember him being quite tall. "Hello, George, good to see you, come and sit down, sit down over here. "How are you feeling now?" And it was very gentle and very...welcoming! George Metcalfe was nine years old when he first began treatment with Lionel Logue. It started when I was three. My dad shouted at me, "Don't stammer!" and from then on, I started to stammer. It was like a tic, but it was worse than a tic, so if I can demonstrate, it was, "Urgh!" Like that. And I literally used to bang my head on tables, if there was a table in front of me, or I would bang my head into the porridge or into the soup. Logue's record card of his first appointment with the Duke revealed his methodology. He was concerned with the Duke's physical appearance, which he believed contributed to his stammer. "Well built with good shoulders, "but waistline very flabby. Good chest development. "Top lung breathing good. He's never used his diaphragm or lower lung. "This has resulted through non-control of solar plexus "in nervous tension with consequent episodes of bad speech, depression." For two and a half months, Bertie visited Logue nearly every day and practised intensively. One day, I got there, the Duke was coming out, and I didn't know that the Duke was being treated. And I think Logue told me about it. I probably asked a cheeky question when I got upstairs. He would lean across from his chair and put his hand on my stomach. He'd say, "Right, what you've got to do, George, "is to breathe from your diaphragm." Hand just above the belly button and making sure that you were lifting the hand the whole time... ..to create an unbroken column of air up your windpipe "That's the key to it all, breathing from your diaphragm, "so let's practise a few breaths." So here we would go... (BREATHES IN AND OUT) DOORBELL RINGS Once the Duke had control over his breathing, Logue taught how letters and sounds are formed. Pip, pop, pap. The mechanics of sound, how you actually make a sound. Going somewhere. Going. # Aaah. # That's easy, cos there's nothing holding it back. Mother, naughty, right up in the nose. G-G-G... Goodbye. E... Open your mouth wider to let the E come out. You can go, "Huh, huh!" You can cough. I hope that hasn't upset your sound equipment. Some of Logue's methods had the whiff of the West End, rather than Harley Street. "Let's see how it feels like if you sing it. Maybe you should stand up, George. Now, let's try that." "And...yeah, you've got stuck on that C, let's do that again." And it was always not forceful, like areally good director in a film. 'With the Royal tour only weeks away, 'Logue prescribed the Duke an hour of exercises a day.' Fish, fine, fat, funny. 'A lot of homework to do every day,' practising. 'The Duchess of York 'was fully involved in her husband's treatment.' She helped with the therapies. She went along 'to the consulting rooms, 'was there learning how to breathe' so that when they went away on their foreign tours, she could keep the exercises going. 'By the time the Duke and Duchess set sail in January 1927, 'Bertie had confidence 'in himself and his therapist.' Everyone else was relaxing on deck. He was sitting there doing his gargling, doing his tongue twisters, practising his different vowel sounds, 'and writing back, telling Logue 'how well he was doing his homework, like a child' trying to please their teacher. Extraordinary. 'For six months, the Duke and Duchess 'represented the Crown down under. The trip was regarded as a success, 'but Logue knew that it was a problem managed, 'rather than a problem solved.' 'It was always going to be a problem,' it was never going to go away, because the stammer never went away in its entirety. He did manage to overcome it to a very large extent, but not entirely. 'The Duke's stammer affected his life in other ways too. 'I think there was a great tension in him, 'and I think the stammer was a source of great frustration,' and I think it would build up in him and then it would explode. He would kick corgis across the room. It was disconcerting when it happened. On one occasion, he picked up the knives and forks and threw them about, and Princess Margaret came to his rescue by saying, "This is a good game, let's do this," and jokingly also threw knives and forks around and it all calmed down. 'The Duke and Duchess had two daughters - 'Elizabeth, the present Queen, and Princess Margaret. 'Their upbringing was very different to their father's.' Here, actually, with the Yorks and their two little daughters, you have the first facsimile of a middle-class royal family. 'They were a very loving,' genuinely loving foursome, 'a unit, referring to his wife and his daughters' as "us four". 'Papa, Mummy, Lillybet, Margaret.' CROWD CHEERS 'For ten years, the Yorks had an uncomplicated family life. 'All that changed on 20th January, 1936 'with the death of King George V.' (BROADCASTER) 'Behind the casket, in solemn procession, 'marched Edward with his brothers. 'Now he was King. 'Edward had been prepared for kingship all his life. (BROADCASTER) 'With pride and humility, 'Edward lifted up the burden. 'But he was infatuated with an American divorcee - Wallis Simpson.' He was called The People's King and although he was widely adored, when it came down to it, I think he didn't care much about anybody except Mrs Simpson. 'If Edward married Wallis, it had consequences. 'Suddenly abdication was a possibility. 'The Duke of York watched with increasing horror.' Here, at this crucial stage, Edward VIII wasn't taking him into his confidence, not until about a week before did they know that he was going. 'When the Duke of York realised he was going to abdicate, 'he walked three times around St James's Park. 'He realised' that enormous burdens were going to be put upon him. RADIO STATIC (BROADCASTER) 'He had made this heart-breaking decision... 'A few hours ago, 'I discharged my last duty asKing and Emperor. 'You all know the reasons which have impelled me to renounce the throne. 'The Duke of York drove to Marlborough House' and sobbed on his mother's shoulder for an hour. 'His brother's reign had lasted just 327 days. 'This unprecedented crisis forced the Duke of York onto the throne 'in December 1936. 'There was this whispering campaign, 'that George VI simply wasn't up to it, 'that he was weak and feeble and was never going to' make the role of kingship his own. 'Behind the scenes, people were thinking, "Help!" 'He'd never seen a state paper, he knew nothing' about the business of government, he knew nothing about how it all worked. 'They are terrified that the British public won't want them. 'They feel they might be considered usurpers to the throne. 'Two days after the abdication, 'Bertie was publicly embarrassed on national radio 'from an unlikely source. (ARCHBISHOP) 'During the last 10 days, 'we have seen strange things. 'One King went and another King came. 'The Archbishop of Canterbury,' Cosmo Lang, was pretty self-important 'and he put himself about a lot at the time of the abdication. (ARCHBISHOP) 'And here, may I be permitted 'to add a parenthesis which may not be unhelpful. 'When his people listen to him, 'they will note an occasional and momentary hesitation in his speech, 'but he has brought it into full control and to those who hear, 'it need cause no sort of embarrassment 'for it causes none to him who speaks.' This is a really terrible thing to say. 'The date for the Coronation was the one set for his exiled brother. 'It left little time for the new King to prepare. 'The Coronation itself' involves a few kind of set-piece responses during the ceremony, but also, more importantly, that evening 'he has to make a radio address to the Empire. 'Hundreds of millions of people across the world 'will be listening to his words live.' He's absolutely terrified. 'Just being alone in a room with a microphone - 'that's horrifying for him. 'About a month before the Coronation, the word goes out - send for Logue. 'King George VI would have a lot to prove on his Coronation Day. 'Logue had to prepare him and give his confidence the boost it needed. 'The King describes to Logue how he's had a dream,' and he dreamt that he woke up in the Houses of Parliament and was trying to speak and he was opening his mouth and just no words were coming out. He'd been completely struck dumb. 'Logue went through the radio speech the King would give to the Empire 'after his Coronation to identify any problem words.' He taught me actually how a letter is made up. The bits of it. Almost like the bits in a computer program, so that you concentrated on how that letter looked and sounded. He took the trouble to go through 'each sentence, each word,' each syllable, each sound. Logue was a craftsman. They go through the responses he's got to make during the Coronation itself. 'They go through the text of the address that he's going to make' and they practise and they practise and they practise. 'Agghhhh. Sssss... 'Sssssinister. You can shout.' (CAREFULLY) Beee. (SLOWLY) Ki-ing. "We got a little bit stuck on that word. Let's have it again." (CAREFULLY) Catastrophic. Cat-astrophic. "George, terrific! Let's do that again. "We'll do it even better next time." 'You always came away feeling,' "Wow, I think we're cracking it!" 'Six days before the Coronation, nerves got the better of the King.' Logue describes him at one point as being almost hysterical. He's going through the speech again and again, stumbling at the same point, getting completely angry and frustrated with himself. 'Some worried the King might not get through the speech. 'The BBC cut together a safety copy recorded from the best of 'the King's practice sessions. 'As a kind of standby, 'they decide that if everything goes horribly wrong on the evening' they will cut the speech off and switch over to a primitive recording. FANFARE 'Lionel Logue and his wife looked on from the balcony above the Royal box 'as King George VI was crowned.' They're mingling with other members of the Royal family, which is an extraordinary privilege for a couple of commoners. He can look across and he can see Logue. It's a kind of reassurance for him. 'It was the back-up - "I'll be there,' "I'm going to be with you." You know... "You'll be great!" And the King was. Are you willing to take the oath? I am willing. Solemnly promise and swear? I solemnly promise so to do. (ALL) God save the King! 'King George VI was crowned... 'but the day was not yet over. 'The King stood to speak to the Empire. (KING GEORGE VI) 'Never before... 'has a newly crowed King... '..been able to talk... 'to all his people 'in their...own homes 'on the day of... 'his Coronation. 'I rejoice... 'that I can now speak to you all 'wherever you may be. 'And we do not forget... '..at this time of celebration 'those who are living under... '..the shadow of sickness or... '..dis-tress. 'I thank you from my heart... 'and may God bless you all. NATIONAL ANTHEM PLAYS CROWD CHEERS 'Logue congratulated him on a job well done, 'but both men knew that the demands of kingship 'would be hard for a stammering king.' May it please Your Majesty to name and launch this ship. I name this ship King George V, and may God... ..bless her and those who serve in her. In 1937, the newly crowned King George VI had enthusiastic crowds waiting to hear his every word wherever he went. I have much pleasure in declaring the bridge open. In his first year, he faced an unrelenting schedule of speeches, state functions and Royal engagements. My grateful thanks... And when the last presentation has been made, His Majesty speaks. ..And possession of... Logue himself said that, in the King's eyes, he could see tiredness. It was physical and it was psychological and I'm quite sure that all stammerers would say the same thing. It was an effort. My-My stammer was always there. It was contained by elements of fear all the time. Compared with other people, I felt rather second rate. I think that probably stays with you, however successful you may be. Logue's first success had been the treatment of six World War One soldiers with speech disorders. As well as the physical help he gave, Logue realised that his patients needed psychological support. My dad was quite a hot-tempered fellow and Logue took my dad aside and probably said, "This is the way you ought to be treating your son." And my father would listen to him. I was reading a letter Bertie wrote to Logue soon after his treatment had started and the way in which he said, "The joy, I can talk to my father again." It showed the degree of personal and almost psychological analysis that must have gone on in the treatment and therapy between Logue and the King. Logue also treated the son of Sir Oswald Mosley, leader of the British Fascist movement. "Oh, now, he's the King's therapist," and all that! So I was...I was duly... duly impressed. To me, a good day was when my stammer wasn't too bad and a bad day was when I stammered very badly. And I thought my stammer stopped my father b-being a bullying man. Bertie had taken the name George to show continuity of monarchy with his father. He was also persuaded to copy his father in giving a Christmas speech. It would be an opportunity to further unite the nation behind the new Royal family. 'In a few moments, His Majesty the King will speak to his people at home and overseas.' The King asked for Logue to help him. The speech was made in the same room where his father had delivered his Christmas message. They find an old desk, they set it up in a room. It's exactly the right height for him to broadcast from because the King likes to broadcast standing up. This is because Logue wants to encourage him to breathe deeply from the diaphragm. 'Please stand by.' I used to listen to the radio with professional interest because I knew the difficulties he had. We all listened with bated breath. No more bated than my breath, I tell you! 'Many of you will remember 'the Christmas broadcasts of former years... 'when my father spoke to his people... 'at home and overseas 'as the revered... '..head of a great family...' We listened with great respect just because...b-because... because it was a voice coming from somewhere un-un-unknown. And, um, like a sort of mystical chief of a tribe or something. Those agonising moments, which must have been very intense when you're listening to them over a crackling wireless in the 1930s, wondering whether the whole system had gone down or not. '..His words 'brought...' And then, back he comes again. '..happiness 'into the homes and into the hearts 'of listeners 'all over the world...' I was listening to him, outwardly willing him to... make the right movements of his mouth and teeth and lips. '..I cannot aspire 'to take his place...' I think Logue must-must have taught the King to pause and not mind if he pauses. I mean, to take the pause. '..During this unforgettable year, 'now drawing to its end...' The slow and deliberate delivery that Logue taught the King had an unexpected benefit - he spoke with gravitas and the public soon warmed to him. '..is a pledge that we shall... 'always keep.' The King had invited Logue to spend the whole of Christmas Day with the Royal family. I think that the very fact that Lionel Logue was invited to share the Royal family's Christmas was a mark of his standing. They really got to know each other well. They're not mates in the sense that 'two equals could be mates. 'There's always a degree of respect, there's always a degree of distance. 'The King would write, "My dear Logue" in his letters 'and Logue would address him as Your Majesty.' He never talked about the King. Occasionally he'd say, "I had dinner at the palace the other day." 'Logue was always discreet about his relationship with the King. 'For a man who loved the stage, 'he seemed happy to stay in the royal wings.' There are still a lot of questions about him that remain unanswered. 'How does an Australian elocution teacher and am-dram fan 'go to becoming the speech therapist to the King of England?' # As we frolicked about # From a girl came a shout # Why, look there All the men without trousers... # We've had a very good show here tonight... ..and I thank you all very much and I wish you good night. CHEERING 'Logue used his elocution and drama techniques 'in his speech therapy, but it didn't work for all his patients.' He certainly didn't cure me and I don't think he... I don't think he helped me in my ordinary life. 'W-W-What Logue tried to make me do was act it.' (DRAMATICALLY) I hear I am accused of being...the atrocious crime of being a young man, you see. (NORMAL VOICE) And what Logue tried to do with me, he tried to make me be an actor or a politician, who wants to sing, make a speech. 'But th-then I went out of Logue's consulting room 'and I went back to my friends and I said...' (DRAMATICALLY) "Hello! How have you been? Nice to see you!" I thought, "Well, hell! I would rather stammer, almost." CROWD CHEERS 'May 1938, Ibrox Stadium, Glasgow.' (COMMENTATOR) 'For success is the keynote of the opening speech 'by His Majesty the King. 'King George VI opened the Empire Exhibition 'in front of a crowd of 100,000.' Of the thousands of your subjects gathered in this stadium, and of a much greater audience 'The King's speech was filmed that day, 'but the full extent of his speech impediment 'was edited to make him appear more fluent than he was.' The Queen and I... are very happy to be in Scotland once more. We shall see today, the completion of a great scheme whose inception we saw when we were last...in Glasgow ten months...ago. 'This is the longer version of the speech, 'unissued and unused at the time. 'After years of work with Logue, it visibly remained a struggle 'for the King to speak in public. 'Logue's former patients are going to watch it for the first time.' The Queen and I... are very happy to be in Scotland once more. A whole... A whole town... of more...than 100... individual... ..a-palaces... ..and pavilions. This is a remarkable... The movement of the tongue to make a T-H, "th", he wasn't doing. ..My first... ..a-word... He finds W quite difficult. "My first w-w-word." He finds W quite difficult. "My first w-w-word." ..must be one of praise... ..for... ..the enterprise... ..enthusiasm and hard work, which have made it possible. That's brilliant. Brilliant. The task has been shared... by many people... ..those who have served on the organising bodies... ..the Empire governments which are taking part, the directing staff, and not least... Breathe, breathe. Breathe. Breathe, breathe. Breathe. ..the workmen. It has been... ..performed... (Performed.) ..willingly and whole-heartedly... ..by all and I warmly congratulate them. The exhibition... is an Empire... ..undertaking, but we do well to...remember... ..that it owes its origins... ..and to a great extent... its execution, to the people of Scotland. It is a significant...effect that... ..that the plans... were being... One of the things about stammering is one can never tellwhenone's going to get stuck. ..when... ..a-when... ..this country... ..was still under the cloud of a long industrial depression. I have the greatest pleasure in declaring it...open. I would have said that that was quite an extraordinary demonstration of what he has had to overcome. 'Although people would realise the King was, em, 'was h-having difficulties,' they sort of wouldn't think... he was m-m-making an ass of himself b-b-because he wasn't making an ass of himself - he was just stopping... and talking in a sort of measured...way, which did have its... which did have its own...rhythm. '12 years after the King first saw Lionel Logue, 'this is the most enormous' progress for a man who was absolutely determined to conquer this speech impediment. 'By 1939, war was imminent. 'The British public would need not just a King, 'but a symbol of courage and resolve. 'Could a king who stammered lead his country in her darkest hour?' RECORDING OF GEORGE VI: 'In this grave hour... '..perhaps...the most fateful in our history, 'I send...to every household of my people, 'both at home and overseas... '..this message.' 3rd September 1939. The outbreak of war. King George VI delivered a stirring call to arms. It was one of his finest speeches, delivered at a time when the nation shared his uncertainty and fears for the future. '..spoken with same depth of feeling 'for each one of you 'as if I were able to cross your threshold 'and speak to you... '..myself.' He was the symbol of determination, of resistance. You know, "We're going to lick this, we're going to win." As the war progressed and terrible things happened, he would meet Churchill, he would see all the papers. Then, I think, there was a terrific amount of anguish and strain. I think he took it really very much to heart. Whilst the King was shouldering the burden of his country during the war, another of Logue's patients was on the front line, fighting for king and country. I was an infantry p-platoon commander. Now, that's a word I find difficult - "platoon". P-L. If in battle, and you want to give an order like, you know, "Charge!" or, "Enemy on the left, coming over the hill on the left, open fire," you d-d, you d-d-don't stammer. I didn't stammer, because it was a matter of life and death. It wasn't yackety-yak. The King made more than a dozen major speeches during the war. Logue checked them, changing or removing difficult words. Logue is not just a speech therapist. He's not just a psychological counsellor. He also becomes a kind of speech writer. The two men developed a system to guide the King through his speeches. He gets rid of words, he gets rids of phrases, and often he's doing that purely for linguistic reasons. The speeches were marked where the King should pause for breath. Words were underlined for emphasis, and words beginning with difficult letters were sometimes changed. As the tide of war turned in Britain's favour, the King prepared to deliver his Christmas speech of 1944. It was to be a personal defining moment for him. He says to Logue, "Look, this time, I think I can do it on my own." He doesn't really need him as much as he did before. Logue is at home with his family listening to it on the radio. 'Once more... '..on Christmas Day... 'I speak to millions of you... 'scattered far and near... 'across...the world.' Facing the microphone alone was the action of a confident man. 'We do not know... '..what awaits us 'when we open the door 'of 1945. 'But if we look back... '..to those earlier Christmas Days of the war, 'we can surely say that the darkness daily grows less and less.' CHEERING 'The word courage comes through the whole time.' The courage of the King to face up to the problems that were presented to him. He tackled them head-on every time. He never shirked them. He went for it. Nine years after reluctantly becoming King, George VI had finally found his voice. In 1945 he gave the speech his country had been waiting for. Today, we give thanks...to God for a great...deliverance. Speaking from our Empire's oldest capital city... ..war-battered but never for one moment daunted or dismayed... I owe Logue a lifetime debt... ..which has certainly been carried with meall my life. '..And let us remember' those who will not come back... ..for their constancy and courage in battle, for their sacrifice and endurance in the face of a merciless enemy. 'We have come to the end of our tribulations...' I think he took away the bars and I think I was... I think I was allowed to fly. Very emotional. Red Bee Media Ltd. |
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