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The Transfiguration (2016)
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(orchestral music) (sucking) (urinal flushing) (sucking) (unnerving music) (train rattling) (speaking in a foreign language) (puking) (alarm beeping) - [Man] On the heels of the Cold War, Barry Goldwater, a business man and a five term United States senator from Arizona decided to run for the election of the presidency-. He had a substantial impact... - [Woman] Are you excited for summer? - Yeah. - [Woman] Are you gonna see your friends? - No. - [Woman] Why not? - Don't have any. - [Woman] So you'll be with your brother? - Yeah. - [Woman] But Milo I think we've seen each other enough that we trust each other, right'? - Yeah. - [Woman] You know you can answer honestly with me? - Yeah. - There are no consequences. You understand you don't get in trouble? - [Milo] Yeah. - [Woman] Have you been hurting any animals? - [Milo] No. - [Woman] Not at all, not even thinking? - [Milo] Maybe thinking, but no. - [Woman] So you're thinking about that? Tell me about that, tell me about the thoughts. - It's nothing, just thoughts in my head, but I don't do it, not anymore. (distant chattering) - [Boy] Where you going? Come here. - Fuck him up G. - Hold him. - Hit him. Stop it retard. (groaning) That's nasty. You got to run bro, that was tucked up. - That's right you better run little bitch. (laughing) (muffled talking on TV) . Hey- - Did you buy milk'? - No. - We need milk. - Did you pay the internet bill? - No. - I need the internet. - Then pay it. Get milk too. (muffled talking on TV) What the fuck are you doing? - Nothing. - [Woman] Do they eat all that? - [Man] Yeah well they scoop out, they pull out that stomach and they eat the whole stomach lining eventually. (muffled talking on computer) - Milo. - What? - [Lewis] You gotta disappear for a few hours. - Okay. (unnerving dramatic music) (chattering) - Hey freak. Don't ignore me mother fucker. (laughing) - Yeah it's time to go home freak. - Yo lock up your dogs. (barking) (laughing) - [Man] You're a weird ass mother fucker yo. (dramatic music) (unnerving music) - The elevator's broken. This way. - Hello? Could you help me with my bags'? Thanks so much. - What floor? - Nine. What's your name? - Milo. (dramatic music) - Holy shit, thanks again. - Goodnight. (dramatic music) (distant chattering) (car engine starting) Does that hurt? - What the fuck'? - I'm sorry, I saw you here earlier. - Yeah. They're dicks. You want a drink'? - Sure. I guess that was a stupid question. - What? - Does it hurt? " Sex? Not really. - No. - Oh, yeah I mean it's like, it's like a release. Well it's not like I'm making that arm any uglier. - What's that? - Psoriasis. It's not catchy or anything, don't worry. - Can you catch it from blood'? - What? - Like can I get it from your blood? - No no no it's not like that. - Can I see? Can I see'? - Oh my god gross. - Sorry- - I mean, I mean kind of sweet, but gross. Oh you're really into... - Vampires. - I was gonna say scary movies. - No, vampires. - Like Twilight? - Yeah, no. I don't know, I haven't watched it. - Well you should they're really good. - Do you want to watch a video? (muffled orchestral music) - [Man] The average American consumes 120 pounds of beef per year. In a typical month slaughterhouses across the country will kill nearly three million cows and 385,000 lambs. (lamb screaming) Each individual on the assembly line has his own specialty... - I need to go, I'm late for this thing so. - Yeah. Sorry. - It's fine, I just, I just have to go. (crying) (dryer machines running) (unnerving music) - [Lewis] What the fuck you doing'? - Nothing. - [Man On TV] Let her go. (screaming) - [Woman On TV] Look at her, look at her. (screaming) (train rattling) (unnerving music) - Hello? Hello? (unnerving music) (screaming) (unnerving music) (dog barking) (traffic passing) - Milo! Hey, Milo wait up. Hi. - Hi. - Where are you going'? - Home. - Walking? - Yeah. - Cool, can I walk with you? - Sure. - Do people ever tell you you don't talk a lot'? - No. - Really? - No one ever speaks to me. Sorry for showing you that video. - Don't worry about it. My friend Leo loves sick videos like that. He used to show me that kind of stuff all the time. I mean it's no big deal I just had to go. - No, it's fine. - Do you ever think about suicide? - Not really. Can't kill myself. - You can't kill yourself? - Yeah. I can't. - Like against your religion'? - I mean, yeah sure, it's just the rules. It's just the way it is. My morn killed herself. - Oh my god, I'm sorry. - It's fine. It's just something that happened. Goodnight. - Goodnight. (dramatic music) - Do you want to go to the movies with me tomorrow? - Yeah, okay. - Okay, cool. - What time? - [Milo] Noon. I'll stop by your place. (knocking on door) - Hi. - Hi. Ready? (eerie orchestral music) - [Milo] Did you like it? - I thought it was interesting, I liked the music, but I still think Twilight is better. You should see it, or read it, you know at least the first one. - I prefer Let the Right One In. - What's that? - Maybe I'll show it to you some day. - Okay. You know you're the only one who hasn't like, immediately asked me what I'm doing here. - Do you live with your parents? - No my grandfather, he's pretty awful. I mean I guess the best thing about him is that, is that he's slow so he can't catch me that often. - Catch you? - Yeah he's a violent motherfucker. Put a cigarette out on me last week. I almost went to the cops. - Well, guess you don't like your grandpa much. - Yeah it's fucked up. (siren blaring) - Where's your dad? - He's dead, they're both dead. - On. Mine too. - Really? - Yeah, my dad died when I was like eight, but he got sick when I was like six. I mean it was, it took a long time for him to die, but when he did die it was like a release you know? He was yelling and screaming all the time. - Jesus. - Yeah, it is what it is. (train rattling) It's just, I bet the vampires in Twilight aren't very realistic. - There's no such thing as a realistic vampire. - There is. I mean more realistic. I mean, vampires don't twinkle. - Okay so what are vampires like? - Well, I think it starts with drinking blood, like you have a need to. It's like when you have a cut on your finger when you're a little kid and you're sucking on it but eventually that's not good enough so you switch to animals and stuff like that and then you know, people. And well you change a lot after the first person you kill and you change a lot more after, after one after another. But I think when you first start oft being a vampire all the stuff you see in the movies doesn't really matter. Like you can go out in the sun and you can eat garlic. I don't even think the church stuff is even true, like maybe it's a religious vampire you know? And I don't think you get bit, I think it's like a disease you get. - Wow. Which book is this? - It's not a book it's just how I think it is. Vampires existed before books did. - Well the sun kills them in True Blood. - I did not watch that show, it did not look like it was gonna be realistic at all. - Oh my god you should it's so good and this one, in this one episode, the vampire that makes Eric starts feeling like really bad about what he does so he kills himself, he like goes up on a roof I think and then the sun comes up and just kills him. - I mean it could be true but I don't think a vampire can kill himself. - [Sophie] Why not? - I don't know it's like an animal instinct. - So, they get to live forever? - Maybe. I don't know yet. - Do you go to their graves'? - No. I don't go to my mom's grave, I wouldn't even know where to go. - [Sophie] What do you mean? - [Milo] My brother handled everything and he doesn't like to talk about it. - [Sophie] You didn't go to the funeral'? - [Milo] No, they said I shouldn't. - [Sophie] Well then why not ask him'? - [Milo] I don't think that's a good idea, he's weird about it, he doesn't like to talk about it. - [Sophie] That's so fucked up. Would you go if you knew where she was? - [Milo] I guess. - [Sophie] I'm gonna find her, I mean, do you mind? - [Milo] I guess not. - [Sophie] I'll go with you to yours and then you can come with me to mine, deal? - [Milo] Okay. - Cool. (distant chattering) - Yo freak! - No no that's not good enough freak come over here. - No no just keep walking. - [Milo] It's best if we go. - What's up, who's your girlfriend? - [Sophie] My name's Sophie. - Hey why you slumming over in the ghetto Sophie'? - Haven't you seen her, she live around here. - Yo that ass, no fucking way my nigger. - You all right white bitch? I'm sorry I don't mean no offense I'm just playing. So why you living here white bitch? - I live with my grandfather. - Is he that mean old white motherfucker up on the ninth floor? (laughing) - [Sophie] Can we go? - Of course you can go I ain't your fuckin' daddy. Tell your brother I said hi freak. Come on man. - Jungle fever. - [Man] Fuck them man. - They seemed nice. - They're in a gang. Some of them have killed people. - Don't, that was sarcasm. - I had fun tonight, I'm sorry about... - Goodnight. - Yeah. (knocking on door) - Milo. Wake up. (pounding on door) Wake up. - What? - [Lewis] There's some white girl waiting outside for you. - Hound her. (traffic passing) So what's your favorite vampire movie? - I guess the most realistic, like I like Martin a lot, it's this 70's one, and it's good, it's realistic, and Near Dark is really good it's pretty cool and realistic and the one I was telling you about, Let the Right One In. I'm not sure how realistic it is, I mean like she can climb on walls and I think maybe they're just really good climbers, and Shadow of the Vampire, it's good, it's pretty cool and realistic. - Do you miss her'? - I guess I do. It was about the making of Nosferatu-. - I miss them. I forgot to bring flowers. - [Milo] What does it matter whether you brought flowers or not'? She's not gonna know. - You want to talk? - Not really. (unnerving music) - [Lewis] Yo it's that white girl again she's at the door. - Tell her I'm not home. - [Lewis] Really? - Yeah. (choking on computer) (hip hop music) - Go ask him. - Yeah'? - Yeah, ask him, now now now. Hey, hey bro, little brother. - Hey kid. - Hey what's up man. We were just wondering if you knew where we could buy some C? - [Woman] Yeah, please, or we could give you some molly. - Dude don't, don't sell anything. Dude we're just wondering, you know, could you help us out, if you knew someone or? - [Woman] We're visiting from out of town and we were hoping to party tonight. (laughing) - Yeah I'll help you. - Cool. - Come on. - Yeah awesome. Alright I'll be right back. (hip hop music) Hey wait up. Hey! Oh Shit-. (unnerving music) - Come on. (unnerving music) - Hello? Hello? Yo I'm gonna leave, this is kinda fucked up. (chattering) Hey what's up? You guys must be them, right'? I'm looking for some C or some molly if you got it. - Wait hold up what? - Cocaine or molly? - Oh so you think everybody that live up in here is a drug dealer? - No, dude this kid sent me here... - Why the fuck you asking for drugs if you don't think that? - Whoa, whoa okay, I'm sorry, I don't think anything... - You don't think you fucking racist. - Whoa, I'm not racist okay. - [Man] That's exactly what we fucking need. - Fuck, you a cop? - Okay this is just a misunderstanding I think. - This is a misunderstanding, this motherfucker. - Okay I'm just gonna go now. You guys are on the door. - Now shut the fuck up. Little G, Little G, hey what should we do with this dude huh? - Let's fuck him up. - You hear that? - Dudes come on look. - [Man] Get him, go ahead get him, fuck him up. - [Man] on shit. - Yo what the fuck is wrong with you hitting a little kid huh? (punch thumping) (shouting over each other) (kicks thumping) - What the tuck do you think this is huh'? You come up here talking about drugs and then you're gonna swindle Little G? Hey man, stop crying, come over here. You want to hang with us'? Shoot this bitch. - What? - Chill. (coughing) (mumbling) Shut up. (kick thumping) You gonna do it or not? - [Mike] Wait what are you doing? Wait, please, please. - Oh shit wait. (gun firing) I didn't know he was gonna pull the trigger. - Come on man! - Well I had the safety on. - [Man] What the fuck are we gonna do now? (groaning) (gun firing) - Shit, come on, speed out, come on. (eerie music) - Hey! Hey you, tell me where Mike is. Stop, hey! (chattering) (muffled police radio talking) - You passed my building. - Hold on just a minute. Oh yeah, right here looks good right'? (siren blaring) (muffled police radio talking) - [Man] Do you think they're gonna snitch? - [Police Officer] Thanks Milo, stay safe. (chattering) (talking on TV) - Welcome home. Where you been last night? This place been crazy. - Yeah I bet. - [Lewis] We were on TV. - We were? - Our building. Someone killed a white boy in the basement. - No shit? - Yeah, it's been crazy, it's been on all the news channels. (talking on TV) - Cool. - Why are you avoiding me? - I'm not avoiding you. - Liar. - I'm not a liar. - Well liar I got you this. It's Twilight. - I see that. - Promise me you'll read it? - I promise. (unnerving music) - Milo? What are you doing in here? Come on get out. Are you gonna tell me what the fuck is going on? I heard you talked to the police. - I didn't talk to them, they took me in. - Then why'd they give you a ride home then if you didn't talk to them? - They said that if I didn't help them that they'd make it seem like I snitched. - Hey they'll kill you if they even think you talked to them. - I didn't tell them anything. - Alright, you know it doesn't matter what I think. You saw it? - Yeah. - Shit-. Did they see you see it? - No. I don't know. - Milo I can't protect you from them. You know that right'? - Lewis, stop. - Okay. Okay. - [Milo] Lewis. - And don't trust the cops either, alright? They're frame you tor that shit just 'cause they can. - Okay I get it. - Listen to your older brother. - Alright I understand. - Alright. - So this is what you do, you sit up here? - I study. - That's cool. Do you believe in God? - No. Do you? - I guess. Yeah. I had a feeling that you didn't. - I mean like, I think we're all special. I believe in that, I guess it's magical, but I don't think anyone intended anything and I think when you die you're just, you're just gone. - Don't say that, it's so fucking creepy. - It's true, I think. - Okay, okay moving on. What would you do with a million dollars? - What if I told you I had $1,000,000? - Then I'd steal it. - You would? - No, but I'd ask to borrow some. - What would you do with it'? - Get out of here, you know, move out. - Where would you go? - Anywhere. But I have a cousin in Alabama. She let me stay there. I could pitch in, probably go there. - Cool. - Okay so what would you do with a million dollars? - I've got plans. - That's it'? - Yeah, I've got plans. (train rattling) (chattering) (unnerving music) - Thanks. - You're welcome. - [Woman] Asher. - Bye. (unnerving music) - Yo Milo. You talking to five, O? - [Milo] No. - That's not what we heard. - You heard wrong, I don't do that. - That kid screamed like a little bitch right? - I don't know what you're talking about. - Oh come on you don't think he screamed like a little bitch? It's alright, Malik said he saw you there. Right Malik? - I don't know what you're talking about. - Don't act fucking smart okay? - I'm not. Can I go? - This ain't over. (screaming) (laughing) - Do you want to do it again? (laughing) Stop. (talking on TV) So I'll see you tomorrow then? - Yeah. - Bye. - [Lewis] Uh-huh I see you bro. - Lewis. - What? That was nice. (laughing) - Lewis! - [Lewis] What? - What day is it? - [Lewis] Friday. - No, the date. - [Lewis] 14th-. (unnerving music) (talking on TV) . Hey- - Hey, what's up? - Nothing. Can I watch TV with you'? (talking on TV) (doorbell ringing) - The neighbors heard me screaming and threatened to call the cops so he let me go. - Are you hurt? - No, I don't think I need to go to the doctor or anything. I just really don't want to go back there. - [Lewis] She okay? - Yeah. - Can I stay here'? - Sure. - Where's the ChapStick? (beat-boxing) Where's the ChapStick? (beat-boxing) (laughing) Where's the ChapStick? (beat-boxing) Where's the ChapStick? (beat-boxing) (laughing) Where's the ChapStick? (beat-boxing) (laughing) Where's the ChapStick? (dramatic music) Where's the ChapStick? (dramatic music) (talking on TV) (dramatic music) - Don't you think you should get your stuff'? - You really thought I've been in the same outfit for like a week? - And borrowing my clothes. I mean it's tine, it's just, you have to eventually right? I mean it's tine, it's just, you have to eventually right? - Yeah. - You can stay here as long as you need to. - Okay. - Okay. Thanks. (screaming) Are you sure you don't mind me not coming? - It's fine. Used to spending time by myself anyways. Used to spending time by myself anyways. - Thanks. Oh and then... - Oh we'll get your stuff. Think I've convinced Lewis to come. Think I've convinced Lewis to come. - Okay let's see. - We'll do it, see you soon. (talking on TV) (talking on TV) - Hi. . Hey- - Sorry I was, I was wondering if you had a stamp, - Sorry I was, I was wondering if you had a stamp, and an envelope? - No. - No? - [Lewis] I don't know. - Okay, okay then. - So you really like him? - Yeah, I do. (talking on TV) - Hi, I'd like to cash this check and pay these two bills with it. And can I get a money order? (baby crying) (baby crying) (birds squawking) (dramatic music) - She didn't say anything, she just left. - She didn't say anything, she just left. (signing) (knocking on door) - Hi. I know, I know, I know you saw that stuff, but if we could meet then, if we could meet then I could explain. (phone ringing) - [Answering Machine] Seven, two, three, four, nine, seven... (train rattling) (chattering) (unnerving music) (distant shouting) - [Woman] God damn you. - [Man] Fucking. (thumping) (screaming) - [Woman] Fucking faggot. - You fucking loudmouth bitch. - You fucking loudmouth bitch. Shut up. (shouting) (unnerving music) (unnerving music) (unnerving music) (slashing) (unnerving music) (vomiting) (unnerving music) (screaming) (unnerving music) (train rattling) (talking on TV) (orchestral music) - [Man On Computer] I warned you. (talking on TV) - You look like shit. - When you were there did you kill anyone? - No. No. I saw a lot of parts, you know like body parts after bombings but no I never killed no one, why? - I was just wondering. - You do what you have to do, no matter what. Whatever it is you're doing, there's someone doing a whole lot worse, you know'? - I guess. - No, ain't no guess, you gotta remember that. No matter how bad you think you done there's somebody doing a whole lot worse who's doing now. - You think? - You can trust me, I know. I fucking know. Ain't nothing you doing as bad as what people are doing all the time to each other. You know what people just close their eyes to and let happen. You know I bet whatever it is you're worried about, it ain't nothing compared to the shit that goes on. - Yeah. Goodnight Lewis. - Goodnight Milo. - What? - Milo and Lewis. You know it's like she gave us names she knew we get our asses kicked. - Yeah. - I miss her. - I miss her too. - Hi. I'm sorry for leaving like that and for not speaking to you. I wasn't snooping I was just looking for a pen and paper. I didn't even really know what it meant, but it kind of freaked me out. I mean I shouldn't have just left like that. I'm sorry. - It's fine. - So, so what was all that? Are you working on a book about vampires, a crazy killer or something? - It's nothing that matters any more. - Really, 'cause it seemed really detailed. Did you come here to write more'? - I'm not writing anymore, I'm making a plan. (unnerving music) - [Man] Shit, you're just giving all this to me? - Yeah. - [Man] Why the fuck would you do that? - So we can trust each other again. I never spoke to the cops. - Is this stuff hot'? - Yeah, very. - [Man] You got all this yourself? - Yeah. - How? - I broke into places. - [Man] It's a lot of valuable shit. - So we're cool? - Yeah motherfucker whatever. - Okay. (unnerving music) (knocking on door) - Wow. - Lewis said girls like flowers. - They mostly do. Thanks. (eerie dramatic music) This was nice. - [Milo] Yeah. (eerie dramatic music) (unnerving music) - [Sophie] Hey. - What? - What's with your fucking crazy eyes? - Huh? - Drink? - I wanted to give you something. - Really? - Yeah. It's for you to go to your cousin's. - Where did you get it? - Don't tell anyone you have it, just, just go. - Do you want to come with me? I mean you have to come with me. - I can't. - Why not'? - You wouldn't like me in the end. I'm not good, I never will be. - No but I already know that you're crazy. - I'm not going, just, just make sure you go. - Milo. (door closing) (siren blaring) (shouting) - [Man] Drop the fucking gun! (guns firing) (sirens blaring) (helicopter buzzing) (sirens blaring) (helicopter buzzing) - [Man] Women's history in this regard tries to merge two approaches, that have been used in the past. There's contribution history, which views women as... - Can I go? - [Woman] You know we can't end early. - Can I draw? - [Woman] What would you draw? - I've been drawing the sun a lot lately. (talking on TV) - So you heard huh? - No. - They arrested all of them. Andre, Troy, Mal, all of them. - You mean all your old friends? - Yeah. (laughing) Don't remind me. You didn't know'? - No, why would I? - It's on the news even. They say they killed that white boy in the basement and some white family in the Village. - Really? - You didn't know'? - [Milo] No. - Yep- (unnerving music) - I just wanted to see if you left. Call me. (distant choir music) (car screeching) - [Man] Hey freak. (gun firing) (phone ringing) (unnerving music) - [Sophie] Hey. Now you're not calling me? Call me back, maybe come and meet me? (dramatic music) - [Milo] I read Twilight, I thought it sucked, not very realistic at all. (laughing) (dramatic music) I've been thinking a lot and maybe a vampire can kill himself. I mean maybe not kill himself but arrange it. Like if he could do something and know that it would get him killed. That would get around the rule I think. (dramatic music) I'm not sure vampires should, are meant to be here, I mean I know they've always been here. But I mean if you can only exist to hurt people and you know better then maybe it's better to decide not to exist at all. (dramatic music) (You Will Miss Me When I Burn by Palace Brothers) When you have no one No one can hurt you When you have no one No one can hurt you In the corners There is light that is good for you And behind you I have warned you There are awful things Will you miss me when I have burned And will you eye me with a longing It is longing that I feel To be missed for or to be real When you have no one No one can hurt you When you have no one No one can hurt you Will you miss me when I have burned And will you close the others eyes It would be such a favor If you would blind them There is absence, there is lack There are wolves here abound You will miss me when I turn around When you have no one No one can hurt you When you have no one No one can hurt you (somber music) |
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